In Conversation: An OUP Podcast

Building Mid-Republican Rome: Labor, Architecture, and the Urban Economy (Oxford University Press, 2018), offers a holistic treatment of the development of the Mid-Republican city from 396 to 168 BCE. As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world. Seth Bernard describes this transformation in terms of both new urban architecture, much of it unprecedented in form and extent, and new socioeconomic structures, including slavery, coinage, and market-exchange. These physical and historical developments were closely linked: building the Republican city was expensive, and meeting such costs had significant implications for urban society. Building Mid-Republican Rome brings both architectural and socioeconomic developments into a single account of urban change.Seth Bernard, an Assistant Professor of Classics at the University of Toronto, assembles a wide array of evidence, from literary sources to coins, epigraphy, and especially archaeological remains, revealing the period's importance for the decline of the Roman state's reliance on obligation and dependency and the rise of slavery and an urban labor market. This narrative is told through an investigation of the evolving institutional frameworks shaping the organization of public construction. A quantitative model of the costs of the Republican city walls reconstructs their economic impact. A new account of building technology in the period allows for a better understanding of the social and demographic profile of the city's builders. Building Mid-Republican Rome thus provides an innovative synthesis of a major Western city's spatial and historical aspects, shedding much-needed light on a seminal period in Rome's development.Ryan Tripp teaches history in California.

The day of 9 Thermidor (27 July 1794) is universally acknowledged as a major turning-point in the history of the French Revolution. At 12.00 midnight, Maximilien Robespierre, the most prominent member of the Committee of Public Safety which had for more than a year directed the Reign of Terror, was planning to destroy one of the most dangerous plots that the Revolution had faced.By 12.00 midnight at the close of the day, following a day of uncertainty, surprises, upsets and reverses, his world had been turned upside down. He was an outlaw, on the run, and himself wanted for conspiracy against the Republic. He felt that his whole life and his Revolutionary career were drawing to an end. As indeed they were. He shot himself shortly afterwards. Half-dead, the guillotine finished him off in grisly fashion the next day.The Fall of Robespierre (Oxford UP, 2021) provides an hour-by-hour analysis of these 24 hours.AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram.

The moorlands of Gascony are often considered one of the most dramatic examples of top-down rural modernization in nineteenth-century Europe. From an area of open moors, they were transformed in one generation into the largest man-made forest in Europe.Body and Tradition in Nineteenth-Century France: Félix Arnaudin and the Moorlands of Gascony, 1870-1914 (Oxford University Press) explores how these changes were experienced and negotiated by the people who lived there, drawing on the immense ethnographic archive of Felix Arnaudin (1844-1921).The study places the songs, stories, and everyday speech that Arnaudin collected, as well as the photographs he took, in the everyday lives of agricultural workers and artisans. It argues that the changes are were understood as a gradual revolution in bodily experiences, as men and women forged new working habits, new sexual relations, and new ways of conceiving of their own bodies.Rather than merely presenting a story of top-down reform, this is an account of the flexibility and creativity of the cultural traditions of the working population. William G. Pooley tells the story of the folklorist Arnaudin and the men and women whose cultural traditions he recorded, then uncovers the work carried out by Arnaudin to explore everyday speech about the body, stories of werewolves and shapeshifters, tales of animal cunning and exploitation, and songs about love and courtship.The volume focuses on the lives of a handful of the most talented storytellers and singers Arnaudin encountered, showing how their cultural choices reflect wider patterns of behaviour in the region, and across rural Europe. William G. Pooley, Lecturer in Modern European History, University of Bristol is a historian of France in the long nineteenth century, interested in popular and folk cultures.Rachel Hopkin PhD is a UK born, US based folklorist and radio produce.

