New Books in American Studies

In this interview, she discusses her book, Race, Politics, and Irish America: A Gothic History (Oxford UP, 2023), which inserts successive Irish-American identities--forcibly transported Irish, Scots-Irish, and post-Famine Irish--into American histories and representations of race.Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race.Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The long and pernicious relationship between fast food restaurants and the African American community. Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces. In White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation (U Minnesota Press, 2023), Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities. Fast food has historically been tied to the country's self-image as the land of opportunity and is marketed as one of life's simple pleasures, but a more insidious history lies at the industry's core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food's racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald's, and more. Deeply researched, grippingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in the closest thing Americans have to a national meal. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Kevin R. C. Gutzman's The Jeffersonians: The Visionary Presidencies of Jefferson, Madison, and Monroe (St. Martin's Press, 2022) marks the first chronicle of the only consecutive trio of two-term presidencies of the same political party in American history: Jefferson, Madison, and Monroe. Before the consecutive two-term administrations of Presidents Bill Clinton, George W. Bush, and Barack Obama, there had only been one other trio of its type: Thomas Jefferson, James Madison, and James Monroe.Kevin R. C. Gutzman's The Jeffersonians is a complete chronicle of the men, known as The Virginia Dynasty, who served as president from 1801 to 1825 and implemented the foreign policy, domestic, and constitutional agenda of the radical wing of the American Revolution, setting guideposts for later American liberals to follow.The three close political allies were tightly related: Jefferson and Madison were the closest of friends, and Monroe was Jefferson's former law student. Their achievements were many, including the founding of the opposition Republican Party in the 1790s; the Louisiana Purchase; and the call upon Congress in 1806 to use its constitutional power to ban slave imports beginning on January 1, 1808.Of course, not everything the Virginia Dynasty undertook was a success: Its chief failure might have been the ineptly planned and led War of 1812. In general, however, when Monroe rode off into the sunset in 1825, his passing and the end of The Virginia Dynasty were much lamented. Kevin R. C. Gutzman's new book details a time in America when three Presidents worked toward common goals to strengthen our Republic in a way we rarely see in American politics today.Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In a burst of creativity unmatched in Hollywood history, Preston Sturges directed a string of all-time classic comedies from 1939 through 1948--The Great McGinty, The Lady Eve, Sullivan's Travels, The Palm Beach Story, and The Miracle of Morgan's Creek among them--all from screenplays he alone had written. Stuart Klawans' Crooked, But Never Common: The Films of Preston Sturges (Columbia UP, 2023) pays close attention to Sturges' celebrated dialogue, but also to his films surprisingly intricate structures, marvelous use of a standard roster of character actors, and effective composition of shots. Klawans goes deeper than this, though, providing compelling readings of the underlying personal philosophy depicted in these films, which for all their seen-it-all cynicism nonetheless express firmly-held values, among them a fear for conformity and crowd-mentality, a dread of stasis, and a respect for intelligence, whether of a billionaire or of a Pullman porter. This is a book that will return you to these great films with new eyes.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Part 3 of 3.In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, The History of American Trotskyism, 1928-38: Report of a Participant. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, James P. Cannon and the Emergence of Trotskyism, 1928-38 (Brill, 2021).Published as part of the Historical Materialism book series, it starts off right where it’s sequel, James P. Cannon and the Origins of the Revolutionary Left, 1890-1928, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable.Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about.As an entry in the Historical Materialism book series, the book was originally published in hardcover by Brill, with the paperback made available by Haymarket.Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of Labour/Le Travail, and has published widely on the history of labour and the revolutionary left. His numerous books include Marxism and Historical Practice, Revolutionary Teamsters, Cultures of Darkness and Descent into Discourse. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection US Trotskyism, 1928-65. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Three centuries of English idioms—their unusual origins and unexpected interpretations.To pay through the nose. Raining cats and dogs. By hook or by crook. Curry favor. Drink like a fish. Eat crow. We hear such phrases every day, but this book is the first truly all-encompassing etymological guide to both their meanings and origins. Spanning more than three centuries, Take My Word for It: A Dictionary of English Idioms (U Minnesota Press, 2023) is a fascinating, one-of-a-kind window into the surprisingly short history of idioms in English. Widely known for his studies of word origins, Anatoly Liberman explains more than one thousand idioms, both popular and obscure, occurring in both American and British standard English and including many regional expressions.The origins, and even the precise meaning, of most idioms are often obscure and lost in history. Based on a critical analysis of countless conjectures, with exact, in-depth references (rare in the literature on the subject), Take My Word for It provides not only a large corpus of idiomatic phrases but also a vast bibliography. Detailed indexes and a thesaurus make the content accessible at a glance, and Liberman’s introduction and conclusion add historical dimensions. The result of decades of research by a leading authority, this book is both instructive and absorbing for scholars and general readers, who won’t find another resource as comparable in scope or based on data even remotely as exhaustive.Anatoly Liberman is professor of Germanic philology at the University of Minnesota. He has written more than twenty books, including A Bibliography of English Etymology and An Analytic Dictionary of English Etymology (both from Minnesota).Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Jayne Mansfield (1933-1967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle. Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risqué promotional stunts caused her to be increasingly snubbed in Hollywood.In Jayne Mansfield: The Girl Couldn't Help It (UP of Kentucky, 2021), Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. While she always had her sights set on the silver screen, Mansfield got her start as Rita Marlowe in the Broadway show Will Success Spoil Rock Hunter?. She made her film debut in the low-budget drama Female Jungle (1955) before landing the starring role in The Girl Can't Help It (1956). Mansfield followed this success with a dramatic role in The Wayward Bus (1957), winning a Golden Globe for New Star of the Year, and starred alongside Cary Grant in Kiss Them for Me (1957). Despite her popularity, her appearance as the first celebrity in Playboy and her nude scene in Promises! Promises! (1963) cemented her reputation as an outsider.By the 1960s, Mansfield's film career had declined, but she remained very popular with the public. She capitalized on that popularity through in-person and TV appearances, nightclub appearances, and stage productions. Her larger-than-life life ended sadly when she passed away at age thirty-four in a car accident.Golden looks beyond Mansfield's flashy public image and tragic death to fully explore her life and legacy. She discusses Mansfield's childhood, her many loves—including her famous on-again, off-again relationship with Miklós "Mickey" Hargitay—her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. This funny, engaging biography offers a nuanced portrait of a fascinating woman who loved every minute of life and lived each one to the fullest.Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

“The Little Mermaid” has become popular around the world since the Danish author Hans Christian Andersen published it almost two centuries ago. Lucy Fraser’s The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of “The Little Mermaid” (Wayne State University Press, 2017) uses Japanese and American transformations of “The Little Mermaid” to think through the pleasures that the text provides for consumers. Building on Mayako Murai’s From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West, Fraser tracks transformations from the nineteenth century through 2008, with particular attention to literary and filmic media.The binary languages of the title are matched by a series of binaries that Fraser identifies within The Little Mermaid and its transformations. Fraser shows how Andersen’s story presents readers with strict binaries – like human-merfolk, sea-land, and soul-soulless – only for the protagonist to transgress them. The Pleasures of Metamorphosis then presents readers with more binaries – between transformations that emphasize the (male, human) prince and those that emphasize the (female, non-human) mermaid, for example – to show the diverse pleasures inherent to the text. In so doing, The Pleasures of Metamorphosis traverses Disney’s classic animated film and Studio Ghibli’s more recent Ponyo (2008) as well as literature by a host of skilled writers, including Yumiko Kurahashi, Banana Yoshimoto, Jun’ichirō Tanizaki, Oscar Wilde, Kōbō Abe, Yōko Ogawa, Shūji Terayama, and Hiromi Kawakami. The book concludes by showing the promise of theories surrounding Japan’s shōjo, or girls’, culture for non-Japanese works.Lucy Fraser is Senior Lecturer in Japanese at The University of Queensland, Australia, where she teaches Japanese language and literature.Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Part 2 of 3.In the spring of 1942, James P. Cannon, the founder of American Trotskyism, gave a series of lectures in New York on the first decade of the movement. The challenges, the setbacks, the accomplishments and the lessons learned were recounted with Cannon’s trademark style that managed to be accessible while also maintaining the revolutionary militancy he was trying to carry on. The lectures would eventually become a book, The History of American Trotskyism, 1928-38: Report of a Participant. In a short editorial note, Joseph Hansen remarked “Historians of the future, writing the definitive history of American and world Trotskyism, will undoubtedly round out Cannon's history with additional material delved from original sources; but, while there is no pretension to exhaustive research or extensive documentation in this work, future historians utilizing it as source material will find that they must likewise depend heavily upon it as a guidepost.” This little remark has been proven correct by several later books on labor in the depression, but it now appears almost prophetic with the arrival of Bryan Palmer’s latest work, James P. Cannon and the Emergence of Trotskyism, 1928-38 (Brill, 2021).Published as part of the Historical Materialism book series, it starts off right where it’s sequel, James P. Cannon and the Origins of the Revolutionary Left, 1890-1928, left off, with Cannon and several other comrades expelled from the Communist Party. With hardly a penny to their name, but an urgent political mission, they set about forming an oppositional faction, one that could both challenge the political degeneration emanating from a Moscow that was succumbing to Stalinism while also working to revitalize an American labor movement that was rediscovering it’s own fighting spirit. Through Cannon and his comrades, Palmer is able to tell a story of class struggle that shows what even a small group can do when political militancy and clarity are brought to life, even in the face of obstacles that appear insurmountable.Clocking in at 1200 pages, the book is brimming with detail about both the day-to-day minutiae of class struggle in the period, but also spends a fair amount of time giving international and other historical context. Palmer’s capacity to wander through vast archives of material is matched by his storytelling abilities, turning a huge mass of information into a highly readable and compelling narrative. While reading it cover-to-cover will be richly rewarding for those who do, it will also be an excellent resource for those who read it’s chapters more selectively, whether looking to learn about the Minneapolis truckers strike of 1934, the Trotskyists entry into the Socialist Party or Trotsky’s trial in which he defended himself against accusations emanating from Moscow. It deserves to be on the shelf of anyone interested in labor history and radical politics, and anyone who feels the realm of political possibility to be dire. This book itself is not the revolution, but it will provide lessons and inspiration for those who are hoping to bring it about.As an entry in the Historical Materialism book series, the book was originally published in hardcover by Brill, with the paperback made available by Haymarket.Bryan D. Palmer is Professor Emeritus and former Canada Research Chair of Canadian Studies at Trent University. He is a Fellow of the Royal Canadian Society, former editor of Labour/Le Travail, and has published widely on the history of labour and the revolutionary left. His numerous books include Marxism and Historical Practice, Revolutionary Teamsters, Cultures of Darkness and Descent into Discourse. He is also the co-editor with Paul LeBlanc and Thomas Bias of the 3-volume document collection US Trotskyism, 1928-65. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Lauren N. Haumesser's The Democratic Collapse: How Gender Politics Broke a Party and a Nation, 1856-1861 (UNC Press, 2022) offers a fresh examination of antebellum politics comprehensively examines the ways that gender issues and gendered discourse exacerbated fissures within the Democratic Party in the critical years between 1856 and 1861. Whereas the cultural politics of gender had bolstered Democratic unity through the 1850s, the Lecompton crisis and John Brown's raid revealed that white manhood and its association with familial and national protection meant disparate--and ultimately incompatible--things in free and slave society. In fierce debates over the extension of slavery, gendered rhetoric hardened conflicts that ultimately led to the outbreak of the Civil War.Lauren Haumesser here traces how northern and southern Democrats and their partisan media organs used gender to make powerful arguments about slavery as the sectional crisis grew, from the emergence of the Republican Party to secession. Gendered charges and countercharges turned slavery into an intractable cultural debate, raising the stakes of every dispute and making compromise ever more elusive.Lauren N. Haumesser holds a Ph.D. in History from the University of Virginia.Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies