New Books in American Studies

The history of race in American theater is more complicated than you might think, writes Dr. Josephine Lee in Oriental, Black, and White: The Formation of Racial Habits in American Theater (UNC Press, 2022). Dr. Lee, a professor of English and Asian American Studies at the University of Minnesota, examines the linked histories of orientalism, Blackface and Yellowface, in nineteenth and early twentieth century American theater, showing how identity creation and racialization occurred among multiple groups simultaneously. Within the context of large scale East Asian immigration to the West coast, labor debates, and American empire building. Theaters, both on the East and West coasts, and touring Black and white theater companies, thus both reflected and shaped American ideas about race and belonging throughout this time period. A fascinating and complex look at how Americans tried to make sense of their world, Lee asks readers to look beyond easy answers and assumptions, and look at American theater in a new way.Oriental, Black, and White is an open access book, available for free via JStor.Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In 2019, nearly two-thirds of domestic violence homicides in the United States were committed with a gun. On average, three women are killed by a current or former partner every day in the United States. Between 1980 and 2014, more than half of women killed by intimate partners were killed with guns. Domestic violence affects children, friends, neighbors, peace officers, the abusers themselves, and society as a whole. This fall, the United States Supreme Court will hear a Second Amendment case (United States v. Rahimi) that may affect whether Congress or state legislatures may pass laws to mitigate domestic violence. To unpack what we know about the effect of firearms on intimate partner violence, Postscript brings you two nationally recognized experts on public health and firearms and an attorney who helped assembled an amicus brief for the Supreme Court.Dr. Shannon Frattoroli, PhD, MPH, is Professor at the Johns Hopkins Bloomberg School of Public Health. She is affiliated with the Johns Hopkins Center for Gun Violence Solutions. Her scholarship focuses on how to translate evidence about injury and violence prevention into policies and practices that create safe places for people to thrive. She is a leader on both research and practice efforts to implement firearm dispossession, provisions of domestic violence restraining orders, and the new extreme risk protection order laws (often called “red flag laws”). Policy creation and implementation are crucial components of her research.Dr. April M. Zeoli, PhD, MPH is Associate Professor of Health Management at the University of Michigan's School of Public Health and also the Policy Core Director at their Institute for Firearm Injury Prevention. Her research focuses on the impact of state-level firearm safety laws on interpersonal firearm violence. She studies domestic violence-related firearm restrictions, such as laws that require or allow firearm restrictions on domestic violence restraining orders. She has particular interest in outcomes (for example reductions in violence, including suicide and intimate partner homicide) and how local implementation affects these outcomes. She is dedicated to using science to create and enforce policy that reduces firearm violence. Kelly Roskam, JD, is the Director of Law and Policy at the Johns Hopkins Center for Gun Violence Solutions. She studies the constitutional implications of, advocates for, and works to improve the implementation of firearms laws. She served as the Legal Director of the Educational Fund to Stop Gun Violence and has published on gun violence restraining orders, most recently work highlighting the practical implications of the Rahimi case (e.g., she co-authored “A Texas Judge Is Using Originalism to Justify Arming Domestic Abusers” with her colleague at Johns Hopkins, Spencer Cantrell and Natalie Nanasi at SMU-Dedman).Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Conor Harrison, Associate Professor of Geography and the School of Earth, Ocean, and Environment at the University of South Carolina, talks about his research into the racist development of electrical systems in the Jim Crow South with Peoples & Things host, Lee Vinsel. The pair discuss how Harrison’s research fits within larger trends in the academic discipline of geography and the kinds of empirical research Harrison did to support his articles on the racial dimensions of electricity infrastructure. They also discuss how Harrison’s research has shifted in recent years to focus on the financial structures of the electricity industry.Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Industrial toxic emissions on the South Baltimore Peninsula are among the highest in the nation. Because of the concentration of factories and other chemical industries in their neighborhoods, residents face elevated rates of lung cancer and other respiratory illnesses in addition to heart attacks, strokes, and cardiovascular disease, all of which can lead to premature death. Fighting to Breathe: Race, Toxicity, and the Rise of Youth Activism in Baltimore (U California Press, 2022) follows a dynamic and creative group of high school students who decided to fight back against the race- and class-based health disparities and inequality in their city. For more than a decade, student organizers stood up to unequal land use practices and the proposed construction of an incinerator and instead initiated new waste management strategies. As a Baltimore resident and activist-scholar, Nicole Fabricant documents how these young organizers came to envision, design, and create a more just and sustainable Baltimore. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Mobile is simultaneously a typical and unique city in the postwar United States. It was a quintessential boomtown during World War II. That prosperity was followed by a period of rapid urban decline and subsequent attempts at revitalizing (or gentrifying) its downtown area. As in many other US cities, urban renewal, integration, and other socioeconomic developments led to white flight, marginalized the African American population, and set the stage for the development of LGBTQ+ community building and subculture. Yet these usually segregated segments of society in Mobile converged once a year to create a common identity, that of a Carnival City.Carnival in Alabama: Marked Bodies and Invented Traditions in Mobile (UP of Mississippi, 2023) looks not only at the people who participated in Mardi Gras organizations divided by race, gender, and/or sexual orientation, but also investigates the experience of “marked bodies” outside of these organizations, or people involved in Carnival through their labor or as audiences (or publics) of the spectacle. It also expands the definition of Mobile’s Carnival “tradition” beyond the official pageantry by including street maskers and laborers and neighborhood cookouts.Using archival sources and oral history interviews to investigate and analyze the roles assigned, inaccessible to, or claimed and appropriated by straight-identified African American men and women and people who defied gender and sexuality normativity in the festivities (regardless of their racial identity), this book illuminates power dynamics through culture and ritual. By looking at Carnival as an “invented tradition” and as a semiotic system associated with discourses of power, it joins a transnational conversation about the phenomenon.Katrina Anderson is a doctoral candidate at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

After Hurricane Katrina in 2005, many high-profile chefs in New Orleans pledged to help their city rebound from the flooding. Several formed their own charitable organizations, including the John Besh Foundation, to help revitalize the region and its restaurant scene. A year and a half after the disaster when the total number of open restaurants eclipsed the pre-Katrina count, it was embraced as a sign that the city itself had survived, and these chefs arguably became the de facto heroes of the city's recovery. Meanwhile, food justice organizations tried to tap into the city's legendary food culture to fundraise, marketing high-end dining events that centered these celebrity chefs.In Feeding New Orleans: Celebrity Chefs and Reimagining Food Justice (UNC Press, 2023), Jeanne K. Firth documents the growth of celebrity humanitarianism, viewing the phenomenon through the lens of feminist ethnography to understand how elite philanthropy is raced, classed, and gendered. Firth finds that cultures of sexism in the restaurant industry also infuse chef-led philanthropic initiatives. As she examines this particular flavor of elite, celebrity-based philanthropy, Firth illuminates the troubled relationships between consumerism, food justice movements, and public-private partnerships in development and humanitarian aid.Kelly Spivey is a writer and documentarian. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The past decades have borne witness to the United Farm Workers' (UFW) tenacious hold on the country's imagination. Since 2008, the UFW has lent its rallying cry to a presidential campaign and been the subject of no less than nine books, two documentaries, and one motion picture. Yet the full story of the women, men, and children who powered this social movement has not yet been told.Based on more than 200 hours of original oral history interviews conducted with Coachella Valley residents who participated in the UFW and Chicana/o movements, as well as previously unused oral history collections of Filipino farm workers, bracero workers, and UFW volunteers throughout the United States, The Strikers of Coachella: A Rank-And-File History of the UFW Movement (UNC Press, 2023) spans from the 1960s and 1970s through the union's decline in