Wizard of Ads Monday Morning Memo

Roy H. Williams
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May 18, 2015 • 5min

Whose Dog Are You?

In 1738, Alexander Pope gave a dog to Frederick, Prince of Wales.Engraved on the dog’s collar were these words:“I am his Highness’ dog at Kew;Pray tell me, sir, whose dog are you?”Alexander Pope hitched his wagon to Prince Frederick, a rising star.If you’ve seen the Masterpiece Theater television series, Wolf Hall, you’ll remember a similar conversation between Thomas Cromwell and his wife, Liz, as he explains why he has chosen to work for Cardinal Wolsey:You know what they say in Italy? ‘Il principe bisogna sceglierlo… You have to pick your prince.'”Later, Cromwell says to Rafe, his right-hand man,The question is, have you picked your prince? Because that is what you do, you choose him and you know what he is. And then, when you have chosen, you say yes to him — ‘yes, that is possible, yes, that can be done.'”Anyone that has ever risen through the ranks knows these things.But this is America, where each of us wants to be his own dog, so we contrive new and different names for the princes we serve during every phase of our lives:A child’s prince is called a role model.An athlete’s prince is called a coach.An employee’s prince is called a manager.A businessperson’s prince is called a mentor.An actor’s prince is called a director.A director’s prince is called a producer.A producer’s prince is called an investor.An ad writer’s prince is called a client.There is no end to the chain of princes.Make no mistake, you have chosen a prince. In fact, you have chosen more than one.What? You still believe that you are free and independent, without alliances and the obligations that come with them? I hope for your own sake this is not true.The dog that is its ownis a strayand has no home.Each of us is stronger when we are bound to others.Dogs are known for their ability to bind themselves to others. This instinctive loyalty allows them to form powerful alliances against animals that are much faster and stronger than they.Solomon spoke of the power of such alliances in Ecclesiastes, chapter 4.Two people can accomplish more than twice as much as one; they get a better return for their labor. If one person falls, the other can reach out and help. But people who are alone when they fall are in real trouble. And on a cold night, two under the same blanket can gain warmth from each other. But how can one be warm alone? A person standing alone can be attacked and defeated, but two can stand back-to-back and conquer. Three are even better, for a triple-braided cord is not easily broken.”My friend Roy Laughlin is known for his miraculous ability to do things in business that can’t be done. Years ago, I asked him his secret.When I was a boy in elementary school, my grandfather pulled me aside one day and said, ‘Roy, the outcome of the game is determined the moment the captains pick sides. Pay attention to your playmates and you’ll always know, ‘If I can get him and him and her, we can win this thing.’ Know who you need on your team and figure out how to get them on your side. This is the secret of success. Never listen to anyone who says differently.'”In other words, you must pick your princes, the rising stars to which you will hitch your wagon.And they, in turn, will hitch their wagons to you.Roy H. Williams
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May 11, 2015 • 5min

Surprise and Delight

Say what people expect you to say.Do what people expect you to do.They will be bored, I promise you.Predictability is the essence of cliché.Surprise is the foundation of delight. Without an element of surprise, there can be no delight.But irrelevant surprise is randomness, the essence of confusion.To gain and hold attention, you must do or say something unexpected, but relevant. This is the foundation of every art.When the surprising element – the thing that doesn’t belong – unexpectedly and miraculously and perfectly fits, surprise resolves into understanding. Delight will leap from the eyes. You’ll see it dancing at the corners of the mouth.Don’t be tedious. Be delightful.Before you read any further, I’d like you to go back to the beginning and read down to here again. When you’ve read these eight opening paragraphs three consecutive times, you’ll be ready to continue reading further.You thought you could just keep reading and not get caught? Go back and do what I told you.Sheesh.Magicians call it misdirection – sleight of hand – but what they’re really doing is surprising you again and again and each time they do, it’s delightful.The magician that bores you is the one whose trick is predictable.A comedian is no different, really. The punch line you don’t see coming – but that fits perfectly when delivered – makes you gasp for breath laughing and feel the lightheaded joy of youth.When the punch line is predictable, we moan.I learned all this from Robert Frost.We never met.He died when I was 5 years old, but Robert left me a lot of poems to read and in each one he took me to a place I didn’t see coming. When Paul Harvey told me the rest of the story it deepened my skill to a more frightening level.Robert and Paul taught me how to move from surprise to understanding to delight.Surprise that resolves into understanding always looks like magic.If you can insert surprise and delight into a message for a business, you are a Wizard of Ads.Can you?You can?Excellent. Now all you need to do is practice each day and build a reputation and soon you’ll be earning more than a million dollars a year.I’m not exaggerating or trying to be colorful. Later this morning – at 11AM Central Time to be exact – I’m going to explain How to Make a Ton of Money in Advertising in 10 Not-Easy Steps during the opening few minutes of my monthly webcast. (Monday, May 11, 2015)You trust me to help you each week without trying to get in your pocket. That’s why you give me these few minutes. So I’m going to ask Sean Taylor to video the opening section of today’s webcast and post it online for you so that you can view it for free. If you’d like to see me explain those 10 Not-Easy Steps, just send your email address to my Wizard of Ads partner Andrew@WizardOfAds.com and he’ll send you a link to the video as soon as we have it posted.If – after you watch the video – you think you might have what it takes to become a Wizard of Ads partner, just let Andrew know and we’ll set aside a day to talk with you about it in Austin.I don’t care that you didn’t study advertising in college. I didn’t either. In fact, I didn’t even go.But people don’t seem to care about that when you’re helping them make a lot of money.Email Andrew.Let’s start this thing up.Roy H. Williams
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May 4, 2015 • 4min

A Single Conversation

Throughout the presidency of her husband, Martha Washington hosted a weekly reception each Friday evening for anyone who would like to attend. At these gatherings, men and women from the local community would mingle with Members of Congress and visiting dignitaries at the presidential mansion where they would enjoy refreshments and talk.Martha didn’t do this because she loved to entertain. She did it to encourage people, brighten people, connect people.One hundred years later, Stéphane Mallarmé would open his modest home each Tuesday night to the literary and artistic misfits of Paris. Among the writers who gathered there each week were Marcel Proust, Oscar Wilde, William Butler Yeats, André Gide, Paul Valéry, Paul Verlaine and Rainer Maria Rilke.What conversations they had! Arthur Schopenhauer was likely talking about these Tuesday nights when he wrote, “The business of the novelist is not to relate great events, but to make small ones interesting.”Debussy named Stéphane Mallarmé as his inspiration for The Afternoon of a Faun and Ravel wrote a mystical piece of music, Trois poèmes de Stéphane Mallarmé dedicated to the memory of his Tuesday night host. The visual artists who mingled with those writers and musicians on Tuesday nights were Manet, Degas, Gaugin, Whistler, Renoir, Edvard Munch and Auguste Rodin. The combined works of these artists today are worth – quite literally – many billions of dollars.These men did not get together because they were exceptional.They became exceptional because they got together.*In the spirit of Martha Washington and Stéphane Mallarmé, Wizard Academy launched just such a weekly gathering one year ago.You should start one, too.If ever you’re in Austin on a Friday afternoon, we gather at 4PM at the Toad and Ostrich, the private pub on the campus of Wizard Academy. Just climb the tower fire escape to the quarterdeck and go through the door on your left.We go home to our families at 5:30.These are the rules of our gathering:If you talk about business or politics, we throw you out.Although the topic of conversation may wander like a butterfly in springtime, we have a single conversation with everyone participating. No side conversations, please.Daniel Whittington is our host at the Toad and Ostrich, our Martha Washington, our Stéphane Mallarmé. While you’re here, you might even learn why we call him “Brittington.”Be prepared to laugh.Be prepared to sing.Be prepared to live.Do this in your town, too.Roy H. Williams
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Apr 27, 2015 • 6min

Glenn Gould Played Piano

When Glenn Gould retired from playing the great concert halls of the world, he climbed aboard a Canadian train and rode it north to the end of the line. During this journey, Glenn recorded the conversations of his fellow passengers and mixed them into a strangely compelling audio presentation called The Idea of North (1967). It was the first installment in his Solitude Trilogy.Solitude is when you push the world away.Isolation is when the world pushes you away.A simple reversal of energy is all that separates the two.Energy must always have a direction. Glenn Gould knew this.Music is energy.Life is energy.Notes in a song can go North or South: up or down.Life has its ups and downs, too.The movement of music West to East – left to right – is tied to the passage of time. So we experience music all in one direction, exactly as we experience life. The speed of music is called its tempo.What is the tempo of your life?The line traced by the rising and falling of the notes as we move left to right is called musical contour: melody.If your emotions could be charted throughout the day, you would see that a day, a month, a season, a life has a melody, too.Does night follow day,or does day follow night,or does the earth just spinaround a ball of light?Evidently, these are the things I think about when I’m on vacation.When I’m not on vacation I think about how to attract customers to your business.I’ll bet you’ll be glad when I get back from vacation, right? I look at what I’ve written so far and think, “It’s good that I don’t keep track of how many people subscribe and unsubscribe, because a Monday Morning Memo like this one is likely to set a new record for losing the largest number of readers in a single day.”That’s as much as I had written when I received an email from Mia Erichson, the woman that caused Jeffrey Eisenberg to abandon Brooklyn.This is what she wrote:For no reason that matters to this discussion, this afternoon I was thinking about The Trivium.The Trivium is a systematic method of critical thinking used to derive factual certainty from information perceived with the traditional five senses: sight, sound, taste, touch, and smell.The Trivium – is the lower division of the Seven Thinking ArtsGrammar  – the art of lettersLogic – use and study of valid reasoningRhetoric – the art of discourse, an art that aims to improve the capability of writers or speakers to inform, persuade, or motivate particular audiences in specific situationsThe Quadrivium – is the upper division of the Seven Thinking ArtsArithmetic (number)Geometry (number in space)Music (number in time)Astronomy (number in space and time)Mia then went on to describe – rather brilliantly and with details – how the curriculum of Wizard Academy might be organized in a similar way, thereby giving students a clear path of progression toward their goals.Mia’s note was encouraging to me for a variety of reasons:It made my wandering thoughts feel a little less crazy and a lot less irrelevant. (I’d never heard of the Quadrivium, so I Googled it and learned that Plato and Pythagorus and the scholars who followed them thought of medicine and architecture as practical arts, but the Trivium and Quadrivium were the liberal or “thinking” arts. Wow. People have been pondering this idea of mapping things in space and time for more than two thousand years.)It reminded me that Wizard Academy is being built by many hands and minds. Now in its fifteenth year, the Academy is growing increasingly independent of Pennie and me with every passing month. This is a very, very good thing.Mia is the very successful Chief Marketing Officer of a large national company. Her 9 to 5 job is similar to my own and her idle thoughts are just as crazy as my own, so maybe there’s nothing wrong with me after all.Perhaps Pennie and I need to take more vacations.Roy H. Williams
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Apr 20, 2015 • 5min

An Open Letter to 12 Year-Old Boys

You’re twelve.Everyone treats you like a kid, but you and I know better, right?You’ve known the difference between boys and girls for a lot longer than anyone suspects. But girls aren’t the mystery you suppose them to be. They’re far more mysterious than that. You’re going to spend the rest of your life trying to figure out just one of them.I remember twelve.You’re about to start getting a lot of advice from people who love you and some of that advice will be pretty good. But you’re also going to be told some things that are absolute crap.You’ll be told the secrets of success are to be smart and to work hard. But that’s not entirely true. The world is full of successful people who rose to the top simply because they overcame their fear and took chances other people weren’t willing to take.Successful people usually fail multiple times before they succeed.If working hard were the way to wealth, men who dig ditches in the heat of summer would be the wealthiest of us all.We’re paid according to the size of the responsibilities we’ve been entrusted to carry.You’ll be given responsibility when you demonstrate that you’re willing to do what other people aren’t willing to do. You’re not going to want to do those things, either. But do them and do a good job. That’s how you gain authority.People will tell you that a single success can cause you to be “set for life” or that a single mistake can “ruin your life.” But success and failure are both temporary conditions.Grown-ups will tell you that you need to go to college to be successful. If you want to become an employee and climb the corporate ladder, college will definitely help you do that. But the downside of college is that it trains you to think like everyone else. If you want to leave your fingerprints on the world you’re going to need to have your own way of thinking.Good decisions come from experience, and experience comes from bad decisions. So never be afraid to experiment. Just make sure you can afford to fail.People will tell you that you need to “find your purpose.” But this would lead you to believe that you have only ONE purpose and that it’s a secret.Piffle and pooh. You don’t need to find a purpose; you need to choose one.You fall in love with a purpose exactly like you fall in love with a girl: by reaching out and touching it each day. When you make daily contact with something, it becomes an important part of your life. You make your mark on it, and it makes its mark on you.You’ll be told that you must plan your work and work your plan. But the winners are those who know how to improvise when things don’t go according to plan.You can choose what you want to do, but you can’t choose the consequences.There’s a big difference between the way things ought to be and the way things really are. If you moan about how things ought to be, you’re a whiner. And the only people who like whiners are other whiners.But if you work to make things better, you’re an activist. If you fling yourself headlong into making things better, you’re a revolutionary. Congratulations, you found a purpose.Grown-ups with good intentions will tell you that you should “enjoy these years of no responsibility, blah, blah, blah.” But grown-ups who have warm and fuzzy memories of the years between twelve and sixteen aren’t remembering those years as well as they think.It’s pretty cool when you can hop into a car and go anywhere you want to go. But after a few years you’ll realize that no place is quite as special as the place you came from. But you can never really go home again because “home” changes just like you do. This is what Heraclitus meant when he said you can’t step into the same river twice.The best advice I can give you is that you should marry your best friend and never let anyone or anything be more important to you than her. If you’ve always got your best friend with you, life is pretty amazing.Hang in there, kid.And remember what I told you.Roy H. WilliamsPS – As Pennie and Indy and I are out outside the U.S. for 2 weeks, the fact that you’re getting this MMMemo at all is a miracle. Our internet here is dial-up slow when it’s working at all. Anyway, there’s a chance you won’t have an audio memo next week, but we’ll move heaven and earth to make sure you get the text version. We haven’t missed one of those since the Monday Morning Memo began in 1994. – RHW
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Apr 13, 2015 • 38sec

