Standout Creatives: Business, marketing, and creativity tips for solopreneurs launching their ideas

Kevin Chung
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Aug 30, 2016 • 1h 20min

Andrea Dantas on Learning, Leaning in to Your Why, and Doing Work that Matters

Andrea Dantas could have ended up poor and broke in Brazil. Her father went bankrupt when she was a child and her mother struggled to feed two kids. Her one saving grace was her love for acting. Andrea left Brazil to study acting in Australia. While she was able to get a tourist Visa, she had trouble getting a work Visa. So her mother smuggled her money by putting it inside books she sent through the mail. While she survived on a diet of canned beans, she was still happy because she was learning and doing what she loved. She has been able to build a successful career in acting through years of studying, performing, and working in multiple countries. In this episode, learn why you should never stop learning, why you should always remember your why, and what it takes to do work that matters to you. Here are three things you can learn from Andrea: Never Stop Learning One thing Andrea made very clear is that you should never stop learning. It doesn’t matter if you’ve been practicing your craft for one year or one hundred years, you are never done learning. “You never stop learning, and if you think that you’ve got it, and a project comes along and it’s just going to kick your butt and prove to you ‘Oh my gosh, I thought I knew everything.’ Hang on a second, but that’s with everything in life I think.” Andrea also believes your technique matters. You can’t just go through the motions. “Nothing is more important than technique until artistry comes along. It’s the only way that your art is going to come out.” She also believes that once you’ve discovered and mastered what works for you, the possibilities are endless. “Once you find what really works for you, and you hone into that and you become a master at that, then you can do… pretty much anything.” Remember Your Why Some people get so caught up in trying to be rich or famous that they forget about their craft. They forget the reason they got into art in the first place. They are too caught up with their vision of the future that they forget to live in the present. “I think it’s that ability of not being married to a situation and holding on so tight to it that you don’t see the change right in front of you and also being silent and asking yourself ‘Why am I doing this in the first place? Why do I still love doing this thing?’ It’s important.” When I asked Andrea why she loves her work, she said it came from a direct answer from the divine. “My reason for doing this is because this was a direct answer to a question I had forgot and I believe that vocation, which is the most important thing in my life, is in total alignment with the divine and I think that I’m answering a calling. And I see how it’s impacting these artists in New York because New York can be a pretty intimidating city and how they found each other and they’re making things together… It’s such a rewarding job. It’s not even a job because it’s so good.” One thing to remember when you are going through your journey is, it’s hard to do it alone. You need to find people who are going through a journey too so you can help each other out. “Find your tribe. For an actor, for an artist, that’s so important. Find an artistic family, the family that you choose to go through this journey together, to go through this journey with, because it can be pretty lonely out there when you’re an actor.” On Doing Work that Matters When we are starting out on our artistic journeys, we have grand visions of what we can accomplish. We look at those who came before us and think “I can do that too.” While this may be true, it can also be stifling. Our expectations become unrealistic too quickly. It can stop us dead in our tracks. So, remember to stop being so hard on yourself. Just do the best you can at the moment. The rest will come to you in due time. Just listen to what Andrea has to say. “Don’t be so hard on yourself thinking it has to be a masterpiece. Chances are, your first movie is not going to be a Martin Scorsese film. It’s not going to be that. So, I say get that idea. Put it on paper. Get people together. Go do it. Give birth to your ugly baby, and then, what do you know, you learn something. And the next one, you learn something else… We live in a day and age where there’s no reason for actors not to be working, for filmmakers not to be working because we have access to technology and things and we can be making our own stuff.” It all begins with starting. “You have to start somewhere. Start somewhere, don’t stop and do the things you’re passionate about.” And don’t get too caught up in the future. Live more in the now. “The future is now. No, I stopped thinking about the future a long time ago. I go as I go.” Read more shownotes from episode 59 with Andrea Dantas
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Aug 23, 2016 • 7min

[Recap Episode] Bodlar Deathbringer on Being a Prolific Creator, Networking and Marketing Your Art, and Overcoming Your Fears

A recap of episode 58. If you liked it, check out the full episode with Bodlar Deathbringer where he dives more into the challenges you face as an artist, the importance in marketing and networking, and why you need to confront your fears.    
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Aug 16, 2016 • 1h 26min

58: Bodlar Deathbringer on Being a Prolific Creator, Networking and Marketing Your Art, and Overcoming Your Fears

Bodlar Deathbringer is a visual artist living in New York City. Since early in his life, it seemed like he was destined to become an artist. His father was a visual artist and his mother was a writer. He also started creating his own paintings when he was eight years old. So it would seem odd that Bodlar went into IT work. After years of working in the corporate world, he finally decided he had enough. He decided he would move to New York City to pursue his art career full-time. It hasn't always been easy, but Bodlar has been working as an artist ever since. In this episode, learn about the challenges you face as an artist, the importance in marketing and networking, and why you need to confront your fears. Here are three things you can learn from Bodlar: Work Hard and be Prolific No one has any illusions that life as a full-time artist is easy. Bodlar believes you must want it. ""It's hard. It's really hard, and it's perpetually terrifying. You know, you just always have to be on point. You have to hustle. You have to be self-motivated. You have to really want it." When you are working a 9-5 job, there's a certain comfort there. But when you are working for yourself, things are different. "The reason it took me so long to get out of IT work is that you get addicted to that level of comfort of having that regular paycheck. It's very hard to look in the face of the world and say 'No, I'm going to do this other thing and go off the beaten path..." The key is to constantly create. Bodlar creates 600-700 pieces a year, and that's without the comfort of his own studio. While most artists believe talent is enough, he believes in the power of being prolific. "In order to be a successful artist, you really have to be prolific." As an example he brings up the fact that most famous artists are prolific creators. "Any artist you can name off the top of your head got there because they were prolific and worked and worked and worked their ass off to get there." Network and Market Your Art Another thing Bodlar believes in deeply is the importance of networking and marketing your art. People won't find you unless you put yourself out there. "As a visual artist, half of your job is marketing and networking and that people aren't going to come to you just because you painted a pretty picture. You have to go out and show it to them and find the right person to buy it. And I've always painted under the auspices of painting what I want to paint and then going to find someone who likes it, that wants to buy it." You can't just wait for people to come to you. You have to go to them. "You have to get into the scene. You have to figure out who the important players are. Who are the important galleries? Who are the important artists? And just go to as many events as you can and network with as many people as you can." It's all about being visible. You can't be afraid to share your work with others. "You have to be visible as an artist. You have to go out and figuratively grab people by the collar and say 'Hey look, I did this. This has merit. It's interesting, and really get in people's face about what you're doing.'" Overcome Your Fears When I asked Bodlar what separates someone who makes the leap from their 9-5 IT job from someone who doesn't he talked about overcoming our fears. If we want to live a life without regret, we have to make that scary leap. "Our life, our society, our world are typically controlled by fear and jumping off of that cliff into the abyss of art is probably one of the most terrifying experiences I've been through in my life and it still terrifies me to this day, but I finally realized that if I don't do this, If I don't take that leap, that it's going to kill me... and I don't want to be one of those people that wakes up when I'm sixty-five and realize I wasted my life doing nothing." He believes many people never make the leap because they're afraid of discomfort. "I think people are just very afraid of discomfort. We have this evolutionary precept to where we want comfort. We want to be comfortable. We want to have abundance... We want to have all of those things, and so, it's hard to balance those things, because when you're starting out, they're very much at odds with one another." He also has no illusions that our fears and struggles will ever go away. We just have to be willing to deal with them. "Even if I'm selling tons of work, and making tons of money, I'm still going to be worried about what's next. There's still going to be newer, bigger, struggles to tackle and I think that's one of the other things that a lot of people don't realize that no matter where you're at in life it's going to be a struggle. It's always going to be hard and that if you're afraid of it being hard, then you're never going to get anywhere. You have to be willing to say, 'Okay, this is going to be hard and then go out and do it anyway." More shownotes from episode 58 with Bodlar Desathbringer
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Aug 2, 2016 • 8min

Ginger Kern on Engaging Your Playfulness, Helping Others and Ourselves, and Travel as a Rite of Passage Recap Episode

The first recap episode of the show. Let me know what you think of the shortened format. If you liked this recap, check out Ginger's full episode!
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Jul 26, 2016 • 1h 28min

57: Ginger Kern on Engaging Your Playfulness, Helping Others and Ourselves, and Travel as a Rite of Passage

Ginger Kern knew she wanted to leave her childhood home in the Midwest even when she was a young. She grew up reading books on adventure and mythology, which fueled her desire to get away. So, when she had the opportunity to visit her family in Germany, she jumped on it. Even though she didn’t speak German and her family didn’t speak English, she was hooked on travel and living abroad. This was the beginning of her life fueled by travel, adventure, and a desire to help other people do the same. In this episode, Ginger talks about embracing your playful side, taking rites of passage, and transforming herself and others. Here are three things you can learn from Ginger: Engage in Playfulness Once we become adults, most of use lose our sense of playfulness. While this may be good in some situations, it absolutely prevents us from being our most creative selves. Being playful allows us to experiment without worrying about ridicule. It allows us to be curious as we explore the world. That’s why Ginger likes to put herself in playful environments. “It is a question of how can I surround myself with the external environment that pulls from me to be playful, to be creative, to be in a space of wonderment and curiosity and experimentation. ” She also believes we need to intentionally set aside time to be playful. “It’s the structure of ‘Okay, I’m going to actually to block out a chunk of time in my week or in my day that is for whatever comes out of my creative forays.’ It could just be two hours and you don’t have a set plan for those hours but you do something.” When we set aside that time, we can’t judge ourselves so much. we just have to see what comes out. “And just letting it come out and allowing it to just be what it is, and not judging it until maybe later… but during the process, just let it come out.” This minor shift in playfulness can have a massive impact on our creativity. Creativity requires an open mind, exploration, and curiosity, and play makes those things possible. We Must Help Ourselves in Order to Help Others Ginger deals a lot with transformation. She has helped people overcome their doubts and has helped push them past their comfort zones. One example she gave was helping a woman who was feeling stuck creatively. Before her call with Ginger, the woman wasn’t drawing at all. But within 48 hours, she was able to reconnect with her creative expression. But one thing Ginger emphasized was, she wouldn’t be able to be a source of strength for others if she wasn’t a source of strength for herself first. “I can only take my clients as big as I have gone myself… but really being a powerful stand for someone, that is sometimes tricky if you’re not being a stand for yourself… because it’s hypocritical. And so, helping others, if you want to use the word help… my goal is to really be a powerful stand for their power… in order to be able to do that, I have to be able to do that for myself.” One thing Ginger noticed about her clients is, they are so eager to jump to the next level, but you can’t rush the process. “It’s always a process, right. So, there’s always expansion. There’s always that next level. And I think where some entrepreneurs might get caught up, is trying to force that next level… and what I found at least is that there’s so much to be learned just through the process of that.” That’s why, before she can help others reach the next level, she has to reach the next level herself, and the only way she could do that was by getting support herself. “In order to effectively help, or effectively support, or effectively coach any of those things, I also have to have people pulling for me and so that does really bring me into that next level.” Travel Can Act as a Rite of Passage One interesting observation Ginger has made about the world is, we no longer go through rites of passage. Before modern civilization took it’s hold on the world, previous generations had traditions that were passed down the line. People had to go through symbolic journeys, or rites of passage, in order to transition from one part of life to the next. The concepts behind these stories and journeys all come up in Joseph Campbell’s The Hero with a Thousand Faces. The archetypes found in the book spanned across all cultures and helped convey different messages and morals. Ginger is now using travel as a rite of passage to help people deal with their own versions of these journeys from isolation to discomfort. “The rite of passage is a real tool and the way that I see it being a really effective tool… is going into a slightly scary situation of travel, where everything is unknown. You have to figure stuff out on the go. You have to deal with feelings of isolation, aloneness, uncomfortableness, discomfort… It’s such incredible work to see how someone can transform so thoroughly through travel.” And when people come back from their trips, their hero’s journey, many come away completely transformed. “It’s beautiful, and inevitably, they come out on the other side and they’re so thrilled. They’re psyched about life because they see that they can handle it and they can take on a new challenge. They might even start seeking out new challenges and being more epic in their everyday life. That mentality, once you have it, it doesn’t leave you. It doesn’t just disappear.” More shownotes for episode 57 with Ginger Kern
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Jul 19, 2016 • 1h 39min

