Off the Page: A Columbia University Press Podcast

Is it really harder to pay attention to something than it used to be? No doubt the world is getting faster, and social media platforms are so good at grabbing attention. But how real is the problem and in particular, does it impact our creativity? Carolyn Dicey Jennings is based at the University of California, Merced, and has just co-written a chapter called “Attention, Technology, and Creativity” in a book called Scenes of Attention: Essays on Mind, Time, and the Senses published by Columbia UP (2023) Listen to her in conversation with Owen Bennett Jones.Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.

During the Last Ice Age, Europe was a cold, dry place teeming with mammoths, woolly rhinoceroses, reindeer, bison, cave bears, cave hyenas, and cave lions. It was also the home of people physically indistinguishable from humans today, commonly known as the Cro-Magnons. Our knowledge of them comes from either their skeletons or the tools, art, and debris they left behind.Cro-Magnon: The Story of the Last Ice Age People of Europe (Columbia UP, 2023) tells the story of these dynamic and resilient people in light of recent scientific advances. Trenton Holliday-a paleoanthropologist who has studied the Cro-Magnons for decades-explores questions such as: Where and when did anatomically modern humans first emerge? When did they reach Europe, and via what routes? How extensive or frequent were their interactions with Neandertals? What did Cro-Magnons look like? What did they eat, and how did they acquire their food? What can we learn about their lives from studying their skeletons? How did they deal with the glacial cold? What does their art tell us about them?Holliday offers new insights into these ancient people from anthropological, archaeological, genetic, and geological perspectives. He also considers how the Cro-Magnons responded to Earth's postglacial warming almost 12,000 years ago, showing that how they dealt with climate change holds valuable lessons for us as we negotiate life on a rapidly warming planet.Melek Firat Altay is a neuroscientist, biologist and musician. Her research focuses on deciphering the molecular and cellular mechanisms of neurodegenerative and neurodevelopmental disorders.

Edo-period Japan was a golden age for commercial literature. A host of new narrative genres cast their gaze across the social landscape, probed the realms of history and the fantastic, and breathed new life into literary tradition. But how to understand the politics of this body of literature remains contested, in part because the defining characteristics of much early modern fiction—formulaicness, reuse of narratives, stock characters, linguistic and intertextual play, and heavy allusion to literary canon—can seem to hold social and political realities at arm’s length.David C. Atherton offers a new approach to understanding the relationship between the challenging formal features of early modern popular literature and the world beyond its pages. Focusing on depictions of violence—one of the most fraught topics for a peaceful polity ruled over by warriors—he connects concepts of form and formalization across the aesthetic and social spheres. Atherton shows how the formal features of early modern literature had the potential to alter the perception of time and space, make social and economic forces visible, defamiliarize conventions, give voice to the socially peripheral, and reshape the contours of community. Through careful readings of works by the major writers Asai Ryōi, Ihara Saikaku, Chikamatsu Monzaemon, Ueda Akinari, and Santō Kyōden, Writing Violence: The Politics of Form in Early Modern Japanese Literature (Columbia UP, 2023) reveals the essential role of literary form in constructing the world—and in seeing it anew.Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

Today we have a  group session (read: an hour and a half) with the authors Adam Blum, Peter Goldberg, and Michal Levin discussing their new book Here I’m Alive: The Spirit of Music in Psychoanalysis (Columbia University Press, 2023). Acknowledging that “We’re not the first to think about music in the clinical situation” the authors focused on the analytic project “as a kind of music in its own right.” With an interest in sensory, non-representational experiences. “We settled on music as a primordial operating system that all human beings are brought into.”We begin the interview with each author sharing their ideas on a key tenet of the book which is that “Before we can become fully functioning emotional, rational, linguistic, cultural, social, or political animals, human beings first become musical animals.” From here we explore the questions posed in the book. “What does the frame, frame?” What is meant by “Music is never the creation of an individual in isolation… there is no such thing as private music”, “What is the process of human musicalization”, “What happens to us when the rhythm changes?”This was a rich discussion and each author sharpened my thinking. One of the more meaningful exchanges came around my reaction to this line in the book, "the analytic frame may be usable as rhythm from the get-go; the analyst drops the beat, and the dance begins."  In my reading I disagreed sharply. It is the patient who comes in an drops the beat!  Peter's clarifying response to me may be the highlight of many highlights in this enchanting jam session of an interview. Near the end of our discussion in which the vicissitudes of induction as enchantment have made repeated appearances, I quote a passage that synthesizes much of the previous 90 minutes and speaks to the emotional resonance of the book.“There is a good reason why psychoanalysis has been ambivalent about, if not terrified, of enchantment, which is that it’s overwhelmingly powerful and potentially extremely hazardous. Why? Because at bottom the human being seeks and needs induction. We are thus radically suggestible and susceptible to influence and in-form-ation (and possibly ex-form-ation) by the environment, a “dethroning of the ego” that Freud could never accept. Our need for enchantment renders us essentially and permanently vulnerable to being taken over, and the crucial distinction between whether we are malevolently exploited or benevolently induced into culture is harrowingly historical, a matter of what world into which one is born.” (p.70)Christopher Russell, LP is a psychoanalyst in Chelsea, Manhattan.

