Sound School Podcast

I dare you to listen to this story from Ryan Sweikert and not be moved. A perfect example of what he calls "subjective reporting."

There's blood on the floor. Rob skewers the writing in one of his first-ever radio stories to reveal how not to write.

Not everything has to sound the same. British/Danish producer Tim Hinman, of Third Ear, talks about tone and his podcast Sound Matters.

If you want to re-broadcast a doc from 20 years ago but don't like a lot of the writing, the mix, and the voicing, what do you do? If you're John Biewen, you re-do it! On this episode--the old and the new version of John's "Hiroshima Remembered."

Silence is a radio no-no. But what if you want to produce a story where the central focus is silence? Some answers on this HowSound.

Podcasters are free to produce without the confines of the public radio clock. So, why go so long? Short is beautiful.

A lot of public radio stations are wringing their hands these days about podcasting. "Should we or shouldn't we," they wonder? Wyoming Public Radio's Caroline Ballard says "Yes!"

When is it okay to trespass and use secretly recorded phone calls while producing a story? Not often. But, producer Jack Rodolico remained ethical while skirting the edges of what's appropriate for his documentary "A Mountain of Discontent."

Three early pieces from The Kitchen Sisters circa 1980, stories sparked by mistakes and chance encounters. Their DIY approach is inspired.

Sean Corcoran is a reporter's reporter. Straight-forward. Unbiased. Ethical. So why did he break some of his own rules on a story about opiate addiction?