56: Chris Dessi on Building a Personal Brand, Becoming a Tastemaker, and Defining Success

Chris Dessi was fired three times in two years, but that didn’t stop him from building a successful career. Instead of letting those setbacks get him down, he leveraged them into building his own business, writing multiple books, appearing on TV, and running his own summits. In this episode, learn about the power of a personal brand, being a taste maker, and defining success. Here are three things you can learn from Chris: Build a personal brand Building a personal brand is one of the best things you can do to make a name for yourself. Once people recognize you for your thoughts and your work, it becomes easier to get your voice heard. But it’s not always easy. If you want to build a personal brand, you have to stop taking what’s given to you. Instead, you need to look within yourself to discover what makes you unique, what differentiates you from everyone else. Chris believes we can do this by being introspective. “Building your personal brand is about becoming introspective and not a lot of people become introspective. A lot of people take what’s given to them.” Building a personal brand is also about defining your goals. “That’s really where the personal branding starts. You need to have a definitive end goal in mind and understand that you have a voice, and then start to play with that.” Finally, your personal brand is about exploring your curiosity. “If you do anything with fervor and interest and intellectual curiosity, people will start to come back to you and people will become part of your tribe. And if you’re interested in something that scares the hell out of you, at least learn about it.” Become a tastemaker Once you’ve built your personal brand, and made yourself known to the world, you have the opportunity to become a tastemaker. Tastemakers are the people you look to for advice and guidance. They’re the ones we turn to when we are looking to make a decision. If you want your voice to be heard, you should aim to be a tastemaker. Chris believes these people are the ones who make the biggest impact in the world. “It’s the tastemakers, the definitive people that are shaping society, that are shaping thought, shaping businesses, and shaping lives, we’re the ones that do, and go out there and listen to that curiosity and trust their own curiosity and trust that it will lead them to a place that will continue to help them to grow as a business person, as a creative, as a creator, as a human being.” That’s why Chris thinks we need to stop worrying about our resumes. We need to start worrying about getting our voices heard instead. “Stop tweaking your resume, and create a blog… Don’t worry about the resume, worry about creating your own identity, and then you don’t have to worry about pandering to people to get a job, because other opportunities will come to you, because that system’s broken.” Define what success means to you One of my favorite parts of my conversation with Chris was hearing his definition of success. He’s not worried about bringing home the most money or having tons of fans on social media. Instead, he chooses to define success for himself. The first thing he considers success is doing something that fulfills his curiosity. “If I am doing something that I am being true to myself, that allows me to feel excited, intellectually curious, and fulfilled, and generates revenue, that’s amazing.” The other thing that defines his success is getting his girls onto the bus in the morning. “I think if I can stick to that, and put my daughters on the bus in the morning, follow things that allow me to continue to be intellectually curious, and things that will potentially generate revenue, I’ll be in a really good spot no matter where I end up, or what I’m doing.” These two things may not equal success for other people, but they define what success means to Chris. In the end, that’s all that matters. We need to stop letting other people define what success means to us. We need to determine that for ourselves instead. More shownotes from episode 56 with Chris Dessi
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Jun 28, 2016 • 1h 12min

Puneet Sachdev on His Journey Into Creative Philanthropy, the Key to Successful Projects, and the Importance of Mindfulness

Puneet Sachdev worked for years in the hotel industry and with General Electric as a management consultant. He now uses that knowledge in his work as a consultant, creative philanthropist, and coach. He is also the author of Deepa Wishes Daddy Happy Birthday, a book based on the time he’s spent with his daughter. He uses 100% of the proceeds from the book to support the education of underprivileged children. The book also began his work as a creative philanthropist. In this episode, learn how Puneet turned his idea into reality, why you need to put yourself out there, and the importance of being present. Here are three things you can learn from Puneet: We Are All on a Journey Many of us believe we aren’t destined for greatness, but we never take the first step. The first thing we must all do, if we want to find success, is accept the fact that we are all on a journey. Puneet believes we all have a choice to make. We can choose to continue on the path we’ve been on, or we can choose the unbeaten path. “When you have that call to adventure. You have the choice of taking it or not.” And once we’ve answered that call to adventure, things will begin to come together in unexpected ways. “I just feel like you step out of that path and put yourself out there, and … the clearer you get and the more you put yourself out there, serendipity is what shows you the way.” But we can’t do it on our own. Luckily, life has a way of providing the help we need. “I feel that what happens is when you start off on your journey, when you start off saying ‘This is really important to me and I’m going to set sail on this path,’… I think somehow the teachers show up and that support network emerges at different points.” Our Greatest Projects Start With a Strong Desire One of the great things about creative projects is, they start off as just an idea in our heads. They are nothing more than a thought that sprouted and evolved into a something beautiful. That’s exactly what happened to Puneet. He never considered himself a creative person. He believed only artists had the ability to be creative, but what he discovered was, everyone has the capacity to be creative. We just need the right people around us to make our ideas come to life. So, while he is not a gifted writer or illustrator, he was still able to bring his idea to life. “I know I’m not a great, gifted, writer. I’m not taking any courses on creative writing. Nothing. It was just a desire and a passion behind it. I did that, and I used the people who have got those gifts.” All it takes is combing that desire with action and the ability to bring the right people together. Just don’t expect it to be a quick process. “Desire, taking the action, using the people that will help me put it together. It’s a very long process, It’s much longer than I would have liked it to be.” The Importance of a Mindfulness Practice Puneet is a huge advocate of having a mindfulness practice. There are so many things around us that distract us from our goals. Sometimes we need to disconnect from everything and focus on ourselves. “The world that we live in is just in so much of a frenzy all the time and with technology it is very easy to get disconnected. It’s very easy to get just swayed away by whatever the most prevalent wind is… so I think practice (mindfulness) is what really helps in grounding you.” One problem is, many people want to practice mindfulness, but they have the wrong ideas about what it is. They believe their minds have to be empty of thoughts, but that simply isn’t the case. “That’s really not the goal of it. The goal is for you to be present with yourself in this moment and time. So please get away from the notion that you should empty your mind of thoughts.” Instead, we must aim for stillness. We must be in touch with ourselves. “[In] day to day life, the goal is stillness, being with yourself, [and] getting in touch with what your body is saying” Read more shownotes for episode 55 with Puneet Sachdev
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Jun 21, 2016 • 1h 19min

54: Sally Safadi on Playing in Empty Spaces, the Importance of Trial and Error, and Leveraging our Imaginations

