Slate Culture Feed

Candice Lim is joined by culture critic and reporter Cyrena Touros to break down the battle between Universal Music Group and TikTok. On February 1, UMG started pulling their artists’ music from TikTok after their licensing contract expired. This meant creators weren’t able to interact with music from artists like Taylor Swift, Drake and Olivia Rodrigo. UMG claims this drastic move was necessary to ensure appropriate compensation for their artists and songwriters. But TikTok fired back, saying UMG was putting “their own greed above” the interests of UMG’s artists because TikTok is a free marketing and discovery platform for their talent. So who’s the real villain here and how will musicians and creators cope during this battle?This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Extreme Friends of the Pod and co-authors of The World Only Spins Forward, Isaac Butler and Dan Kois, fill in for Dana Stevens and Julia Turner. The hosts begin by dissecting The Zone of Interest, filmmaker Jonathan Glazer’s audacious movie about the Holocaust that’s told through the lens of Nazi commandant Rudolf Höss and his wife Hedwig as they live their somewhat ordinary lives in a compound outside of Auschwitz. The film has garnered both praise and severe critique from critics, many of whom are split on Glazer’s detached aesthetic and imaginative approach to depicting genocide. The Zone of Interest has racked up five Oscar nominations, including Best Picture and Best Director. Then, the three dive into Nyad, the (maybe?) true story of marathon swimmer Diana Nyad, as she attempts to swim unassisted from Cuba to Florida. Annette Bening stars in the titular role alongside Jodie Foster, both of whom are up for Oscars (Best Actress and Best Supporting Actress, respectively). Finally, what is a good director, anyway? What does it look like, what does it mean, and is there a difference between producing, screenwriting, and directing – or is it some strange amalgamation of all three? These questions come from a listener, Emily, and the panel attempts to answer them. In the exclusive Slate Plus segment, the panel discusses their film preferences while airborne, inspired by David Mack’s essay for Slate, “What Makes a Perfect ‘Plane Movie’?”Email us at culturefest@slate.com. Outro music: "Pull Me Out" by Mike Stringer.Endorsements:Isaac: Dheepan (2015), an exquisitely directed movie from filmmaker Jacques Audiard. In it, three Tamil refugees must pose as a family to flee war-torn Sri Lanka but land in a Paris suburb blighted by drugs. Dan: For anyone in or heading to New York, check out Cole Escola’s play “Oh Mary!” The comedian stars as a miserable, suffocated Mary Todd Lincoln and takes place in the weeks leading up to Abraham Lincoln’s assassination. (You can also find Escola’s episode of Slate’s Working podcast here.) Steve: Rebecca Solnit’s meditation on the Bay Area, loneliness, and the human impulse towards succession: “In the Shadow of Silicon Valley” for the London Review of Books. Podcast production by Cameron Drews and Jared Downing. Production assistance by Kat Hong. HostsIsaac Butler, Dan Kois, Stephen Metcalf Hosted on Acast. See acast.com/privacy for more information.

Joel Anderson and Josh Levin are joined by the Athletic’s Chantel Jennings to discuss women’s college basketball stars JuJu Watkins and Caitlin Clark. The Washington Post’s Will Hobson also joins to talk about his piece on the broken promises of the NFL’s concussion settlement. Finally, U.S. senator and New York Knicks legend Bill Bradley discusses his one-man show Rolling Along. Watkins and Clark (4:29): The biggest stars in women’s hoops are living up to the hype. Concussion settlement (23:50): Retired players with dementia aren’t getting the money they believe they’re owed. Rolling Along (44:24): Why the politician and basketball star is telling the story of his life. Afterball (1:03:22): Josh on Zach LaVine, L.T. Levine, and athlete name homophones. Hosted on Acast. See acast.com/privacy for more information.

Candice Lim is joined by Julian Sewell (@juliansewell), the creator of TikTok’s most famously snubbed actress: Paloma Diamond. In March 2023, Sewell posted a TikTok parodying the behavior of nominated actors at the Academy Awards. Posted days before the actual ceremony, the video gained millions of views immediately and made Paloma the protagonist of Sewell’s faux universe. Since then, Sewell has parodied everyone from Queen Elizabeth II to America’s Next Top Model, but his followers love adding to Paloma’s lore, making her one of TikTok’s favorite characters to root for.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

From our friends at Life and Art, a culture podcast of the Financial Times:This week, we return to an old comfort classic: the 2003 Nancy Meyers romcom Something’s Gotta Give, starring Diane Keaton and Jack Nicholson. In it, two middle-aged people fall in love, but only after one heart attack, two younger lovers, some unexpected midnight pancakes and ample bickering. Does the movie still work today? How has the way we depict aging in film changed? And do we miss Nancy Meyers movies? Joining host Lilah Raptopoulos is comedian Negin Farsad, host of the podcast Fake the Nation, and FT senior corporate finance correspondent Eric Platt. This is one of his favourite movies.https://podcasts.apple.com/lu/podcast/life-and-art-from-ft-weekend/id1179847741 Hosted on Acast. See acast.com/privacy for more information.

Candice Lim is joined by Slate writer Nadira Goffe to break down the latest developments surrounding Nicki Minaj’s beef with rapper Megan Thee Stallion. On January 26, Megan Thee Stallion released “Hiss,” which takes aim at several unnamed parties. Fellow rapper Minaj took offense to certain lyrics, leading her to post about Megan for 72 hours on social media and ultimately, release a diss track titled “Big Foot.” While Minaj is notorious for her fraught relationships with female emcees, the social media spiral that occurred has fans questioning their loyalty to the increasingly problematic rapper.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Slate culture writer Nadira Goffe and Sam Sanders, host of Vibe Check fill in for Dana Stevens and Julia Turner. The hosts begin with a subversively brilliant Oscar contender, American Fiction, which is Cord Jefferson’s adaptation of Percival Everett’s 2001 novel Erasure. The filmmaker’s debut racked up five Oscar nominations, including Best Picture, and stars Jeffrey Wright as Thelonius “Monk” Ellis, a frustrated writer, in this heartfelt family melodrama encased in biting satire. (Catch Sam’s conversation with Cord Jefferson here.) Then, the three tread into familiar territory and dissect In the Know, Mike Judge’s (Beavis and Butthead, Silicon Valley, King of the Hill) latest show on Peacock which satirizes the world of public radio, specifically NPR, through the stop-motion animated lens of its third most-popular host, Lauren Caspian (voiced by Zach Woods). Finally, Oscar season is officially upon us, and with Oscar nominations, comes invariably, Oscar snubs. The panel explores this year’s nominees, and who may or may not have gotten the short end of the stick. In the exclusive Slate Plus segment, the panel discusses a fun interactive from The New York Times, “The Menu Trends That Define Dining Right Now.” Email us at culturefest@slate.com. Outro music: “Bloody Hunter” by Paisley PinkEndorsements:Sam: An album he loves and owns on vinyl, Chameleon (1976) by the American singing trio Labelle. It’s pure R&B funk dazzle. Nadira: A threefold music endorsement: Midnight Dancer (1979) by the Philly soul group Silk, Spotify’s “create radio” function, and a compilation of Barbara Ackland’s greatest hits. Steve: A gorgeous, lofi home recording of Sandy Denny singing her classic, “Who Knows Where the Time Goes.” Podcast production by Cameron Drews. Production assistance by Kat Hong. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You’ll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Hosted on Acast. See acast.com/privacy for more information.

Joel Anderson, Stefan Fatsis, and Josh Levin discuss the 49ers’ comeback win over the Lions and the Chiefs’ victory over the Ravens. The Washington Post’s Ben Golliver also joins to talk about the spate of high-scoring games in the NBA. 49ers-Lions (3:44): Did Dan Campbell’s coaching moves cost Detroit? Chiefs-Ravens (18:50): Patrick Mahomes won again. Lamar Jackson flopped. NBA scoring (35:36): Are all these amazing point totals bad news for the league? Afterball (56:56): Joel on meeting Andrew Luck at the playground. Hosted on Acast. See acast.com/privacy for more information.

Candice Lim is joined by Anisa Khalifa, a podcast producer and host of The Broadside from WUNC. They dissect the phenomenon surrounding video essays, which are not exactly new to YouTube, but finding a captivated audience in Gen-Z and millennial culture. From deep dives into The Hobbit to retellings of Greek mythology, the ability to analyze pop culture, cite sources and listen to spoken essays uninterrupted is creating the hunger for more longform content.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario, Candice Lim and Rachelle Hampton.ICYMI is sponsored by BetterHelp. Hosted on Acast. See acast.com/privacy for more information.

Do you watch the Grammy Awards every year and groan, or even yell at the screen? Hit Parade host Chris Molanphy sure does. But he has a weird hot take: The Grammys are better off not trying to be cool. They should reward the popular stuff—especially younger people’s music.Where the Recording Academy actually goes wrong is rewarding the old stuff—legendary artists long past their prime, from Frank Sinatra to Eric Clapton, Steely Dan to Beck. The Grammy wins remembered most fondly are artists at the peak of their chart prowess: Carole King. Stevie Wonder. Michael Jackson. George Michael. Lauryn Hill. Adele. Taylor Swift (and more Taylor…and more Taylor…and more…).When did the Grammys get it most right—and wrong? (Was the Toto win really so bad?) And how can they become more relevant? (Hint: much more rap.)Join Chris Molanphy as he offers a chart nerd’s take on the Recording Academy and offers guidelines for good Grammy governance, just before the 2024 awards. It’s an episode right in the Nick of Time.Podcast production by Kevin Bendis. Hosted on Acast. See acast.com/privacy for more information.