Margaret Hillenbrand’s On the Edge: Feeling Precarious in China (Columbia UP, 2023) examines the negative cultural forms that have emerged in response to China’s exclusionary contemporary socioeconomic system. Hillenbrand considers the social strain exerted on members of the “underclass,” the 300 million migrant workers whose toil has underwritten China’s economic rise since the passing of the command economy. She describes the socio-legal condition of disenfranchisement, an internal displacement or “civic-half life” experienced by marginalized workers, as “zombie citizenship,” a purposefully inflammatory definition that evokes both the workers’ experience of civic suspension and their class others’ fears of falling into similar abjection. In this compelling narrative, contemporary Chinese social, legal, and cultural life is wrapped in an ambient mood of jeopardy. Through close readings of diverse texts, performances, and films that both amplify and diffuse the violent conflicts of dispossession and dislocation, she makes the case for culture’s capacity to “intervene palpably in social experience.” The cultural forms Hillenbrand introduces and analyzes themselves teeter on the edge, on one hand, the edge of exploitation and aesthetic empowerment. The ugly feelings these works evoke affectively concretize the “ever-impending dissolution of that apparent boundary” between those already on the cliff’s edge and those who may yet come to share this precarious space. I look forward to probing the complexities of this freighted and violent cultural work with our guest.Julia Keblinska is a postdoc at the East Asian Studies Center at the Ohio State University specializing in Chinese media history and comparative socialisms.

In the heyday of American labor, the influence of local unions extended far beyond the workplace. Unions fostered tight-knit communities, touching nearly every aspect of the lives of members--mostly men--and their families and neighbors. They conveyed fundamental worldviews, making blue-collar unionists into loyal Democrats who saw the party as on the side of the working man. Today, unions play a much less significant role in American life. In industrial and formerly industrial Rust Belt towns, Republican-leaning groups and outlooks have burgeoned among the kinds of voters who once would have been part of union communities. In Rust Belt Union Blues: Why Working-Class Voters Are Turning Away from the Democratic Party (Columbia UP, 2023), Lainey Newman and Theda Skocpol provide timely insight into the relationship between the decline of unions and the shift of working-class voters away from Democrats. Drawing on interviews, union newsletters, and ethnographic analysis, they pinpoint the significance of eroding local community ties and identities. Using western Pennsylvania as a case study, Newman and Skocpol argue that union members' loyalty to Democratic candidates was as much a product of the group identity that unions fostered as it was a response to the Democratic Party's economic policies. As the social world around organized labor dissipated, conservative institutions like gun clubs, megachurches, and other Republican-leaning groups took its place. Rust Belt Union Blues sheds new light on why so many union members have dramatically changed their party politics. It makes a compelling case that Democrats are unlikely to rebuild credibility in places like western Pennsylvania unless they find new ways to weave themselves into the daily lives of workers and their families.Stephen Pimpare is a Senior Fellow at the Carsey School of Public Policy at the University of New Hampshire.

What makes fad diets so appealing to so many people? And how did these fads become so central to conversations about food and nutrition?Anxious Eaters: Why We Fall for Fad Diets (Columbia University Press, 2022) shows that fad diets are popular because they fulfill crucial social and psychological needs―which is also why they tend to fail. Authors Janet Chrzan and Kima Cargill bring together anthropology, psychology, and nutrition to explore what these programs promise yet rarely fulfill for dieters. They demonstrate how fad diets help people cope with widespread anxieties and offer tantalizing glimpses of attainable self-transformation. Chrzan and Cargill emphasize the social contexts of diets, arguing that beliefs about nutrition are deeply rooted in pervasive cultural narratives.Considering dietary beliefs and practices in terms of culture, nutrition, and individual psychological needs, Anxious Eaters refrains from moralizing or promoting a “right” way to eat. Instead, it offers new ways of understanding the popularity of a wide range of eating trends, including the Atkins Diet and other low- or no-carb diets; beliefs that ingredients like wheat products and sugars are toxic, allergenic, or addictive; food avoidance and “Clean Eating” practices; and paleo or primal diets. Anxious Eaters sheds new light on why people adopt such diets and why these diets remain so attractive even though they often fail.Janet Chrzan teaches nutritional anthropology at the University of Pennsylvania. She is the author of Alcohol: Social Drinking in Cultural Context (2013) as well as coeditor of Research Methods for the Anthropological Study of Food and Nutrition (2017) and Organic Food, Farming, and Culture (2019).Garrett Broad is Associate Professor of Communication Studies in Rowan University’s Edelman College of Communication & Creative Arts, where he also serves as Provost’s Fellow in the Catalysts for Sustainability Initiative. His research and teaching explores the connections between contemporary social movements, food systems, and digital media technology. He is the author of More Than Just Food: Food Justice and Community Change, as well as a variety of articles on food's relationship to environmental sustainability, economic equity, and the health of humans and nonhuman animals.

