Off the Page: A Columbia University Press Podcast

This wide-ranging and powerful book argues that Theravāda Buddhism provides ways of thinking about the self that can reinvigorate the humanities and offer broader insights into how to learn and how to act. Steven Collins argues that Buddhist philosophy should be approached in the spirit of its historical teachers and visionaries, who saw themselves not as preservers of an archaic body of rules but as part of a timeless effort to understand what it means to lead a worthy life. He contends that Buddhism should be studied philosophically, literarily, and ethically using its own vocabulary and rhetorical tools. Approached in this manner, Buddhist notions of the self help us rethink contemporary ideas of self-care and the promotion of human flourishing. Collins details the insights of Buddhist texts and practices that promote the ideal of active and engaged learning, offering an expansive and lyrical reflection on Theravāda approaches to meditation, asceticism, and physical training. He explores views of monastic life and contemplative practices as complementing and reinforcing textual learning, and argues that the Buddhist tenet that the study of philosophy and ethics involves both rigorous reading and an ascetic lifestyle has striking resonance with modern and postmodern ideas. A bold reappraisal of the history of Buddhist literature and practice, Wisdom as a Way of Life: Theravāda Buddhism Reimagined (Columbia University Press, 2020) offers students and scholars across the disciplines a nuanced understanding of the significance of Buddhist ways of knowing for the world today.

Xiaomei Chen's Staging Chinese Revolution: Theater, Film, and the Afterlives of Propaganda (Columbia UP, 2016) examines the changing place of revolutionary propaganda in a changing China. Chen analyzes the "grey areas" in deceptively simple plays and films, showing how a contemporary film about Mao Zedong or Deng Xiaoping can also be read as an indictment of the corruption and inequality of "socialism with Chinese characteristics." In our discussion we also touch on Xiaomei's family's history as prominent Chinese actors and her own intellectual journey, beginning as a Red Guard and ending as a tenured professor at UC Davis.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.

Alzheimer’s disease, a haunting and harrowing ailment, is one of the world’s most common causes of death. Alzheimer’s lingers for years, with patients’ outward appearance unaffected while their cognitive functions fade away. Patients lose the ability to work and live independently, to remember and recognize. There is still no proven way to treat Alzheimer’s because its causes remain unknown.Mind Thief: The Story of Alzheimer's (Columbia UP, 2021) is a comprehensive and engaging history of Alzheimer’s that demystifies efforts to understand the disease. Beginning with the discovery of “presenile dementia” in the early twentieth century, Han Yu examines over a century of research and controversy. She presents the leading hypotheses for what causes Alzheimer’s; discusses each hypothesis’s tangled origins, merits, and gaps; and details their successes and failures. Yu synthesizes a vast amount of medical literature, historical studies, and media interviews, telling the gripping stories of researchers’ struggles while situating science in its historical, social, and cultural contexts. Her chronicling of the trajectory of Alzheimer’s research deftly balances rich scientific detail with attention to the wider implications. In narrating the attempts to find a treatment, Yu also offers a critical account of research and drug development and a consideration of the philosophy of aging. Wide-ranging and accessible, Mind Thief is an important book for all readers interested in the challenge of Alzheimer’s.

