Slate Culture Feed

On today’s episode, Candice Lim is joined by NPR producer J.C. Howard to walk through his personal experience of buying a car. The heyday of Toyotathon and Happy Honda Days are being replaced by car reviewers who have become influencers (and dealers) for major brands. From CarTok to CarTube, vloggers like EverydayChris and Gjeebs are not only upending the dealership model, but also creating parasocial relationships between cars and their consumers.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

Maria Bamford is a comedian and actress who you may know from her standup specials, her Netflix show Lady Dynamite, or her 2020 interview with Anna on our show. She’s just released a book called, Sure I’ll Join Your Cult: A Memoir of Mental Illness and the Quest to Belong Anywhere. In this new conversation, recorded live from the stage of City Arts & Lectures in San Francisco, Maria and Anna discuss some of the themes and stories that she writes about in her memoir, including her experience of hospitalization, advocating for herself at work, and her relationship with her parents, before and after their deaths. Hosted on Acast. See acast.com/privacy for more information.

This week, Dana and Julia are joined by Jamelle Bouie, Opinion columnist at The New York Times and co-host of Unclear and Present Danger. The panel begins by diving into Ridley Scott’s Napoleon, a visually sumptuous biopic starring Joaquin Phoenix that attempts to chronicle the legendary historical figure’s life and reduce him to human size, yet fails to do so within its 2 ½ hour runtime. Then, the three jump into Scott Pilgrim Takes Off, a new eight-part animated Netflix series that offers an alternate version of its protagonist, Scott Pilgrim (who was first depicted in Bryan Lee O'Malley’s series of graphic novels then later in Edgar Wright’s cult classic film, Scott Pilgrim vs. The World), and reunites much of the movie’s brilliant original cast. Finally, they discuss André 3000’s New Blue Sun, a transcendent ambient album laced with flute-base soundscapes that on its face seems like a complete departure from the rapper’s previous work in Outkast, but actually depicts a piece of him that’s been present in his music all along.  In the exclusive Slate Plus segment, the panel takes advantage of Jamelle’s baking prowess and discusses best practices and tips in the kitchen, before turning to the eternal, all-important question: When you bake, do you use a measuring scale? And if so, why?   We’re also accepting submissions to our yearly call-in show, where Dana, Julia, and Stephen answer questions from Culture Gabfest listeners. Get in touch! Submit a question by calling (260) 337-8260 or emailing us at culturefest@slate.com.Outro music: “By the Riverside” by Lindsey AbrahamEndorsements:Jamelle: The 4K restoration of one of his favorite movies, The Fugitive (1993), starring Tommy Lee Jones and Harrison Ford. It’s an underrated and beautiful Chicago movie. Julia: A deep cut from her personal Summer Strut playlist: Bob Dylan’s 1997 song “Not Dark Yet,” which appeared on the album Time Out of Mind. Dana: Inspired by their discussion of André 3000’s new album, Dana endorses a different avant-garde flute enthusiast: Eric Dolphy, the American multi-instrumentalist and bandleader. Specifically, his fantastic 1964 jazz album, Out to Lunch. Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

On today’s show, Rachelle Hampton and Candice Lim are joined by writer, producer and former video blogger Franchescha Ramsey to discuss the return of Colleen Ballinger. Ramsey was last on the show earlier this year, decoding the firestorm that engulfed Ballinger, better known as her alter ego MirandaSings. After a four-month hiatus and a now-infamous ukelele “apology” video, Ballinger has returned to daily vlogging at the most lucrative time of the year.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Rachelle Hampton and Candice Lim. Hosted on Acast. See acast.com/privacy for more information.

Joel Anderson, Stefan Fatsis, and Josh Levin talk about the Michigan football team’s win over Ohio State and Alabama’s last-second victory over Auburn. They also discuss the mystery around why LSU women’s basketball star Angel Reese isn’t playing. Finally, the Wall Street Journal’s Jonathan Clegg explains the huge penalty the Premier League dished out to Everton. College football (6:31): Why this year’s rivalry week loss was so crushing for Ohio State. LSU women’s basketball (26:10): What’s going on between star Angel Reese and coach Kim Mulkey? Everton (48:22): Will Manchester City and Chelsea get hammered next? Afterball (1:07:17): Joel on the uplifting journeys of Idaho and New Mexico State football. Hosted on Acast. See acast.com/privacy for more information.