The Boys Who Outrun Time

This is an ad you’ll be hearing soon for the world’s fastest-growing franchise for in-home elder care:When Peter Pan first appeared in 1904, children didn’t understand the significance of the crocodile that swallowed an alarm clock. But as those children grew older, they realized that time is the ticking crocodile that chases us all. Time… we just can’t outrun it. I’m Cathy Thorpe, president of Nurse Next Door. Let us help you fight the crocodile. You can live in your OWN home and get all the help you need. It’s what we do… (two second pause) because we care. Nurse Next Door dotcom.”“Young boys should never be sent to bed. They always wake up a day older. And then before you know it, they’re grown.”– Johnny Depp playing J.M. Barrie in a movie called Finding Neverland.Have you accomplished things that other people said you could never do?Welcome to Neverland. You’re obviously one of the Lost Boys.The Lost Boys are risk-takers who rise above their circumstances, constantly dodging the Crocodile of Time, narrowly escaping the Bear Trap of Tradition, zigzagging away from competitors and fools, always happy, always helping, forever embracing that moment called Now.It is a marvelous tribe. When they get together and tell stories it’s like summer camp for grown ups. So they should have a tree house, right?On the first page of today’s rabbit hole, Indiana Beagle is showing off Marley Porter’s architectural rendering of The House of the Lost Boys – soon to be Wizard Academy’s third student mansion – three interconnected towers facing Chapel Dulcinea from directly across the valley of Engelbrecht. Each of those towers will have two rooms, raising our total number of on-campus rooms to twenty-four.One of the reasons they’re called the Lost Boys is because they’re invisible; you can’t find them.The House of the Lost Boys is being funded by a secret society of men and women who are donating $15,000 each toward the cost of construction. In return, they will attend a special 2-day event on the campus of Wizard Academy each year for the next five years (2015 – 2019) where they will enjoy the edgiest teaching, the most futuristic thinking and the liveliest discussions of the year.The names of the Lost Boys will never be listed. The Lost Boys themselves will be the only people who know the identities of the other members of the tribe. A Lost Boy is free to tell you they’re a member, but they’re forbidden to name anyone else in the group. Cool, huh?The seven Lost Boys who have already stepped forward are an amazingly magnetic group. If I published their names and accomplishments, we’d attract a big crowd of outsiders anxious to donate 15k apiece just to get next to these men and women for a couple of days each year. But we’re not going to let that happen.One of the most deeply embedded traditions of Wizard Academy is that no one tries to do business while they’re here. We’re not a networking organization. We’re a school, a retreat, an island of restoration and stimulation and recovery where interesting and excited people prepare for the next stage of their journey.Yes, we’re a little bit ridiculous.Okay, maybe more than a little bit. But that’s what keeps us safe from people whose minds are narrow and closed.Can I tell you my biggest fear? I worry that someday the wrong people will gain control of our school and rename it the American Small Business Academy. After all, we already own AmericanSmallBusiness.com, .net and .org and a simple name change would instantly escalate the revenues and authority of this place to a dramatically higher level.But then the magic would be gone, the laughter would stop, and music would no longer fill the air.Thank you for being a little bit ridiculous with me. It makes me feel good to know you’re there.Roy H. Williams
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Apr 6, 2015 • 6min

The Invisible, Imaginary Crowd

Sometimes I think we go through our lives trying to impress an invisible audience called “everyone.”“What will everyone think?”Invisible would be bad enough, but I think “everyone” might also be imaginary. Emil Cioran was probably right when he said, “If we could see ourselves as others see us, we would vanish on the spot.”“We buy things we don’t need, with money we don’t have, to impress people we don’t like.”We buy cars, clothes, furniture and art to remind ourselves – and tell the world around us – who we are.Is it possible that everyone isn’t watching? Is there a chance that everyone is under the mistaken impression that is it we who are watching them?It’s funny when you think about it.And it’s also how I make my living. I’m an ad writer.When you have a strong attraction to a brand, it’s because that brand stands for something you believe in. You see in that brand a reflection of yourself as you like to believe you are. What authors do you read? Do you subscribe to any magazines? What type of architecture attracts you? Do you listen to music? What kind?Tell me what a person admires and I’ll tell you everything about them that matters.Does it bother you for me to say these things? Please don’t let it. I wasn’t talking about you. I was talking about an “else” named Everyone.There is nothing more disenchanting to man than to be shown the springs and mechanism of any art. All our arts and occupations lie wholly on the surface; it is on the surface that we perceive their beauty, fitness, and significance; and to pry below is to be appalled by their emptiness and shocked by the coarseness of the strings and pulleys.” – Robert Louis StevensonThe hidden mechanisms of explosive ad writing are rarely seen because most people don’t want to believe they need identity reinforcement and affirmation. They are offended by the very suggestion of it. But the truth is that most of us need these things deeply.I met a man a year ago who paid me to give him advice for a day. We spent that day talking about several companies he owned. At the end of the day he asked if I might be willing to write ads for these companies and I – for a variety of reasons – declined. A few months later I received a long email from him telling me about a troubled company he had acquired that had lost two-thirds of all its customers, a loss of about 20 million dollars in annual revenues. I wrote back and told him that I would write ads for this troubled company, but not for the others.The first ad I wrote shares a bittersweet, true story from the childhood of the man who hired me. It’s about something that happened to him when he was 10 years old and it’s why he bought the troubled company. Upon receiving the ad, he called six different people and read it to them. Each of them got tears in their eyes.Not because the story was about him, but because it was about them, too. The story in the ad is about a certain kind of magic that each of us guards deep in our heart like buried treasure. Even you.I have every confidence that the ad campaign will recover those lost customers and lift this once-troubled company into a sunlit sky.To write an explosive explanatory ad, you must choose:How to end.Where to begin.What to leave out.You must include specific details in your ad or it won’t have credibility: “a year ago… two thirds… 20 million dollars… 10 years old.”But you must also leave something out of your ad or it won’t trigger curiosity: “…a certain kind of magic that each of us guards deep in our heart like buried treasure.”You really want to read that ad now, don’t you?For obvious reasons I won’t be sharing that ad in the Monday Morning Memo and I’ve instructed Indy not to put it in the rabbit hole, either. But I will be deconstructing it – along with the next two ads in that series – in the April session of the Wizard of Ads LIVE webcast.It’s all about what you leave out.Roy H. Williams
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Mar 30, 2015 • 3min

Counterintuitive Truth

The hardest decisions in life occur when we must choose between two good things:Honesty or Loyalty?Justice or Mercy?Frugality or Generosity?These often come into conflict, do they not?If one could remove the vitriol from political debates, these are the six beautiful sisters we would see in a magnificent tug-of-war: Honesty, Justice and Frugality on one side ——– Loyalty, Mercy and Generosity on the other.Let us hope neither side ever wins.A person not doing anything is often exactly what they seem.If you want to get something done, ask a busy person.Rick Sorenson, one of my partners, tells of the day he decided to plunge headlong into the riptide of life. His moment of truth arrived when he saw himself dead and buried. On the tombstone six feet above him appeared these tragic words: He Had Potential.Sorenson read those words and immediately leaped into the churning sea of life.Do the storms ever cease on that sea?A ship in harbor is safe – but that is not what ships are for.”– John A. Shedd“Twenty years from now you will be more disappointed by the things that you didn’t do than by the ones you did do. So throw off the bowlines. Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover.”– Mark TwainYou are busy because you do things.You are getting things done.You are having Mark Twain’s adventure.You are not torn between two beautiful things.You are torn between three: Work and Rest and Play.Which of these three have you sat in the corner with her face turned to the wall?Why have you chosen just two of these when all three are required for happiness?I have given you many things to think about today.I will think about them, too.Roy H. Williams
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Mar 23, 2015 • 6min

Multilingual You

You’ve been told, “the whole is greater than the sum of its parts.” But it’s a misquote. What Wolfgang Köhler said more than a hundred years ago – in 1910 to be exact – is that “the whole is different from the sum of its parts.”Kohler was famously irritated for the next 57 years by the insistence of writers to turn his statement into something different than what he was saying.But he shouldn’t have been surprised. As a psychologist, Köhler knew that we collect sensory data from verbal and nonverbal sources and then add it up into an “impression” that may or may not be accurate.The reason our impressions are so often wrong is because few of us ever studied a language that wasn’t a language of words or numbers.You didn’t realize that numbers are a language? There are things that can be said in the language of math that can be translated into no other. If you want to learn advanced mathematics, just think of it as a foreign language and you’ll be able to learn it much more quickly.Benjamin Zander delivers a charming and funny and profound TED talk about The Transformative Power of Classical Music. He begins with a short segment on the piano from Chopin, then pauses to explain the relationship between two of the principal notes in the sequence.So let’s see what’s really going on here. We have a B. This is a B. (plays the note) The next note is a C. (plays the note) And the job of the C is to make the B sad. And it does, doesn’t it? (Laughter) Composers know that. If they want sad music, they just play those two notes. (plays more notes, ending with B-C-C-C-C) But basically, it’s just a B, with four sads. (Laughter)”This is the moment when we realize that Zander has just taught us a two-syllable word. In the language of music, “sad” is spelled B-C.Zander then says,I’ve one last request before I play this piece all the way through. Would you think of somebody who you adore, who’s no longer there? A beloved grandmother, a lover — somebody in your life who you love with all your heart, but that person is no longer with you. Bring that person into your mind, and at the same time, follow the line all the way from B to E, and you’ll hear everything that Chopin had to say.”You listen for exactly 107 seconds as the music written by Chopin triggers detailed memories of specific times. You understand perfectly what Chopin was trying to say.This is when it really hits you that music is a language. And if you control the music, you control the mood of the room.Color, too, is a language.Symbols are a language.Motion is a language.I believe there are exactly 12 languages of the mind and they’re self-referential. This means you will find them embedded within each other and they can be added together to create distinct artifacts.Tempo is the Motion component within Music.Symbol plus Motion equals Ritual.Anger plus Joy equals Cruelty.1Sadness plus Surprise equals Disappointment.1These are just a few of the equations you’ll be taught when you look into Portals and the 12 Languages of the Mind. I’m not sure when we’ll be teaching it again, but if you’d like to receive an advance notice from Vice-Chancellor Whittington before he publicly posts it on the schedule, just ping Daniel@WizardAcademy.orgFourteen students attended last week’s class and none of them were writers. But I think you’ll be impressed with the things they wrote during a brief exercise on the second day of class.You’ll find 13 of their compositions in today’s rabbit hole. We’re editing a video of the 14th student that we’ll post in a week or two.Fascinating.Roy H. Williams
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Mar 16, 2015 • 4min

Thou Shalt Not Be Average

If you can’t tell funny stories about embarrassing mistakes you’ve made, you’re not taking enough chances.Are you letting the fear of failure turn you into a narrow guardian of the status quo?Good judgment comes from experience.Experience comes from bad judgment.I met a woman when I was a boy – I promise I’m not making this up – who had the power to change the future. She taught me how to do it, too.Shall I teach you?The past was written by the choices of yesterday.The future is written by the choices you make today.The key is to do things that matter.You spent your day yesterday. You invested your time. But did you make a difference? Did you bring anyone joy? Did you matter? Or did you play it safe because you were worried that you might make a mistake?I’m not suggesting that you try something new all the time, just 5% of the time.The time to try something new is when:1. you feel itchy that there’s room for improvement,2. you’ve counted the cost,3. you can afford to fail.That’s when you should take a chance. Follow your instinct.Few things turn out as well as we had hoped or as badly as we had feared.You learn a little from small mistakes. You learn a lot from big ones. You learn nothing at all from mediocrity.Failure is never a waste of time. Mediocrity always is. The fear of failure is what keeps you average. Success is the result of taking chances.America is plagued by mediocre primary schools, subpar infrastructure, and dysfunctional government. But somehow, this country manages to get at least one big, important thing right: innovation. That’s the deep magic of the world’s leading economy.”– James Pethokoukis, May 9, 2014Innovation occurs when you take a chance that you might be wrong.We want to encourage greatness in men. We want to encourage ambition. We believe that nobody wants to be sort of gray-normal. Often, the definition of normal is ‘average.’ We live, it seems to us, in an age under the curse of normalcy, characterized by the elevation of the mediocre.”– Robert Moore and Douglas Gillette, King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine“When you worry about what ‘might’ happen, you’re living in the shattered wreckage of your future.”– Teresa ShapiroPennie and I will spend April in Paris with the woman who taught me how to change the future.She married my father before I was born.Roy H. Williams

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