Private Passions

Dr Richard Smith heads an organisation called Patients Know Best, and having been editor of the British Medical Journal for most of his career, he now enjoys stirring things up in a provocative weekly blog there. Among his targets: the sinister power of drug companies - and the not unrelated tendency of doctors to over-treat illnesses like cancer. When he's not stirring things up at home, Richard Smith is in Bangladesh, working for a charity trying to prevent the terrible human loss caused by infected drinking water. He has also worked as a television doctor and at one point answered readers' letters for Women's Realm.In Private Passions, Richard Smith tells Michael Berkeley about his strong belief that doctors and patients collude to hide the truth about disease and death, and explains why he gives a talk called provocatively: "Death: the Upside". He reveals too how music has sustained him at crisis points in his life. Choices include Bach's cello suites, the Stan Tracey Quartet, Shostakovich, Messiaen, Haydn, Deborah Pritchard, and sacred music by the medieval composer Hermannus Contractus.

The Hay Festival began in 1988 with 250 people in a field in mid Wales. Thirty years later, the crowd has swelled to more than quarter of a million - 265,000 people are expected to turn up this year over ten days - and it's still in a field in mid-Wales. But the Hay Festival has also grown into an international brand, with spin-offs across the world in Colombia, Peru, Mexico and Segovia.The Festival founder, Peter Florence, has been running it all that time; he started it with his parents - his father was a theatre manager for Sam Wanamaker. Legend has it - and Peter confirms this - that it was partly funded by winnings from a poker game. In Private Passions, he looks back over the lessons of the last thirty years, and reveals how he has grappled with censorship when staging festivals in Hungary and Mexico. Peter Florence's music list reflects a passion for Bach and Mahler, and for the oud player Anouar Brahem. He chooses Handel's Sarabande, made famous by the film Barry Lyndon, and Sarah Vaughan singing "The Man I Love", which he describes as the sexiest song in the world. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Michael Berkeley talks to the food writer, artist and journalist Elisabeth Luard about her favourite music and the memories it conjures up of the joys and tragedies of family life. The winner of the Guild of Food Writers Award for Lifetime Achievement, she has written more than twenty cookbooks, including European Peasant Cookery, Flavours of Andalucía, and A Cook's Year in a Welsh Farmhouse. And her compelling series of memoirs documents the joys and appalling tragedy she's experienced as a mother; the delight she found in living abroad with her young children; and the ups and downs of her long marriage. The latest is Squirrel Pie: Adventures in Food Across the Globe.Elisabeth tells Michael about her childhood growing up in embassies in South America and her return to school in England and a very special choir master. She chooses flamenco music that reminds her of her life in rural pre-tourism Andalucia bringing up her four young children.We hear Elisabeth's friend Christopher Logue reading from his poem War Music, and music by Mozart and Beethoven - and we hear a song which was special to Elisabeth's daughter Francesca, who died in her twenties.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

For Lubaina Himid, winning the Turner Prize is recognition for thirty-five years of work as a painter, curator and installation artist. Her work is witty, vibrantly coloured, and provocative; in her most famous work, "Naming the Money", she filled galleries with more than a hundred huge and very beautiful cut-outs of African figures from the past - the forgotten black servants and musicians who were brought back by their slave-masters to live in Britain in the 18th century. Lubaina Himid herself was born in Zanzibar, Tanzania, but came here as a baby, first to Blackpool and then to London. She now lives in Preston, where she's Professor of Contemporary Art at the University of Central Lancashire. She was awarded an MBE for services to black women's art. She says "My work is a mixture of humour, celebration, optimism and fury. I want to challenge the order of things."In Private Passions, she talks about how winning the Turner Prize has changed her perspective, and about how she creates a musical soundtrack to her installations. She pays tribute to her aunt, who played the violin and brought music into the house, and talks honestly about how difficult it was to make a living as a young artist. Musical choices include Bellini, Bruch, Janacek, and Nina Simone. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Michael Berkeley's guest is Anne Sebba, the best-selling biographer of iconic women including Wallis Simpson, Winston Churchill's mother Jennie, Laura Ashley, and Mother Teresa.Her most recent book tells the stories of the women of Paris in the 1940s. She follows the lives of housewives, Resistance fighters, shop girls, prostitutes and celebrities, all the time examining the big, small - and often impossible - choices people have to make in wartime. And we hear part of an operetta composed by one of these women, imprisoned by the Nazis at Ravensbruck.Anne tells Michael about her controversial biography of Wallis Simpson in which she claims that we should have more understanding of her situation and more admiration for her as a person - and she argues that Wallis married Edward with great reluctance.We hear Artur Rubinstein playing Rachmaninov, which brings back memories for Anne of interviewing him when she was a young journalist, and she chooses music by Mendelssohn, Chopin, and Verdi. A passionate advocate for the celebration of women's lives and talents, Anne chooses performances by Robyn Archer, Maria Callas and Margaret Fingerhut.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

The artist Phyllida Barlow shares her passion for music that reflects her sculpture, in its defiance of convention and delight in surprise. For years Phyllida Barlow was so desperate for people to see her sculptures that she would leave them on the street or in disused factories; or she would install them in friends' houses, using pianos and ironing boards as plinths.Initially overlooked by museums and galleries, she was in her sixties when she found widespread recognition - in the last decade she's been invited to exhibit all over the world, and has became a Royal Academician, a CBE, and the recipient of numerous awards. Her 2014 exhibition at Tate Britain was unforgettable - she filled the cavernous Duveen Galleries with huge, gravity-defying pieces made out of timber and scrap materials which appeared to be about to topple over or to be on the point of collapse. And in 2017 she received the ultimate accolade of representing Great Britain at the Venice Biennale.She talks to Michael Berkeley about finding success in later life, how she juggled life as a teacher, artist and mother of five, and the challenges of constructing monumental installations. She chooses music by Birtwistle, Wagner, Janacek, Webern, and Messiaen, pieces which reflect her fascination with size, scale, texture and unexpected beauty. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

In a revealing and entertaining programme for Easter Day, the Reverend Richard Coles talks to Michael Berkeley about his double life as a celebrity priest and his enduring passion for classical music. The only vicar to have had a number one hit and to have danced the paso doble dressed as Flash Gordon in front of 10 million television viewers, Richard Coles is also the presenter of Radio 4's Saturday Live and the author of several books including a devastatingly honest autobiography in which he describes how he swapped the sex-and-drugs fuelled world of pop stardom for the life of a parish priest. Richard talks to Michael about how he balances being a celebrity - appearing on shows such as Strictly Come Dancing, Celebrity Masterchef and Have I Got News For You - with the day to day normalities of being a vicar in rural Northamptonshire. He reveals how Mozart helped his recovery from depression as a teenager, looks back on the risks he took as a hedonistic pop star with The Communards in the 1980s, and talks frankly about the difficulties of being gay in the Church of England.Classical music has always been at the centre of Richard's life from his days as a teenage pianist and chorister, and he continues to discover new passions such as Janacek and Wagner. He chooses choral music which reminds him of studying theology at King's College London, jazz in memory of his racy grandfather, and the Monks of Solesmes singing from the Gradual Mass of Easter.Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Xavier Bray is a renowned specialist in 17th- and 18th-century art, and he's been director for a year now of the Wallace Collection, that rich collection of rococo painting, china, and armour, housed in a grand mansion in Marylebone that remains something of a well-kept secret. Bray would like to change that, opening up the gallery to a wider public and to music of all kinds. He himself would have loved to be an opera singer, and he has sung in choirs all his life. His party piece is a demonstration of Mongolian throat singing, which he taught himself after going to a concert as a student. He gives Michael Berkeley a demonstration, and discusses, more seriously, the connection between the visual arts and music. He reveals his other musical passions: for Marin Marais, flamenco, Bizet, Messiaen, and for the Italian tenor Beniamino Gigli. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

The poet and singer-songwriter Gwyneth Glyn talks to Michael Berkeley about the music she loves from Wales and around the world. Gwyneth has been described as a poet among singers and a singer among poets. She's also a television script writer, a playwright and a children's author, having won the Crown at the Urdd Eisteddfod aged 18, and going on to be appointed Wales' National Poet Laureate for Children in 2006, the year she also won Best Female Artist in the Radio Cymru Rock and Pop Awards. Brought up in a Welsh speaking household, she's a passionate advocate of the language both within Wales and internationally.Gwyneth talks to Michael about writing a libretto for the first ever Welsh language opera, growing up in a rural Welsh-speaking community, and the pleasures and challenges of passing the language on to the next generation. She chooses music from her collaboration with Indian ghazal singer Tauseef Akhtar, as well as music by Tippett, Welsh folk hero Meredydd Evans, Rimsky Korsakov and Tchaikovsky. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Richard Flanagan first came to worldwide attention in 2001 with one of the most original titles ever: "Gould's Book of Fish, a Novel in Twelve Fish". It was his third novel, the story of a 19th-century forger sentenced to hard labour off the coast of Van Diemen's Land. Van Diemen's Land, or Tasmania as it's now called, is where Flanagan was brought up, and still lives and writes, publishing every few years a novel that is extraordinarily thought-provoking and original - and very different from all the books before. His last novel, The Narrow Road to the Deep North, about the Death Railway in Burma, won the Booker Prize. Four years on, his new novel First Person is the story of a conman, and it's based on an extraordinary experience of his own. Flanagan dreamed of being a writer but was working as a builder's labourer when he suddenly got a commission: to write the life story of a notorious conman who was facing jail. They spent three weeks together shut up in a publisher's office, and it was frightening to be incarcerated with such a violent murderer. After three weeks the man shot himself, but for Flanagan that trauma was just the beginning of the story - he then had to recreate the criminal's life on the page, making it all up. Flanagan talks to Michael Berkeley about a life lived on the edge, in the wild beauty of Tasmania, and about his admiration for those who live outside the cultural mainstream, often lone voices of dissent. His music choices reflect this: the Polish Australian composer Cezary Skubiszewski, Arvo Part, John Field, Von Westoff, and Jane Birkin. Produced by Elizabeth Burke A Loftus production for BBC Radio 3.