Sound School Podcast

Headphones are mandatory for this episode of HowSound. Kathy Tu's second radio story ever will set your ears ablaze.

Mary Helen Miller encourages station-based producers to "Sneak out the back door with the tape recorder and make something good."

David Schulman usually produces non-narrated stories on music. Recently, he stepped out of his usual style to produce a narrated science story focused on the acoustics of reproducing the sound of a Stradivarius electronically.

Yowei Shaw amassed 325 pages of transcripts for her This American Life story on Eritrean hostages and the reporter who uncovered the story. And that was just the beginning of Yowei's long, grueling production process assembling the story.

"Hafid is Free" is a solid example of what a story needs when it doesn't have a narrative hook.

A recent episode of "99% Invisible" employed a dramatic recreation to bring the past to life. Producers Alex Goldman and Sam Greenspan explain how they did it.

Producer Matt Kielty wonders about "objectification" and advancing a career reporting on the suffering of others.

Capital Public Radio's Catherine Stifter and jesikah maria ross (no caps) are tasked with changing the sound of the station's documentary unit.

New producers Conor Gillies and Zack Ezor get it right, right out of the gate with their documentary "Stylus" on music and sound.

Interviewing traumatized people is no easy task. Zach Hirsch, a radio producer, and Bruce Shapiro, Director of the Dart Center for Journalism and Trauma, offer suggestions for treating victims with respect.