For hundreds of years, the island of Sri Lanka was a crucial stopover for people and goods in the Indian Ocean. For the Dutch East India Company, it was also a crossroads in the Indian Ocean slave trade. Slavery was present in multiple forms in Sri Lanka—then Ceylon—when the British conquered the island in the late eighteenth century and began to gradually abolish slavery. Yet the continued presence of enslaved people in Sri Lanka in the nineteenth century has practically vanished from collective memory in both the Sinhalese and Tamil communities.Nira Wickramasinghe uncovers the traces of slavery in the history and memory of the Indian Ocean world, exploring moments of revolt in the lives of enslaved people in the wake of abolition. She tells the stories of Wayreven, the slave who traveled in the palanquin of his master; Selestina, accused of killing her child; Rawothan, who sought permission for his son to be circumcised; and others, enslaved or emancipated, who challenged their status. Drawing on legal cases, petitions, and other colonial records to recover individual voices and quotidian moments, Wickramasinghe offers a meditation on the archive of slavery. She examines how color-based racial thinking gave way to more nuanced debates about identity, complicating conceptions of blackness and racialization. A deeply interdisciplinary book with a focus on recovering subaltern resistance, Slave in a Palanquin: Colonial Servitude and Resistance in Sri Lanka (Columbia University Press, 2020) offers a vital new portrait of the local and transnational worlds of the colonial-era Asian slave trade in the Indian Ocean.Nira Wickramasinghe is Chair Professor of Modern South Asian Studies at Leiden University. Her books include Metallic Modern: Everyday Machines in Colonial Sri Lanka (2014) and Sri Lanka in the Modern Age: A History (second edition, 2015).Samee Siddiqui is a former journalist who is currently a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. You can find him on twitter @ssiddiqui83

In 1935, the writer Baburao Patel writes the following about Bombay’s film industry:“In India, with financing conditions still precarious, the professional film distributor thrives. . . . He comes with a fortune made in share and cotton gambling, advances money to the producer at a killing rate of interest plus a big slice of royalty and recovers his investment by blackmailing the exhibitors into giving heavy and uneconomic minimum guarantees. His only aim in life is to multiply his rupee and in prosecuting this aim he does not worry about the future of the industry or about the existence of the producer or exhibitor.”It’s a hectic time for India’s film industry, as it is for films everywhere, as the silent era becomes the talking era. Debashree Mukherjee’s Bombay Hustle: Making Movies in a Colonial City (Columbia University Press: 2020) examines this key period of India’s film industry, from finance and casting to screenwriting and production, and brings into view the experiences of the marginalised film workers and forgotten film studios that made up this early period of industry.In this interview, Debashree and I talk about the transition from silent to talking movies in Bombay, along with the historical context and working conditions for those in the city’s historical film industry.Those interested in learning more about the film industry in 1930s Bombay can visit the Wildcat of Bombay Instagram account at @wildcatofbombay (recommended by Debashree!)Debashree Mukherjee is Assistant Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies at Columbia University. Debashree edits the peer-reviewed journal BioScope and has published in journals such as Film History and Feminist Media Histories. In a previous life Debashree worked in Mumbai’s film and TV industries as an assistant director, writer, and cameraperson. More information can be found on Debashree’s website, and she can be followed on Twitter at @Debashree2017.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bombay Hustle. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is a reviewer for the Asian Review of Books. In his day job, he’s a researcher and writer for a think tank in economic and sustainable development. He is also a print and broadcast commentator on local and regional politics. He can be found on Twitter at @nickrigordon.

In this episode, I interview Lucy Alford, professor of English Literature at Wake Forest University, about her book Forms of Poetic Attention, recently published by Columbia University Press. Alford argues that, though poetry is ‘made’ of language, its main medium is attention, that poems act fundamentally as instruments for tuning and refining readerly and writerly attention. Following this assertion, Alford, through a wide variety of poetic readings (from al-Khansāʾ to Charles Bukowski, Sappho to Paul Celan—and many in between and around), breaks down the different modalities of attention that emerge in different poems.The overarching dichotomy that Alford identifies differentiates between poetic attention that has an object—transitive—and another, more nebulous form without an object—intransitive. In each of these types, Alford further delineates dynamic coordinates, which are formal-semantic aspects of a poem that lead into various modes of poetic attention: contemplation, desire, recollection, and imagination for transitive; and vigilance, resignation, idleness, and boredom for intransitive. In crafting this lexicon, Alford not only provides a new theory for poetic analysis, but alo expands the theoretical boundaries beyond the confines of the poetic. Instead, she argues, by paying attention to poetry as a subject and object of attention, poetry, through its requirement and production of attention, can train, hone, and refine our capacities for perception and judgment off the page, enabling us to become more attentive beings in a world that increasingly treats attention as a precious commodity.Britt Edelen is a Ph.D. student in English at Duke University. He focuses on modernism and the relationship(s) between language, philosophy, and literature. You can find him on Twitter or send him an email.

