In Conversation: An OUP Podcast

Misinformation, disinformation, fake news, alternative facts: we are awash in a vast sea of epistemically questionable, not to mention false, testimony. How can we discern what is epistemically good to believe from what is not? Why are so many of us vulnerable to believing in ways that are unresponsive to widely available evidence – in other words, to holding bad beliefs? In Bad Beliefs: Why They Happen to Good People (Oxford UP, 2021), Neil Levy argues that we are in fact acting rationally, in accordance with how we have evolved to defer to our peers and authorities in our social networks. Levy, who is Professor of philosophy at Macquarie University and research fellow at the Oxford Uehiro Centre for Practical Ethics, argues that bad beliefs are more likely in epistemically polluted environments, and that our current epistemic environments are badly polluted. Overall, the book takes a bold stand against the traditional epistemological emphasis on the individual cognitive agent’s responsibility for justifying belief.This book is available open access here. Carrie Figdor is professor of philosophy at the University of Iowa.

When Russia occupied the Crimea in 2014, a term appeared called “hybrid warfare” to describe the doctrine and strategies of the Russian military. One consistent issue was that there was never any consensus on what exactly "hybrid warfare" even meant other than a novel use of military and non-military means to undermine and defeat an enemy nation. What exactly is “hybrid warfare” and are the Russians true masters of this supposedly new form of warfare? These issues are addressed in Ofer Fridman's book Russian Hybrid Warfare: Resurgence and Politicization (Oxford University Press, 2022). Originally published in 2018, this episode will discuss the recent updated 2022 edition.Ofer Fridman is Director of Operations at the King's Centre for Strategic Communications and a research fellow at the Department of War Studies, King's College London.Stephen Satkiewicz is independent scholar whose research areas are related to Civilizational Analysis, Big History, Historical Sociology, War studies, as well as Russian and East European history.

Warzones are sometimes described as lawless, but this is rarely the case. Armed insurgents often replace the state as the provider of law and justice in areas under their authority. Based on extensive fieldwork, Rebel Courts: The Administration of Justice by Armed Insurgents (Oxford University Press, 2021) by Dr. Réne Provost offers a compelling and unique insight into the judicial governance of armed groups, a phenomenon never studied comprehensively until now.Using a series of detailed case studies of non-state armed groups in a diverse range of conflict situations, including the FARC (Colombia), Islamic State (Syria and Iraq), Taliban (Afghanistan), Tamil Tigers (Sri Lanka), PKK (Turkey), PYD (Syria), and KRG (Iraq), Rebel Courts argues that it is possible for non-state armed groups to legally establish and operate a system of courts to administer justice. Rules of public international law that regulate the conduct of war can be interpreted as authorising the establishment of rebel courts by armed groups. When operating in a manner consistent with due process, rebel courts demand a certain degree of recognition by international states, institutions, and even other non-state armed groups.With legal analysis enriched by insights from other disciplines, Rebel Courts is a must read for all scholars and professionals interested in law, justice, and the effectiveness of global legal standards in situations of armed conflict.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Reading Veganism: The Monstrous Vegan, 1818 to Present (Oxford UP, 2021) focuses on the iteration of the trope of ‘the monstrous vegan’ across 200 years of Anglophone literature. Explicating, through such monsters, veganism’s relation to utopian longing and challenge to the conceptual category of the ‘human’, the book explores ways in which ethical identities can be written, represented, and transmitted. Reading Veganism proposes that we can recognize and identify the monstrous vegan in relation to four key traits. First, monstrous vegans do not eat animals, an abstinence that generates a seemingly inexplicable anxiety in those who encounter them. Second, they are hybrid assemblages of human and nonhuman animal parts, destabilizing existing taxonomical classifications. Third, monstrous vegans are sired outside of heterosexual reproduction, the product of male acts of creation. And, finally, monstrous vegans are intimately connected to acts of writing and literary creation. The principal contention of the book is that understandings of veganism, as identity and practice, are limited without a consideration of multiplicity, provisionality, failure, and insufficiency within vegan definition and lived practice. Veganism’s association with positivity, in its drive for health and purity, is countered by a necessary and productive negativity generated by a recognition of the horrors of the modern world. Vegan monsters rehearse the key paradoxes involved in the writing of vegan identity.Emelia Quinn is Assistant Professor of World Literatures & Environmental Humanities at the University of Amsterdam. Prior to this position she received her DPhil (PhD) in English from the University of Oxford. She is author of Reading Veganism: The Monstrous Vegan, 1818 to Present (Oxford UP, 2021) and co-editor of Thinking Veganism in Literature and Culture: Towards a Vegan Theory (Palgrave Macmillan, 2018) and The Edinburgh Companion to Vegan Literary Studies (Edinburgh UP, 2022)Callie Smith is a poet and a PhD candidate in English at the University of Louisiana at Lafayette.

Games are a unique art form. Games work in the medium of agency. Game designers tell us who to be and what to care about during the game. Game designers sculpt alternate agencies, and game players submerge themselves in those alternate agencies. Thus, the fact that we play games demonstrates the fluidity of our own agency. We can throw ourselves, for a little while, into a different and temporary motivations.This volume presents a new theory of games which insists on their unique value. In Games: Agency as Art (Oxford UP, 2020), C. Thi Nguyen argues that games are an integral part our systems of communication and our art. Games sculpt our practical activities, allowing us to experience the beauty of our own actions and reasoning. Bridging aesthetics and practical reasoning, he gives an account of the special motivational structure involved in playing games. When we play games, we can pursue a goal, not for its own value, but for the value of the struggle. Thus, playing games involves a motivational inversion from normal life. We adopt an interest in winning temporarily, so we can experience the beauty of the struggle. Games offer us a temporary experience of life under utterly clear values, in a world engineered to fit to our abilities and goals.Games also let us to experience forms of agency we might never have developed on our own. Games, it turns out, are a special technique for communication. They are a technology that lets us record and transmit forms of agency. Our games form a "library of agency" and we can explore that library to develop our autonomy. Games use temporary restrictions to force us into new postures of agency.Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.

It is often thought that the story of Tutankhamun ended when the thousands of items discovered by Howard Carter and Lord Carnarvon were transported to the Egyptian Museum in Cairo and put on display. But there is far more to Tutankhamun's story. Tutankhamun and the Tomb that Changed the World (Oxford UP, 2022) explores the 100 years of research on Tutankhamun that has taken place since the tomb's discovery: we learn that several objects in the tomb were made of meteoritic iron that came from outer space; new evidence shows that Tutankhamun may have been a warrior who went into battle; and author Bob Brier takes readers behind the scenes of the recent CAT-scanning of his mummy to reveal secrets of the pharaoh.The book also illustrates the wide-ranging impact the discovery of Tutankhamun's tomb had on fields beyond Egyptology. Included is an examination of how the discovery of the tomb influenced Egyptian politics and contributed to the downfall of colonialism in Egypt. Outside Egypt, the modern blockbuster exhibitions that raise great sums of monies for museums around the world all began with Tutankhamun, as did the idea of documenting every object discovered in place, before it was moved. And to a great extent, the modern fascination with ancient Egypt--Egyptomania--was also greatly promoted by the Tutmania that surrounded the discovery of the tomb.

Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford UP, 2020), an ambitious study of two of South Asia's most popular cultural forms ― cinema and dance ― historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, sexuality, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the "women's question" via new mobilities corpo-realized by dancing women. Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.Pratichi Priyambada is a Ph.D Candidate in the Department of History at the University of California, Irvine. She is broadly interested in histories of performance, gender and sexuality, and colonial law. She can be reached at @rhymingrhythm on Twitter.

Greg Marchildon interviews Benjamin Hoy, author of A Line of Blood and Dirt: Creating the Canada-United States Border across Indigenous Lands (Oxford UP, 2021). Hoy’s book is a history of the infrastructure, policies, and personnel that were put in place over the past three centuries to create a boundary between the United States and British North America and, subsequently, Canada after 1867. Hoy also examines the impact of this boundary on Indigenous peoples who lived on either side of this border, or on both sides simultaneously. A transnational historian and a dual citizen of both Canada and the United States, Benjamin Hoy is an Associate Professor of History at the University of Saskatchewan.This interview was produced with the support of The Champlain Society. The mission of The Champlain Society is to increase public awareness of, and accessibility to, Canada’s rich store of historical records.Gregory P. Marchildon is the Ontario Research Chair in Health Policy and System Design with the Institute of Health Policy, Management and Evaluation at the University of Toronto.

Michael Slouber's Early Tantric Medicine: Snakebite, Mantras, and Healing in the Garuda Tantras (Oxford UP, 2016) looks at a traditional medical system that flourished over 1,000 years ago in India. The volume brings to life this rich tradition in which knowledge and faith are harnessed in complex visualizations accompanied by secret mantras to an array of gods and goddesses; this religious system is combined with herbal medicine and a fascinating mixof lore on snakes, astrology, and healing. The book's appendices include an accurate, yet readable translation of ten chapters of the most significant Tantric medical text to be recovered: the Kriyakalagunottara.Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.

In Dispossession as Delivery: Land Occupation and Eviction in the Postapartheid City (Oxford University Press; 2022), Zachary Levenson explains why post-Apartheid South Africa continues to evict land occupations. Levenson shows that the government does this in the name of preserving the order they imagine is necessary to deliver housing to its citizens. Based upon a decade of participant observation in two land occupations in Cape Town, this book provides a novel, relational understanding about group formation and how collective actions interact with the state.Richard E. Ocejo is professor of sociology at John Jay College and the Graduate Center of the City University of New York (CUNY).