Sir Noel Malcolm’s captivating new book, Useful Enemies: Islam and the Ottoman Empire in Western Political Thought, 1450-1750 (Oxford University Press, 2019), tells the story of Western European fascination with the Ottoman empire and Islam between the fall of Constantinople in 1453 and the latter half of the 18th century. This beautifully argued, erudite monograph traces a textured encounter between two civilizational complexes and exposes the dynamic role that the Ottomans played in intra-European political and cultural struggles. Useful Enemies contends that ideas about the Ottomans were active ingredients in European thought, and were used to “shake things up, to provoke, to shame, to galvanise.” Discussions of Islam and the Ottoman empire were thus bound up with mainstream thinking in the West on a wide range of important topics - power, religion, society, and war. These Eastern enemies were not just there to be denounced. They were there to be made use of, in arguments which significantly contributed to the development of Western political thought.Sir Noel Malcolm is a Senior Research Fellow at All Souls College, University of Oxford. His main research interests are in British and European early modern history. Sir Noel is one of the foremost scholars of Thomas Hobbes. His other interests concern Western knowledge of the Ottoman empire and Balkan history.Vladislav Lilić is a doctoral candidate in Modern European History at Vanderbilt University. His research focuses on the place and persistence of quasi-sovereignty in late Ottoman and post-Ottoman Southeastern Europe. Vladislav’s other fields of interest include the socio-legal history of empire, global history of statehood, and the history of international thought. You can reach him at vladislav.lilic@vanderbilt.edu.

As historical topics, political revolutions come in and out of fashion. At the moment the American Revolution as an ideological struggle engages the public, but historians are less sure. Books that used to have the Revolution at their centre now approach it from the edges and peripheries, integrating the experiences of people and communities excluded by studies of ideological origins.In the United Kingdom, the civil war past inflects present politics even if the conflict itself has been nudged off the school curriculum. In the 1990s, historians of England re-fought the civil wars in battles of footnotes. It took entire books to summarise the scholarship on events that were sometimes civil wars, at others revolutions, here wars of religion, there the wars of the three kingdoms.Michael Braddick is Professor of History at the University of Sheffield, and is a leading voice in the study of England’s revolutionary past. In The Common Freedom of the People: John Lilburne and the English Revolution (Oxford University Press, 2018), he takes a fresh look at the turmoil that gripped England for three decades in the middle of the seventeenth century. His focus is one man’s path through these years, a path that was one of stark public suffering, personal conviction, principled argument, and an unwavering dedication to the idea that common liberties were the highest political goods.Charles Prior is Senior Lecturer in Early Modern History at the University of Hull (UK), who has written on the politics of religion in early modern Britain, and whose work has recently expanded to the intersection of colonial, indigenous, and imperial politics in early America. He co-leads the Treatied Spaces Research Cluster.

Jeffrey Whyte's book The Birth of Psychological War: Propaganda, Espionage, and Military Violence from WWII to the Vietnam War (Oxford UP, 2023) explores the history, politics, and geography of United States psychological warfare in the 20th century against the backdrop of the contemporary 'post-truth era'. From its origins in the Second World War, to the United States' counterinsurgency campaigns in Vietnam, Whyte traces how the theory and practice of psychological warfare transformed the relationship between the home front and theatres of war. Whyte interrogates the broader political mythologies that animate popular conceptions of psychological war, such as its claim to make war more humane and less violent. On the contrary, The Birth of Psychological War demonstrates the role of psychological warfare in expanding the scope and scale of military violence amidst ostensible efforts to 'win hearts and minds'. While casting a critical eye on psychological warfare, Whyte establishes its continued significance for the contemporary student of international relations.Dr. Whyte earned his Ph.D. with the Department of Geography, University of British Columbia and before that a MA with School of Communication, Simon Fraser University, also in beautiful British Columbia. He is currently Lecturer in International Relations at the Department of Politics, Philosophy, and Religion, Lancaster University.Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.

Dr. Alice Collett’s monograph Lives of Early Buddhist Nuns: Biographies as History (Oxford University Press, 2016) delves into the lives of six of the best-known nuns from the period of early Buddhism: Dhammadinnā, Khemā, Kisāgotamī, Paṭācārā, Bhaddā Kuṇḍalakesā, and Uppalavaṇṇā, all of whom are said to have been direct disciples of the historical Buddha. Collett does the thankless task of sorting through the biographical information scattered throughout the canonical and commentarial literature to present a richly textured account of the these six extraordinary women’s lives. She further analyzes the differences between the various biographical accounts to glean historical information about the position of women and changing gender relations in the early centuries of Buddhism in India. One of the main contributions of her monograph is the finding that women were treated more favorably in the Pāli Canon than is commonly presented. She also gains insight into an impressive number of other themes ranging from notions of beauty and bodily adornment, to family, class, and marriage. This book is sure to be of value to a wide audience, especially those interested in women in Buddhism, early Buddhism and early Indian society.Alex Carroll studies Buddhist Studies at the University of South Wales and is primarily interested in Theravāda and early Buddhism. He lives in Oslo, Norway and can be reached via his website here. 

As this book intriguingly explores, for those who would make Rome great again and their victims, ideas of Roman decline and renewal have had a long and violent history. The decline of Rome has been a constant source of discussion for more than 2200 years. Everyone from American journalists in the twenty-first century AD to Roman politicians at the turn of the third century BC have used it as a tool to illustrate the negative consequences of changes in their world. Because Roman history is so long, it provides a buffet of ready-made stories of decline that can help develop the context around any snapshot. And Rome did, in fact, decline and, eventually, fall. An empire that once controlled all or part of more than 40 modern European, Asian, and African countries no longer exists. Roman prophets of decline were, ultimately, proven correct-a fact that makes their modern invocations all the more powerful. If it happened then, it could happen now. Edward J. Watts' The Eternal Decline and Fall of Rome: The History of a Dangerous Idea (Oxford UP, 2021) tells the stories of the people who built their political and literary careers around promises of Roman renewal as well as those of the victims they blamed for causing Rome's decline. Each chapter offers the historical context necessary to understand a moment or a series of moments in which Romans, aspiring Romans, and non--Romans used ideas of Roman decline and restoration to seize power and remake the world around them. The story begins during the Roman Republic just after 200 BC. It proceeds through the empire of Augustus and his successors, traces the Roman loss of much of western Europe in the fifth century AD, and then follows Roman history as it runs through the Eastern Roman Empire (Byzantium) until its fall in 1453. The final two chapters look at ideas of Roman decline and renewal from the fifteenth century until today. If Rome illustrates the profound danger of the rhetoric of decline, it also demonstrates the rehabilitative potential of a rhetoric that focuses on collaborative restoration, a lesson of great relevance to our world today.

Key Changes: The Ten Times Technology Transformed the Music Industry (Oxford University Press, 2023) by Howie Singer and Bill Rosenblatt tells a new story about the history of the music business and the ten technological advances that disrupted it over the last century.In recent years, narratives about the music industry tend to hew to a common theme: it was humming along for decades until the Internet and Napster came along and disrupted it. Key Changes shows that this view is incorrect: the industry was actually shaken up not once in the 1990s, but ten times over more than 100 years. These ten disruptions came with the introduction of new formats for enjoying recorded music: starting with the cylinders and discs played on early phonographs; then moving through radio, LPs, tapes, CDs, television, digital downloads, streaming, and streaming video; and then into Artificial Intelligence (AI), which enables a wide range of new capabilities with profound impacts upon the business. This book devotes a chapter to each of these formats, illustrating how such innovations beget shifts in creativity, consumer behavior, economics, and law.Each of the technological innovations covered in this book not only disrupted the music business, but also fundamentally altered the industry's character. And while the technologies themselves have evolved in unique and varied ways over the decades, the changes within the business follow a clear pattern. Veteran music industry professionals and music technology experts Howie Singer and Bill Rosenblatt illuminate this pattern through a framework they term "the 6 Cs": cutting edge technology, channels of distribution, creators, consumers, cash, copyright. This framework provides insight into how such disparate innovations similarly disrupted and transformed the music business in each era. Extensively researched and supplemented by interviews with Grammy-winning artists, producers and executives, the book provides an insightful perspective on the ways technology has fundamentally altered the music industry, throughout history and into the present era.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Olga V. Solovieva's book The Russian Kurosawa: Transnational Cinema, Or the Art of Speaking Differently (Oxford UP. 2023) offers a new historical perspective on the work of the renowned Japanese film director Akira Kurosawa. It uncovers Kurosawa's debt to the intellectual tradition of Japanese-Russian democratic dissent, reflected in the affinity for Kurosawa's worldview expressed by such Russian directors as Grigory Kozintsev and Andrei Tarkovsky. Through a detailed discussion of the Russian subtext of Kurosawa's cinema, most clearly manifested in the director's films based on Dostoevsky, Tolstoy, Gorky, and Arseniev, the book shows that Kurosawa used Russian intertexts to deal with the most politically sensitive topics of postwar Japan. Locating the director in the cultural tradition of Russian-inflected Japanese anarchism, the book challenges prevalent views of Akira Kurosawa as an apolitical art house director or a conformist studio filmmaker of muddled ideological alliances by offering a philosophically consistent picture of the director's participation in post-war debates on cultural and political reconstruction.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.