New Books in Intellectual History

NYU professor Sonali Thakkar’s brilliant first book, The Reeducation of Race: Jewishness and the Politics of Antiracism in Postcolonial Thought (Stanford UP, 2023), begins as a mystery of sorts. When and why did the word “equality” get swapped out of the 1950 UNESCO Statement on Race, to be replaced by “educability, plasticity”? She and John sit down to discuss how that switcheroo allowed for a putative anti-racism that nonetheless preserved a sotto voce concept of race.They discuss the founding years of UNESCO and how it came to be that Jews were defined as the most plastic of races, and “Blackness” came to be seen as a stubbornly un-plastic category. The discussion ranges to include entwinement and interconnectedness, and Edward Said's notion of the "contrapuntal" analysis of the mutual implication of seemingly unrelated historical developments. Sonali's "Recallable Book" shines a spotlight on Aime Cesaire's Discourse on Colonialism--revised in 1955 to reflect ongoing debates about race and plasticity.Mentioned in the episode: Ama Ata Aidoo, Our Sister Killjoy (1977) Hannah Arendt, "The Crisis in Education" (1954) in Between Past and Future: Eight Exercises in Political Thought ( "the chances that tomorrow will be like yesterday are always overwhelming" ) Franz Boas, "Commencement Address at Atlanta University," May 31, 1906 (this is where he says the bit about "the line of cleavage" Franz Boas, Changes in Bodily Form of Descendants of Immigrants, Final Report, immigration COmmission (1911) W.E.B. Du Bois, "Color and Democracy: Colonies and Peace," (1945) Frantz Fanon, Black Skin, White Masks (1952) Michel Foucault, "Nietzsche, Genealogy, History" Adom Getachew, Worldmaking After Empire: The Rise and Fall of Self-Determination IHRA definition of Antisemitism. Jerusalem Declaration on Antisemitism. Claude Lévi-Strauss, Race and History (1952) Natasha Levinson, "The Paradox of Natality: Teaching in the Midst of Belatedness," in Hannah Arendt and Education: Renewing our Common World, ed. by Mordechai Gordon (2001) Edward W. Said, Culture and Imperialism (on the contrapuntal) Joseph Slaughter, Human Rights Inc.: The World Novel, Narrative Form, and International Law UNESCO (United Nations Educational, Scientific and Cultural Organization), 1950 Statement on Race UNESCO, 1951 Statement on the Nature of Race and Race Differences Gary Wilder, Freedom Time: Negritude, Decolonization, and the Future of the World (on the methodological nationalism of postcolonial studies and new approaches that challenge it) Recallable books: Aimé Césaire, Discourse on Colonialism (1950, 1955 rev. ed.) George Eliot, Daniel Deronda (1876) Read and Listen to the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Chinese artists and writers in early 20th-century Paris, navigating cultural transposition. Five artists' journeys highlighted, including Chang Yu and Fu Lei. Discussion on how transposition shapes art and literature. Impact of Paris on global reception of Chinese modernism. Cultural conflicts, artistic identity, and culinary culture in Sino-French encounters.

Devoted to the ways in which Holocaust literature and Gulag literature provide contexts for each other, Leona Toker's Gulag Literature and the Literature of Nazi Camps: An Intercontexual Reading (Indiana UP, 2019) shows how the prominent features of one shed light on the veiled features and methods of the other. Toker views these narratives and texts against the background of historical information about the Soviet and the Nazi regimes of repression. Writers at the center of this work include Varlam Shalamov, Primo Levi, Elie Wiesel, and Ka-Tzetnik, and others, including Aleksandr Solzhenitsyn, Evgeniya Ginzburg, and Jorge Semprún, illuminate the discussion. Toker's twofold analysis concentrates on the narrative qualities of the works as well as on the ways in which each text documents the writer's experience and in which fictionalized narrative can double as historical testimony. References to events might have become obscure owing to the passage of time and the cultural diversity of readers; the book explains them and shows how they form new meaning in the text. Toker is well-known as a skillful interpreter of Gulag literature, and this text presents new thinking about how Gulag literature and Holocaust literature enable a better understanding about testimony in the face of evil. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In a radical and ambitious reconceptualization of the field, Colonialism, World Literature, and the Making of the Modern Culture of Letters (Cambridge UP, 2024) argues that global literary culture since the eighteenth century was fundamentally shaped by colonial histories. By introducing the concept of ‘literary sovereignty’, the book argues that political sovereignty in colonial India went hand in hand with a massive project of textually understanding local cultures that colonial officials encountered. This in turn gave rise to paradigms such as those of comparison, fields of study such as literary history and most importantly – world literature. It offers a comprehensive account of the colonial inception of the literary sovereign – how the realm of literature was thought to be separate from history and politics – and then follows that narrative through a wide array of different cultures, multilingual archives, and geographical locations. Providing close studies of colonial archives, German philosophy of aesthetics, French realist novels, and English literary history, this book shows how colonialism shaped and reshaped modern literary cultures in decisive ways. It breaks fresh ground across disciplines such as literary studies, anthropology, history, and philosophy, and invites one to rethink the history of literature in a new light. The book also offers us tools to decolonise literary studies by highlighting the genealogies of modern ideas of world literature and comparative literature that are rooted in European colonialism.Baidik Bhattacharya works at the crossroads of literary studies, social sciences, and philosophy. His first book, Postcolonial Writing in the Era of World Literature: Texts, Territories, Globalizations (Routledge, 2018), explores the debates surrounding two dynamic fields-postcolonial studies and world literature. Contrary to many dominant narratives in critical theory, the book asserts that as an analytical framework the idea of world literature is dead: the nineteenth-century ideal of world literature had always and already been embedded in colonial histories; and, in our contemporary times, the promise of that ideal has been exhausted by postcolonial Anglophone literature. Through fresh and incisive readings of the postcolonial canon and some of its most prominent authors like Rudyard Kipling, V. S. Naipaul, J. M. Coetzee, and Salman Rushdie, the volume discusses how these Anglophone writings have used the banal and ordinary ideal of world literature to fashion out their own trajectories.Bhattacharya is the co-editor of two volumes: Baidik Bhattacharya and Sambudha Sen (eds.) Novel Formations: The Indian Beginnings of a European Genre (Permanent Black, 2018); Baidik Bhattacharya and Neelam Srivastava (eds.) The Postcolonial Gramsci (Routledge, 2012).His other works have appeared in Novel: A Forum on Fiction, Interventions, Postcolonial Studies among other places.Bhattacharya has held visiting scholarships at the University of Virginia and the University of Western Cape. He serves on the editorial board of the journal Postcolonial Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The ancient philosopher Diogenes--nicknamed "The Dog" and decried by Plato as a "Socrates gone mad"--was widely praised and idealized as much as he was mocked and vilified. A favorite subject of sculptors and painters since the Renaissance, his notoriety is equally due to his infamously eccentric behavior, scorn of conventions, and biting aphorisms, and to the role he played in the creation of the Cynic school, which flourished from the 4th century B.C. to the Christian era. In The Dangerous Life and Ideas of Diogenes the Cynic (Oxford UP, 2023), Jean-Manuel Roubineau paints a new portrait of an atypical philosopher whose life left an indelible mark on the Western collective imagination and whose philosophy courses through various schools of thought well beyond antiquity.Roubineau sifts through the many legends and apocryphal stories that surround the life of Diogenes. Was he, the son of a banker, a counterfeiter in his hometown of Sinope? Did he really meet Alexander the Great? Was he truly an apologist for incest, patricide, and anthropophagy? And how did he actually die? To answer these questions, Roubineau retraces the known facts of Diogenes' existence.Beyond the rehashed clichés, this book inspires us to rediscover Diogenes' philosophical legacy--whether it be the challenge to the established order, the detachment from materialism, the choice of a return to nature, or the formulation of a cosmopolitan ideal strongly rooted in the belief that virtue is better revealed in action than in theory.Jean-Manuel Roubineau is a specialist in ancient history. He previously published Milon de Crotone ou l'Invention du Sport and Les cités grecques, winner of the European History Book Prize in 2016.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The marvellous, a key concept in literary debates at the turn of the seventeenth century, involved sensory and perspectival transformation, a rhetoric built on the unexpected, contradictory, and thought-provoking. The composer Claudio Monteverdi (1567–1643) created a new practice in which the expressive materials of music and poetry were placed in concert. This innovative new study of Monteverdi's literary personality integrates musical and poetic analysis to create an approach to text-music relations that addresses scholars of both literature and music. Roseen Giles' book Monteverdi and the Marvellous: Poetry, Sound, and Representation (Cambridge UP, 2023) illuminates how experiments in language and perception at the turn of the seventeenth century were influenced and informed by the work of musicians of that era. Giles provides a new perspective on the music and poetry of Monteverdi's madrigals through the poetics of the marvellous. In his madrigals, Monteverdi created a reciprocity between poetry and music which encouraged audiences to contemplate their interactions, and, consequently, to listen differently.Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women’s and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Jewish Imperial Imagination: Leo Baeck and German-Jewish Thought (Cambridge UP, 2024) discusses the life and work of Leo Baeck (1873–1956) the rabbi, public intellectual, and the official leader of German Jewry during the Holocaust. The Jewish Imperial Imagination shows the myriad ways in which the German imperial enterprise left its imprint on his religious and political thought, and on modern Judaism more generally. This book is the first to explore Baeck's religious thought as political, and situate it within the imperial context of the period which is often ignored in discussions of modern Jewish thought. Baeck's work during the Holocaust is analysed in-depth, drawing on unpublished manuscripts written in Nazi Germany and in the Theresienstadt Ghetto. In the process, the book raises new questions about the nature of Jewish missionizing and the German-Jewish imagination of the East as a space for colonization. Feller thus develops the concept of the 'Jewish imperial imagination', moving beyond a simple dichotomy of ascribing to or resisting hegemonic narratives. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Ryan Wolfson-Ford’s provocative new book, Forsaken Causes: Liberal Democracy and Anticommunism in Cold War Laos (U Wisconsin Press, 2024), is an intellectual history of Laos during the Cold War. The book challenges the established view that Cold War Laos was a plaything of foreign powers, particularly France, the United States, and North Vietnam. It does so by mining the writings of the Lao intellectual elite to produce a revisionist history of Laos that clearly shows the Lao as agents of their own history. The book also reveals a little-known fact of history that for much of the period from 1945 to the communist Pathet Lao’s seizure of power in 1975, Laos had one of the most flourishing multi-party democracies in Southeast Asia. Lao nationalism, anti-communism, and democracy thrived, and these political ideas were largely homegrown.Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The use of disability as a metaphor is ubiquitous in popular culture – nowhere more so than in the myths, stereotypes and tropes around blindness. To be 'blind' has never referred solely to the inability to see. Instead blindness has been used as shorthand for, among other things, a lack of understanding, immorality, closeness to death, special insight or second sight. Although these 'meanings' attached to blindness were established as early as antiquity, readers, receivers and spectators into the present have been implicated in the stereotypes, which persist because audiences can be relied on to perpetuate them. Marchella Ward's book Blindness and Spectatorship in Ancient and Modern Theatres: Towards New Ways of Looking and Looking Back (Cambridge UP, 2023) argues for a new way of seeing – and of understanding classical reception - by offering assemblage-thinking as an alternative to the presumed passivity of classical influence. And the theatre, which has been (incorrectly) assumed to be principally a visual medium, is the ideal space in which to investigate new ways of seeing.Corinne Doria is a historian specializing in the social history of medicine. She is a lecturer at the Chinese University of Hong Kong in Shenzhen and teaches Disability Studies at Sciences-Po (Paris). Her work focuses on the history of ophthalmology and visual impairment in the West. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Reality of the Message: Psychoanalysis in the Wake of Jean Laplanche (Unconscious in Translation, 2023) compiles papers written by Dominique Scarfone. Each paper is followed by a conversation about the paper between the author and Avgi Saketopoulou."I propose we have a conversation after each of your essays as a way to engage your work, to ask for clarifications on the reader's behalf, and to multiply the entry points to your thinking. I imagine that these conversations will work cumulatively, talking the reader deeper into each chapter and also showing your way of thinking not by describing it but by exposing the reader to it 'in vivo.' Part of what your work has offered me personally, which I hope these exchanges will also convey to the reader, is the sheer pleasure of thinking about theory with you -- that it's not a stale or inert process but that, on the contrary, it is an experience in itself." -Avgi Saketopoulou"While an indisputable fact about human reality is that of communication and its corollary, making sense of what is communicated, only psychoanalysis takes notice of the particular situation created when communication happens between an adult and an infans-literally: the one who does not speak. Nor is it given much attention, even among psychoanalysts, that there is a special 'noise' carried over in the channels of communication between the two, a noise resulting from the difference regarding the unconscious sexual dimension." -Dominique Scarfone Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history