Slate Culture Feed

This week, the panel begins by revisiting the iconic film The Godfather in celebration of its 50th anniversary. Then, the panel answers the question Is It Cake? as they cut into Netflix’s newest hit. Finally, the panel is joined by Associate Professor of Music Theory at the University of Memphis, Jeremy Orosz, to discuss forensic musicology and what counts as musical plagiarism—which he wrote about for Slate, using Dua Lipa’s “Levitating” lawsuit as a case study. In Slate Plus, the panel discusses reverse thematic aversions, or “thematic kinks.”Email us at culturefest@slate.com.EndorsementsDana: For all the videophiles out there, The Coppola Restoration of The Godfather from 2008, which includes all three parts of the trilogy.Allegra: New sad girl indie rocker, Leanna Firestone, and her album Forward / Slash which speaks to your inner teen. More specifically, the song “Google Translate / poppies.”Steve: Julius Aglinskas’ album Daydreamer, which he did with avant-garde experimental music collective, Apartment House.Podcast production by Cameron Drews. Production assistance by Nadira Goffe.Outro music is "You Know What I Want" by Staffan CarlenSlate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Hosted on Acast. See acast.com/privacy for more information.

Joel Anderson, Stefan Fatsis, and Josh Levin discuss Kansas’ win over North Carolina’s in the men’s basketball title game, and the Athletic’s Chantel Jennings joins to talk about South Carolina’s win over UConn for the women’s title. Finally, they talk about Eric Church, and when it’s OK for sports to trump social and professional obligations. NCAA men (2:21): How the Jayhawks turned it around against the Tar Heels. NCAA women (22:16): How the Gamecocks steamrolled the Huskies. Eric Church (46:47): Was he wrong to cancel a concert to go to the Final Four? Afterball (1:06:51): Josh on a crazy two months in pro tennis. Hosted on Acast. See acast.com/privacy for more information.

April Fool’s Day is every brand’s favorite holiday. Social media and PR teams get to make all the jokes their marketing department can come up with and face few repercussions. But it’s not all fun and games. On the show today, Rachelle and Madison talk about what nonsense the brands are up to this year, why we’re so easily taken in by internet hoaxes, and how skepticism can harden into something darker.Podcast production by Daniel Schroeder. Hosted on Acast. See acast.com/privacy for more information.

The early ’70s was a great time for R&B queens on the charts: Roberta Flack. Dionne Warwick. Patti LaBelle. Chaka Khan. They had come through the ’60s—Dionne as a smooth pop-and-B star, Patti as a girl-group frontwoman, Roberta as a cabaret pianist—and found themselves in a new decade with limitless possibilities. Flack turned folk songs into chart-topping, Grammy-winning R&B. Warwick shifted from Brill Building pop to Philly soul. LaBelle threw her insane voice at rock, funk and glam. And a relative newcomer, Rufus frontwoman Chaka Khan, followed in their footsteps, commanding the band and converting to disco, then electro. By the ’80s, all four women were ready for a major chart victory lap.Join host Chris Molanphy as he traces four parallel careers that expanded the definition of soul from the ’60s through the ’80s and beyond. These soul sisters, flow sisters, bold sisters…killed us softly, walked on by and were, finally, every woman.Podcast production by Kevin Bendis.HostChris Molanphy Hosted on Acast. See acast.com/privacy for more information.

In the first episode of a three part series, we focus in on people’s intimate lives and relationships that have been impacted by both erectile dysfunction—and Viagra—in ways that the cheeky public conversation about the drug has never quite captured. Come back next week for the wild story of how Viagra came to be, as we go back in time to tell the story of how medicine, science, money and marketing collided to create a Viagra explosion. Are you new here? Make sure to subscribe to Death, Sex & Money so you don't miss any new episodes.Sign up for our weekly newsletter at deathsexmoney.org/newsletter, and follow the show on Twitter, Facebook, and Instagram.Got a story to share? Email us any time at deathsexmoney@wnyc.org. Hosted on Acast. See acast.com/privacy for more information.

On Sunday night, Will Smith slapped Chris Rock during the Oscars live broadcast after Rock made a joke about Jada Pinkett Smith. As soon as the internet figured out the slap wasn’t a bit, Twitter was deluged with takes. On today’s episode, Madison and Rachelle discourse about the discourse, discussing the neverending online take machine, how media narratives are shaped, and why we were all wondering if the slap was even real.Podcast production by Daniel Schroeder. Hosted on Acast. See acast.com/privacy for more information.

This week, the panel begins by breaking down everything that went down during the weirdest Oscars ever. Then, the panel is joined by author, professor, and Slate’s pop critic, Jack Hamilton, to discuss Adam McKay’s over-stylized docudrama about the 1980s Lakers, Winning Time: The Rise of the Lakers Dynasty. Finally, the panel is joined by Slate senior writer Mark Joseph Stern to discuss Disney CEO Bob Chapek and his response to Florida’s “Don’t Say Gay” bill.In Slate Plus, the panel discusses Oscars fashion.Email us at culturefest@slate.com.EndorsementsDana: Bill McGlaughlin’s syndicated five-week-long series on WFMT public radio, Latin Carnival. McGlaughlin sits at the piano while he DJs, guiding us through a journey of Latin carnival music from the Middle Ages to current day. Listen before it expires!Julia: Two pieces of great Oscars coverage from the LA Times. FIrst: Greg Braxton’s commentary, “With the slap, Smith tarnished a night of pride for Black Hollywood—and his legacy.” Second: Mary McNamara’s column, “Will Smith’s slap overshadows a historic night for women at the 2022 Oscars.”Steve: The Cure! But more specifically, three different covers of their song “Just Like Heaven.” One by the Scottish synth-pop group CHVRCHES alongside English musician, Robert Smith. Another by the rock band Dinosaur Jr.. And a third by American singer-songwriters Christian Lee Hutson and Shamir and (also check out his song “Lose This Number”).Podcast production by Cameron Drews. Production assistance by Nadira Goffe.Outro music is “Backwards" by Staffan Carlen.Slate Plus members get ad-free podcasts, a bonus segment in each episode of the Culture Gabfest, full access to Slate's journalism on Slate.com, and more. Sign up now at slate.com/cultureplus. Hosted on Acast. See acast.com/privacy for more information.

Slate’s sports podcast on the NCAA basketball tournaments and U.S. soccer. Plus, an interview with Bomani Jones.NCAA basketball (3:26): After two weeks of upsets, it’s Duke, UNC, Kansas, and Villanova.  World Cup (24:20): The U.S. men’s national soccer team is on the brink of qualifying after a 5-1 win over Panama.Bomani Jones (47:33): Joel interviews ESPN personality Bomani Jones about his new HBO show, “Game Theory With Bomani Jones.”Afterball (1:03:44): Stefan on watching last week’s U.S.-Mexico soccer game in Estadio Azteca. Hosted on Acast. See acast.com/privacy for more information.

This week, Instagram announced the return of chronological feeds to the platform, allowing users to toggle between the standard algorithmic feed and two separate chronological ones. On the show today, Madison and Rachelle talk about these new changes, whether we really want newsfeeds with such a strict structure, and why, regardless of which way we go, we’re still at the will of the algorithm.Podcast production by Daniel Schroeder. Hosted on Acast. See acast.com/privacy for more information.

The early ’70s was a great time for R&B queens on the charts: Roberta Flack. Dionne Warwick. Patti LaBelle. Chaka Khan. They had come through the ’60s—Dionne as a smooth pop-and-B star, Patti as a girl-group frontwoman, Roberta as a cabaret pianist—and found themselves in a new decade with limitless possibilities. Flack turned folk songs into chart-topping, Grammy-winning R&B. Warwick shifted from Brill Building pop to Philly soul. LaBelle threw her insane voice at rock, funk, and glam. And a relative newcomer, Rufus frontwoman Chaka Khan, followed in their footsteps, commanding the band and converting to disco, then electro. By the ’80s, all four women were ready for a major chart victory lap.Join host Chris Molanphy as he traces four parallel careers that expanded the definition of soul from the ’60s through the ’80s and beyond. These soul sisters, flow sisters, bold sisters…killed us softly, walked on by and were, finally, every woman. Hosted on Acast. See acast.com/privacy for more information.