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Paul Levinson is an author, musician, and professor at Fordham University, where he teaches communications and media studies. His fiction and non-fiction work has been translated into 16 languages, and includes the sci-fi novels The Silk Code and The Plot to Save Socrates. Before his academic career, he spent much of the late 1960s and early 70s as a singer-songwriter, writing over 100 songs. He returned to music in 2020 with the release of his album “Welcome Up: Songs of Space and Time.”· http://paullev.com · www.creativeprocess.info

Paul Levinson is an author, musician, and professor at Fordham University, where he teaches communications and media studies. His fiction and non-fiction work has been translated into 16 languages, and includes the sci-fi novels The Silk Code and The Plot to Save Socrates. Before his academic career, he spent much of the late 1960s and early 70s as a singer-songwriter, writing over 100 songs. He returned to music in 2020 with the release of his album “Welcome Up: Songs of Space and Time.”· http://paullev.com · www.creativeprocess.info

Paul Hirsch received the Academy Award for his editing work on "Star Wars" in 1978. In 2005, he received his second Academy Award nomination for Taylor Hackford's "Ray". He is the only person to ever win the Saturn Award for Best Editing twice. He is the author of "A Long Time Ago in a Cutting Room Far, Far Away".

Paul Hirsch received the Academy Award for his editing work on "Star Wars" in 1978. In 2005, he received his second Academy Award nomination for Taylor Hackford's "Ray". He is the only person to ever win the Saturn Award for Best Editing twice. He is the author of "A Long Time Ago in a Cutting Room Far, Far Away".

Lorenda Ramou, PhD, is a pianist, musicologist, piano teacher and concert curator, with a particular interest in 20th and 21st c. repertoire. She has appeared in many festivals and concert tours in Europe, USA and Chile. She has extensively researched, published and lectured on Greek piano repertoire; her numerous CD recordings for BIS, ECM, NAXOS and Athens Music Society include, among others, solo and chamber music works by Nikos Skalkottas, Dimitris Dragatakis, Konstantia Gourzi and Yiannis Ioannidis. She collaborates as Project Manager for contemporary music projects with Onassis Cultural Centre, Athens. Eager to transmit her knowledge of 20th and 21st century’s piano repertoire to a younger generation of performers, she is teaching a yearly workshop on the subject at the Athens Conservatory. She had collaborated with composers Mauricio Kagel, Maurice Ohana, Frederic Rzewski and with French author Pascal Quignard. She had received guidance by pianists Claude Helffer, Marie-Françoise Bucquet, Pierre-Laurent Aimard and Steve Drury, while studying at the Paris Conservatory (CNSMDP), City University, London, and New England Conservatory, Boston. Her projects have been supported by the French Ministry of Culture, the British Council, Fulbright Foundation and the Center of Hellenic Studies, Harvard University.· www.onassis.org/people/lorenda-ramou· www.creativeprocess.info

“As a child, music felt very natural for me. I didn’t feel I needed to put any effort into learning the piano. I wanted to find all the musical information that was there. What was the purpose of studying the piano? Suddenly the whole thing became so creative. I felt that the sound is something malleable and you can have an infinite number of possibilities and ways of phrasing and expressing, so that opened a whole new area of possibilities and I found this just fascinating.”Lorenda Ramou, PhD, is a pianist, musicologist, piano teacher and concert curator, with a particular interest in 20th and 21st c. repertoire. She has appeared in many festivals and concert tours in Europe, USA and Chile. She has extensively researched, published and lectured on Greek piano repertoire; her numerous CD recordings for BIS, ECM, NAXOS and Athens Music Society include, among others, solo and chamber music works by Nikos Skalkottas, Dimitris Dragatakis, Konstantia Gourzi and Yiannis Ioannidis. She collaborates as Project Manager for contemporary music projects with Onassis Cultural Centre, Athens. Eager to transmit her knowledge of 20th and 21st century’s piano repertoire to a younger generation of performers, she is teaching a yearly workshop on the subject at the Athens Conservatory. She had collaborated with composers Mauricio Kagel, Maurice Ohana, Frederic Rzewski and with French author Pascal Quignard. She had received guidance by pianists Claude Helffer, Marie-Françoise Bucquet, Pierre-Laurent Aimard and Steve Drury, while studying at the Paris Conservatory (CNSMDP), City University, London, and New England Conservatory, Boston. Her projects have been supported by the French Ministry of Culture, the British Council, Fulbright Foundation and the Center of Hellenic Studies, Harvard University.· www.onassis.org/people/lorenda-ramou · www.creativeprocess.info

Dr. George Maginis is the Academic Director of the Benaki Museum in Athens Greece. He holds a PhD in archaology and history of art. He has taught Byzantine, Islamic, and Chinese Art History at the University of London for SOAS and the Courtauld Institute of Art (University of London), the Victoria & Albert Museum, the British Museum. He has excavated in Greece, Cyprus, France and Egypt, and has worked for the Hellenic Children’s Museum and the Archaeological Museum of Ioannina. He has also acted as museum development consultant in the United Kingdom.· www.benaki.org
· benaki.academia.edu/GeorgeManginis
· www.creativeprocess.info

Dr. George Maginis is the Academic Director of the Benaki Museum in Athens Greece. He holds a PhD in archaology and history of art. He has taught Byzantine, Islamic, and Chinese Art History at the University of London for SOAS and the Courtauld Institute of Art (University of London), the Victoria & Albert Museum, the British Museum. He has excavated in Greece, Cyprus, France and Egypt, and has worked for the Hellenic Children’s Museum and the Archaeological Museum of Ioannina. He has also acted as museum development consultant in the United Kingdom.· www.benaki.org
· benaki.academia.edu/GeorgeManginis
· www.creativeprocess.info

“I decided that I wanted to explore the flute. I mean really explore the flute. People had known a few multi-phonics where you could play two notes. But they had been basically “special effects”, sort of sprinkled into a traditional line to spice it up. And I thought, why not just go the whole way? So my concept that first of all music is made by people. All art is made by people. Music is not made by instruments. The sound of the flute is silence. The sound of the piano is silence. The mark of a brush is a white canvas until the person makes the mark. So music comes from people. We use instruments.”Robert Dick is a revolutionary flutist, composer, teacher and author. His musical style is a mix of classical, contemporary, electronic and jazz, and he is the inventor of the "glissando headjoint" a custom flute head joint that brings the instrument closer to the sound of a human voice. He has received the National Flute Association’s Lifetime Achievement Award and authored several books. Robert Dick intends to keep learning, growing and improving for all of his life and does not feel that there will be a moment to say “I’ve arrived, its time to rest”.  · robertdick.net · www.creativeprocess.info

Robert Dick is a revolutionary flutist, composer, teacher and author. His musical style is a mix of classical, contemporary, electronic and jazz, and he is the inventor of the "glissando headjoint" a custom flute head joint that brings the instrument closer to the sound of a human voice. He has received the National Flute Association’s Lifetime Achievement Award and authored several books. Robert Dick intends to keep learning, growing and improving for all of his life and does not feel that there will be a moment to say “I’ve arrived, its time to rest”.  · robertdick.net · www.creativeprocess.info