The Treatment

This week on The Treatment, Elvis sits down with Academy Award winning director Guillermo del Toro, whose latest project is a new adaptation of “Pinocchio.” Next, actor, musician and self-described android Janelle Monae joins to talk about her unusual role in “Glass Onion: A Knives Out Mystery.” And for The Treat, writer Jeremy Dauber tells us about the Stephen King stories he read as a young child that still show up in his dreams.

This week on The Treatment, Elvis sits down with Diallo Riddle, co-creator and one of the stars of the series “Sherman’s Showcase” and “South Side.” Next, director Todd Field joins to talk about his latest film, “Tár,” starring Cate Blanchett. And for The Treat, comedian Chris Redd talks about another legendary funnyman who helped Redd see the comedy in his struggles.

*This episode originally aired on October 22nd, 2022* This week on The Treatment, Elvis sits down with director and actor Robert Townsend, whose groundbreaking film “Hollywood Shuffle” turned 35 this year. Next, photographer Carell Augustus talks about his book “Black Hollywood: Reimagining Iconic Hollywood Moments.” And on The Treat, filmmaker Brett Morgen talks about a 1990s David Bowie album that marked a new chapter for the late artist.

This week on The Treatment, Elvis sits down with director Elegance Bratton, whose film “The Inspection” is based on his experience as a queer Black man who goes from being homeless to joining the Marines. Next, Emmy winning actor Jeremy Strong talks about his latest role in the James Gray film “Armageddon Time.” And on The Treat, director Robert Townsend talks about a 1974 film that reflected his experience and had a killer soundtrack.

This week on The Treatment, Elvis sits down with director and actor Vera Drew, whose film “The People’s Joker” is a queer reimagining of Todd Philips’ “The Joker.” Next, producer Jerry Bruckheimer, whose career of blockbusters in film and television spans five decades, joins to discuss his latest megahit “Top Gun: Maverick.” And for The Treat, “Love and Rockets” co-creators Jaime and Gilbert Hernandez talk about two films whose meanings continue to evolve for them.

After trying to buy a number of hockey teams, prolific TV/film producer Jerry Bruckheimer discusses the joys of co-owning the NHL’s Seattle Kraken.

This week on The Treatment, Elvis sits down with Academy Award winning screenwriter and acclaimed horror auteur Jordan Peele, who’s here to discuss his latest genre-bending film “Nope.” Then we revisit our recent conversation with actress Chloë Sevigny about her take on “quiet acting.” And for The Treat, we listen back to Danyel Smith’s take on the ‘80s R&B hit “No Parking on the Dance Floor.”

This week on The Treatment, Elvis sits down with writer Joe Coscarelli to talk about his new book “Rap Capital: An Atlanta Story.” Next, director Sacha Jenkins reveals a different side of jazz icon Louis Armstrong in his AppleTV+ documentary “Louis Armstrong’s Black and Blues.” And for The Treat, Broadway actress Sharon D Clarke talks about how a song written for someone going through a hard time inspires her every time she listens to it. 

This week on The Treatment, Elvis sits down with Emmy nominated actor Brian Tyree Henry, who is currently starring in the fourth and final season of FX’s “Atlanta.” Next, writer-director Paul Feig, whose new book is “Cocktail Time!: The Ultimate Guide to Grown-Up Fun,” talks about bringing a cocktail party sensibility to his film sets. And for The Treat, writer and director Rebecca Miller explains how a classic play from the early 20th century captures the light and dark of life today.

This week on The Treatment, Elvis sits down with Jaime and Gilbert Hernandez, also known as the Hernandez brothers, who created the Love and Rockets comics, now out in a special boxed set commemorating the 40th anniversary of the first issue. Next, Jeremy Dauber, author of “American Comics: A History” joins to give historical perspective and round out the comics conversation. And finally on The Treat, actor and director Clea DuVall explains how ‘90s alternative female rock made her feel less alone as a struggling teenager and still inspires her in her work.