The Virtual Memories Show

How did the writers' strike get Keith Knight to finish his long-awaited graphic memoir, I WAS A TEENAGE MICHAEL JACKSON IMPERSONATOR (Keith Knight Press)? Find out in our conversation at SPX about his fantastic new book, chronicling Keith's 18 months as an MJ impersonator in the mid-'80s! We get into how he found himself by being someone else, what he learned about audiences and the business of entertainment, the role music has played in his life, his favorite MJ song, why Off The Wall is better than Thriller, and how Janet Jackson was the lucky one, all things considered. We also talk about Keith's experience writing and producing two seasons of WOKE on Hulu (sadly cancelled), how he got involved in every aspect of making that show, what he learned about storytelling in the writers' room, and what he wants to bring to his next TV project. Plus we discuss why comics are the ultimate DIY art form, the differing modes of audience-artist interaction from comics to TV to slideshow lectures to MJ performances, how deadlines can be your friend, why Stevie Wonder may have the best three-album run of anyone in music history, and a LOT more. Follow Keith on Twitter and Instagram, and support his Patreon (& go listen to our 2015 and 2020 conversations!) • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Ten years can be a lifetime (or two or three): Brett Martin returns to the show to celebrate the 10th anniversary of his book DIFFICULT MEN: Behind the Scenes of a Creative Revolution (Penguin), and we talk about how the TV landscape — prestige & otherwise — has changed in the past decade, how it felt to revisit the book 10 years later, and why this anniversary was more startling than his turning 50. We get into how Difficult Men was lauded for its criticism and analysis at the time but now shines for its reporting and character studies, how the explosion of prestige TV was unsustainable but led to amazing shows, how the #metoo movement intersected with male-dominated writers' rooms (and which show-creators in Difficult Men looked bad 10 years ago & worse now), and his feelings about the writers' and actors' strikes. We also discuss Brett's writing career, what food media really talks about, his reporting on the history (& racial complexities) of Preservation Hall, what he's learned about interviewing, why he's crushed by the retirement of Bartolo Colon, what our favorite eras of M*A*S*H are, why he's enjoying the heck out of Inkmaster and the new Night Court, and a lot more. Follow Brett on Twitter, Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

How did a hangover in 2015 lead to an award-winning debut graphic novel in 2023? Find out as Peter Rostovsky joins the show to celebrate the release of DAMNATION DIARIES (Uncivilized Books)! We get into the origins of his gorgeously & grotesquely drawn social satire about Hell (& Hell's therapist, Fred Greenberg), what he had to learn about comics in the process of making his first one, how comics allowed him to wed his polemical nature to a deeply personal story, and why his version of Hell bears an awful lot of similarities to life in NYC. We also talk about what it was like emigrating from Russia to the Bronx as a 10-year-old kid in 1980, how comics helped him learn English, his strategies for blending in as a teen, and how he found redemption & maximalism in heavy metal. And we discuss his history in the worlds of fine art, art theory, internet utopianism, and teaching International Art English, the time he broke up a fight between a sculptor and a painter, whether AI is a McLuhan-esque 'prosthesis' for art, his mother's recent death and how he feels about rendering her in Hell in Damnation Diaries, why I think he needs to write about his occasional childhood exile in a garden in the Hermitage, how giving up his solo studio and joining Dean Haspiel & others in Studio CLOACA gave him a community, and more. Follow Peter on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Legendary cartoonist Bill Griffith returns to celebrate his fantastic new book, THREE ROCKS: The Story of Ernie Bushmiller, The Man Who Created NANCY (Abrams ComicArts). We get into his lifelong history with NANCY, how that strip was like a lesson in what comics are, the time he brought his Zippy The Pinhead into Bushmillerland, why Bushmiller and Crumb are the only two cartoonists whose work gives him 100% pleasure (and don't inspire criticism or jealousy), how the idea for Three Rocks percolated for a few decades until he read Paul Karasik & Mark Newgarden's book HOW TO READ NANCY, and why he decided not to draw Bushmiller's characters in his book (he collages existing Nancy, Sluggo, & Fritzi art instead). We also discuss how many of his cartooning students have never read NANCY but still wear T-shirts with her face (& trademark spiky hair), the problems younger cartoonists have with continuity in storytelling, and what he's learned from teaching. And then we talk about the death of Bill's wife, the great underground cartoonist Diane Noomin, and how he's gotten by in the year since. We get into the new comic Bill made about (& with) Diane, The Buildings Are Barking (Fantagraphics/FU), how he still hears her voice, what it's like to work on a new book without the person who read every panel of his for 49 years, keeping Zippy going while grieving, how having a daily strip all this time seems to have immunized him from anniversaries, the ferry ride he & Diane used to share, how the death of Aline Kominsky-Crumb two months after Diane's brought him and Robert Crumb closer, and more. Sign up for Bill's daily Zippy e-mail, and listen to our 2015 and 2019 conversations • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

"The word is far more real than the world": Jerome Charyn rejoins the show to celebrate his new novel, RAVAGE & SON (Bellevue Literary Press), a fantastic noir about the Lower East Side in 1913. We talk about his love for the LES and the Bintel Briefs in The Forward, why he wanted to write a Jewish Jekyll & Hyde story, and how adopting a cat changed the course of this amazing novel. We also get into life on the page, the music of the sentence, and the self-revelation of writing, why so many of his characters attend Harvard, the holiness of books and why he reads so little of others' books nowadays, treating writing as an apprenticeship rather than a career, and how he got overwhelmed for a year after writing in Abe Lincoln's voice. Plus we discuss his reverence of Joyce Carol Oates and Cormac McCarthy (and ambivalence toward Henry James, who makes an appearance in Ravage & Son), the reason so many of his characters attend Harvard, the sense of being transported by the ballet performances of Allegra Kent, how it felt to write a character who's in love with destruction, why gender fluidity is essential to human nature, and the one advantage to living long enough: understanding that nothing remains and everything disappears. Follow Jerome on Twitter, and listen to our 2019, 2021, and 2022 conversations • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With the release of IN DEFENSE OF LOVE: An Argument (Doubleday), Ron Rosenbaum offers up a series of essays to save love from scientizers, extremists, the jaded, and anyone else who doubts whether Amor Vincit Omnia. We get into why love needs a defense and how it's not reducible to chemical surges on an fMRI scan, the overwhelming emotion of Linda Ronstadt's Long Long Time, the beauty of Philip Larkin's poem An Arundel Tomb and why Larkin may have been embarrassed by the honesty of its last line ("What will survive of us is love."), and the ways bullshit science can lead people ridiculously astray. We talk about seeing Tolstoy in the light of his late novellas, in which he puts forth an extinction agenda and wants to end human reproduction, the first and last times Ron fell in love, why he included a closing chapter on his own experiences of love & regret, whether dangerous passion outweighs a moderate marriage, and whether one can write about human nature without having a fully human nature. Plus, we talk about Ron's writing career, his arrival during the late days of magazines' golden age, how he discovered his superpower of close reading, why America's greatest love poems come from country music, and a lot more. Follow Ron on Twitter and listen to our 2013 and 2014 conversations • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

With MOTHER NATURE (Titan Comics), artist Karl Stevens adapts a graphic novel from an eco-horror screenplay by Oscar™-winner Jamie Lee Curtis & Russell Goldman. We get into how he wound up collaborating with JLC, the challenges in adapting a screenplay into comics and how it was sort of like directing his own movie, how he discovered his affinity for horror, and how nervous he was to show Jamie Lee his drawings of the character who's modeled after her. We also discuss comics-making & graphomania, the long-lost comic shops & record stores of Northampton, MA, his drive to make it onto the cover of The New Yorker, and why he's used the same pen nib for the last 30 years. Plus, we talk about the challenges and moving parts in making a biography of his father (and his dad's insane Vietnam draft experience), how his family history goes back to the 1720s pre-America, the Artist's Editions volumes he's been collecting lately, why his favorite era of Jack Kirby was the '70s, and of course, running. Follow Karl on Twitter, and Instagram, support his Patreon, and find out more about his work at his Linktree (and listen to our past conversations: 2019, 2020, & 2021) • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Writer, musician and composer Howard Fishman joins the show to celebrate his amazing new book, TO ANYONE WHO EVER ASKS: The Life, Music and Mystery of Connie Converse (Dutton). We get into how he discovered the music of the enigmatic Connie Converse, when he realized her life was a rabbit hole that would take more than a decade to delve through, what it was like to write a biography around the gaps in her life, and the sheer amount of chance, happenstance, and miraculous occurrences that led to this book. We talk about how Connie Converse arose as a singer-songwriter in 1950s NYC (maybe) just a few years ahead of her time, her subsequent role as a public intellectual and progressive activist, her Cassandra-like nature, the analytical mind she brought to music, policy, and every other topic in her life, and how she vanished without a trace in the mid-'70s. We also discuss his time as a research assistant for NYT editor Arthur Gelb, how his idea of artistic legacy changed in light of learning Connie Converse's story, the relationship between artist and audience (and the Cat Stevens story that first brought him to my attention), what it means to renounce one's art, how he tried to do justice to the Connie Converse story, and a lot more. Follow Howard on Twitter, Instagram, YouTube, and Bandcamp • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

During Readercon weekend, Christopher Brown rejoined the show for our first conversation since the 2020 release of his novel Failed State. We talk about the nonfiction project he's working on, tentatively titled THE SECRET HISTORY OF EMPTY LOTS, the surprising reach of his FIELD NOTES weekly newsletter, tribes' creation myths and how they manage to justify dominion over the land, why the outdoors is one of America's most segregated spaces, and why he thinks calling Washington, DC "The Swamp" is an insult to swamps. We get into the differences and similarities between his fiction and nature writing, the impact of Tesla and the Gigafactory on life in/around Austin, TX (esp. for its neighbors in unincorporated land), the tensions of child-rearing at a time of ecological disaster, what it means to read science fiction through nature-lens (esp. Annihilation and Neuromancer), the natural world's response to COVID lockdowns and capital's post-COVID snapback, and what it was like to vacation in South Padre Island, TX during the hottest week in history. Plus, we discuss the fun of coming back to Readercon, the old semi-hip days of psychogeography, our backup plans to bug out of the failed state, and plenty more. (And go listen to our past talks: 2018, 2019, 2020 + COVID Check-In) Follow Chris on Twitter, Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack

Writer, graphic designer, typographer, illustrator, comics writer/artist, and photographer Rian Hughes rejoins the show to celebrate the US release of his fantastic novel, The Black Locomotive (Pan Macmillan). We talk about how he wanted to follow up 2020's XX with something more plot-driven & less philosophical and wound up celebrating his love affair with London while getting in touch with his inner JG Ballard. We get into his integration of prose, typography, and graphic design in the new book, what he's learned about writing (and the new novel he's working on), the nature of font-design (and the real difference between sans-serif & serif fonts), and what he thinks about AI image-generation and its impact on creative fields (and what it says about popular tastes). We also discuss Rayguns & Rocketships, the recent book of his collection of vintage science fiction book cover art, the collector impulse and how to short-circuit it, the fun of writing the song for a fictional club of train aficionados & having his sister set it to music (and then hearing it remixed by Scott Hoffman), his fear of accidentally kicking off a flamewar among stream-train enthusiasts, and a LOT more. Follow Rian on Twitter and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our Substack