On today’s episode brought to us by Slate’s The Waves, we’re digging into the Bravo network. From Below Deck to Selling Sunset to Vanderpump Rules, the Bravo TV network is a reality television behemoth that has made millions on the backs of its female cast members. But is it actually good for women? ICYMI founding host Rachelle Hampton and culture writer Shamira Ibrahim discuss the current Bravo era, how much of Bravo belongs to famous producer Andy Cohen, why cast members can’t rely on a reunion to tell their stories, and whether the cast members of shows like the Real Housewives really have agency.If you liked this episode, check out: How to Be a Woman in MusicPodcast production by Cheyna Roth with editorial oversight by Daisy Rosario and Alicia Montgomery.Send your comments and recommendations on what to cover to thewaves@slate.com.If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you’ll also be supporting the work we do here on The Waves. Sign up now at slate.com/thewavesplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

When it crash-landed on the charts in 2019, Lil Nas X’s “Old Town Road” felt new and old at the same time: a savvy, TikTok-fueled viral hit that summarized a century of cross-cultural collisions between R&B, rap and country. It was also unexpectedly huge—a record 19 weeks at No. 1 on the Hot 100—and controversial, as Billboard magazine pulled the song from its Hot Country Songs chart, prompting a reckoning on race and the very definition of country music.“Old Town Road” wasn’t just a reckoning—it was a culmination. As a hard-to-categorize hit, it called back to cross-genre experiments by everyone from Ray Charles and the Rappin’ Duke to Bubba Sparxxx and even Jason Aldean. As a viral smash, its antecedents date back to “The Twist,” right through “Crank That (Soulja Boy)” and “Harlem Shake.”In honor of his new book Old Town Road (now in bookstores!) join Chris Molanphy as he walks through the many predecessors to “Old Town Road” and explains why can’t nobody tell Lil Nas X nothin’.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.

With their underdog-against-all-odds-redemption stories and epic training montages, sports movies can be the best source of support when we’re deep in the toughest moments in our lives. Earlier this year, when our executive producer, Liliana Maria, found herself surrounded by cancer and death in her close circle of family and friends, she turned to the Michael B. Jordan movie, Creed III, to help her keep going. She kept repeating Adonis Creed’s mantra to herself each day: “One step at a time, one punch at a time, one round at a time.” In this week's episode, hosted by Liliana Maria, we share your stories about sports movies like Hoosiers, Whip It, Brittany Runs A Marathon and Cool Runnings, which have accompanied you when you needed them most. Hosted on Acast. See acast.com/privacy for more information.

Today, Rachelle and Candice celebrate ICYMI’s third annual Friendsgiving episode. They’re joined by Weight For It host Ronald Young Jr. and ICYMI producer Daisy Rosario to run down the internet moments that made them laugh out loud this year. They cover viral moments such as the adventures of George Santos, gamer thirst traps and little girls singing iconic jingles.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel begins by reviewing The Curse, a cringe-worthy Showtime series co-produced by Nathan Fielder and Benny Safdie. Fielder and Emma Stone star as Asher and Whitney Siegel, a newlywed couple at the center of a reality HGTV show built on narcissism, gentrification, and lies. Then, the three jump into Alexander Payne’s The Holdovers, which Dana describes as a “sadsack Christmas classic,” starring Paul Giamatti as a curmudgeonly misanthrope professor alongside newcomer Dominic Sessa and Da’Vine Joy Randolph. The three play misfits being held over at a prep school during the winter break of 1970. Finally, the trio is joined by Dwight Garner, book critic for The New York Times, to discuss his delightful new memoir, The Upstairs Delicatessen: On Eating, Reading, Reading About Eating, and Eating While Reading. In the exclusive Slate Plus segment, the panel commemorates Jezebel, the now-shuttered women-focused news and cultural commentary site, and reflects on their relationships with media geared towards women overall.   Email us at culturefest@slate.com. Endorsements:Dana: Life on Our Planet on Netflix, a nature documentary narrated by Morgan Freeman that tells the four-billion-year story of life on Earth. It’s perfect for at-home family viewing over the holidays. Julia: A hilarious bit Nathan Fielder and Emma Stone did on Jimmy Kimmel Live! while promoting The Curse. In response to a less-than-glowing review of his acting skills in The New York Times, Fielder shows up in-character as a nonchalant, totally not stilted bad boy alongside Stone’s non-acted self.  Stephen: “Camus on Tour,” an excellent tour de force essay by Vivian Gornick in The New York Review of Books, in which she covers Camus’ Travels in the Americas: Notes and Impressions of a New World. Podcast production by Jessamine Molli. Production assistance by Kat Hong.  HostsDana Stevens, Julia Turner, Stephen Metcalf  Hosted on Acast. See acast.com/privacy for more information.