Music Not Diving with Scuba

In 2020, our guest this week was named an Artist in Residence at the Search for Extraterrestrial Intelligence (SETI). Thus we are finally able to continue the theme established on episode 84 with Matthew Dear, a line of enquiry which I know many of you were keen to see more fully interrogated on the podcast.Daedelus has been making music since the 90s, releasing albums (on labels including Brainfeeder and Ninja Tune) almost every year this century, and performing with such virtuosity that they are now a professor of electronic music performance at Berklee's Electronic Production and Design Department.So we had much to discuss during this conversation, including the nature of extra terrestrial communication, government efforts to support the creativity, intellectual property and sampling, the making of albums, and the views and expectations of the new generation of musicians.This is a good one...If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

I'm on holiday currently but since we never actually take days off here's an unprecedented episode of the show with two guests and two separate interviews!Gregor Tresher is DJ and producer from Frankfurt, Germany who's been releasing music since the 90s under his own name and under the Sniper Mode alias. We focus on production in this conversation, and specifically collaboration since much of his output in recent years as been working with other people, perhaps most notably in co-writing and producing Sven Väth's 2022 album Catharsis.Juliet Fox is a breakthrough DJ from Australia who has been riding the wave of the current techno boom since the pandemic. We chart her journey from Adelaide, to Melbourne and on to Europe where she now lives in London, having enjoyed the customary spell in Berlin too.Both of these conversations include discussion on the challenges facing the current dance scene, and the reasons to be optimistic. We get some interesting divergences AND convergences of opinion of the various issues, making this a pretty effective double header.Stick it on by the pool!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Mike Parker, a renowned Techno musician and fine art professor, discusses the essence of artistic motivation beyond money and fame. He shares insights on recording methods without computers, his formative experiences in bands, and the vibrant East Coast techno scene of the 90s. The conversation touches on the evolution of music production, comparing traditional to experimental techniques. Parker also critiques the impact of the EDM boom on underground appreciation, emphasizing the importance of authenticity in both art and music.

Stream the video version of this episode: https://youtu.be/WoQuHAjWYMsAnd listen to Triple Transit: https://push.fm/fl/tripletransitThis is the first in a new series entitled Studio Stories, in which I'll be sitting down with a producer and discussing a release in detail. Today I'm talking to Praveen Sharma, aka Braille, about his awesome new LP Triple Transit which was released today. We get into the technical challenges of making the record, incorporating modular synths and designing an efficient workflow, as well as the emotional journey Praveen embarked upon in the period that he was making the tracks. This is a great insight into an excellent piece of work and you're gonna enjoy the conversation! If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

What is future music anyway? And is it any different from the future OF music?Simon Reynolds is one of the most influential music writers of the last two decades, authoring such seminal works as 'Energy Flash' (on acid house and rave, 'Rip It Up And Start Again' (on the post-punk era), and 'Retromania' (on the obsession of popular culture with the past). His latest book, the recently published 'Futuromania', is a discussion of future music, past and present. And over the course of this conversation we dig deep into its contents, written at various points since the early 2000s. Also covered in the discussion are the current landscape of musical influence in culture, the changing nature of the global dance scene, the rise and fall of Autotune, Lady Gaga and Charli XCX, Burial and Omni Trio, and the influence of Skrillex. I was looking forward to this one and it didn't disappoint! If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Mr. Scruff, musician, DJ and longtime Ninja Tune figure known for eclectic sample-based productions and huge record collections. He talks about Manchester radio and record-shop culture. He describes DIY tape edits and sampler-era production. He reflects on a mid-90s scene with no name, evolving genre labels, and cautious curiosity about AI in music.