Sally Safadi was working at an after school program for kids between medical school and graduating . While there, she found it was difficult for children to learn in the traditional school environment after already spending eight hours in school. So she came up with different games for the kids to play to get them involved in learning. This began her shift from studying science to studying and exploring creativity. Sally’s site, Neurons Away, is the hub for all her work including her book and card game. Each of her projects help people explore and exercise their imaginations. In this episode learn about her various projects, the power of constraints, the benefits of trial and error, and much more. Here are three things you can learn from Sally: The Power of Learning to Play in Empty Spaces Most of us are taught to find a single answer to problems. We haven’t been give the proper tools to tackle problems with more than one possibility, which is why we struggle with empty spaces. “The way we are taught, especially through school, is to write in the lines and in the box. Color in the space.” Instead of looking for the single answer, we need to develop the mindset to play in the empty spaces. “You have to have that specific mindset that develops to be able to do that. But most individuals haven’t really been given that opportunity.” Sally believes the blank canvas can be used as an educational tool. She believes, that once you learn that form of expression, you can use it many aspects of your life. “Giving empty space in different areas of life, especially education, empowers an individual to be more creative in their own choices in life.” The Importance of Trial and Error We spend too much time worrying about whether our plans will fail or succeed instead of actually testing them out. One thing is for certain, if you don’t test your ideas, you will never know if they are going to work. Sally likens testing ideas to planting seeds. Some will grow, and others won’t. “It’s just like these little things of trying, and trying, and trying til something catches or grows, or planting a bunch of seeds and hoping some of them take.” It is only by trying a bunch of ideas that you will be able to get one to bloom. She also believes in listening to the feedback of your audience. That’s how she ended up with the cover for her book. Her first cover didn’t convey the message that was in book, so she tested a new one that worked much better. She was able to leverage the opinions of her audience to create a cover that her audience liked. But you can’t listen to everything people say. You have to find the right balance. “Seeking the opinions and constructive criticisms is really good, but people also need to create their bubble with that. I could ask a thousand people what they think about the cover, and each person… is telling me something different. So at some point, you just have to also just make your own decision and stick to it because you’re always going to find someone who has something different to say.” Everything Around Us Came From Someone’s Imagination Many people believe imaginations are stronger in children than they are in adults. But this is only partially true. Children may use their imaginations a lot more, but they mostly use them for play. Adults, on the other hand, use their imaginations to shape the world around us. “Our realities are basically a moment’s expression of our collective imagination. Everything that is around us was once an idea or a thought that was applied, and directed, and grew into a tangible reality… which a lot of us fail to realize in this journey that we call life.” Everything from our phones, to our cars, to our computers was the result of a creation from someone’s imagination. Before these things existed, someone had to dream them up. That is the power of imagination. The problem is, many of us stop using our imaginations once we hit adulthood. If we all harnessed that power a little bit more, who knows what the world would be like. Stop thinking play is for children. Leverage the power of your imagination to help change the world. Read more shownotes from episode 54 with Sally Safadi
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Jun 14, 2016 • 1h 1min

53: Catherine Orer on Multiple Paths to Success, the Importance of Gratitude, and Becoming Part of a Community

Catherine Orer was an award winning communications and PR expert for multinational corporations for years, but that job never felt fulfilling to her. So, when the opportunity to study at Christies in Paris opened up, she jumped on it. While in Paris she gained hands on experience working in contemporary art galleries. After her studies, she brought this knowledge and experience back to Canada. While working at an art gallery in Montreal, many artists approached her for help. This began Catherine’s journey as The Artist Entrepreneur. In this episode, find out why gratitude is so important, why there isn’t just one path to success, and why artists should find support. Here are three things you can learn from Catherine: There’s more than one path to success Most people falsely believe there is only one path to success. They believe there’s a secret formula they can learn to become successful. They believe the people who’ve made it are all part of a secret club. Catherine’s path is neither traditional or conventional. She went to school for public relations and communications and got management positions in corporations before even considering the art world. It was only when she noticed she wasn’t having fun at work that she decided to dip her toes back into the art world. She went to Christies in Paris for training and worked at an art gallery when she got back. It was only then that she found how much help she could provide to artists. Artists came up to her hoping they could work together, and finally she relented. Now she is working with thousands of artists in her Facebook group. She is doing one on one coaching, group coaching, and providing immense value to artists with her experience in PR and in the arts. Catherine’s path to helping artists was not the traditional one and she believes artists should look for their own path too. “There’s not just one path to being a successful artist. Not every artist will get their retrospective at the MoMA at fifty and it’s fine. It’s not everybody’s path and it shouldn’t be. You just need to find yours, what makes you happy, and also where you can grow as an artist.” The importance of gratitude One thing that I’ve found by speaking to many successful people is, gratitude is an essential part of their daily lives. Catherine is no exception. Leaving her corporate job was the turning point in her gratitude practice. What she has found is, we aren’t always at our best. So the best thing to do at those times is be grateful for what you have. “We can’t always be on high, so life is what it is. You have your ups and your downs and that’s when I really started being more thankful with everything that was going on my life.” She goes on to talk about why she has to practice gratitude every day. “If I don’t take some time to be grateful and thankful,for everything in my life, I would go crazy… At some point you just need to be like, okay, what I’m doing is enough and I’m just really thankful that I’m doing what I love, and that I have these people around me who support me.” We all need to be thankful for what we have and embrace where we are in our journeys. “Being thankful is just being in the present. It’s just looking at what’s happening right now, and just embracing it all and opening up yourself to more abundance too.” Find a community that supports you One of the things that artists get wrong is trying to do everything by themselves. They believe they don’t need to find support when they are struggling. They believe they have to do all the work themselves. They believe if they don’t do all the work, people look down on them. Catherine believes you won’t find success unless you find people to support you. “My experience is that at some point, you’re going to hit a roadblock, and you’re going to want to get support.” She even advocates finding help if it isn’t with her. “I don’t really mind if you don’t work with me. For me it’s not about working with me. It’s about finding support. So, if you find support… that’s fine, but doing it all by yourself is usually not the right way to go about it. You need to surround yourself with people who are going to support you.'” She goes and talks about our need to connect with society. “If you want to grow, you need to be in contact with other people. We live in society, and if you want to sell your work to people, then you have to surround yourself with people. You need to network. You need to build a network around you, a support network, but also a network and following of people who are going to want to know more about you, and what you do, and how you can be of service to them, and how you can support them, and how you can communicate who you are and what you stand for.” More shownotes for episode 53 with Catherine Orer
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Jun 7, 2016 • 1h 15min

