Bulletproof Screenwriting™ Podcast

Today on the show we have screenwriter and script doctor, John Winston Rainey. John is the co-author, along with legendary script consultant Linda Seger, of the book You Talkin’ to Me?: How to Write Great Dialogue. John has written 25 screenplays of which 3 have been produced and 10 have been optioned. He has been a script consultant since 1989 and is the author of Screenwriting Style That Sizzles: A Primer For Polishing.Enjoy my conversation with John Winston Rainey.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today we have a special CROSSOVER episode of the BPS Podcast. Our guest is Derek Kolstad, the genius behind the extremely successful John Wick franchise. An ex-hitman comes out of retirement to track down the gangsters that took everything from him. With New York City as his bullet-riddled playground, JOHN WICK (Keanu Reeves) is a fresh and stylized take on the "assassin genre”.He is also the screenwriter of One in the Chamber, The Package (starring Steve Austin & Dolph Lundgren). This episode is from the archives of The Make Your Movie Podcast with Dave Bullis available from the IFH Podcast Network. Dave chats with Derek about bad movies, screenwriting, the film business, and working with Keanu Reeves.I wanted to bring this amazing episode to the BPS Tribe. Get ready to dive into the ultra-violent world of Derek Kolstad.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we bring the legendary story analyst and best-selling author Chris Vogler. Chris wrote the game-changing book  The Writers Journey: Mythic Structure for Writers. I read this book over 25 years ago and it changed the way I look at "story." Chris studied the work and principles of the late master Joseph Campbell. His book The Hero with a Thousand Faces was the basis for Star Wars as well as almost every other Hollywood feature film in the past 60 years using what Campbell called the monomyth.Many filmmakers and screenwriters believe that the hero's journey or monomyth is out of date and doesn't work on today's savvy audience. Nothing could be farther than the truth. The hero's journey is the meat and potatoes that all storytellers need to understand. Elements from the monomyth is in every story ever written. As screenwriters, you need to study and understand the monomyth then use it as you wish in your story. Take a look below at some of the monomyth's character archetypes.Chris's ground-breaking book is celebrating its 25-year anniversary so someone is reading it. Enjoy my conversation with Chris Vogler.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we have screenwriter and director Jeffrey Reddick, who is best known for creating the highly successful Final Destination horror film franchise. The franchise has grossed over $650 Million world-wide. Not bad for an idea that was first conceived for an X-Files episode.Jeffrey also co-wrote the story for, and executive produced, Final Destination 2 (2003). Jeffrey made his first connection to the film industry at age 14 when he wrote a prequel to Nightmare On Elm Street (1984) and mailed it to Bob Shaye, the President of New Line Cinema. Bob returned the material for being unsolicited. But the young man wrote Bob an aggressive reply, which won him over.Bob read the treatment and got back to Jeffrey. Bob, and his assistant, Joy Mann, stayed in contact with Jeffrey for over five years. When he went to The American Academy of Dramatic Arts in New York at age 19, Bob offered him an internship at New Line Cinema. This internship turned into an 11-year stint at the studio.Aside from Final Destination (2000), which spawned four successful sequels, Jeffrey's other credits include Lions Gate's thriller, Tamara (2005), and the remake of George Romero's classic, Day of the Dead (2008). Jeffrey's directorial debut is Don't Look Back.When a young woman overcoming her traumatic past is among several witnesses who see a man fatally assaulted and don't intervene, they find themselves targeted by someone, or something, out for revenge.Jeffrey has had an amazing career so far and I can't wait to see what he comes up with next.Enjoy my spooky conversation with Jeffrey Reddick.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Ever wonder how Pixar continuously puts out hit after hit? What is the story secret sauce that has created one of Hollywood's most amazing track records? Today's guest might be able to shed some light on the answer. On the show, we have screenwriter and author Dean Movshovitz. Dean wrote the best-selling book Pixar Storytelling: Rules for Effective Storytelling Based on Pixar's Greatest Films.PIXAR STORYTELLING is the first book to offer an in-depth analysis of the screenwriting techniques and patterns that make Pixar’s immensely popular classic films so successful and moving. Each chapter of the book explores an aspect of storytelling that Pixar excels at. Learn what Pixar’s core story ideas all have in common, how they create compelling, moving conflict, and what makes their films’ resolutions so emotionally satisfying.First released in October 2015, the book has sold over 15,000 copies without any marketing or PR. PIXAR STORYTELLING is taught on campuses worldwide, from Norway to Argentina, to Northwestern’s Qatar extension, and is cited in works and books from Finland to the US to Russia. It has been translated into Vietnamese and is being translated into Russian.PIXAR STORYTELLING has proven to be an inspiring, insightful, approachable, and popular book, which can be used as a gift, a manual, and a textbookEnjoy my conversation with Dean Movshovitz.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we have screenwriter, consultant, and studio executive, Jeff Willis. Jeff has been in the film business for over 15 years as a writer and executive working on films like Avengers: End Game, Spider-Man: Far from Home, Captain Marvel, and Black Panther to name a few.Around 30 minutes into the show we begin to discuss the business of screenwriting and more importantly what screenwriters can do to make money and get their stories out there. There are so many options out there for the entrepreneurial screenwriter. Jeff and I talk about the many options a screenwriter has to make money with his or her stories and unproduced screenplays.Enjoy my conversation with Jeff Willis.