In Conversation: An OUP Podcast

This volume proposes a method for reading Milton's De Doctrina Christiana as an artifact of his process of theological thinking rather than as a repository of his doctrinal views. Jason A. Kerr argues that reading in this way involves attention to the complex material state of the manuscript along with Milton's varying modes of engagement with scripture and various theological interlocutors, and reveals that Milton's approach to theology underwent significant change in the course of his work on the treatise. Initially, Milton set out to use Ramist logic to organize scripture in a way that drew out its intrinsic doctrinal structure. This method had two unintended consequences: it drove Milton to an antitrinitarian understanding of the Son of God, and it obliged him to reflect on his own authority as an interpreter and to develop an ecclesiology capable of sifting divine truth from human error.Consequently, Milton's Theological Process: Reading de Doctrina Christiana and Paradise Lost (Oxford UP, 2023) explores the complex interplay between Milton's preconceived theological ideas and his willingness to change his mind as it develops through the layers of revision in the manuscript. Kerr concludes by considering Paradise Lost as a vehicle for Milton's further reflection on the foundations of theology--and by showing how even the epic presents challenges to the fruits of these reflections. Reading Milton theologically means more than working to ascertain his doctrinal views; it means attending critically to his messy process of evaluating and rethinking the doctrinal views to which his prior study had led him.

The Rise of English: Global Politics and the Power of Language, which has just been reissued in paperback by Oxford University Press, with a new preface.The Rise of English charts the spread of English as the dominant lingua franca worldwide. The book explores the wide-ranging economic and political effects of English. It examines both the good and harm that English can cause as it increases economic opportunity for some but sidelines others. Overall, the book argues that English can function beneficially as a key component of multilingual ecologies worldwide.In the conversation, we explore how the dominance of English has become more contested since the Covid-19 pandemic, particularly in higher education and global knowledge production.For additional resources, show notes, and transcripts, go here.

Throughout the nuclear age, states have taken many different paths toward or away from nuclear weapons. These paths have been difficult to predict and cannot be explained simply by a stable or changing security environment. We can make sense of these paths by examining leaders' nuclear decisions. The political decisions state leaders make to accelerate or reverse progress toward nuclear weapons define each state's course. Whether or not a state ultimately acquires nuclear weapons depends to a large extent on those nuclear decisions.Nuclear Decisions: Changing the Course of Nuclear Weapons Programs (Oxford University Press, 2023) offers a novel theory of nuclear decision-making that identifies two mechanisms that shape leaders' understandings of the costs and benefits of their nuclear pursuits.The internal mechanism is the intervention of domestic experts in key scientific and military organizations. If the conditions are right, those experts may be able to influence a leader's nuclear decision-making. The external mechanism emerges from the structure and politics of the international system. This book identifies three different proliferation eras, in which changes to international political and structural conditions have constrained or freed states pursuing nuclear weapons development.Scholars and practitioners alike will gain new insights from the fascinating case studies of nine states across the three eras. Through this global approach to studying nuclear proliferation, this book pushes back against the conventional wisdom that determined states pursue a straight path to the bomb. Instead, nuclear decisions define a state's nuclear pursuits.Our guest today is Lisa Langdon Koch, Associate Professor of Government at Claremont McKenna College.Our host is Eleonora Mattiacci, Assistant Professor of Political Science at Amherst College and author of "Volatile States in International Politics" (Oxford University Press, 2023).

Thousands of shows have opened on Broadway. Why do we remember some and not others?The musical theatre repertory is not composed of titles popular in the theatre but by those with successful cast recordings, movie versions, or even illegal bootlegs on YouTube. The shows audiences know, and the texts and music they expect to hear when they attend a production, are defined by media consumed at home more than by memories of performances witnessed in the theatre. For example, author Doug Reside shows that it is no accident that the serious book musical with a fixed score developed in the 1940s - when commercially pressed and marketed record albums made it possible to record most of the score of a new musical in a fixed medium. And Hamilton, a musical with dense lyrics and revolutionary musical style, would not have been as easily accessible to world audiences if most hadn't already had the opportunity to learn the score by listening to free digital streams of the original cast recording.The technologies that made these media possible developed concurrently with and shaped the American musical as an art form. Reside uncovers how the affordances and limitations of these technologies established a repertory of titles that are most frequently performed and defined by the texts used in these performances. Fixing the Musical: How Technologies Shaped the Broadway Repertory (Oxford UP, 2023) argues that the musicals we most remember are those which most effectively used their era's best recording and distribution technologies to document and share the work with those who would never see the original production on Broadway.

