The Virtual Memories Show

Author, poet and translator Wallis Wilde-Menozzi returns to the show to explore her new memoir/meditation, Silence & Silences (FSG). We talk about the uses and abuses of silence, the magic of herons, what it takes for the voiceless to find a voice, the nature of censorship (both external and self-driven), whether "home" is where you live or where you're buried, and how she developed the mosaic mode of her new book. We also get into feminine writing vs. masculine writing, her distrust of the authority of words, the differences between American and Italian culture when she started exploring family history, her accidental career, and the experience of editing the "final" draft just as the pandemic began, and finding there was more to write. She also explains why she doesn't keep out-takes of her writing, why some experiences are too personal for social media, and what it meant to be a woman writer when she was coming up. • Listen to our 2013 and 2017 conversations • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

With his new book, When I Grow Up: The Lost Autobiographies of Six Yiddish Teens (Bloomsbury), cartoonist Ken Krimstein recreates a lost world, bringing to life the true stories of Jewish youth in 1930s Lithuania, preserved in anonymous submissions for a contest. We talk about the circuitous, perilous history of the stories he adapted, the role of the YIVO Institute in preserving Jewish & Yiddish culture, and how he tried to be faithful to the hopes & dreams of the anonymous writers while knowing that they & their world would perish in the Holocaust. We get into how he developed a visual storytelling language for this book, the new influences on his cartooning, the joy & spiciness of Yiddish language & culture, the research to recreate Vilnius and how uncomfortable he got when visiting Lithuania for the project. We also discuss the counterhistory that the Yiddish teens represent, the stories that didn't make the cut, the out-of-body experience of getting interviewed by CBS' Morning Show for the book, Hannah Arendt's notion of contingency and what the pandemic experience means to artists, and plenty more! Follow Ken on Twitter, Facebook and Instagram, and listen to our previous podcast • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

Our final guest of the year is . . . me! I invited my long-time pal Aaron Finkelstein to interview me as we close out 2021. We talk about my newfound sense of mortality and the invention of new distractions, what I've learned from doing remote podcasts during the pandemic, the ways repeat guests & I have changed over the years, why I avoid trying to do podcasts with "personalities" (as opposed to people), and the one person Aaron really wants me to record with. We get into making art, how I learned to love destruction (by which I mean drawing on paper and not a computer), what it means to commit to a line, and how drawing may actually be my way of undermining other artistic pursuits. I also tell a bunch of anecdotes about guests and a set of stories about the Society of Illustrators, and we discuss the culture of Like, my desire to slow things down, the advice I tried to give Graydon Carter, and my suspicion that you're all bots, among a bazillion other topics. Follow Aaron on Instagram and listen to his music on BandCamp, and follow me on Twitter and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

Thirty of this year's Virtual Memories Show guests tell us about the favorite books they read in 2021 and the books they hope to get to in 2022! Guests include Jonathan Baylis, Zoe Beloff, Jacques Berlinerblau, Anne Cattaneo, Michael DeForge, Shary Flenniken, Sophia Glock, Heywood Gould, Glenn Head, Ron Hogan, Kate Lacour, Elisabeth Lasch-Quinn, Matt Madden, Kate Maruyama, Robert McCrum, Robert Meagher, Anahid Nersessian, Scott Newstok, Weng Pixin, Alta Price, Keiler Roberts, Dmitry Samarov, Nadine Sergejeff, Dash Shaw, Jen Silverman, Edward Sorel, Rosemary Steinbaum, Karl Stevens, Andi Watson, and Heather Cass White (+ me)! • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

Artist, illustrator & author Nora Krug rejoins the show to talk about her work on the new Graphic Edition of Timothy Snyder's ON TYRANNY: Twenty Lessons from the Twentieth Century (Ten Speed Press). We get into how the project originated and how illustrating On Tyranny compelled her to live up to its lessons, her approach to illustrating the book and how a visual experience can create a new reading of it, her use of personal photographs from the Third Reich, and how this project serves as a companion to her award-winning graphic memoir BELONGING. We talk about her concerns about misread propaganda imagery, the assumptions she had to make about readers' visual literacy and what illustrations and design could constitute "hijacking" Snyder's text, the ways photographs can make people accountable, what it means when governments censor photos, and the contrasting perspectives she and Snyder brought to the book: an American facing Europe and a European facing America. We also discuss how the text was updated post-January 6 and which of its lessons are "nice" vs. "critical", the optimism that lies in the midst of the book's dire message, what she & Snyder have learned from each other during their virtual book tour, Nora's realization that she has an artistic mission for the rest of her life, and more! Follow Nora on Twitter and Instagram, and listen to Nora's 2018 episode • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

With her wonderful new YA graphic memoir PASSPORT (Little, Brown Young Readers), Sophia Glock recounts a key moment from her teenage years: the discovery that her parents were intelligence officers for the CIA. We talk about the need to tell her story and that of the lives that touched her in the city of [REDACTED], the choice of writing for a YA audience, and what she learned to show vs. tell. We get into the challenge of maintaining the voice of adolescent Sophia without letting contemporary Sophia intrude, what embarrassed her most about revisiting those years, what it's like to have created the only comic to be reviewed by the federal government for classified material, how her parents' secret lives affected her, and how she managed to make the longest book of her career (and the most deeply personal one). We also discuss her love of the X-Men in the mid-90s and how it launched her into comics (and my own history with those Children of the Atom), how she's balanced art, work, a newborn, & family mid-pandemic, some tradecraft her parents taught her & the other traits they instilled in her, our respective control issues, what it's like talking to me without a festival table between us, and more! Follow Sophia on Twitter and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

Legendary artist, illustrator, cartoonist, & author Ed Sorel joins the show to celebrate the publication of his memoir, Profusely Illustrated (Knopf). We get into his remarkable career (and "unremarkable life"), the rage that drove his political cartooning for more than a half-century, the illustrations that made him realize he had come into his own as an artist, the origins of Push Pin Studios & his stories of working with Seymour Chwast and Milton Glaser, the terrible lessons in abstractionism that beat figurative drawing out of him for years, and his need to look at his past work to remind himself that he does know how to draw. We talk about whether political cartooning is intended to change minds or provide comfort, how writing is like a pastel drawing, how he balanced art, commentary, and commerce over his career, why he refused to sell his drawings to certain hated people, how he learned to harness the nervous energy of his line to create a unique style (and why he hates tracing), why this (secular) patron saint of late starters got around to a memoir at 92, and more! Follow Ed on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

In this discussion, Matt Madden, a cartoonist and teacher known for his innovative comics, delves into the making of his book Ex Libris. He shares insights on balancing formal experimentation with engaging storytelling, inspired by literary icons like Italo Calvino. Madden reflects on his creative evolution, including the challenges of style-switching and the impact of a two-cartoonist household with Jessica Abel. He also explores teaching comics in a diverse classroom, the influence of digital tools, and the necessity of mastering techniques before breaking the rules.

With TUNNELS (Drawn & Quarterly, tr. Ishai Mishory), Israeli cartoonist Rutu Modan has created a fantastic, thoughtful, wonderful, hilarious, complex, cinematic thrill-ride of a story about a search for the Ark of the Covenant in modern-day Israel and the West Bank. We get into the true-life origin of the story, the otherwise boring results of Israeli archeology, the research that went into TUNNELS, and what it taught Rutu about her own upbringing and how the Bible is taught to Israeli children. We talk about her cartooning and storytelling influences, her less obvious tributes to Herge, her use of actors in costume for drawing reference and how they influence the characters in her books, TUNNELS' use of location as protagonist, and what it was like to draw a book with so many outdoor scenes, instead of the urban settings of her previous books, Exit Wounds and The Property. We also get into the growth of the Israeli comics scene over the course of her ~30 years in comics, her time with the Actus Tragicus comics collective and her secret origin as a cartoonist (she comes from a family of doctors, so being an artist was not an easy path), whether she considers herself an Israeli cartoonist or a cartoonist who happens to be from Israel, why she tries not to think of her audience beyond one trusted reader, her first pandemic trip to . . .Siberia (!?), our flashback to when I interviewed her in 1998, and more! Follow Rutu on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal

They were among the last people I recorded with before lockdown, and now translators Tess Lewis and Alta L. Price are back to talk about co-curating the Festival Neue Literatur 2021 (which runs from November 11 to 14, 2021), and how the theme they developed for the postponed 2020 edition, TURN AND FACE THE STRANGE, became even more appropriate for the pandemic era. We get into the cliffhanger of rescheduling FNL and the offsetting challenges of virtual vs. in-person author attendance, the rise of nationalism and closed borders, how literature from other languages can become the fallback to let us understand the world from another person's perspective, and the act of translating when people refer to the pandemic in the past tense. We get into the German-language authors (and two American ones) who are participating in this year's FNL — Anna Baar, Joshua Cohen, Isabel Fargo Cole, Judith Keller, Helen Phillips, Benjamin Quaderer, Sasha Marianna Salzmann, and Ivna Žic — and how their works approach questions of identity and belonging through strange means. We also get into what Tess and Alta have learned about the world and themselves over the past 20 months in Pandemia, why the seclusion of a translator's life prepped them for some of the worst of it, what themes they'd love to curate for future FNLs, and whether Hölderlin would have used DoorDash. (Listen to my 2020 episodes with Tess and Alta) • More info at our site • Support The Virtual Memories Show via Patreon or Paypal