Slate Culture Feed

Candice Lim is joined by Slate culture writer Nadira Goffe to play a game of High Speed Downloads, where they get 60 seconds to break down an internet story they’re obsessed with. On today’s episode, they’re breaking down the massive drama surrounding former RIIZE member Seunghan, the most famous missing cake in New York City, and why “in the clerb, we all fam.”This podcast is produced by Se’era Spragley Ricks, Daisy Rosario and Candice Lim, with production assistance from Alexandra Botti. Hosted on Acast. See acast.com/privacy for more information.

Guest host Daisy Rosario is joined by Slate’s own Luke Winkie. They talk about Luke’s brief experimentation with the Sardine Fast, a fad diet made popular by a YouTuber. Plus, a chat about Brat Autumn in NY’s place for making relationships “IG official.” This podcast is produced by Se’era Spragley Ricks, Daisy Rosario and Candice Lim. Alexandra Botti helped produce this episode.  Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Julia and Stephen are joined by Slate writer and senior editor, Sam Adams. Why do we tell fictional stories about real people?‌ The panel ponders this question as they discuss two biopics: The Apprentice and Saturday Night. The Apprentice is an uncanny portrait of Donald Trump, a young striver under the tutelage – and spell – of his mentor, Roy Cohn. But does the film offer any new information or ideas? Saturday Night, on the other hand, is the often obnoxious tale of the frenetic 90-minute countdown before Saturday Night Live’s first broadcast in 1975. Finally, the panel is joined by The Atlantic staff writer Charlie Warzel to discuss his recent and prescient piece, “I’m Running Out of Ways to Explain How Bad This Is.”In the exclusive Slate Plus segment, the panel discusses f*cking profanity, a conversation inspired by a listener question from Jonathan. Email us at culturefest@slate.com. Endorsements:Sam: Separated, a documentary by Errol Morris. (Read Sam’s review here.)Julia: Ten, Nine, Eight, a wonderful children’s book by Molly Bang. Steve: Laura Miller’s book review of Revenge of the Tipping Point by Malcom Gladwell for Slate. Podcast production by Jared Downing. Production assistance by Kat Hong. Hosted on Acast. See acast.com/privacy for more information.

Alex Kirshner, Lindsay Gibbs, and Ben Lindbergh discuss Cleveland Browns QB Deshaun Watson and his historically bad start, the sports-wide expansion of playoff seasons, and the latest on the MLB postseason. On the Bonus episode exclusively for Slate Plus members, the hosts talk about Jessica Campbell, the first woman to coach in the NHL.Deshaun Watson (3:22): The very bad Browns QBPlayoff Expansion (23:14): Regular and postseasons continue to grow longerMLB (39:17): Baseball is fun again?(Note: time codes are only accurate for Slate Plus members, who listen ad free.)Want more Hang Up and Listen? Subscribe to Slate Plus to immediately unlock weekly bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page, or visit slate.com/hangupplus to get access wherever you listen.Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Hosted on Acast. See acast.com/privacy for more information.

Anna talks to PJ Vogt, host of the podcast Search Engine, about his distinct writing and interviewing style. Then we share one of our favorite episodes of Search Engine, which poses the question: When do you know it's time to stop drinking? In that episode, you'll hear PJ talk to A.J. Daulerio, who writes a newsletter and hosts a podcast about recovery called The Small Bow. He also writes an addiction advice column for Slate called Ask A.J. Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com.  Hosted on Acast. See acast.com/privacy for more information.

Caleb Stark, the mastermind behind the hilarious Twitter account "Kathie Lee and Hoda No Context," dives into the fun world of no-context social media. He shares how these accounts serve as a joyfully nostalgic part of our online experience, especially for younger fans of Hoda Kotb. The conversation also touches on the charm of live television and the unfiltered moments that create memorable clips. Stark discusses the magic behind curating such content and the unexpected chaos that can arise in live broadcasts.

U2 have millions of admirers—and haters: from the fans who regard them as rock’s conscience, to the cynics who blanch at lead singer Bono’s self-importance. Here’s the thing: U2 want to play to both crowds. They know why the haters can’t stand them. After a decade of earnestness in the ’80s, Bono, The Edge, Adam Clayton and Larry Mullen called BS on themselves, rebooting their sound and image for the ’90s age of irony.This shouldn’t have worked. Instead, U2 became as big as ever, and kept scoring hits. Then, when the whole sardonic thing stopped working for them, at the turn of the millennium, they went back to anthemic U2—and the hits kept coming. Their ability to pivot so many times and keep scoring hits over multiple decades is rare in pop history.Join Chris Molanphy as he explains how U2 pulled this off. How did they balance cool and cringe? How did they outlast new wave, college rock, hair metal and grunge to remain chart-toppers into the era of teenpop and hip-hop? And…what exactly were they thinking when they forced an album onto your iPhone? They don’t mean to bug ya, but…why can’t we live with or without U2?Podcast production by Kevin Bendis.Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Hosted on Acast. See acast.com/privacy for more information.

Candice Lim is joined by Slate producer Cheyna Roth to recap the spooky adventures of a woman in Ohio who found a rug buried in her backyard. In September, a woman in Ohio named Katie Santry woke up to discover her laptop was broken and items on her desk were rearranged, leading her to believe her house was haunted. However, she also dropped the small fun fact that while digging up a hole in her backyard for a fencing project, her family discovered a rolled-up carpet buried underground. What transpired next included cadaver dogs, overnight police units, and neighborhood live streams. But the rapidity of her fame brings into question social media’s influence on local law enforcement and the state of true crime theorists on TikTok.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario and Candice Lim with production assistance from Kevin Bendis, Maura Currie, and Kat Hong. Hosted on Acast. See acast.com/privacy for more information.

Whatever happened to selling out? The defining concern of Generation X has become a relic from another era. How that happened is best illustrated by one of the idea’s last gasps, when in 2001, Oprah Winfrey invited author Jonathan Franzen to come on her show to discuss his new novel The Corrections. A month later, she withdrew the invitation, kicking off a media firestorm.The Oprah-Franzen Book Club Dust-Up of 2001 was a moment when two ways of thinking about selling out smashed into each other, and one of them—the one that was on its way out already—crashed and burned in public, seldom to be seen again.Some of the voices you’ll hear in this episode include screenwriter Helen Childress; writer and musician Franz Nicolay; New York Times critic Wesley Morris, Oprah producer Alice McGee; Boris Kachka, author of Hothouse: The Art of Survival and the Survival of Art at America’s Most Celebrated Publishing House, Farrar, Straus, and Giroux; Bethany Klein, author of Selling Out: Culture, Commerce and Popular Music; and Laura Miller, Slate’s book critic.This episode was written by Willa Paskin and produced by Benjamin Frisch. It was edited by Benjamin Frisch and Gabriel Roth. Cleo Levin was our research assistant.Decoder Ring is produced by Evan Chung, Katie Shepherd, and Max Freedman, with help from Sofie Kodner. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director.If you haven’t yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you’re a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate’s website. Your support is also crucial to our work. Go to slate.com/decoderplus to join Slate Plus today. Disclosure: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, Dana and Stephen are joined by Supreme Friend of the Podcast (SFOP) Isaac Butler, author of The Method:‌ How the Twentieth Century Learned to‌ Act. The trio first explores The Wild Robot, DreamWork Animation’s handcrafted, lovingly made film that’s the surprise of the year. Lupita Nyong’o voices ROZ, an old-fashioned robot powered by supremely advanced A.I. who must learn about and adapt to her new wild surroundings.Then, they dissect Nobody Wants This, a new Netflix series starring Kristen Bell (who plays a sex podcaster) and Adam Brody as a hot rabbi. Although there are obvious charms, the show’s “will they, won’t they” rom-com beats can often feel, at best, gratingly familiar, and at worst, bizarre and unthoughtful, particularly in its portrayal of Jewish women. Finally, the Criterion Collection, is “a catalog so synonymous with cinematic achievement that it has come to function as a kind of film Hall of Fame,” writes Joshua Hunt for The New York Times. The panel dives into the wonderful world of ‘Closet Picks,’ a viral video format in which celebrities and movie buffs head into the Criterion Collection stockroom and pluck high-quality DVDs and Blu-rays off its shelves while explaining their personal significance. Also mentioned in this episode:‌“The Wild Robot Has an Intelligence That’s Anything But Artificial” by Dana Stevens for Slate.“‘Nobody Wants This’ Pits Jewish Women Against ‘Shiksas.’ Nobody Wins.” By Jessica Grose for The New York Times.In the exclusive Slate Plus segment, the panel extols the joys of being on the ground. Inspired by Chris Black’s column for GQ, “How I Learned to Love a Layover,” the trio discusses how they spend their time in airports. Email us at culturefest@slate.com. Endorsements:Dana:‌ “Abbas Kiarostami’s Childhood Films,”‌ a collection of 17 films by the renowned Iranian filmmaker made about or for children.Isaac:‌ The Tale of The Princess Kaguya, directed by Isao Takahata.Stephen:‌ “The Song That Connects Jackson Browne, Nico and Margot Tenenbaum”‌ by Bob Mehr for The New York Times.Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosted on Acast. See acast.com/privacy for more information.