Slate Culture Feed

The mullet, the love-to-hate-it hairstyle, is as associated with the 1980’s as Ronald Reagan, junk bonds, and breakdancing. But in at least one major way, we are suffering from a collective case of false memory syndrome. In this episode we track the rise and fall of the mullet, and also the lexical quandary at its heart: Who named the mullet? We learn how David Bowie, hockey players, the Oxford English Dictionary, the Beastie Boys, a mysterious Reddit user named Topsmate, and a group called Annoy Club all played a part in the strange history of the mullet.Some of the voices you’ll hear in this episode include proud mullet-wearer Lauren Wright, amateur mullet-sleuth Oskar Sigvardsson, writer, market researcher, and 1980’s hockey teenager John Warner, head of product for Oxford Languages Katherine Connor Martin, and novelist and Grand Royal contributor Warren Fahy.This episode was produced by Willa Paskin and Benjamin Frisch.If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.comWant more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen.Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Hosted on Acast. See acast.com/privacy for more information.

Candice Lim is joined by internet culture writer Steffi Cao (It’s Steffi) to answer some very special, holiday-specific internet questions from her readers, such as: should I block my boyfriend’s aunt on Instagram? And how do I battle Facebook conspiracy theories at the dinner table?This podcast is produced by Se’era Spragley Ricks, Daisy Rosario and Candice Lim, with production assistance from Alexandra Botti. Hosted on Acast. See acast.com/privacy for more information.

When actor and performer Jeff Hiller first tried improv comedy, he was instantly amazing at it. Jeff is an excellent listener. He’s also accommodating, flexible, and undeniably hilarious. This week on the show, Jeff discusses his role on the critically acclaimed HBO series Somebody, Somewhere and the personal quirks and qualities that have made him such a funny and talented performer. Mentioned in the episode:-Jeff’s conversation with his husband Neil on the podcast She’s a Talker. -Anna’s interview with Mark Duplass. -Death, Sex & Money will be at San Francisco’s Sketchfest on January 31st. Get tickets and info here! Podcast production by Cameron Drews. Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com. Hosted on Acast. See acast.com/privacy for more information.

Hosts Alex Kirshner, Ben Lindbergh, and Lindsay Gibbs discuss Iga Swiatek’s and Janik Sinner's doping allegations and the huge implications for international tennis. They also get into this past weekend’s college football chaos and Saquon Barkley and Derek Henry’s running back revival. For Afterballs, Lindsay Gibbs examines the tragic passing of Alabama A&M linebacker Medrick Burnett Jr. after a recent head injury. On the bonus episode, available exclusively for Slate Plus members, the hosts talk about Bluesky and whether big sports media will eventually pivot to the new platform.Tennis and doping (2:37): Do Swiatek and Sinner deserve suspensions?College football chaos (25:50): Flag planting and the mess in the Mid-WestAre runningbacks back? (46:57): How long can Barkely and Henry prop up their position?Afterballs (1:03:38): Lindsay on Medrick Burnett Jr’s head injury and death.(Note: time codes are only accurate for Slate Plus members, who listen ad-free.)Want more Hang Up and Listen? Subscribe to Slate Plus to immediately unlock weekly bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page, or visit slate.com/hangupplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Candice Lim is joined by Read Max writer Max Read, whose Substack hit a new high this year when he coined the term “Zynternet” and its connection to “Hawk Tuah girl.” Prior to Substack, Read was the editor-in-chief of Gawker, and on today’s episode, he speaks about the stories he regrets publishing, his relationship with The X-Files fandoms, and his golden rules for engaging online.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario and Candice Lim, with production assistance from Alexandra Botti and Kat Hong. Hosted on Acast. See acast.com/privacy for more information.

You know her honorific: Queen of Soul. And heavy is the head that wears the crown. In her lifetime, Aretha Franklin didn’t just want to be revered. She wanted hits. But Franklin made pop come to her, not the other way around.When showtunes and standards didn’t work in the ’60s, Aretha switched to gritty R&B and gospel harmonies—and started topping the charts. When she recorded a live album in a church in the ’70s, it became her best-seller. When the MTV era changed the game in the ’80s, she did New Wave synthpop her way—and topped the charts again. In the ’90s, she tried house, hip-hop and New Jack Swing, scoring hits deep into her fifties.Join Chris Molanphy as he explains how Aretha Franklin earned her regal title, one hit at a time. She won our respect by infusing the charts with a holy spirit and amazing grace—and she always remained a natural woman.Podcast production by Kevin Bendis.Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Hosted on Acast. See acast.com/privacy for more information.

On today’s episode, Candice Lim is joined by Vox’s Alex Abad-Santos and The Atlantic’s Allegra Frank to celebrate ICYMI’s fourth annual Friendsgiving episode. They run down the internet moments that made them laugh out loud this year, such as the highs and lows of ClubChalamet, the Madame Web of it all, and horny TikToks.This podcast is produced by Se’era Spragley Ricks, Daisy Rosario and Candice Lim, with production assistance from Alexandra Botti. Hosted on Acast. See acast.com/privacy for more information.

On this week’s show, the hosts consider ‘Glicked’ (or is it ‘Wadiator’? ‘Gladicked?’), the Wicked and Gladiator II double feature that promised to be this year’s ‘Barbenheimer.’ But did it deliver? Or even come close? First, the trio inspects Wicked, which won the weekend by a long shot (and broke a few records along the way.) At times, director Jon M. Chu’s film adaptation of the famed Broadway musical (which is, itself, an adaptation of a series of novels inspired by Frank Baum’s The Wonderful Wizard of Oz) can feel overstuffed and exhausting, but as Dana puts it in her review, “it’s so buoyant it lifts both witches-to-be, along with the audience, into the stratosphere.” Then, the panel moves on to Gladiator II, the very belated follow-up to Ridley Scott’s 2000 Best Picture Winner. Which is… a really bad movie. No longer is the question “are you not entertained?", but “are men okay, actually?” The panel attempts to make sense of Scott’s “dismal retread” and debate whether Denzel Washington’s free reign over his character benefited the movie at large. Finally, Slate’s Dan Kois joins to discuss “The 25 Most Important Recipes of the Past 100 Years,” a wonderful and lovely mega package compiled by Kois and J. Bryan Lowder that explores the history of home cooking in America and how it’s changed over time. (Dan also cooked all 25 recipes, and then some, an epic saga which he chronicled.)In the exclusive Slate Plus segment, it’s the long-awaited Bluesky debate. Following the mass exodus from Twitter/X, the hosts discuss the pros and cons of migrating over to a new, remarkably similar, platform. We are still taking questions for our annual call-in show! To submit your question, either leave us a voicemail at (260) 337-8260 or send us a voice note via email at culturefest@slate.com. Email us at culturefest@slate.com. Endorsements:Dana: A recipe perfect for Thanksgiving: Laurie Colwin’s Creamed Spinach With Jalapeño Peppers.Julia: Opal, a screen time app that blocks distractions. Steve: “The Loudest, Brightest Thing” by Sam Huber for The New York Review.Podcast production by Jared Downing. Production assistance by Kat Hong. Hosted on Acast. See acast.com/privacy for more information.

When is it time to go no contact? In this episode, we talk to four listeners who have recently become estranged from loved ones.This episode was originally aired in 2022, and is part of a three-part series on estrangement. You can listen to the other episodes here: Estrangement Purgatory - Our episode about the contemplation stages of estrangement with a listener named Brian who is considering leaving his religious community.Estrangement’s Alternate Endings - What does long term estrangement look like? And one listener’s choice to get back in touch. Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus.And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is deathsexmoney@slate.com.Ad Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Hosted on Acast. See acast.com/privacy for more information.

Hosts Alex Kirshner, Lindsay Gibbs, and Ben Lindbergh chat about Rafael Nadal’s legacy as one of the all-time tennis greats. They also discuss the NWSL championship which Lindsay attended, the last days of ESPN’s Around the Horn. This week’s Afterball is from Ben, in which he compares the terms of sports commissioners and Supreme Court justices. On the bonus episode available exclusively for Slate Plus subscribers, the panel breaks down the new women’s basketball league, Unrivaled.Nadal (3:02): His long and impressive career.NWSL Championship (24:01): Orlando won it all.Sports TV (46:09): Around the Horn ends while Inside the NBA remains.Afterballs (01:01:09): Ben Lindbergh on baseball commissioners vs. Supreme Court justices.(Note: time codes are only accurate for Slate Plus members, who listen ad-free.)Want more Hang Up and Listen? Subscribe to Slate Plus to immediately unlock weekly bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of our show page, or visit slate.com/hangupplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.