the early 1980s. Christian O. Paiz refocuses attention on the struggle inherent in organizing a particularly vulnerable labor force, especially during a period that saw the hollowing out of virtually all of the country's most powerful labor unions. He emphasizes that telling this history requires us to wrestle with the radical contingency of rank-and-file agency--an agency that often overflowed the boundaries of individual intentions. By drawing on the voices of ordinary farmworkers and volunteers, Paiz reveals that the sometimes heroic, sometimes tragic story of the UFW movement is less about individual leaders and more the result of a collision between the larger anti-union currents of the era and the aspirations of the rank-and-file.David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars.In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it.Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee.Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Fernando Valenzuela was only twenty years old when Tom Lasorda chose him as the Dodgers' opening-day starting pitcher in 1981. Born in the remote Mexican town of Etchohuaquila, the left-hander had moved to the United States less than two years before. He became an instant icon, and his superlative rookie season produced Cy Young and Rookie of the Year awards--and a World Series victory over the Yankees.Forty years later, there hasn't been a player since who created as many Dodgers fans. After the Dodgers' move to Los Angeles from Brooklyn in the late 1950s, relations were badly strained between the organization and the Latin world. Mexican Americans had been evicted from their homes in Chavez Ravine, Los Angeles--some forcibly--for well below market value so the city could sell the land to team owner Walter O'Malley for a new stadium. For a generation of working-class Mexican Americans, the Dodgers became a source of great anguish over the next two decades.However, that bitterness toward the Dodgers vanished during the 1981 season when Valenzuela attracted the fan base the Dodgers had tried in vain to reach for years. El Toro, as he was called, captured the imagination of the baseball world. A hero in Mexico, a legend in Los Angeles, and a phenomenon throughout the United States, Valenzuela did more to change that tense political environment than anyone in the history of baseball. A new fan base flooded Dodger Stadium and ballparks around the United States whenever Valenzuela pitched in a phenomenon that quickly became known as Fernandomania, which continued throughout a Dodger career that included six straight All-Star game appearances.Daybreak at Chavez Ravine: Fernandomania and the Remaking of the Los Angeles Dodgers (University of Nebraska Press, 2023) retells Valenzuela's arrival and permanent influence on Dodgers history while bringing redemption to the organization's controversial beginnings in LA. Through new interviews with players, coaches, broadcasters, and media, Erik Sherman reveals a new side of this intensely private man and brings fresh insight to the ways he transformed the Dodgers and started a phenomenon that radically altered the country's cultural and sporting landscape.Erik Sherman is a baseball historian and the New York Times best-selling author of Kings of Queens: Life beyond Baseball with the '86 Mets and Two Sides of Glory: The 1986 Boston Red Sox in Their Own Words. Caleb Zakarin is the Assistant Editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Why Mariah Carey Matters (University of Texas Press, 2023) examines the creative and complicated evolution of the musical artist. In the 1990s, Carey perfected blending pop, hip-hop, and R&B and drew from her turbulent personal life to create introspective, sonically sound masterpieces like “Vision of Love,” “Make it Happen,” and “Butterfly.” There is no doubt about Carey’s star power, as she has sold over 220 million albums globally and has the most Billboard chart-topping singles of any solo artist. Although a pioneering songwriter and producer, Carey’s musicianship and influence are still insufficiently appreciated.Andrew Chan looks beyond Carey’s glamorous persona to explore her experience as a biracial Black woman in the music business, her adventurous forays into house music and gospel, and her appeal to multiple generations of queer audiences. He also reckons with the transcendent ideal of the voice that Carey represents, showing how this international icon taught artists worldwide to sing with soul-shaking intensity and a spirit of innovation.Andrew Chan writes regularly about music, film, and books. His work has been published by the Criterion Collection, Film Comment, NPR, the New Yorker, and Reverse Shot.Latoya Johnson is an editor, writer, and bibliophile with a master’s in Humanities. Her research and writing interests include popular culture, the public history of women’s fiction, and women in Greco-Roman mythology. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies