The WhatsOnStage Podcast

Inspired by Sarah's obsession with Succession and the way in which actors with both screen and stage backgrounds combine to make a perfect whole, Sarah and Nancy talk about screen acting and screen writing and Nancy reveals that the difference between the two is not quite what you think. Hosted on Acast. See acast.com/privacy for more information.

Finn Caldwell is the Olivier-award-winning movement director and director of puppetry behind Life of Pi and Ocean at the End of the Lane and many other hits. He started out as the man manipulating the goose in War Horse. He talks to Nancy and Sarah about the way you design a puppet, how they come to life - and how they are changing what theatre can do. "It needs to be capable of anything," he says. Hosted on Acast. See acast.com/privacy for more information.

To celebrate the National Theatre's wonderful new production of Brian Friel's Dancing at Lughnasa, Nancy and Sarah talk about what makes the play such a classic and so full of feeling - with the help of Nancy's husband Jo Stone-Fewings, who met Friel when he appeared in the 2009 revival at the Old Vic. Hosted on Acast. See acast.com/privacy for more information.

The Motive and The Cue by Jack Thorne is about to open - inspired by the time Richard Burton played Hamlet in New York, directed by John Gielgud, with Elizabeth Taylor watching things from the wings. It inspired Nancy and Sarah to talk about why great and famous actors would want to take on those huge Shakespearean parts - and what it takes out of them. Hosted on Acast. See acast.com/privacy for more information.

As Ivo van Hove's ultra-violent version of A Little Life starring James Norton opens on stage, Nancy and Sarah take a look back at some of the history of violence on stage - the plays that have shocked people most, the purpose of stage violence, and the most violent play Nancy has ever starred in. Warning: there are discussions of subjects that some people may find upsetting including violence, bloodshed, self-harm and thoughts of suicide Hosted on Acast. See acast.com/privacy for more information.

Inspired by Jamie Lee Curtis, and Nancy's matinees at the Menier Chocolate Factory in Marjorie Prime, Sarah and Nancy take a gentle look at the pleasure of a mid-afternoon performance. And suggest that perhaps we should be considering shows at midnight too! Hosted on Acast. See acast.com/privacy for more information.

Nancy, currently on stage in Marjorie Prime, completely lost her voice thanks to bacterial laryngitis - which prompted Sarah to ask whether actors' voices have changed down the years, and what you can do to change and alter your voice. With special reference to Richard Burton, Benedict Cumberbatch - and Sting! Hosted on Acast. See acast.com/privacy for more information.

As Nancy prepares to open in Marjorie Prime, she and Sarah discuss how few women's voices are still heard - and ways to make sure women are studied in schools and listened to on stage and film. With nods to Caitlin Moran, Sleepova at the Bush Theatre, Women Talking - and why Nancy feels the urge to jump over furniture. Hosted on Acast. See acast.com/privacy for more information.

After an incident in which a choreographer smeared dog faeces in a critic's face because he took against her review, Nancy and Sarah discuss what drives creatives to attack critics, why reviewers have to be free to say what they think - and suggest ways in which the dialogue can improve Hosted on Acast. See acast.com/privacy for more information.

Nancy is in rehearsals for a new play at the Menier Chocolate Factory. So she and Sarah take the opportunity to talk about what goes on behind the scenes when a cast come together - and why you must never have an affair! Hosted on Acast. See acast.com/privacy for more information.