New Books in Medieval History

The Zhen’gao, or Declarations of the Perfected is one of the most important Daoist texts, and a literary classic in its own right. The Declarations of the Perfected collects fragmentary texts—poems, information on the realm of the dead, instructions for practice—revealed to Yang Xi (330—ca. 386) by celestial beings. These texts were assembled and annotated by Tao Hongjing (456–536), whose notes provide a window into textual and literary practices of medieval China. The fragments themselves are richly informative not only about divine beings and celestial realms but also about the social world in which these revelations were made, and the interactions between Daoism and Buddhism. In A Fourth-Century Daoist Family: The Zhen’gao, or Declarations of the Perfected, Volume 1 (University of California Press, 2020), these texts are translated and introduced by Stephen R. Bokenkamp, one of the world’s foremost scholars on early Daoist texts.Stephen R. Bokenkamp is Regents Professor of Chinese Religion at Arizona State University.Natasha Heller is associate professor of Chinese Religion in the Department of Religious Studies at the University of Virginia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eminent medievalist Michael D. Bailey, Professor of History at Iowa State University in Ames, Iowa, talks about his upcoming book, Origin of the Witches’ Sabbath. The book contains nimble and enjoyable translations of five medieval treatises as well as the two witchcraft trials, as well as a critical introduction.While the perception of magic as harmful is age-old, the notion of witches gathering together in large numbers, overtly worshiping demons, and receiving instruction in how to work harmful magic as part of a conspiratorial plot against Christian society was an innovation of the early fifteenth century. The sources collected in this book reveal this concept in its formative stages.The idea that witches were members of organized heretical sects or part of a vast diabolical conspiracy crystalized most clearly in a handful of texts written in the 1430s and clustered geographically around the arc of the western Alps. Michael D. Bailey presents accessible English translations of the five oldest surviving texts describing the witches’ sabbath and of two witch trials from the period. These sources, some of which were previously unavailable in English or available only in incomplete or out-of-date translations, show how perceptions of witchcraft shifted from a general belief in harmful magic practiced by individuals to a conspiratorial and organized threat that led to the witch hunts that shook northern Europe and went on to influence conceptions of diabolical witchcraft for centuries to come.Origins of the Witches’ Sabbath makes freshly available a profoundly important group of texts that are key to understanding the cultural context of this dark chapter in Europe’s history. It will be especially valuable to those studying the history of witchcraft, medieval and early modern legal history, religion and theology, magic, and esotericism. Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it mean that our single greatest source of medieval Islamic government documents comes from the attic of a Jewish synagogue in Cairo?This is the seeming paradox that Marina Rustow, director of the renowned Geniza Lab at Princeton University, has been trying to make sense of for years. In 1896, twin sisters and Scottish philologists Agnes Lewis and Margaret Gibson transported fragments from the geniza (or worn text repository) of the Ben Ezra Synagogue in Old Cairo to their dear friend Solomon Schecter, a Talmud scholar at Cambridge University. The Hebrew-language fragments of the Cairo Geniza would go on to revolutionize the study of medieval Jewry: in 1970, German-Jewish Arabist Shelomo Dov Goitein dubbed the Cairo Geniza “the Living Sea Scrolls” for its remarkable insight into the social world of medieval Jews.But flip the documents over, and the world of the Geniza is hardly just a Jewish one. In her new book, The Lost Archive: Traces of a Caliphate in a Cairo Synagogue (Princeton University Press, 2020), Rustow examines the previously neglected lines of Arabic found on some of the Geniza’s Hebrew-language documents: Fatimid-era petitions and decrees that defy the adage that the dynasties of the Islamic Middle East produced few documents and preserved even fewer.No Fatimid state archive exists in the Middle East today. But the Cairo Geniza’s fragments—which passed through the hands of tax collector and chancery secretary, paper pusher and vizier alike—force us to reconsider the longstanding but mistaken consensus that the pre-Ottoman Middle East was defined by weak or informal institutions. Rustow argues that the problem of archives in the medieval Middle East lies not with the region’s administrative culture, but with our failure to fully understand it.Listen in to learn more—and stick around to the end to hear Marina’s favorite fact about daily life in medieval Cairo!Notably mentioned in this episode: Adina Hoffman and Peter Cole, Sacred Trash: The Lost and Found World of the Cairo Geniza (Schocken Books, 2011) Marina Rustow, Heresy and the Politics of Community: The Jews of the Fatimid Caliphate (Cornell University Press, 2008) Nathan Hofer, The Popularisation of Sufism in Ayyubid and Mamluk Egypt, 1173-1325 (Edinburgh University Press, 2015) Shelomo Dov Goitein, A Mediterranean Society: The Jewish Communities of the Arab World as Portrayed in the Documents of the Cairo Geniza, Volumes I-VI (republished with University of California Press, 2000) S. M. Stern, Fāṭimid Decrees: Original Documents from the Fāṭimid Chancery (Faber & Faber, 1964) Geoffrey Khan, Arabic Legal and Administrative Documents from the Cambridge Genizah Collections (Cambridge University Press, 1993) Marina Rustow is the Khedouri A. Zilkha Professor of Jewish Civilization in the Near East at Princeton University, and the director of the Princeton Geniza Lab.Nancy Ko is a PhD student in History at Columbia University, where she works at the intersection of Jewish and Middle East Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we speak to Miri Rubin, Professor of Medieval and Early Modern History at Queen Mary University of London about her 2020 Cambridge University Press publication, Cities of Strangers: Making Lives in Medieval Europe (Cambridge UP, 2020)Professor Rubin is the author of many books, among them Charity and Community in Medieval Cambridge, Corpus Christi: The Eucharist in Late Medieval Culture, Gentile Tales: The Narrative Assault on Late Medieval Jews, and Mother of God: A History of the Virgin Mary.Cities of Strangers illuminates life in European towns and cities as it was for the settled, and for the 'strangers' or newcomers who joined them between 1000 and 1500. Some city-states enjoyed considerable autonomy which allowed them to legislate on how newcomers might settle and become citizens in support of a common good. Such communities invited bankers, merchants, physicians, notaries and judges to settle and help produce good urban living. Dynastic rulers also shaped immigration, often inviting groups from afar to settle and help their cities flourish. All cities accommodated a great deal of difference - of language, religion, occupation - in shared spaces, regulated by law. But when, from around 1350, plague began regularly to occur within European cities, this benign cycle began to break down. High mortality rates led eventually to demographic crises and, as a result, less tolerant and more authoritarian attitudes emerged, resulting in violent expulsions of even long-settled groups. Tracing the development of urban institutions and using a wide range of sources from across Europe, Miri Rubin recreates a complex picture of urban life for settled and migrant communities over the course of five centuries and offers an innovative vantage point on Europe's past with insights for its present.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

How we see the past helps shape our understanding of the present. In the realm of statecraft and empire, understandings of the meaning of history, the progression of time, and the end to which it moves justified and produced the British imperial project. This story is the subject of Priya Satia’s groundbreaking new study, Time’s Monster: How History Makes History (Harvard University Press, 2020).Satia tracks the ways in which new Enlightenment ideas of history, time, and civilizational progress helped men who thought of themselves as good confront the moral challenge that imperial violence posed. The book demonstrates how a wide variety of thinkers, stretching from the eighteenth century to the present, thought about and through history to uphold, contest, and remake British imperialism. Its nuance, its breadth of material, its insight, and its relevance to the present all make this book unmissable.Jonathan Megerian is a doctoral candidate in history at Johns Hopkins University. He works on late medieval and Renaissance England. His dissertation explores the role of historiography in the formation of imperial ideologies in Renaissance England. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Byzantine Intersectionality: Sexuality, Gender, and Race in the Middle Ages (Princeton University Press, 2020), Roland Betancourt reveals the fascinating, little-examined conversations in medieval thought and visual culture around matters of sexual and reproductive consent, bullying and slut-shaming, homosocial and homoerotic relationships, trans and nonbinary gender identities, and the depiction of racialized minorities. Betancourt explores these issues in the context of the Byzantine Empire, using sources from late antiquity and early Christianity up to the early modern period. Highlighting nuanced and strikingly modern approaches by medieval writers, philosophers, theologians, and doctors, the book offers a new history of gender, sexuality, and race.Weaving together art, literature, and an impressive array of texts, Betancourt investigates depictions of sexual consent in images of the Virgin Mary, tactics of sexual shaming in the story of Empress Theodora, narratives of transgender monks, portrayals of same-gender desire in images of the Doubting Thomas, and stereotypes of gender and ethnicity in representations of the Ethiopian Eunuch. He also gathers evidence from medical manuals detailing everything from surgical practices for late terminations of pregnancy to a host of procedures used to affirm a person’s gender. Showing how understandings of gender, sexuality, and race have long been enmeshed, Byzantine Intersectionality offers a groundbreaking look at the culture of the medieval world. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Noel Pinnington's A New History of Medieval Japanese Theatre: Noh and Kyōgen from 1300 to 1600 (Palgrave, 2019) traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. Pinnington writes in a clear and accessible style, making this an ideal work for theatre students and Japanese scholars alike.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we speak to Anne Lawrence-Mathers, Professor of History at the University of Reading about her new book Medieval Meteorology: Forecasting the Weather from Aristotle to the Almanac, out this year, 2020, with Cambridge University Press.The practice of weather forecasting underwent a crucial transformation in the Middle Ages. Exploring how scientifically-based meteorology spread and flourished from c.700-c.1600, this study reveals the dramatic changes in forecasting and how the new science of 'astro-meteorology' developed. Both narrower and more practical in its approach than earlier forms of meteorology, this new science claimed to deliver weather forecasts for months and even years ahead, on the premise that weather is caused by the atmospheric effects of the planets and stars, and mediated by local and seasonal climatic conditions. Anne Lawrence-Mathers explores how these forecasts were made and explains the growing practice of recording actual weather. These records were used to support forecasting practices, and their popularity grew from the fourteenth century onwards. Essential reading for anyone interested in medieval science, Medieval Meteorology demonstrates that the roots of scientific forecasting are much deeper than is usually recognized.Professor Lawrence-Mathers is the author of The True History of Merlin the Magician and Magic and Medieval Society,(along with Carolina Escobar-Vargas) as well as a host of articles and reviews about Medieval magic and religion. With this book the author continues her examination of spiritual practice – licit and illicit, clerical and lay – as it was culturally understood in the medieval era.Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender. Learn more about your ad choices. Visit megaphone.fm/adchoices

Visitors around the world have travelled to Europe to see the tall spires and stained glass windows of the continent’s Gothic cathedrals: in Cologne, Chartres, Milan, Florence, York and Paris. The trappings of Gothic architecture have become shorthand for “medieval Europe”.Yet in Stealing from the Saracens: How Islamic Architecture Shaped Europe (Hurst: 2020), Diana Darke investigates the Islamic origins of Gothic architecture, tracing its history through pre-Islamic Syria through the Islamic empires to the tall European cathedrals between the 12th and 17th centuries. The book sold out on its first day of sale, in part due to its review in The Guardian, which called the book "an exhilarating, meticulously researched book that sheds light on centuries of borrowing."In this interivew, Diana Darke and I talk about the origins of what we consider to be “Gothic architecture”, how those styles came to Europe, how this history of cultural and intellectual exchange may have gotten lost, and what we miss when we code something as fully “European”, fully “Islamic”, or fully any kind of culture.Diana Darke is an Arabist and cultural expert who has lived and worked in the Middle East for over thirty years. Among her better-known books are The Merchant of Syria: A History of Survival and My House in Damascus: An Inside View of the Syrian Crisis.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, where you can find its review of Stealing from the Saracens. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Icelandic mappae mundi were a series of maps produced in the late medieval period (c. 1225 - c. 1400) that bore witness to fundamental changes in the landscape of vernacular literary culture, scientific thinking and regional geopolitics.In The Mappae Mundi of Medieval Iceland (D.S. Brewer, 2020), Dale Kedwards explores the plethora of meanings that medieval Icelandic mapmakers invested into their works, from political statements about national origin, to diagrammatic expressions of cosmological theories. The mappae mundi provided a medium for medieval Icelanders to imagine their place in relation to the wider world, and even the physical universe. Learn more about your ad choices. Visit megaphone.fm/adchoices