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we have one of the most popular guests to ever be on the Bulletproof Screenwriting Podcast, the legendary John Truby. John is the author of The Anatomy of Story: 22 Steps to Becoming a Master Storyteller.John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films. The Anatomy of Story shares all his secrets for writing a compelling script. Based on the lessons in his award-winning class, Great Screenwriting, The Anatomy of Story draws on a broad range of philosophy and mythology, offering fresh techniques and insightful anecdotes alongside Truby's own unique approach to building an effective, multifaceted narrative.His is former students’ work has earned more than $15 billion at the box office, and include the writers, directors, and producers of such film blockbusters as Ratatouille, In Treatment, Pirates of the Caribbean, X-Men I/II/III, Shrek, Mother Mary of Chris, Breaking Bad, House, Lost, Planet of the Apes, Scream, The Fantastic Four, The Negotiator, Star Wars, Sleepless in Seattle, Outbreak, African Cats (which Truby co-wrote for Disney) and more.Over the last 25 years, more than 50,000 people have attended his sold-out seminars around the world, with the American Film Institute declaring that his “course allows a writer to succeed in the fiercely competitive climate of Hollywood.”Get ready to take some notes. Enjoy my EPIC conversation with John Truby.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we bring back author and Story Maps guru Daniel Calvisi. His last episode was one of the most popular in the history of the podcast. The concept of story mapping has been a huge help to so many screenwriters. This is why I wanted to bring him back to discuss how to use his story mapping technique on the television/streaming script. This is based on his best selling book STORY MAPS: TV Drama: The Structure of the One-Hour Television Pilot.Daniel Calvisi brings his Story Maps screenwriting method to television as he breaks down the structure of the TV drama pilot, citing case studies from the most popular, ground-breaking series of recent years, including THE WALKING DEAD, GAME OF THRONES, HOUSE OF CARDS, TRUE DETECTIVE, BREAKING BAD, MR. ROBOT, SCANDAL, and MAD MEN.Story Maps: TV Drama offers the first beat sheet for television screenwriters ("Save the Cat" for TV). This is the structural template that aspiring and professional TV writers have been looking for. A clear, practical, step-by-step method for writing a pilot that adheres to Hollywood standards.How to write a TV pilot has never been easier. Writing a pilot begins here.This book first introduces you to the key formats, genres, and terminology of modern TV shows then details the major signpost beats of a teleplay and the crucial characteristics that must be present in each act, using specific examples from our new "Golden Age of Television."Enjoy my conversation with Daniel Calvisi.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today on the show we have the writer and creator of the legendary film Waterworld Peter Rader. I wanted to bring Peter on the show to discuss what it was like to be a part of one of the biggest budget films in Hollywood history at the time.For those of you who may not know Waterworld was considered one of the biggest box-office flops in history. The production was plagued with production issues, the script was re-written too many times to count and the budget soars from $100 million to $172 million. The film was a punching bag for the press. Waterworld ended up making $265 million at the box office. That with the revenue generated over the years from television rights, VHS, DVD, special editions Blu-rays the film turned out to be one of the most valuable films in the Universal library.Where the money machine really gets turned on is from the Waterworld: A Live Sea Stunt Spectacular attraction at Universal Studios Hollywood. The show has been a mainstay at the park for over 20 years, replacing the Miami Vice Stunt Show. The attraction has also been duplicated four other times around the world including Universal Studios Japan and Singapore and has generated Universal hundreds of millions of dollars over the years.Peter Rader has worked as a film and television writer for 20 years. He has developed numerous projects for other studios, and industry leaders such as Steven Spielberg, Dino De Laurentiis, and John Davis.He has worked as a cinematographer, editor, and producer on a number of award-winning documentary projects, including AWAKE: The Life of Yogananda, which THE GUARDIAN dubbed the Indie sleeper hit of 2014, following its extensive worldwide theatrical run.Peter was raw and candid with me about his amazing journey with Waterworld, which is celebrating its 25-year anniversary this year, and his other Hollywood adventures. Enjoy my eye-opening conversation with Peter Rader.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Today we go inside the mind of Oscar® Winning co-screenwriter Alex Dinelaris (Birdman). Jason Buff from the Indie Film Academy Podcast and Alex discussed his screenwriting and what it was like working with Alejandro González Iñárritu, Nicolás Giacobone, and Armando Bo. They discuss Alex's process for putting together a story and do a deep analysis of various scenes of Birdman. Alex was in a rare position to be on-set during the filming of Birdman, so of course, Jason took the opportunity to ask about what it was like to watch Alejandro and Chivo on set with Michael Keaton, Emma Stone, Edward Norton, Naomi Watts, and Zach Galifianakis.Enjoy your journey into the mind of Alex Dinelaris.Proud Member of the IFH Podcast Network (www.ifhpodcastnetwork.com)Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.