Governing After War: Rebel Victories and Post-war Statebuilding (Oxford University Press, 2024) by Dr. Shelley X. Liu explores how wartime processes affects post-war state-building efforts when rebels win a civil war and come into power. Post-war governance is a continuation of war--although violence has ceased, the victor must consolidate its control over the state through a process of internal conquest. This means carefully making choices about resource allocation towards development and security. Where does the victor choose to spend, and why? And what are the implications for ultimately consolidating power and preventing conflict recurrence?The book examines wartime rebel-civilian ties under rebel governance and explains how these ties--along with rebel governing institutions--shape the rebel victors' post-war various resource allocation strategies to establish control at the sub-national level. In turn, successfully balancing resources dedicated toward development and security helps the victor to consolidate power. The book relies on mixed-methods evidence from Zimbabwe and Liberia, combining interviews, focus groups, and archival data with fine-grained census, administrative, survey, and conflict datasets to provide an in-depth examination of subnational variation in wartime rebel behavior and post-war governing strategies. A comparison of Zimbabwe and Liberia alongside four additional civil wars in Burundi, Rwanda, Côte d'Ivoire, and Angola further demonstrates the importance of wartime civilian tie-formation for post-war control. The argument's central insights point to war and peace as part of a long state-building process, and suggest that the international community should pay attention to sub-national political constraints that new governments face. Her findings offer implications for recent rebel victories and, more broadly, for understanding the termination, trajectories, and political legacies of such conflicts around the world.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Despite the hypervisibility of a constellation of female pop stars, the music business is structured around gender inequality. As a result, women in the music industry often seize on self-branding opportunities in fashion, cosmetics, food, and technology for the purposes of professional longevity. Extending Play: The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century (Oxford UP, 2023) examines the ubiquity of brand partnerships in the contemporary music industry through the lens of feminized labor, to demonstrate how female artists use them as a resource for artistic expression and to articulate forms of popular feminism through self-commodification. In this book, author Alyxandra Vesey examines this type of promotional work and examines its proliferation in the early 21st century.Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding, often foregrounding women's participation in shaping these economies through fan labor and image management. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence.By merging star studies, popular music studies, and media industry studies, Extending Play proposes an integrated methodology for approaching contemporary cultural history that demonstrates how female-identified musicians have operated as both a hub for industrial convergence and as music industry professionals who use their extramusical skills to reassert their creative acumen.Alyxandra Vesey is Assistant Professor in Journalism and Creative Media at the University of Alabama. Her research focuses on the gendered dynamics of creative labor in the music industries. Her work has appeared in Journal of Cinema and Media Studies, Feminist Media Studies, Television and New Media, Journal of Popular Music Studies, Camera Obscura, Velvet Light Trap, and Emergent Feminisms: Complicating a Postfeminist Media Culture. Alyxandra on Twitter.Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.

