New Books in American Studies

Signed on September 2, 1945 aboard the American battleship USS Missouri in Tokyo Bay by Japanese and Allied leaders, the instrument of surrender formally ended the war in the Pacific and brought to a close one of the most cataclysmic engagements in history, one that had cost the lives of millions. VJ―Victory over Japan―Day had taken place two weeks or so earlier, in the wake of the dropping of the atomic bombs on Hiroshima and Nagasaki and the entrance of the Soviet Union into the war. In the end, the surrender itself fulfilled the commitment that Franklin Roosevelt had made that it be "unconditional," as had been the case with Nazi Germany in May, 1945. Though readily accepted as war policy at the time, after Roosevelt's death in April 1945, popular support for unconditional surrender wavered, particularly when the bloody campaigns on Iwo Jima and Okinawa made clear the cost of military victory against Japan. The ending of the war in Europe spurred calls in Congress, particularly among anti-New Deal Republicans, to shift the American economy to peacetime and bring home troops. Even after the atomic bombs had been dropped, Japan continued to seek a negotiated surrender, further complicating the debate. Though this was the last time Americans would impose surrender unconditionally, questions surrounding it continued at home through the 1950s and 1960s, when liberal and conservative views reversed, and particularly in Vietnam and the definition of "peace with honor." It remained controversial through the ceremonies surrounding the 50th anniversary and the Gulf War, when the subject revived.In Unconditional: The Japanese Surrender in World War II (Oxford UP, 2020), which publishes in time for the 75th anniversary of the surrender, Bancroft Prize co-winner Marc Gallicchio offers a narrative of the surrender in its historical moment, revealing how and why the event unfolded as it did and the principle figures behind it, including George C. Marshall and Douglas MacArthur, who would effectively become the leader of Japan during the American occupation. It also reveals how the policy underlying it remained controversial at the time and in the decades following, shaping our understanding of World War II.Grant Golub is a PhD candidate in the Department of International History at the London School of Economics and Political Science. His research focuses on the politics of American grand strategy during World War II. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Joshua Rothman’s The Ledger and the Chain: How Domestic Slave Traders Shaped America was published by Basic Books in 2021, and tells a sprawling history of slave traders in America. Often presented as outcasts and social pariahs, slave traders were often instead wealthy and respected members of their communities. Rothman explores the lives and careers of Isaac Franklin, John Armfield, and Rice Ballard to show just what the work of a domestic slave trader looked like and the devastating affects their actions had on enslaved people. By weaving together a history the lives of men who created one of the most powerful slave trading operations in America, Rothman is able to show how slavery’s expansion and growth occurred up to the Civil War.Joshua Rothman is a professor of history at the University of Alabama. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Every day Chicagoans rely on the loop of elevated train tracks to get to their jobs, classrooms, or homes in the city’s downtown. But how much do they know about the single most important structure in the history of the Windy City? In engagingly brisk prose, Patrick T. Reardon unfolds the fascinating story about how Chicago’s elevated Loop was built, gave its name to the downtown, helped unify the city, saved the city’s economy, and was itself saved from destruction in the 1970s.Patrick T. Reardon's book The Loop: The 'L' Tracks That Shaped and Saved Chicago (Southern Illinois UP, 2020) combines urban history, biography, engineering, architecture, transportation, culture, and politics to explore the elevated Loop’s impact on the city’s development and economy and on the way Chicagoans see themselves. The Loop rooted Chicago’s downtown in a way unknown in other cities, and it protected that area—and the city itself—from the full effects of suburbanization during the second half of the twentieth century. Masses of data underlie new insights into what has made Chicago’s downtown, and the city as a whole, tick.The Loop features a cast of colorful Chicagoans, such as legendary lawyer Clarence Darrow, poet Edgar Lee Masters, mayor Richard J. Daley, and the notorious Gray Wolves of the Chicago City Council. Charles T. Yerkes, an often-demonized figure, is shown as a visionary urban planner, and engineer John Alexander Low Waddell, a world-renowned bridge creator, is introduced to Chicagoans as the designer of their urban railway.This fascinating exploration of how one human-built structure reshaped the social and economic landscape of Chicago is the definitive book on Chicago’s elevated Loop.Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he can be reached by sending an email tobtoepfer@toepferarchitecture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

For over a century Mexico has been embroiled in a drug war dictated by the demands of their neighbor to the north. In The Dope: The Real History of the Mexican Drug Trade (W. W. Norton, 2021), Benjamin T. Smith offers a history of the trade and its effects upon the people of Mexico. As he reveals, at the start of the 20th century drugs such as marijuana and opium were largely on the margins of Mexican society, used mainly by soldiers, prisoners, and immigrants. The association of marijuana with a bohemian subculture in the early 1920s prompted the first punitive laws against it, while the use of opium by Chinese immigrants led Mexican officials to target the drug as a means to arrest the country’s Chinese population.Yet the drug trade thrived thanks to the growing demand for marijuana and heroin in the United States. In response, American officials pressured their Mexican counterparts to end drug production and distribution in their country, even to the point of ending the effort to provide heroin in a regulated way for the country’s relatively small population of heroin addicts. Yet these efforts often foundered on the economic factors involved, with many government officials protecting the trade either for personal profit or for the financial benefits the trade provided to their states. This trade only grew in the postwar era, as the explosion of drug use in the 1960s and the crackdown on the European heroin trade made Mexico an increasingly important supplier of narcotics to the United States. The vast profits to be made from this changed the nature of the trade from small-scale family-managed operations to much more complex organizations that increasingly employed violence to ensure their share of it. As Smith details, the consequences of this have proven enormously detrimental both to the Mexican state and to the Mexican people. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

As a novelist, short story author, screenwriter, and Nobel laureate, William Faulkner looms large in modern American literature. Yet the very range of his work and the sources for his rich literary worlds often defy easy assessment. In The Life of William Faulkner: The Past Is Never Dead, 1897-1934 (University of Virginia Press, 2020), Carl Rollyson uses both an extensive range of archival collections and Faulkner’s wide-ranging literary output to assess the author’s life and the development of his many famous works. Growing up in Mississippi, young William absorbed his family’s tales and the larger history of the region to which it was tied. Yet it took Faulkner’s journeys outside of his community – first to Canada to train as a pilot for the Royal Air Force, then his extended visits to New York and Europe – to gain the perspective necessary to best use them in his writing. After an early foray into poetry Faulkner focused on writing prose, emerging by the end of the 1920s as an acclaimed author of novels and short stories. As Rollyson shows, this fame brought Faulkner to Hollywood, where he demonstrated quickly his ability to write as well for the rapidly emerging medium of talking pictures.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Photography emerged in the 1840s in the United States, and it became a visual medium that documents the harsh realities of enslavement. Similarly, the photography culture grew during the Civil War, and it became an important material that archived this unprecedented war. Deborah Willis's The Black Civil War Soldier: A Visual History of Conflict and Citizenship (New York University Press, 2021) contains rarely seen letters and diary notes from Black men and women and photographs of Black soldiers who fought and died in this war. These ninety-nine images reshape African American narratives. The Black Civil War Soldier offers an opportunity to experience the war through their perspectives.N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

During the middle decades of the twentieth century, the production of America’s consumer culture was centralized in New York to an extent unparalleled in the history of the United States. Every day tens of thousands of writers, editors, artists, performers, technicians, and secretaries made advertisements, produced media content, and designed the shape and feel of the consumer economy. While this centre of creativity has often been portrayed as a smoothly running machine, within these offices many white-collar workers challenged the managers and executives who directed their labours.Shannan Clark. author of The Making of the American Creative Class: New York's Culture Workers and 20th-Century Consumer Capitalism (Oxford UP, 2020), speaks with Pierre d’Alancaisez about the origins of the creative class, their labour union struggles and successes, the role of the Works Projects Administration, and institutions like the Design Laboratory and Consumer Union which foretell the experiences of today’s culture workers. Pierre d’Alancaisez is a contemprary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Stay Black and Die: On Melancholy and Genius (Duke UP, 2023), I. Augustus Durham examines melancholy and genius in black culture, letters, and media from the nineteenth century to the contemporary moment. Drawing on psychoanalysis, affect theory, and black studies, Durham explores the black mother as both a lost object and a found subject often obscured when constituting a cultural legacy of genius across history. He analyzes the works of Frederick Douglass, Ralph Ellison, Marvin Gaye, Octavia E. Butler, and Kendrick Lamar to show how black cultural practices and aesthetics abstract and reveal the lost mother through performance. Whether attributing Douglass’s intellect to his matrilineage, reading Gaye’s falsetto singing voice as a move to interpolate black female vocality, or examining the women in Ellison’s life who encouraged his aesthetic interests, Durham demonstrates that melancholy becomes the catalyst for genius and genius in turn is a signifier of the maternal. Using psychoanalysis to develop a theory of racial melancholy while “playing” with affect theory to investigate racial aesthetics, Durham theorizes the role of the feminine, especially the black maternal, in the production of black masculinist genius. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

New motherhood is often seen as a joyful moment in a woman’s life; for some women, it is also their lowest moment. For much of the twentieth century, popular and medical voices blamed women who had emotional and mental distress after childbirth for their own suffering. By the end of the century, though, women with postpartum mental illnesses sought to take charge of this narrative. In Blue: A History of Postpartum Depression in America (U Chicago Press, 2024), Rachel Louise Moran explores the history of the naming and mainstreaming of postpartum depression. Coalitions of maverick psychiatrists, psychologists, and women who themselves had survived substantial postpartum distress fought to legitimize and normalize women’s experiences. They argued that postpartum depression is an objective and real illness and fought to avoid it being politicized alongside other fraught medical and political battles over women’s health.Based on insightful oral histories and in-depth archival research, Blue reveals a secret history of American motherhood, women’s political activism, and the rise of postpartum depression advocacy amid an often-censorious conservative culture. By breaking new ground with the first book-length history of postpartum mental illness in the twentieth century, Moran brings mothers’ battles with postpartum depression out of the shadows and into the light. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since.Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity.Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series.Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies