One Heat Minute Productions

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 134, I join Therapist, founder/editor-in-chief of Bright Wall Dark Room, Chad Perman. Chad and I discuss what makes a good editor, copying strategies in a crisis and a deep and enduring love of movies. This movie therapy is now in session. About Chad PermanChad Perman is a Therapist and the founder & editor-in-chief of Bright Wall Dark Room. Twitter: @everybody_cares & @BWDRWebsites: http://brightwalldarkroom.com/; Patreon Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 133, I join a friend of the show, editor for Vulture and New York Magazine and one of the world's best film critics, Bilge Ebiri. Bilge and I discuss arriving at the final "boss" of the film, the oracular quality that Robards imbues Bradlee, and the revelation of the movie's stakes at the END of the movie.About Bilge EbiriBilge Ebiri is a film critic/writer/editor at New York Magazine. He has contributed to publications such as L.A. Weekly, The New York Times and the Village Voice (rip). Bilge is also a writer and director, known for New Guy (2003), Purse Snatcher (2006) and The Barber of Siberia (1998).Twitter: @BILGEEBIRI   Websites: THE VILLAGE VOICE ARCHIVE, ROTTEN TOMATOESAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 132, I join author, co-host of the Empire podcast and editor at large of Empire Magazine, Helen O'Hara. Helen and I discuss the revisionist view of those "Easy Riders & Raging Bulls," how they don't make journalists like Ben Bradlee/Jason Robards anymore, and the gravitational disturbance caused by the line, "everyone is involved." About Helen O'Hara Helen O'Hara has been working as a film journalist for over fifteen years, after qualifying as a barrister and immediately getting bored. She started her film writing career on the staff of Empire, the world's biggest film magazine, and remains their editor-at-large and co-host of the Empire podcast, where she can be found weekly singing the praises of the Marvel Cinematic Universe and complaining about La La Land. She is also an author and freelance writer. Northern Irish born, O'Hara now lives in London, splitting her time between cinemas, libraries and coffee shops.Women vs Hollywood: The Fall and Rise of Women in Filmis out in February 2021Synopsis: A call to arms from Empire magazine's 'geek queen', Helen O'Hara that explores women's roles - both in front of and behind the camera - since the birth of Hollywood, how those roles are reflected within wider society and what we can do to level the playing field.  The dawn of cinema was a free-for-all, and there were women who forged ahead in many areas of filmmaking. Early pioneers like Dorothy Arzner (who invented the boom mic, among other innovations) and Alice Guy-Blache shaped the way films are made. But it wasn't long before these talented women were pushed aside and their contributions written out of film history. How and why did this happen? Hollywood was born just over a century ago, at a time of huge forward motion for women's rights, yet it came to embody the same old sexist standards. Women found themselves fighting a system that feeds on their talent, creativity and beauty but refuses to pay them the same respect as their male contemporaries - until now... The tide has finally begun to turn. A new generation of women, both in front of and behind the camera, are making waves in the industry and are now shaping some of the biggest films to hit our screens. There is plenty of work still needed before we can even come close to gender equality in film - but we're finally headed in the right direction. In Women vs Hollywood: The Fall and Rise of Women in Film, Empire's 'geek queen' Helen O'Hara takes a closer look at the pioneering and talented women of Hollywood and their work in film since Hollywood began. Equal representation in film matters because it both reflects and influences wider societal gender norms. In understanding how women were largely written out of Hollywood's own origin story, and how the films we watch are put together, we can finally see how to put an end to a picture that is so deeply unequal - and discover a multitude of stories out there just waiting to be told.Twitter: @HelenLOHaraAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 131, I join writers of The Post, writer-producer  Liz Hannah (writer of The Long Shot) and Josh Singer (Academy Award-winning co-writer of Spotlight). Liz, Josh and I discuss showing The Post in front of Woodward and Bernstein, compare Hanks and Robards "Bradlee" performances and finally the most "movie" moment of the entire film. About Liz Hannah Liz Hannah is the writer of The Post, directed by Steven Spielberg and starring Meryl Streep and Tom Hanks. The original screenplay was nominated for a Golden Globe and Critics Choice Award. The Post was nominated for the Academy Award for Best Picture, as well as Best Actress for Meryl Streep. Along with co-writer, Josh Singer, Hannah was the recipient of both the 2018 Writer’s Guild’s Paul Selvin Award and the 2018 Humanitas Prize for feature drama. Originally from New York, Hannah moved to Los Angeles to attend graduate school at AFI. After graduating with an MFA in Producing, Hannah spent the next few years working in development at Denver & Delilah before eventually leaving to write full time. Hannah’s script for The Post was ranked second on the 2016 Black List after being purchased by Amy Pascal’s Pascal Pictures two days before the US Presidential election. Currently, Hannah is developing a female anthology series for UCP, a limited series for Amazon with Bradley Whitford and Amy Pascal based on the book, The Mercury 13, and a feature entitled, The Only Plane In The Sky, for MGM, which was adapted from the Politico article by Garrett M. Graff.Twitter: @itslizhannahAbout Josh Singer: Josh Singer (born in 1972) is an American film and TV writer and maker, whose work incorporates composting and creating scenes of Law and Order: Special Victims Unit, The West Wing, Lie to Me and even the FOX sci-fi arrangement Fringe. In 2006, he earned a nomination for a WGA award. He co-wrote Spotlight (released in 2015), which won him the prestigious Academy Award (Oscars) for Best Original Screenplay. Twitter:@jsinger10Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 130, I join host of the Increment Vice podcast, contributing editor at Bright Wall/Dark Room, as well as a writer for The New Beverly Cinema and Cinephilia & Beyond, Travis Woods. Travis and I discuss the accretion of information in this 'gang bang of info drops', the miracle highwire act of executing this perfect film and ask the most important question; "is Deep Throat a messy bitch who loves drama?" About Travis Woods Travis Woods is the host of Increment Vice, a Contributing Editor at Bright Wall/Dark Room, as well as a writer for The New Beverly Cinema and Cinephilia & Beyond. He lives and writes in Los Angeles. He has a dog and a tattoo of Elliott Gould smoking. Bob Dylan once clapped him on the back and whispered something incomprehensible. These are the only interesting things about him.Twitter: @aheartofgould Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 129, I join film & television writer/producer and friend of the show, Steven Santos. Steven and I discuss the addictive quality of process movies and certain Presidents looking at the disgrace of the Nixon administration and saying "hold my beer." About Steven SantosFilm & Television Writer/Producer. Freelance television editor to pay the bills.Twitter: @stevensantosWebsite: https://vimeo.com/stevensantosAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 128, I join the Dame of Australian film and culture writing, the awesome Philippa Hawker. Philippa and I talk about the complex to and fro of interrogation happening across this film, the shared sentiments of Deep Throat and Omar from "The Wire," and finally look to cast a light on a fascinating "Watergate" level instant of Australian institutional espionage that continues to evade the appropriate level of attention. PHILIPPA HAWKERPHILIPPA HAWKER IS A FILM AND CULTURE WRITER. SHE IS A FORMER EDITOR OF THE NOW DEFUNCT AUSTRALIAN FILM JOURNAL CINEMA PAPERS AND FORMER CULTURE WRITER AT THE AUSTRALIANTWITTER: @PHILIPPICSOUTLETS: THE AUSTRALIAN, CINEMA PAPERSBernard Collaery and Witness K LINKS: WIKIPEDIA, Witness K and the 'outrageous' spy scandal that failed to shame Australia by Christopher KnausWhy Bernard Collaery's case is one of the gravest threats to freedom of expressionBernard Collaery, Witness K and the trial the media can't cover | Media WatchAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 127, I attempt to channel Robert Redford's Woodward to find a guest to talk about this moody minute of tradecraft. This episode features Stu Coote, Alexei Toliopolous, Cameron Williams, Jen Johans, Jedidiah Ayres and Roxana Hadadi.  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 126, I join film reporter, broadcaster, historian, author with almost two decades of experience working in television, Alicia Malone. Alicia and I talk about picking the "great ass" minute on her previous appearance, discuss what makes a classic in the traditional sense, beautifully written cursive notes and Pakula's hesitation in casting Robards as Bradlee. About Alicia Malone (via aliciamalone.com)Alicia Malone is a film reporter, broadcaster, historian, author and self-confessed movie geek, with almost two decades of experience working in television.She was born in Canberra, Australia, with a love of cinema… and horses. Her weekdays were spent trying to convince fellow high school students to join her film club, and weekends were reserved for horse-riding and self-study: making her way through film books and visiting her local video store with her never-ending watchlist of classic and foreign films, taking advantage of their seven films for seven days for seven dollars deal.The day after graduating from high school, Alicia moved to “the big smoke” of Sydney, deciding not to go to University, but to try and get work in film or television. She immediately got a job working at a video store, where she took her “staff picks” list a little too seriously, and annoyed customers by suggesting alternative films to the ones they had chosen. Not long after, at the age of 18, Alicia began to work at the national television station, Channel Seven. Her TV career began as a teleprompter operator for the Australian broadcast of the 2000 Sydney Olympics, plus the breakfast show “Sunrise” and the national news. Alicia stayed at Channel Seven for six years, trying out a variety of behind-the-scenes production roles - from graphics to director’s assistant to continuity on “Home and Away.” Then, she answered an ad for a producer, writer and editor for the cable network Movie Network - a place where she could finally put her film expertise to work.Never afraid to go after her dreams, in 2007, Alicia pitched an original show for Movie Network called “Trailer Park,” where she would serve as the producer, editor and… host. It was green-lit, and Alicia’s hosting career began, soon adding film reporter to her title after being sent to interview the stars on the red carpet and at press junkets. Over the next three years Alicia gained notice hosting more movie-centric shows for Movie Network, and working as a film critic for “FilmInk” magazine, “Triple M” radio and “The Morning Show” on national television. And then, at the end of 2010, Alicia decided to go after her dreams once more - quitting all her jobs, saying goodbye to her friends and family… and moving to Hollywood with two suitcases to her name.Since then, Alicia has appeared on the Today show, NPR, MSNBC, ABC’s Academy Awards Red Carpet Pre-show, CNN’s “The Movies” docu-series and many more as a film expert. She has also worked as a correspondent for “Fandango,” where she created the show “Indie Movie Guide,” which she hosted, produced, filmed and edited. From 2016 until its end in 2018, Alicia was hired as the host of “FilmStruck.” the streaming service for Turner Classic Movies and Criterion, and also hosted and produced “The FilmStruck Podcast.”In 2018, Alicia achieved another of her dreams, by becoming a host on Turner Classic Movies. She can currently be seen introducing the films on Sundays and Tuesdays, and hosting “TCM Imports” on Sunday nights. Alicia is also an interviewer for “Adventures in Movie Going” on the Criterion Channel, and the host of “Reel Destinations” for Focus Features.Alicia is passionate about preserving film history and encouraging new viewers to watch classic films, foreign cinema and arthouse movies. She believes in using her voice to do what she can to keep classic cinema alive, and to support women in film. In 2015, Alicia gave a TEDx talk about gender inequality in the film industry and why that needs to change. In 2017, she was invited to give a second TEDx talk, expanding on the subject further and delving into the early history of women in cinema.Alicia has also spoken about women in film at festivals and conferences around America, and was named of one the 100 #WorthyWomen of 2016 and one of LA Weekly’s People of 2019. Her first book “Backwards and in Heels” about the history of women in Hollywood was published in 2017, and her second book “The Female Gaze: Essential Movies Made by Women” was released in 2018.Alicia has traveled the world to cover the BAFTAs, the Academy Awards, the Cannes Film Festival, Toronto Film Festival, Sundance Film Festival, Telluride Film Festival and SXSW. She has been on the juries of the AFI Film Festival, the Overlook Film Festival, HollyShorts and the Atlanta Jewish Film Festival, and has moderated hundreds of film Q&As and panels. Alicia is also a member of the Hollywood Critics Association and over the years has interviewed almost every movie star and filmmaker you can name.She also wrote this bio, but knew it would sound much less egotistical if written in third person.Website: https://aliciamalone.com/ Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

All the President's Minutes is a podcast where conversations about movies, journalism, politics and history meet. Each show we use the seminal and increasingly prescient 1976 film All The President's Men as a portal, to engage with the themes and the warnings of the film resonating since its release. For minute 125, I join writer and actor on the stage and screens James Urbaniak. James and I talk about revisiting President's constantly and that sidebar conversations about every aspect of this film are in fact "frontbar" on this podcast.About James UrbaniakJames Urbaniak was born on September 17, 1963 in Bayonne, New Jersey, USA. He is an actor and writer, known for American Splendor (2003), The Venture Bros. (2003) and Legally Blonde 2 (2003). Twitter: @JamesUrbaniakAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy