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Albert Serra has been called one of the most radical and singular filmmakers working today. Born in Banyoles, Spain, he studied literature and art history at Barcelona University. In 2006 he wrote, directed and produced his first feature film, Honor of the Knights, followed by Birdsong; both were selected for the Directors’ Fortnight at Cannes. In 2010 he made Els noms de Crist before directing, a year later, El Senyor ha fet en mi meravelles for the exhibition Correspondencias at Barcelona. He is best known for his films Story of My Death and The Death of Louis XIV starring Jean-Pierre Léaud. His most recent feature film Liberté explores libertinism at the time of the French Revolution. www.albertserra.com · www.creativeprocess.info

Tom Perrotta is the bestselling author of nine works of fiction, including Election and Little Children, both of which were made into Oscar-nominated films, and The Leftovers, which was adapted into a critically acclaimed, Peabody Award-winning HBO series. His other books include Bad Haircut, The Wishbones, Joe College, The Abstinence Teacher, Nine Inches, and his newest, Mrs. Fletcher. His work has been translated into a multitude of languages. Perrotta grew up in New Jersey and lives outside of Boston. http://tomperrotta.com · www.creativeprocess.info

“There's a real decrease in functional connectivity between regions of the brain that modulate the ego and a sense of self for Gabriela Montero when she's improvising. That's not a region of the brain in particular, it’s the connections between a lot of them and that together as well and also our sense of self and also our conscious memory and our ability to anticipate and plan for the future. So our knowledge of ourselves in these different spheres of time, the light of that activity is dimmed during improvisation. There really is a biological reason behind her feeling that she gets out of the way and something else comes to the fore. The study asks why are her improvisations still so coherent, why did they hold together in time. They refer to it as this form of embodied creativity or embodied cognition, where it’s a deeper kind of memory. a more physical memory in her fingers in her body that know how to play and kind of takes over and allows for ego to kind of dissolve in that moment as she performs.”Born and raised in Denver, Natalie Hodges has performed as a classical violinist throughout Colorado and in New York, Boston, Paris, and the Italian Piedmont, as well as at the Aspen Music Festival and the Stowe Tango Music Festival. She graduated from Harvard University, where she studied English and music, and lives in Denver, Colorado. Uncommon Measure is her first book.· www.nataliehodges.com · www.creativeprocess.info · www.oneplanetpodcast.org

Born and raised in Denver, Natalie Hodges has performed as a classical violinist throughout Colorado and in New York, Boston, Paris, and the Italian Piedmont, as well as at the Aspen Music Festival and the Stowe Tango Music Festival. She graduated from Harvard University, where she studied English and music, and lives in Denver, Colorado. Uncommon Measure is her first book.· www.nataliehodges.com · www.creativeprocess.info · www.oneplanetpodcast.orgPhoto by Krista Mercer Buchenau

Mia Funk’s work appears in public and private collections, including the U.S. Library of Congress, Dublin Writers Museum, Office of Public Works, and other museums and culture centers. She has received awards and honors, including the Prix de Peinture from the Salon d’Automne and exhibited in the Grand Palais. Her paintings of Francis Bacon have won prizes and were exhibited in Paris and Brussels for Bacon’s centenary. As a writer and interviewer, she contributes to various national publications. Funk served on the National Advisory Council of the American Writers Museum and serves on the advisory board of the European Conference for the Humanities. www.creativeprocess.info · www.miafunk.com

"The heart also reports to the brain and receives from the brain. So our bodies are in dialogue with the brain. And we don't really know where consciousness is, we sort of imagine it's somewhere in the head. We have no real reason to suppose that it's just we identify it with our sight and we, therefore, think it must be somewhere up there behind the eyes, but it's something that takes in the whole of us and to which the whole of us contributes.”“We think in the west of resistance as something negative but it's actually part of the creative process. Without resistance nothing new can come into being, so the very things that we think of as perhaps obstructing or negating are the very things that will lead to something new and greater. We need to get over this idea. For example, we're only able to move in space because there is friction. Friction is a force that stops you moving but without a degree of friction, you cannot actually move. You wouldn't have anything to move in relation to. So perfection is itself an imperfection. And in a number of traditions, this is memorialized by the idea that when you create something there should deliberately be some imperfection in it.”Dr. Iain McGilchrist is a psychiatrist, neuroscience researcher, philosopher and literary scholar. He is a Quondam Fellow of All Souls College, Oxford, an Associate Fellow of Green Templeton College, Oxford, a Fellow of the Royal College of Psychiatrists, and former Consultant Psychiatrist and Clinical Director at the Bethlem Royal & Maudsley Hospital, London. He has been a Research Fellow in neuroimaging at Johns Hopkins Hospital and a Fellow of the Institute of Advanced Studies in Stellenbosch.  He has published original articles and research papers in a wide range of publications on topics in literature, philosophy, medicine and psychiatry.  He is the author of a number of books, including The Matter with Things, and The Master and his Emissary: The Divided Brain and the Making of the Western World.· https://channelmcgilchrist.com · www.creativeprocess.info · www.oneplanetpodcast.org

Dr. Iain McGilchrist is a psychiatrist, neuroscience researcher, philosopher and literary scholar. He is a Quondam Fellow of All Souls College, Oxford, an Associate Fellow of Green Templeton College, Oxford, a Fellow of the Royal College of Psychiatrists, and former Consultant Psychiatrist and Clinical Director at the Bethlem Royal & Maudsley Hospital, London. He has been a Research Fellow in neuroimaging at Johns Hopkins Hospital and a Fellow of the Institute of Advanced Studies in Stellenbosch.  He has published original articles and research papers in a wide range of publications on topics in literature, philosophy, medicine and psychiatry.  He is the author of a number of books, including The Matter with Things, and The Master and his Emissary: The Divided Brain and the Making of the Western World.· https://channelmcgilchrist.com · www.creativeprocess.info · www.oneplanetpodcast.org

Tom Perrotta is the bestselling author of nine works of fiction, including Election and Little Children, both of which were made into Oscar-nominated films, and The Leftovers, which was adapted into a critically acclaimed, Peabody Award-winning HBO series. His other books include Bad Haircut, The Wishbones, Joe College, The Abstinence Teacher, Nine Inches, and his newest, Mrs. Fletcher. His work has been translated into a multitude of languages. Perrotta grew up in New Jersey and lives outside of Boston. http://tomperrotta.com · www.creativeprocess.info

Peter Weller · Actor, Art Historian & Director Peter Weller is a renowned theater and Hollywood actor. His performance in films such as Robocop and Naked Lunch garnering him much critical and commercial success over the years. Unbeknownst to most, Weller has spent much of his time over the decades, honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Masters in  Roman architecture from Syracuse University before moving onto a PHD in Renaissance art from UCLA, Weller has even penned numerous academic papers covering the era’s influence on modern art. Recently, Weller has even returned to the setting of RoboCop in Detroit, Michigan to deliver a lecture on “The Crisis in Beauty”. Peter has also contributed an essay to a music anthology The Creative Process has co-curated for Routledge Press. Weller’s essay details his memories of the late Miles Davis, who was both a friend and an inspiration.www.creativeprocess.info