The Confederate States of America was born in defense of slavery and, after a four-year struggle to become an independent slaveholding republic, died as emancipation dawned. Between Fort Sumter to Appomattox, Confederates bought and sold thousands African American men, women, and children. These transactions in humanity made the internal slave trade a cornerstone of Confederate society, a bulwark of the Rebel economy, and a central part of the experience of the Civil War for all inhabiting the American South.An Unholy Traffic: Slave Trading in the Civil War South (Oxford UP, 2024) shows, slave trading helped Southerners survive and fight the Civil War, as well as to build the future for which they fought. They mitigated the crises the war spawned by buying and selling enslaved people, using this commerce to navigate food shortages, unsettled gender roles, the demands of military service, and other hardships on the homefront. Some Rebels speculated wildly in human property, investing in slaves to ward off inflation and to buy shares in the slaveholding nation they hoped to create. Others traded people to counter the advance of emancipation. Given its centrality to their nationhood, Confederates went to great lengths to prolong the slave trade, which, in turn, supported the Confederacy. For those held in slavery, the surviving slave trade dramatically shaped their pursuit of freedom, inserting a retrograde movement into some people's journeys toward liberty while inspiring others to make the risky decision to escape.Offering an original perspective on the intersections of slavery, capitalism, the Civil War, and emancipation, Robert K.D. Colby illuminates the place of the peculiar institution within the Confederate mind, the ways in which it underpinned the CSA's war effort, and its impact on those attempting to seize their freedom.Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

Even as most contemporary states look to history in order to legitimize their existence in some way or other, the past – and narrations of it – hold particular weight in China. This is not a new phenomenon, for which pasts to elevate and which to suppress has long been a concern for both intellectuals and those seeking to rule the states and empires which have occupied the space now forming the People’s Republic of China.Today’s Chinese Communist Party under Xi Jinping is no exception to this, and indeed is making unusually strenuous efforts to circumscribe an acceptable vision of the past. Yet, as Ian Johnson’s beautifully put together and captivatingly written new book Sparks: China's Underground Historians and Their Battle for the Future (Oxford UP, 2023) shows, no small number of scholars, film-makers, artists, writers and researchers continue to work to ensure that less convenient histories endure into the future. Based on years of research and experience, this is a powerful – and ultimately cautiously hopeful – book about the possibility for ordinary people to keep hold of often-painful but vitally important pasts. Working to make this more likely, Ian Johnson also heads the China Unofficial Archives project.Ed Pulford is an Anthropologist and Senior Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and socialism and empire in Eurasia.

Gendered Publics: Chandraprava Saikiani and the Mahila Samiti in Colonial Assam (Oxford UP, 2024) is a first-of-its-kind comprehensive appraisal of the relatively unexplored but highly impactful women’s associations, the Assam Mahila Samiti (1926 cont.) which led one of the most remarkable women’s movements in colonial India; Sucheta Kripalani praised it as the ‘largest democratic women’s association in India’ in 1949. Central to the Assam Mahila Samiti story is its founding Secretary, the firebrand feminist Chandraprava Saikiani (1901–72), who while being an unwed mother and belonging to a lower caste, was a celebrated writer, mobilizer, and publisher. The book traverses these individual and collective journeys from the 1920s to the 1950s and explores how women’s movements evolve in conversation/contestation with both traditional spaces such as naam kirtan and contemporary ones of tribal-caste associations, anti-colonial movements, and international ideological paradigms such as the Bolshevik revolution. The book also plots through specific examples, such as the controversy surrounding the Samiti’s serving of a legal notice to a groom in 1934 to stop child marriage, to argue that gender may not function merely as constitutive of the public, but women’s collectives may shape, transform, and orchestrate a veritable gendered public, resistant to both native patriarchy and sometimes to colonial authority. The study makes crucial methodological intervention through an interdisciplinary approach by constantly juxtaposing print sources with handwritten minutes of early mahila samiti meetings, performative spaces such as women’s singing of naam kirtan and women’s weaving, and women’s memory (recorded as part of a digital archive of the mahila samitis in Assam).Rituparna Patgiri has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.

In Mexican Exodus: Emigrants, Exiles, and Refugees of the Cristero War (Oxford University Press, 2019), Julia G. Young reframes the Cristero War as a transnational conflict, using previously unexamined archival materials from both Mexico and the United States to investigate the intersections between Mexico's Cristero War and Mexican migration to the United States during the late 1920s. She traces the formation, actions, and ideologies of the Cristero diaspora--a network of Mexicans across the United States who supported the Catholic uprising from beyond the border.