New Books in American Studies

Harvey Graff's pioneering study presents a new and original interpretation of the place of literacy in nineteenth-century society and culture. Based upon an intensive comparative historical analysis, employing both qualitative and quantitative techniques, and on a wide range of sources, The Literacy Myth: Cultural Integration and Social Structure in the Nineteenth Century (Transaction, 1991; new edition Routledge, 2017) reevaluates the role typically assigned to literacy in historical scholarship, cultural understanding, economic development schemes, and social doctrines and ideologies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Trump’s voters. The yellow jackets in France. Putin’s base in Russia. The Brexiteers. One thing all these groups have in common is anger – anger at being left behind, anger about de industrialization, anger at the arrogance and wealth of the elite. But what more can be said about the nature of that anger and the different aspects of it? In Angrynomics (Agenda Publishing, 2020) Mark Blyth and Eric Lonergan address this question. Today I talked to Blyth, a professor of political economy at Brown University.Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This week, we’re showcasing some of our favourite past episodes of Darts and Letters themed around “Activism & Academia”.Today’s episode originally aired a little earlier this summer. In the US, the January 6th hearings were continuing - and discourse about the factors that led to the insurrection was rampant. You might notice that when these kinds of events take place, similar descriptors are used: groupthink, mob mentality, deindividuation…and all of these ideas can be traced back to one bigoted, reactionary bigot: 19th-century French physician Gustave Le Bon.Why does academia always fear the masses? Our host Gordon Katic takes us through the story of Le Bon and beyond to analyze the academic stereotype of the public.—————————-SUPPORT THE SHOW—————————-You can support the show for free by following or subscribing on Spotify, Apple Podcasts, or whichever app you use. This is the best way to help us out and it costs nothing so we’d really appreciate you clicking that button.If you want to do a little more we would love it if you chip in. You can find us on patreon.com/dartsandletters. Patrons get content early, and occasionally there’s bonus material on there too.——————-ABOUT THE SHOW——————For a full list of credits, contact information, and more, visit our about page. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Why are societies still not offering racial equality? In The Cruel Optimism of Racial Justice (Policy Press, 2022), Nasar Meer, a professor of Race, Identity and Citizenship in the School of Social and Political Sciences and director of RACE.ED at the University of Edinburgh, explores the past, present, and future of the struggle for racial justice. In a wide-ranging text, informed by social, cultural, and political theory, the recent history of racial equality policy is juxtaposed with the impact of the Covid-19 pandemic, to analyse the successes and the failures of struggles to make society racially just. Offering a major theoretical and practical contribution, the book is essential reading across humanities and social sciences, as well as for activists and anyone interested in changing society for the better.Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In many ways, Black Elk and John Neihardt lived very different lives. Black Elk was an Oglala Lakota holy man. Neihartd was a European-American literary critic. Black Elk performed for Queen Victoria with Buffalo Bills’s Wild West Show. Neihartd was Poet Laureate of Nebraska. But in other ways, they weren’t different at all. “By all accounts, they really, truly felt like they had a kind of spiritual affinity for one another,” says Harvard Professor Philip Deloria. In this episode, Professor Deloria discusses Black Elk Speaks, the book that Black Elk and Neihardt co-authored in 1932, which shaped the way both white and Native Americans understood Native culture. Philip Deloria is Professor of History at Harvard University. He is the author of several books, including Playing Indian and Indians in Unexpected Places. His most recent book is American Studies: A User's Guide, co-authored with Alexander Olson. See more information on our website, WritLarge.fm Follow us on Twitter @WritLargePod Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Miriam Thaggert illuminates the stories of African American women as passengers and as workers on the nineteenth- and early-twentieth-century railroad. As Jim Crow laws became more prevalent and forced Black Americans to "ride Jim Crow" on the rails, the train compartment became a contested space of leisure and work. Riding Jane Crow: African American Women on the American Railroad (U Illinois Press, 2022) examines four instances of Black female railroad travel: the travel narratives of Black female intellectuals such as Anna Julia Cooper and Mary Church Terrell; Black middle-class women who sued to ride in first class "ladies' cars"; Black women railroad food vendors; and Black maids on Pullman trains. Thaggert argues that the railroad represented a technological advancement that was entwined with African American attempts to secure social progress. Black women's experiences on or near the railroad illustrate how American technological progress has often meant their ejection or displacement; thus, it is the Black woman who most fully measures the success of American freedom and privilege, or "progress," through her travel experiences. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition. Arranged chronologically, Hollywood Sports Movies and the American Dream (Oxford UP, 2022) tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial.In this conversation with host Annie Berke, Dr. Grant Wiedenfeld explains his personal and familial connections to the book's subject matter, discusses why Hollywood sports films don't always have (or need) a "happy ending," and explains how the genre functions as a "civic screen" for the American public in the decades following the Vietnam War.Grant Wiedenfeld earned a PhD from Yale University in Comparative Literature and Film & Media Studies. He taught courses on sports and cinema in Yale's English Department and Film Studies Program before being hired at Sam Houston State University, where he is currently Associate Professor of Media and Culture. Previous publications include studies of Gustave Flaubert, D.W. Griffith, and André Bazin.Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

“These United States are themselves the greatest poem.” When Walt Whitman wrote this line, he was an unknown Brooklyn newspaper man. But his work would transform American poetry and offer a new vision of American identity—one that was diverse, urban, and embodied. In this episode, Harvard professor Elisa New discusses Walt Whitman’s legacy. Elisa New is the Powell M. Cabot Professor of American Literature at Harvard University. She is the creator and host of the TV show Poetry in America, and author of The Line's Eye: Poetic Experience, American Sight and New England, Beyond Criticism: Rereading America's First Literature. See more information on our website, WritLarge.fm. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Living the Dream: The Contested History of Martin Luther King Jr. Day (UNC Press, 2022) tells the history behind the establishment of Martin Luther King Jr. Day and the battle over King's legacy that continued through the decades that followed. Creating the first national holiday to honor an African American was a formidable achievement and an act of resistance against conservative and segregationist opposition. Congressional efforts to commemorate King began shortly after his assassination. The ensuing political battles slowed the progress of granting him a namesake holiday and crucially defined how his legacy would be received. Though Coretta Scott King's mission to honor her husband's commitment to nonviolence was upheld, conservative politicians sought to use the holiday to advance a whitewashed, nationalistic, and even reactionary vision of King's life and thought. This book reveals the lengths that activists had to go to elevate an African American man to the pantheon of national heroes, how conservatives took advantage of the commemoration to bend the arc of King's legacy toward something he never would have expected, and how grassroots causes, unions, and antiwar demonstrators continued to try to claim this sanctified day as their own.Daniel T. Fleming is lecturer at the University of New South Wales and an Honorary Post-Doctoral Fellow at Macquarie University.E. James West is a UK-based historian and writer. He is the author of Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America (Illinois, 2020), A House for the Struggle: The Black Press and the Built Environment in Chicago (Illinois, 2022) and Our Kind of Historian: The Work and Activism of Lerone Bennett Jr. (UMass, 2022). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

A literary and cultural milestone, Spoon River Anthology captured an idea of the rural Midwest that became a bedrock myth of life in small-town America. Jason Stacy places the book within the atmosphere of its time and follows its progress as the poetry took root and thrived. Published by Edgar Lee Masters in 1915, Spoon River America: Edgar Lee Masters and the Myth of the American Small Town (U Illinois Press, 2021) won praise from modernists while becoming an ongoing touchstone for American popular culture. Stacy charts the ways readers embraced, debated, and reshaped Masters’s work in literary controversies and culture war skirmishes; in films and other media that over time saw the small town as idyllic then conflicted then surreal; and as the source of three archetypes—populist, elite, and exile—that endure across the landscape of American culture in the twenty-first century.A wide-ranging reconsideration of a literary landmark, Spoon River America tells the story of how a Midwesterner's poetry helped change a nation's conception of itself.Jason Stacy is a professor of history and social science pedagogy at Southern Illinois University, Edwardsville. He is the author of Walt Whitman's Multitudes: Labor Reform and Persona in Whitman’s Journalism and the First Leaves of Grass, 1840–1855 and editor of Leaves of Grass, 1860: The 150th Anniversary Facsimile Edition.Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podbean.com/ and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies