Private Passions

For almost a decade, Alastair Campbell was Tony Blair’s right-hand man, first as Press Secretary and then as Downing Street Director of Communications. He was at the heart of power through the Good Friday Agreement, the 9/11 attacks and the Iraq War, which involved him in the greatest controversy. These days he’s a writer and mental health campaigner, and he’s recently published a very frank book, “Living Better: How I learned to survive depression”.In conversation with Michael Berkeley, Alastair Campbell talks about how music helps him manage depression, and reveals his lifelong passion for the bagpipes. His father, who was from the Hebrides, played, and he and his brother Donald learned as boys. Donald was diagnosed with schizophrenia when Alastair was only nineteen: “a defining event in my life”. Donald left Alastair his bagpipes when he died, too young; and he also left recordings of himself playing – one of which we hear in the programme. Alastair himself played the pipes as a busker in the South of France as a student, where he discovered a lifelong musical passion for the songs of Jacques Brel. Other music choices include Mozart, Schubert, and Verdi’s famous drinking song from La Traviata. Alcohol has played a major role in Campbell’s life, and he talks about being drawn to the “drinking cultures” of both piping and politics. In fact, he says, it is not alcohol but politics – and his need to be needed by people in power – which is his real “demon”. He discusses too his inability to retire, his hatred of domesticity, particularly shopping with his partner Fiona, and why the satirical series “The Thick of It” is in some ways very close to the bone.A Loftus Media production from BBC Radio 3 Produced by Elizabeth Burke

Comedian and classicist Natalie Haynes talks to Michael Berkeley about her favourite music, making the classics funny and the joy of running.Just like the ancient Greek dramatists she loves, Natalie excels in both tragedy and comedy. She has written three novels, which retell stories from Greek myth, and she has had a long-running parallel career as a stand-up comedian, including her hugely popular Radio 4 series, Natalie Haynes Stands up for the Classics. Central to all her work is her focus on the much-neglected stories of women in the ancient world and particularly in Greek myth. Natalie talks to Michael about why stories and myths from the ancient world continue to resonate so powerfully today and how classics is changing as women scholars and novelists reclaim ancient stories and retell them from a female perspective. She chooses music by Elgar, by Cole Porter, and by two contemporary women composers, Annelies van Parys and Calliope Tsoupaki, who have been inspired by women in Greek myth. And we hear one of the best-loved pieces inspired by a classical story: Dido’s Lament, from Purcell’s Dido and Aeneas. We hear the music by Lin-Manuel Miranda, which Natalie loves to run to, and a surprising choice, which for her conjures up the beauty and power of the music of Orpheus. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

If you’ve ever wondered why you love blue and hate the colour khaki, or have spent hours arguing over a colour chart because you and your partner can’t agree on how to paint the bedroom, you’ll be fascinated by Professor Anya Hurlbert. She’s a neuroscientist and a leading researcher into how the brain perceives colour, and why we feel so strongly about it. Brought up in Texas, studying at Princeton and Harvard, she is now Professor of Visual Neuroscience at the University of Newcastle; she’s also spent years advising the National Gallery on how to show their pictures so we can see the colours most vividly. She’s married to the science writer Matt Ridley.In conversation with Michael Berkeley, Anya Hurlbert discusses the scientific research that reveals the world’s favourite colour: blue. She talks about how the brain processes colour, and why colour perception is so individual and so bafflingly complex. A few years ago for instance, ten million people took to Twitter to argue about the colour of ‘The Dress’ – was it blue and black, or white and gold? Professor Hurlbert got hold of the real dress, put it in a tent in Newcastle, and invited people to come look at it. So, can she tell us what colour it is really? Music is incredibly important in Anya Hurlbert’s life, and she grew up with an ambition to be a concert pianist. She still finds that playing Bach ‘calms her soul’. Music choices include Bach, Beethoven, and two composers she believes should be better known: Thea Musgrave and Elisabeth Lutyens. She chooses a song by Schubert which is all about the colour green. And she reveals her passion for country music, with Jerry Jeff Walkers “Up Against the Wall, Red Neck Mother”. Produced by Elizabeth Burke. A Loftus Media production for BBC Radio 3

The writer and art critic Laura Cumming talks to Michael Berkeley about the music and art she loves and the extraordinary story of her family. Laura has been writing about art for The Observer for more than two decades, but her books suggest that at heart she’s really a detective. All three have unravelled mysteries: a missing Velázquez painting; the inner lives of great artists revealed through their self-portraits; and the secrets and lies which lay behind the kidnap of her mother, aged three, on a Lincolnshire beach in 1929.She describes how her mother overcame childhood trauma and neglect to become an artist and the lynchpin of her own loving family. Her mother introduced Laura to classical music and she chooses a Chopin Nocturne and a performance by Andrés Segovia to remind her of the music they listened to together when she was growing up in Edinburgh. Laura describes the emotional power of art and music, from the overpowering effect of her favourite painting by Velázquez to the music of Bach, Shostakovich, Mozart and the music of the Hebrides, where she spent childhood holidays.And she reveals why, despite her passion for music, she can’t bear to go to concerts. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

With her shocking pink hair and extravagantly colourful clothes, Dame Zandra Rhodes has been an instantly recognisable figure on the British fashion scene for more than fifty years. An artist as much as a clothes designer, she tells Michael Berkeley about her experiences dressing everyone from Jackie Kennedy Onassis, Elizabeth Taylor and Princess Diana, to Freddie Mercury and Marc Bolan. As well as fashion, she has developed a passion for opera, designing productions for San Diego Opera and for Houston, in America, and for the English National Opera. She chooses music from operas by Bizet, Mozart, Verdi and Puccini, and talks about her admiration for singers, and the particular challenges of designing costumes for the stage.Zandra describes her evolution as a fashion designer, in particular how her screen-printed fabrics are at the heart of her designs. And how, at the age of 80, every morning she puts on brightly coloured clothes, jewellery and full make-up, and heads to her studio – with no intention of retiring. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

George Szirtes arrived in Britain at the age of eight, wearing only one shoe. It was 1956, and as the Soviet tanks rolled into Budapest, George and his family fled on foot across the border to Austria, eventually ending up (with many others) as refugees in London. It was such a hasty journey that one of his shoes got lost on the way. From a very early age, he wanted to be a poet – and he has certainly fulfilled that ambition over the last forty years, publishing close to 20 books of prize-winning poetry, and as many translations from Hungarian literature. His moving memoir, The Photographer at 16, won the James Tait Black Prize and was recently broadcast on Radio 4.George talks to Michael from his house in Wymondham, an old butcher’s shop which he and his wife, the artist Clarissa Upchurch, have decorated with dramatic murals. He discusses his memories of leaving Hungary, walking across the border, and about how he then went further back, reconstructing his mother’s incarceration in concentration camps during the War. He explains too the project of writing a poem every day on Twitter, which has enlivened this strange period of lockdown. His playlist includes Tallis, Bartók, Bach, Ravel and Berlioz – as well as an early blues recording from 1931. What they all have in common, he says, is that each opened a door for him into a new world. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

Diagnosed with autism spectrum disorder at the age of eight, Camilla Pang struggled to understand the world around her; in fact, she asked her mother if there was an instruction manual for humans that could help. Twenty years on – after taking her PhD in biochemistry and embarking on a career as a scientist – Camilla has herself has written that manual. She’s called it “Explaining Humans” and it won the Royal Society Prize in 2020 for the best science book . A highly original blend of scientific theory and personal memoir, it gives a real insight into what it’s like to live with autism.In a fascinating conversation with Michael Berkeley, Camilla Pang talks about how she’s learned to thrive in a world which can seem very overwhelming. One of the issues for her is the sensory overload that people with autism spectrum disorder can experience. She’s very sensitive to certain sounds, and the morning commute to work can jangle her senses to such an extent that it takes much of the morning to recover. Music, on the other hand, restores mental calm. Camilla sings and plays the piano; although she has never learned to read music, she can “catch” a tune after hearing it only once. She did this first as a very young child, hearing her mother’s favourite Michael Nyman track and reproducing it straight away on her toy xylophone. Camilla shares the music that has sustained her over the years; we hear Hubert Parry’s great coronation anthem “I was glad”; Michael Nyman’s music for The Piano; William Byrd’s “Ave Verum Corpus”; Debussy’s “Clair de Lune”, and Teardrop by Massive Attack.Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

The writer and entrepreneur Margaret Heffernan shares her lifelong passion for classical music with Michael Berkeley and describes how we can best prepare for an unpredictable future.Born in Texas, raised in Holland and educated in Britain, Margaret Heffernan has had a hugely varied career – she’s been a high profile entrepreneur and the CEO of multimedia technology companies in America; she’s written plays and spent 13 years as a BBC producer; she’s a Professor of Practice at the University of Bath; she’s written seven bestselling and prize-winning business books and her Ted Talks have been watched by more than twelve million people.Underlying everything Margaret does are her unconventional, inclusive ideas about leadership summed up by her motto: ‘Let's not play the game, let's change it.’ Margaret’s intense curiosity about the world is reflected in her lifelong desire to discover music. She trained as a singer while living in America and she chooses music she studied by Vivaldi and by Monteverdi; part of a requiem by the contemporary composer Nick Bicat; and a piece by William Brittelle performed by the experimental vocal group Roomful of Teeth, to which her son introduced her. And we hear part of Anthony Burgess’s rarely heard operetta Blooms of Dublin, which was produced for the BBC in 1982 by her first husband Michael who was killed when they had been married for just two years. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3

James Shapiro is one of the world’s great Shakespeare scholars. A professor of English at Columbia University in New York, he is the author of seven major books, including the bestsellers "1599" and "1606", each of which zoomed in on one year, immersing us in Elizabethan and Jacobean culture and politics. His latest book is “Shakespeare in a Divided America”, an intriguing study of how the bard has been staged – and fought over – on his side of the Atlantic. But Professor Shapiro describes himself as “the least academic academic I know”: he is deeply involved in the practical business of staging Shakespeare, working with The Globe in London, with the RSC, and with a New York company that takes plays into schools and prisons.In an episode to celebrate Shakespeare’s birthday, James Shapiro talks about how he first fell in love with the Bard, despite a terrible teacher at school who put him off as a teenager. He reflects on his upbringing in a Jewish family in Brooklyn, and the family reaction when he married an Irish Catholic. He reveals why holding hands had a different meaning in Elizabethan England. And, drawing on historical parallels, he tells Michael Berkeley that he is absolutely certain we will have a thriving theatre culture again soon: after a plague (or a pandemic) people need the theatre.For Private Passions, James Shapiro creates a playlist which gathers together fellow-admirers of Shakespeare, with Mendelssohn, Duke Ellington and Cole Porter. The programme begins with an Elizabethan pop song with lyrics by Shakespeare himself. Produced by Elizabeth Burke A Loftus Media production for BBC Radio 3

Kieran Hodgson tells Michael Berkeley how he turned his lifelong obsession with Mahler, and his own struggle to write a symphony, into comedy gold. Fortunately for us Kieran put aside an early ambition to become a train driver and has instead forged a career as one of our most entertaining actors, writers and comedians. He’s won awards and accolades at Edinburgh for shows on the unlikely subjects of school French exchanges, British politics in the 1970s – and his obsession with late-Romantic music. You might know him from his Radio 4 show Earworms – comic introductions to the great composers – and for his television roles in Two Doors Down, Upstart Crow and God’s Own County. And you might also be one of the tens of millions of people who have enjoyed his ‘Bad TV’ parodies on YouTube. Music is central to Kieran’s life: he’s been playing the violin in amateur orchestras since childhood and composing since he was in his teens. He chooses an unfairly neglected concerto by Bruch; Schnittke’s breath-taking Choir Concerto; and music by Schoenberg, by Bernstein and – in a first for Private Passions – by the Dutch cabaret artist Wim Sonneveld. Producer: Jane Greenwood A Loftus Media production for BBC Radio 3