From 2002 to 2013, China’s rapid economic growth caused a boom in the prices of commodities—particularly of metals, fuel, and soybeans. According to political economist Dr. Nick Jepson, the commodity boom offered resource exporters in the Global South the financial resources and thus the opportunity to break away from international financial institutions like the International Monetary Fund and set their own policy agendas. But not all resource-exporting countries that benefited from the commodity boom took this path away from neoliberalism. In his new book In China’s Wake: How the Commodity Boom Transformed Development Strategies in the Global South (Columbia University Press 2020), Jepson uses fieldwork, interviews, and qualitative comparative analysis (QCA) to identify and describe five typologies of resource exporters during the boom and the factors that contributed to differing development strategies and trajectories. China’s rise has had profound consequences on the processes of global capitalism, and this can be observed most clearly in the fortunes of commodity-exporting countries of the Global South. In China’s Wake explores fascinating case studies of countries in Asia, Latin America, and Africa to demonstrate the wide-ranging impact of China’s growth.Laurie Dickmeyer is an Assistant Professor of History at Angelo State University, where she teaches courses in Asian and US history. Her research concerns nineteenth-century US-China relations. She can be reached at laurie.dickmeyer@angelo.edu and on Twitter @LDickmeyer.

With the advent of the steamship, repeated outbreaks of cholera marked oceanic pilgrimages to Mecca as a dangerous form of travel and a vehicle for the globalization of epidemic diseases. European, especially British Indian, officials also feared that lengthy sojourns in Arabia might expose their Muslim subjects to radicalizing influences from anticolonial dissidents and pan-Islamic activists. European colonial empires’ newfound ability to set the terms of hajj travel not only affected the lives of millions of pilgrims but also dramatically challenged the Ottoman Empire, the world’s only remaining Muslim imperial power. Michael Christopher Low analyzes the late Ottoman hajj and Hijaz region as transimperial spaces, reshaped by the competing forces of Istanbul’s project of frontier modernization and the extraterritorial reach of British India’s steamship empire in the Indian Ocean and the Red Sea. Imperial Mecca: Ottoman Arabia and the Indian Ocean Hajj (Columbia UP, 2020) recasts Ottoman Arabia as a distant, unstable semiautonomous frontier that Istanbul struggled to modernize and defend against the onslaught of colonial steamship mobility. As it turned out, steamships carried not just pilgrims, passports, and microbes, but the specter of legal imperialism and colonial intervention. Over the course of roughly a half-century from the 1850s through World War I, British India’s fear of the hajj as a vector of anticolonial subversion gradually gave way to an increasingly sophisticated administrative, legal, and medical protectorate over the steamship hajj, threatening to eclipse the Ottoman state and Caliphate’s prized legitimizing claim as protector of Islam’s most holy places. Drawing on a wide range of Ottoman and British archival sources, this book sheds new light on the transimperial and global histories traversed along the pilgrimage to Mecca within the Indian Ocean World.Dr. Michael Christopher Low’s primary research interests include the late Ottoman Empire, the Arabian Peninsula, the Indian Ocean World, and Environmental History. He received his Ph.D. from Columbia University in 2015 and is currently an Assistant Professor of History at Iowa State University. Low also serves as the Coordinator for Iowa State University’s Indian Ocean World partnership and PhD fellowship with McGill University’s Indian Ocean World Centre. Low is a co-editor (with Lâle Can, Kent Schull, and Robert Zens) of The Subjects of Ottoman International Law (Indiana University Press, 2020).Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.

