OnWriting: A Podcast of the WGA East

In the season 5 premiere, Kaitlin sits down with Writers Guild Award- and Oscar-nominated writer and director Noah Baumbach to talk about his latest film, MARRIAGE STORY. They discuss how a film about divorce is really a film about love, what New York and LA mean on screen, when you know you're ready to open that final draft file and really write, and much more. Noah Baumbach made his feature film debut with his critically acclaimed 1995 film KICKING AND SCREAMING, and has gone on to write and direct such films as FRANCES HA, THE MEYEROWITZ STORIES, and THE SQUID AND THE WHALE – the script for which was nominated for both a Writers Guild Award and an Oscar. MARRIAGE STORY follows actor Nicole Barber and her stage director husband Charlie as they struggle through a grueling, coast-to-coast divorce that pushes them both to their personal and creative extremes. The film now streaming on Netflix. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Over the past five years, podcasts have exploded in popularity. You listen to them, and with over 700,000 active podcasts out there, chances are you or someone you know has a show of their own. A 2019 report by Edison Research found that 70% of the U.S. population has heard of podcasts and over 50% have listened to one. Fictional or scripted podcasts represent a small but steadily growing subset of the podcast industry. The Guild – and our members – have a lot of questions about this new frontier of scripted podcasting. Is it a lower-cost way to get a story known to the public… and to TV producers? Is it a viable, fulfilling way to create stories in its own right? What are some ways writers can protect ourselves as we explore this new form of work? To answer these questions, we spoke to writers and producers who have made a name for themselves in the scripted podcast industry – some who are just starting out, and some whose podcasts have gone on to become TV shows. In Part One, LIMETOWN co-creator Zack Akers, HOMECOMING producer Alicia Van Couvering, and WGA East executive director Lowell Peterson talk to us about the industry's business side: what the market looks like, how to break in, and how to protect yourself once you're there. In Part Two, we'll take a deep dive into the creative side of the industry, from recruiting talent to necessary skillsets to creative satisfactions and beyond. Learn more about the Guild's work in the scripted podcast industry: wgaeast.org/podcasting. -- The OnWriting Guide to Scripted Podcasting, Part One was written & produced by Molly Beer; hosted by Kaitlin Fontana; sound design, mixing, and tech production by Stock Boy Creative; with special thanks to River Donaghey, Danielle Trussoni, Zack Akers, Skip Bronkie, Alicia Van Couvering, Lowell Peterson, Jason Gordon, and Marsha Seeman. -- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ -- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

When you're a screenwriter moving to TV or a novelist moving to screenwriting or even a comedy writer moving to drama, you'll have questions about how this new territory differs from what you're used to. Questions like... how does breaking a script work? Or... how do I write character development over the course of a two hour film rather than over a full TV season? Questions are normal. But typically, there are at least some factors that are givens – things that have been established over the course of decades. Problem is, since podcasts are new territory for pretty much everyone, those sorts of rules and standards about the most basic issues don't exist yet. There's no consensus about how to format a podcast script, let alone any popular beliefs about things like whether you need a writer's room. To find answers for some of these questions, we spoke to writers and producers who have made a name for themselves in the scripted podcast industry – some who are just starting out, and some whose podcasts have gone on to become TV shows. In Part One, we heard from LIMETOWN co-creator Zack Akers, HOMECOMING producer Alicia Van Couvering, and WGA East executive director Lowell Peterson about the industry's business side: what the market looks like, how to break in, and how to protect yourself once you're there. Now, in Part Two, we'll take a deep dive – with the help of Zack and Alicia, as well as Danielle Trussoni (CRYPTO-Z), and River Donaghey (AMERICAN AFTERLIFE) – into the creative side of the industry – from recruiting talent, to necessary skillsets, to creative satisfactions and beyond. Learn more about the Guild's work in the scripted podcast industry: wgaeast.org/podcasting. -- The OnWriting Guide to Scripted Podcasting, Part Two was written & produced by Molly Beer; hosted by Kaitlin Fontana; sound design, mixing, and tech production by Stock Boy Creative; with special thanks to River Donaghey, Danielle Trussoni, Zack Akers, Skip Bronkie, Alicia Van Couvering, Lowell Peterson, Jason Gordon, and Marsha Seeman. -- Read shownotes, transcripts, and other member interviews: www.onwriting.org/ -- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media: Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Kaitlin chats with writer, director, producer, and actor Edward Norton about his many screenwriting jobs, how he gets past writer's block, his 20-year journey taking his latest film - MOTHERLESS BROOKLYN - to the big screen, and much more. Edward Norton had his film debut in the 1996 film PRIMAL FEAR, and within three years had risen to prominence for his starring roles in AMERICAN HISTORY X and FIGHT CLUB. Since then, he has received critical and cult acclaim – as well as numerous awards and nominations, including a Golden Globe Award and three Academy Award nominations – for his roles in films like RED DRAGON, THE ILLUSIONIST, THE INCREDIBLE HULK, MOONRISE KINGDOM, THE GRAND BUDAPEST HOTEL, BIRDMAN (just to name a few). He has also directed or produced films like KEEPING THE FAITH and THE PAINTED VEIL. MOTHERLESS BROOKLYN is an adaptation of Jonathan Letham's 1999 novel of the same name. The film follows Lionel Essrog, a lonely private detective living with Tourette Syndrome, as he ventures to solve the murder of his mentor and only friend, Frank Minna. The film was released in theaters on November 1. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Kaitlin is joined by Hasan Minhaj and Prashanth Venkataramanujam, co-creators of the Netflix series Patriot Act, to talk about how they joined forces to create their headline-making series, the importance of a unique take on the news, and why you can never have enough late night shows. Hasan Minhaj is a comedian, writer, producer, political commentator, actor, and television host. Before starting his time as host of PATRIOT ACT WITH HASAN MINHAJ, you may have recognized him from - among other things - his four-year stint as a correspondent on THE DAILY SHOW, or as the host of the 2017 White House Correspondents' Dinner. Since the premiere of PATRIOT ACT, Hasan has won a Peabody Award and two Webby Awards, and was listed of one of TIME's 100 Most Influential People of 2019. Prashanth Venkataramanujam is a writer, actor, comedian, and producer who is currently the head writer and executive producer for PATRIOT ACT. In 2016, Prashanth wrote Minhaj's host speech for the Radio and Television Correspondents' Association Dinner which was televised on C-SPAN – the recording of which subsequently went viral and now has over 1.3 million views on YouTube. In 2017, he became a writer for Netflix's BILL NYE SAVES THE WORLD, for which he received a Primetime Emmy Award nomination, and wrote Hasan's speech for that year's WHCA Dinner. PATRIOT ACT WITH HASAN MINHAJ explores the modern cultural and political landscape with depth and sincerity. In each weekly episode, he uses his unique comedic voice and storytelling skill to investigate the larger trends shaping the fragmented world. Episodes are released weekly on Netflix, and the fifth season will premiere on November 10, 2019. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Kaitlin sits down with novelist, screenwriter, and showrunner Tom Perrotta to discuss his creative process, writing about sexual awakening, porn, adapting his latest novel into his latest TV show, and much more. Tom Perrotta is the bestselling author of nine works of fiction, including Election and Little Children, both of which were made into Oscar-nominated films, and The Leftovers, which he and Damon Lindelof adapted into a Peabody Award-winning HBO series. MRS. FLETCHER, Perrotta's new HBO series, is based on his latest novel, and tells the story of a single mom who attempts to start a new life after her son heads off to college. It premieres on October 27th. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Kaitlin sits down with Lorene Scafaria to discuss her latest film, HUSTLERS, as well as her writing processes for both adapted and original projects, the importance of portraying women and their relationships in a dynamic way, the work in sex work, and much more. Lorene earned her first Writers Guild credit with the acclaimed teen comedy NICK AND NORA'S INFINITE PLAYLIST. Since then, she's written and directed three films: SEEKING A FRIEND FOR THE END OF THE WORLD, THE MEDDLER, and - most recently - one of this year's most buzzed-about films, HUSTLERS. Inspired by the New York magazine article "The Hustlers at Scores," HUSTLERS follows a group of strippers, when the 2008 economic collapse, devise a scheme to scheme to take their lives back by turning the tables on their Wall Street clients. The film was released in theaters on September 13, 2019. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Kaitlin sits down with writer, showrunner, director, and playwright Warren Leight to discuss his career from stand-up comic to playwright to showrunner of IN TREATMENT and LAW & ORDER: SVU, running writers' rooms, how to shift the focus of a show with such a powerful legacy, the importance of having your work - and your writing team - reflect the real world, and much more. Warren Leight got his start in the entertainment industry with credits on features like MOTHER'S DAY and THE NIGHT WE NEVER MET (the latter of which he also directed). He also wrote for the female stand-up comic quartet the "High Heeled Women." From there, he eventually moved to the stage, penning plays like MAYOR and the Tony Award-winning, Pulitzer Prize finalist SIDE MAN. Warren joined the writing staff of LAW & ORDER: CRIMINAL INTENT for its second through seventh seasons, when he left to be the showrunner for the HBO series IN TREATMENT. He returned to the LAW & ORDER roster in 2011, when he became showrunner for LAW & ORDER: SPECIAL VICTIMS UNIT. He worked as showrunner for SVU for its 13th-17th seasons, and is returning to the helm for its 21st. LAW & ORDER: SPECIAL VICTIMS UNIT is chronicles the lives of the Special Victims Unit of the New York City Police Department, a squad of detectives who investigate crimes of sexual assault, child abuse and domestic violence. The NBC series - which is now the longest-running live-action television series in the United States - will premiere its 21st season on September 26, 2019. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Season 4 host Kaitlin Fontana talks with Lauren Ashley Smith about being the Head Writer for the HBO series A BLACK LADY SKETCH SHOW, her writing process, the importance of having diverse voices in entertainment, how she runs her writers' room, and much more. Lauren is a writer, actor, comedian, and producer, and the first black woman to be the Head Writer of a sketch television show. Before her work on "A Black Lady Sketch Show," Lauren was Head Writer of the critically acclaimed late night show, "The Rundown with Robin Thede." As a comedian, Lauren hosted the Zagat webseries, "Chefs Eating Tacos," and has appeared on VH1.com, The Scene, Refinery29, and the Netflix original series, "The Characters." A BLACK LADY SKETCH SHOW is, as its name implies, is a sketch-comedy series with a cast, writers' room, and directing roster comprised entirely of black women. The series, created by Robin Thede and co-executive produced by Issa Rae, premiered on HBO in August and was recently renewed for its second season. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow Kaitlin on Twitter: @KaitlinFontana Follow the Guild on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast

Caroline spoke with Solvan "Slick" Naim—writer, director, rapper, actor, and creator of the Emmy-nominated Netflix series IT'S BRUNO!—about the ways that music informs and shapes his work, the importance of diversity-focused mentorship programs in the entertainment industry, his advice to those who are just starting to try launch their careers in film & TV, translating his love of his dogs into his show, and much more. Solvan "Slick" Naim is an Award winning Algerian-American writer, director and rapper who was born and raised in New York City. Slick's filmmaking career started by way of his music career: as a rapper, he wrote treatments to his songs and began directing his own music videos. His debut feature, FULL CIRCLE, won 5 festival awards including the Audience Award at the 2013 HBO Urbanworld Festival and was acquired by EOne. His short film "Stanhope" was one of five shorts selected by HBO for their 2015 HBO Short Film Competition and took home the grand prize for Best Film. The film won several other festivals including NBC Universal's Short Fest, receiving the Best Director and Audience Awards. In 2015, Slick was selected by Sony Pictures as a finalist in their Diverse Directors TV Program. He was a second unit director for several episodes of the Netflix series THE GET DOWN. Slick was later selected for FOX and NBC for their TV Director programs, and eventually went on to direct shows for them as well. IT'S BRUNO! is his debut as a series creator. IT'S BRUNO! - which premiered on Netflix in May - follows a Brooklyn native and his Puggle dog, Bruno, through the small adventures they encounter every day as they navigate their native Bushwick. -- Read shownotes, transcripts, and other member interviews:www.onwriting.org/-- Follow us on social media:Twitter: @OnWritingWGAE | @WGAEast Facebook: /WGAEast Instagram: @WGAEast