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The Cannon Street All-Stars dreamed of playing in the 1955 Little League World Series. Their biggest obstacle didn’t come on the field. In the year that Rosa Parks refused to give up her seat on a public bus, these Black 12-year-olds became unlikely civil rights pioneers—and faced the wrath of a white society that wasn’t ready to change.Josh Levin is One Year’s editorial director. One Year’s senior producer is Evan Chung.This episode was produced by Kelly Jones and Evan Chung, with additional production by Sophie Summergrad. It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director.Join Slate Plus to get the first three episodes of One Year: 1955 right away—and a bonus 1955 story at the end of the season. Slate Plus members also get to listen to all Slate podcasts without any ads. Sign up now to support One Year. Hosted on Acast. See acast.com/privacy for more information.

The New York Times journalist talks about the difficulties of early parenthood, the lure of communal living, and why he loves Burning Man.Want more from Ezra on the topics in today’s episode? We recommend the following: This episode of The Ezra Klein Show with scholar Kristen Ghodsee on communes and intentional communities (https://www.nytimes.com/2023/06/09/opinion/ezra-klein-kristen-ghodsee.html), a conversation The Atlantic’s Jerusalem Demsas about homelessness and the origins of our current housing crisis (https://www.nytimes.com/2023/07/18/opinion/ezra-klein-podcast-jerusalem-demsas.html), an interview with writer Sheila Liming on loneliness in America (https://www.nytimes.com/2023/04/18/opinion/ezra-klein-podcast-sheila-liming.html), and two interviews he’s done with child psychologist Alison Gopnik (https://www.vox.com/podcasts/2019/6/13/18677595/alison-gopnik-changed-how-i-think-about-love, https://www.nytimes.com/2021/04/16/podcasts/ezra-klein-podcast-alison-gopnik-transcript.html). Finally, Annie Lowrey’s piece about her experiences with pregnancy, childbirth and early parenting: “What Counts As the Life of the Mother?” (https://www.theatlantic.com/ideas/archive/2022/08/pregnancy-birth-complication-abortion-life-of-mother/671006/).Did you know we have a weekly email newsletter for the Death, Sex & Money community? Every Wednesday we send out a note from Anna, fascinating listener letters from our inbox, and updates from the show. Sign up at deathsexmoney.org/newsletter, and follow the show on Twitter, Facebook, and Instagram.Got a story to share? Email us at deathsexmoney@wnyc.org. Hosted on Acast. See acast.com/privacy for more information.

As an end of summer treat, Rachelle Hampton and Candice Lim dive deep into the drama that engulfed BookTok earlier this August. Over the spring and early summer, hockey-themed romance novels enjoyed a rise in the BookTok charts, a rise that led to an influx of new fans into the hockey community. One team in particular, the Seattle Krakens, became the unofficial team of BookTok, with Swedish player Alex Wennberg receiving special attention. Sexualized commentary by content creators like Kierra Lewis was both tacitly and overtly encouraged by the Kraken, who flew Lewis out to games.All of this changed when Wennberg’s wife asked fans to stop posting sexualized content about her husband, a request that sent HockeyTok into a tailspin. So, what does this all mean in an era where loud and overt female desire is not only celebrated but monetized? Is there a difference between thirsting loudly for celebrities like Chris Evans and minor stars like Wennberg? And has internet thirst perhaps gone too far?This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

This week, Julia is joined by Slate associate culture writer Nadira Goffe and Jamelle Bouie, opinion columnist at The New York Times. The panel begins by test driving Gran Turismo, a sports movie that is essentially a Playstation commercial based on popular intellectual property and “real life.” Then, they explore Mask Girl, a visually stylish K-drama that tackles men, capital letters, systemic violence, Korean beauty standards, and fame through smart social satire. Finally, the three discuss the virtues, or lack thereof, found in Oliver Anthony’s number one hit song “Rich Men North of Richmond” (which Jamelle also covered in his essay “The Irony in the ‘Rich Men North of Richmond’”).In the exclusive Slate Plus segment, the panel considers prep, preppy style, and their relationships to the American art form, inspired by Natalia Mehlman Petrzela’s piece for The New Republic, “We’re All Preppy Now.” Email us at culturefest@slate.com. Endorsements:Jamelle: The films of Satoshi Kon, the legendary Japanese film director, animator, and screenwriter. Jamelle particularly enjoys Perfect Blue and Millennium Actress, which he calls a “love letter to mid-century Japanese filmmaking.” Julia: A recent tomato sandwich devotee, Julia endorses Eric Kim’s furikake tomato sandwich recipe for The New York Times. It calls for Wonder Bread, a bit of mayonnaise, heirloom tomatoes, and a sprinkling of the dry Japanese condiment. Nadira: British neo-funk electronic collective, Jungle, and the dance-based music videos for their latest album, Volcano, specifically “Candle Flame,” “Dominoes,” and viral sensation “Back on 74,” brilliantly choreographed by Shay Latukolan. Outro music: "Warefare" by Sandra BjurmanPodcast production by Cameron Drews. Production assistance by Kat Hong. HostsJulia Turner, Nadira Goffe, Jamelle Bouie Hosted on Acast. See acast.com/privacy for more information.

Joel Anderson, Stefan Fatsis, and Josh Levin talk about the American stars at the world track and field championships. They also review the documentary BS High, on the Bishop Sycamore high school football scandal. Finally, journalist Semra Hunter joins Stefan and Josh to discuss the latest in the battle between Luis Rubiales and Spain’s women’s soccer team. Track (5:50): Sha’Carri Richardson and Noah Lyles won gold and are shooting for stardom. BS High (25:45): Looking back at an amazing con and the man who perpetrated it. Spain (48:34): A fight over soccer, power, and chauvinism. Afterball (1:08:30): Josh on the FIBA Basketball World Cup, naturalized players, and a contretemps in Cambodia.  Hosted on Acast. See acast.com/privacy for more information.

On today’s show, Candice Lim and Rachelle Hampton walk through Addison Rae’s quest for Hollywood stardom. They run through her moments of flop before the release of AR, a collection of Rae’s leaked music from her “lost album.” Then, Candice and Rachelle are joined by Pitchfork associate editor Cat Zhang to break down her bold and delicious review of “I Got It Bad.”This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

Talk about ’90s rap, and most music fans will throw around the word “gangsta” and talk about the East Coast–West Coast feud that tragically brought down Biggie and Tupac. But one rap group, OutKast, quite literally rose above the fray: At the 1995 Source Awards, while East and West were bickering with each other, OutKast’s André Benjamin took the mic and told the rap faithful that hip-hop’s future was in the South. For the next quarter century, he was proved indisputably correct.OutKast brought about this sea change by conceiving of hip-hop as everything music: funk, soul, pop, club, even country and indie all found their way into André and Big Boi’s music. By the time of their final studio album, they had pulled away almost fully from pure rap—and were rewarded with their biggest hits ever, a No. 1 smash each for Big Boi and André. Including that immortal jam that taught you, the fellas and the ladies—including all Beyoncés and Lucy Lius—what’s cooler than being cool.Podcast production by Benjamin Frisch and Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

The 79-year-old musician tells Anna about coming into his gender identity, “being cared for” by his bandmates, and the joys–and pitfalls–of finding success later in life.Listen to "Transmissions" here (https://open.spotify.com/album/6X7rxq4bKcwPTKRFgIzR30?si=BfLeHGcKRS-uC0O5T9irBA), and you can stream his new album “The Ones Ahead” here: https://open.spotify.com/album/0AdkBNWEM8uprSOb2ah8aD.Did you know we have a weekly email newsletter for the Death, Sex & Money community? Every Wednesday we send out a note from Anna, fascinating listener letters from our inbox, and updates from the show. Sign up at deathsexmoney.org/newsletter, and follow the show on Twitter, Facebook, and Instagram.Got a story to share? Email us at deathsexmoney@wnyc.org. Hosted on Acast. See acast.com/privacy for more information.

This week, Dana is joined by Slate’s books and culture columnist, Laura Miller, and senior editor Rebecca Onion (who are filling in for Julia and Stephen). The panel begins by unraveling Passages, the sexy but also, at times, repelling feature from director Ira Sachs about a complicated love triangle. The film received a controversial NC-17 rating from the Motion Picture Association. Then, they head to Detroit to discuss Justified: City Primeval, FX’s revival of the Raylan Givens cult classic that ran for six seasons. Finally, the three consider Michael Oher’s recent legal allegation that the Tuohy family (immortalized in the 2009 Oscar-winning movie The Blind Side) never really adopted him but instead, placed him in a conservatorship. It’s a scandal at the fascinating convergence of exploitation, fame, race, and adoption. In the exclusive Slate Plus segment, the panel examines nature writing and their relationship to the form, inspired by Jonathan Franzen’s essay for The New Yorker, “The Problem with Nature Writing.” Email us at culturefest@slate.com. Endorsements:Laura: Her quest for a new detective series (that isn’t stupid or cliché) is over: Laura endorses Deadloch, a Prime Video comedy set in Tasmania that’s equal parts genuine mystery and delicious social satire. Rebecca: Anya Liftig’s memoir, Holler Rat, beautifully recounts her upbringing where she often felt caught between two worlds: the comfortable, upper-middle-class life in Connecticut where she lived, and the summers spent in Appalachia, her mother’s home. Dana: A behind-the-scenes video for, what could potentially be the song of the summer, “I’m Just Ken” has just been released. In it, we see Ryan Gosling rehearsing and cameos from Greta Gerwig, Simu Liu and co-writer Mark Ronson, and it’s just super fun. Outro music: “I Want a Change” by The Big Let Down. Podcast production by Cameron Drews. Production assistance by Kat Hong. This episode is sponsored by the podcast About the Journey. Learn more here: https://traveler.marriott.com/about-the-journey/If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

On today’s episode, Rachelle Hampton and Candice Lim are joined by Slate staff writer Luke Winkie to discuss his recent profile of Critical Role’s Matthew Mercer. Launched by Mercer and his friends in 2015, Critical Role is undoubtedly a megahit, boasting over 600 million views on YouTube. As Winkie wrote in his profile, “A 2021 data leak out of Twitch confirmed that Critical Role is one of the richest channels on the platform, generating a mammoth $9.6 million in revenue between 2019 and 2021.” Hampton, Lim and Winkie discuss the appeal of Critical Role, the so-called “Mercer Effect” and whether Critical Role’s success indicates that Dungeons & Dragons is no longer just the domain of the proudly geeky.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.