Hubert Harrison: The Struggle for Equality, 1918-1927 (Columbia University 2020) by Jeffrey B. Perry, independent scholar and archivist, is an extensive intellectual history of the life and work of Black radical and autodidact Hubert Harrison. Perry is also editor of A Hubert Harrison Reader (Wesleyan, 2001) and author of Hubert Harrison: The Voice of Harlem Radicalism, 1883-1918 (Columbia, 2008). He is the chief biographer of Hubert Harrison and Hubert Harrison: The Struggle for Equality is a follow up to his aforementioned text on Harrison. (these two volumes can be ordered from Columbia University Press at 20% discount by using Code CUP20). Perry’s volume on Harrison’s life from 1883 to 1918 is considered to be the first volume of an Afro-Caribbean “and only the fourth of an African American after those of Booker T. Washington, W.E.B. Du Bois, and Langston Hughes” (1). This current text is a continuation of the argument advanced in Perry’s initial text on Harrison. Harrison is often left out of major surveys of the Harlem Renaissance and New Negro Era, as Perry notes, and this is likely because the Renaissance is often viewed as a movement of Black intellectual elites with formal higher education. That said, Harrison was a working-class self-taught man who wrote reviews, essays, orations and was recognized by intellectual elites of his day and a member of the Socialist Party of America.Harrison was born in Saint Croix, U.S. Virgin Islands in 1883 but relocated to the Harlem section of New York City in 1900, at age seventeen, where he eventually became a recognized writer, cultural critic, orator, editor and political activist including working with Marcus Garvey’s Universal Negro Improvement Association (UNIA). Perry defines Harrison as “the voice” of Harlem radicalism and also a “radical internationalist.” This is a challenge to standard views of the New Negro Era that tend to place intellectuals such as Alain Locke and W.E.B. Du Bois at the helm of Black thought and culture during the Harlem Renaissance moment in African American history. That said, Harrison was also involved with Garvey’s UNIA as editor of the Negro World and in labor activism. Harrison formed the Liberty League in 1917 and The Voice that helped to lay the foundation of the Garvey Movement and the Rise of the UNIA. He was involved in the major debates of his day including discussions about class consciousness, Black nationalism, internationalism, freethought and trade unionism. This second volume by Perry is very necessary given Harrison’s extensive engagement with the ideas and the production of knowledge as a self-taught organic intellectual with deep concerns about human liberation across class and race.Hubert Harrison: The Struggle for Black Equality is organized into four major sections divided by twenty chapters including an “Epilogue.” It is a far-reaching text of more than 700 pages. Part I focuses on Harrison’s work with The Voice and his political activities in places such as Washington, D.C. and Virginia, In Part II, Harrison’s role as editor of the Negro World is assessed with a discussion of his debates and writings. Part III concerns Harrison’s work as a “freelance educator” and his work as a writer and speaker, while the final part of the text Part IV covers his role as a Black radical internationalist. This is a critically important text. Scholars of the Harlem Renaissance will find it difficult to dismiss Hubert Harrison as a major voice of the New Negro Era with the publication of this text. Perry’s painstaking coverage of Harrison gives him his rightful place in history as “the voice of Harlem radicalism.”Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.

Down the Up Staircase: Three Generations of a Harlem Family (Columbia UP, 2019) tells the story of one Harlem family across three generations, connecting its journey to the historical and social forces that transformed Harlem over the past century. Bruce D. Haynes and Syma Solovitch capture the tides of change that pushed blacks forward through the twentieth century--the Great Migration, the Harlem Renaissance, the early civil rights victories, the Black Power and Black Arts movements--as well as the many forces that ravaged black communities, including Haynes's own. As an authority on race and urban communities, Haynes brings unique sociological insights to the American mobility saga and the tenuous nature of status and success among the black middle class.In many ways, Haynes's family defied the odds. All four great-grandparents on his father's side owned land in the South as early as 1880. His grandfather, George Edmund Haynes, was the founder of the National Urban League and a protégé of eminent black sociologist W. E. B. Du Bois; his grandmother, Elizabeth Ross Haynes, was a noted children's author of the Harlem Renaissance and a prominent social scientist. Yet these early advances and gains provided little anchor to the succeeding generations. This story is told against the backdrop of a crumbling three-story brownstone in Sugar Hill that once hosted Harlem Renaissance elites and later became an embodiment of the family's rise and demise. Down the Up Staircase is a stirring portrait of this family, each generation walking a tightrope, one misstep from free fall.