52: Jacob Sokol on Thoughts and Self-Awareness, Confidence from Action, and Figuring Things Out

Jacob Sokol was climbing the corporate ladder at his job as a computer technician when he he realized there was a deep void in his life. His life was filled with the highest of highs, but also the lowest of lows. He didn’t trust his own happiness. He knew something had to change. So he took a 5 week trip to Europe. That is when he decided to embark on a quest to create his ideal life. In this episode, find out about Jacob’s beginnings, his quest to help people create their ideal lives, and also see what makes him tick. Here are three things you can learn from Jacob: You are not your thoughts We like to listen to the thoughts in our head. After all, they are all we know. The problem is, these thoughts often lead us astray. We let them control what we do, and how we think. One of the biggest lessons Jacob learned on his trip to Europe was, he was not his thoughts. Although we all inherently know this, there’s a difference between hearing it and experiencing it. Jacob’s trip showed him the difference between the two. What he discovered was, we are creatures of pattern, habit, and ritual. Since our thoughts are just patterns. if we can change our patterns, we can change ourselves. “Suddenly I realized my thoughts are just patterns. If I can change my thoughts, that means I can change my life. And if I can change my life then I can create a life that is amazing.” By changing his thought patterns, Jacob was able to build the life he wanted to live. He no longer had to live the role society told him to live. He was no longer trapped in the consumer cycle. He realized there was a life he could create for himself. Confidence comes from action Too many of us believe we must be confident in order to take action. Jacob believes the opposite is true. He believes clarity comes from confidence. “It’s when we take action, then we become clear and confident. So clarity and confidence are not prerequisites, they’re actually results of action.” The problem most of us have is, we wait for that moment when we are confident enough to take action, so we never take it. We wait and wait, and that confidence never comes. Jacob believes confidence only comes as a result of taking action. “Confidence comes as a result of knowing you can handle something. You gotta try something a couple of times until you get better at it and competence leads to confidence… You don’t get competent unless you actually go do something and try it.” Instead of waiting for confidence to come to us, we must be proactive and seize it for ourselves. We must be willing to fail and suck. We must do things for ourselves, and gain confidence by doing them. If you want something enough, you’ll figure out how to do it One of the more interesting responses from Jacob came when I asked him how people can change the environment and people in their lives. His response surprised me with its beauty and simplicity. “Any time someone asks how to, it’s because they don’t really understand the principle. So the principle here is… if you want it enough, you’ll figure out how to do it.” I think he’s right. Although how-to’s can be helpful. They are just one person’s take on solving a problem. If you really want to solve a problem, you have to do it for yourself. Jacob believes this comes from a place of instant gratification. “That’s kind of what people often times want. It’s the instant gratification of them wanting to be told what to do, instead of owning within themselves that they are a creator of life and can go out there and do and create based on what’s within them versus looking for the external to tell them.” We need to stop looking for someone else to give us all the answers. We need to understand the principle first, and so we can figure it out for ourselves. “If you understand the principle of something, then there’s a thousand ways you can go out there and do it.” More shownotes from episode 52 with Jacob Sokol

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