The Treatment

Elvis Mitchell hosts award winning producer Robert Greenblatt (Six Feet Under) to talk about his current role as President of Entertainment at Showtime Networks. 

Elvis Mitchell hosts writer-director Hilary Brougher (The Sticky Fingers of Time) whose new film is the controversial, Sundance-lauded Stephanie Daley, starring Tilda Swinton and Timothy Hutton, with an outstanding performance from newcomer Amber Tamblyn in the lead role.

Writer-director and sometimes-actor Mike White has mastered the comedy and drama of the outsider. His scripts include School of Rock, The Good Girl, Nacho Libre and his newest, Year of the Dog.  We discuss his shaggy career.

Shaun of the Dead started as a satire of zombie films but shifted into making points about friendship and loss.  Hot Fuzz parodies the 80's action film and Bruckheimer excess.  British director and co-writer Edgar Wright (UK TV series Spaced, 'fake' trailer segment in Grindhouse) discusses the weight of comedy - or laughs it off.

Wry, thoughtful, but not detached, David Duchovny (House of D, Trust the Man, Bones) ironic yet emotional approach to acting gave The X-Files a center and also grounds his satiric new film, The TV set.

From Little Man Tate to Out of Sight, screenwriter Scott Frank (Get Shorty, Minority Report) has written scripts about emotional honesty in intense situations.  His first film as director, The Lookout, continues in that vein.

Composer John Frizzell's score have covered a wide and deep expanse, from the excentricity of Office Space to the large-scale registers of Alien Resurrection.  He talks about The Reaping, and bringing the music in his head to the movies.

Since creating El Mariachi, writer, director, cinematographer and composer Robert Rodriguez has done it his way with Spy Kids, Sin City and, his newest, Planet Terror. It's part of the Grindhouse double feature which he'll unspool for us.

Writer-director Quentin Tarantino works when he wants to on what he wants. Reserve Dogs, Pulp Fiction, Jackie Brown, the Kill Bill films and, now, his newest part of a double bill, Death Proof.

Chris Rock's first film as actor and director, Head of State, was a comedy about a black presidential candidate.  His newest, I Think I Love My Wife, is, for him, even more political, a romantic comedy about the black middle class.  He'll see if he can get your vote.