The pandemic is a topic of conversation we studiously avoided for the first year or so of the podcast, it just seemed a bit boring and predictable. It was shit, basically, and there's only so much you can say about being locked inside for 18 months.But what if you suddenly became a successful DJ in 2019? That was some of the worst timing possible, and must've posed a series of challenges to keep it going, both professional and psychological.This week's guest had to deal with exactly that scenario, and he just about managed to come out of the other side. The pressures of success aren't intuitively easy to imagine from the outside but this particular case probably isn't that hard to empathise with. Work for years to achieve your dreams, manage to do it, and then face the prospect of it all going up in smoke through the most bizarre social circumstances in living memory.Don't worry though, it's not all Covid chat this week, we also get into the music, some technical stuff, more discussion of the state of Techno today (the main theme of the show in recent weeks), and some much-needed detail on the scene in Spain.Regal is a great guy and you're gonna enjoy this one!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Afro House is not something we've covered in depth on the show to date, but this week we welcome one of the UK's foremost exponents of the form.Kitty Amor was born in London, but cut her musical teeth running nights as a student Nottingham where she and her associates were instrumental in bringing the second wave of Grime, Funky, and other key London genres out of the capital.Her sound as a DJ was also developed during that stint in the midlands, and upon returning to London she made a success in establishing herself on the scene, and put herself in a great position to kick on when the international opportunities came knocking as they inevitably did. We discuss the challenges of getting started in the industry, the influence of musical parents, the peculiarities of running student nights, taking advantage of the time in lockdown, and the nature of the scene today.Kitty has some great stories and you're gonna enjoy this episode!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Join us at the D:U:2 listening party -> https://scubaofficial.bandcamp.com/merch/d-u-2-listening-partyListen to the awesome Laurus Ascending EP by Bodhi -> https://ingrv.es/laurus-ascending-ya4-9It's been a while since we had a promoter on the show, and this week's guest is one of the most influential in Europe since the turn of the century.Having spent his 20s servicing in the military and fire brigade, Danny Whittle joined the Renaissance team direct from the job centre and since then has been running parties mostly in Ibiza but in other places too, including a memorable detour to Bondi Beach on Millennium Eve.We get deep into his legendary 14 year stint running Pacha were he essentially invented the enduring trend of season-long DJ residencies on the island, and all of the benefits and problems which have come with that approach to music polices on the island. And we talk about his current job, programming the 'small' 1500 cap venue Chinois.As well as interrogating the pros and cons of the current dance scene, we discuss the parallels with the late 90s, and of course cover what was one of the few major successes of what was supposed to be the biggest party night ever, that Bondi Beach rave with Carl Cox.Danny is a real legend of the European club scene and we get a lot of info here that you can't get anywhere else!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.

Are we partying like it's 1999? I mean what it was actually like in 99, not how Prince imagined it might be back in 1982.Millennium eve was supposed to be the best thing ever. I was beside myself with excitement for months beforehand, possibly years. But when push came to shove, my group of friends didn't even bother going to a rave and spent an underwhelming evening drinking warm champagne on Brighton Beach before attending a number of deeply boring house parties.The subsequent inquest carried out in the pages of Mixmag, DJ Mag, and the rest suggested that our experience wasn't unusual. Promoters lost unfathomable amounts of money that night and the overall impression was that an enormous bubble had prematurely burst with the least fanfare possible.The current landscape lacks a similar finishing line, but the bug-eyed faux enthusiasm and lip-smacking commercialism which seems to define everything in the dance scene right now definitely has a similar feel to the end of the 90s. But what, if anything, is going to let the air out this time? 1999 was also the time that our guest this week, Steve Bug, and some of the Superstition Records gang from Hamburg started Poker Flat Recordings, one of the labels that would define the minimal sound that emerged from the wreckage of Millennium Eve.Steve has been pretty outspoken in his interviews of the last few years on above topics, so of course I wanted to get him on the podcast to talk about it. This conversation dovetails nicely with last week's episode with Radio Slave, in which I noted that 'if something is shit, then you should say it's shit, and this [the current dance scene] is shit'.There is a reasonable degree of constructive comment in this episode though, as well as the doom. I think there is anyway!If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Not A Diving Podcast Spotify playlistFollow Scuba: twitter instagram bandcamp spotify apple music beatport Hosted on Acast. See acast.com/privacy for more information.