Adoniram Judson was the 19th-century version of an American celebrity. Americans flocked to listen to his tales of being one of the first missionaries to enter the Kingdom of Burma. Americans wanted to hear of his mission in the Buddhist kingdom; Judson was reportedly uncomfortable with the attention.These missions to Burma flopped among the Buddhist majority, but won converts among its minorities: the Karen, the Kachin, and others. Alexandra Kaloyonides covers these missions in Baptizing Burma: Religious Change in the Last Buddhist Kingdom (Columbia University Press: 2023), her latest book.Alexandra Kaloyonides is an Associate Professor in the Department of Religious Studies at the University of North Carolina at Charlotte where her teaching focuses on Buddhism. Dr. Kaloyanides serves as Associate Editor of Material Religion, served as Managing Editor of Tricycle: The Buddhist Review, and served as editor of the Asian Traditions section of Marginalia Review of Books, a Los Angeles Review of Books Channel.Today, Alex and I talk about the missions to Burma, their success among the country’s minority groups, and how Christian faith became wrapped in the country’s identity formation.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Baptizing Burma. Follow on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

The conventional story of Hong Kong celebrates the people who fled the mainland in the wake of the establishment of the People’s Republic of China in 1949. In this telling, migrants thrived under British colonial rule, transforming Hong Kong into a cosmopolitan city and an industrial and financial hub. Unsettling Exiles: Chinese Migrants in Hong Kong and the Southern Periphery During the Cold War (Columbia UP, 2023) recasts identity formation in Hong Kong, demonstrating that the complexities of crossing borders shaped the city’s uneasy place in the Sinophone world.Angelina Y. Chin foregrounds the experiences of the many people who passed through Hong Kong without settling down or finding a sense of belonging, including refugees, deportees, “undesirable” residents, and members of sea communities. She emphasizes that flows of people did not stop at Hong Kong’s borders but also bled into neighboring territories such as Taiwan and Macau. Chin develops the concept of the “Southern Periphery”—the region along the southern frontier of the PRC, outside its administrative control yet closely tied to its political space. Both the PRC and governments in the Southern Periphery implemented strict migration and deportation policies in pursuit of border control, with profound consequences for people in transit. Chin argues that Hong Kong identity emerged from the collective trauma of exile and dislocation, as well as a sense of being on the margins of both the Communist and Nationalist Chinese regimes during the Cold War. Drawing on wide-ranging research, Unsettling Exiles sheds new light on Hong Kong’s ambivalent relationship to the mainland, its role in the global Cold War, and the origins of today’s political currents.Angelina Y. Chin is associate professor of history at Pomona College. She is the author of Bound to Emancipate: Working Women and Urban Citizenship in Early Twentieth-Century China and Hong Kong (2012).Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.

While early Buddhists hailed their religion's founder for opening a path to enlightenment, they also exalted him as the paragon of masculinity. According to Buddhist scriptures, the Buddha's body boasts thirty-two physical features, including lionlike jaws, thighs like a royal stag, broad shoulders, and a deep, resonant voice, that distinguish him from ordinary men. As Buddhism spread throughout Asia and around the world, the Buddha remained an exemplary man, but Buddhists in other times and places developed their own understandings of what it meant to be masculine.This transdisciplinary book brings together essays that explore the variety and diversity of Buddhist masculinities, from early India to the contemporary United States, and from bodhisattva-kings to martial monks. Buddhist Masculinities (Columbia UP, 2023) adopts the methods of religious studies, anthropology, art history, textual-historical studies, and cultural studies to explore texts, images, films, media, and embodiments of masculinity across the Buddhist world, past and present. It turns scholarly attention to normative forms of masculinity that usually go unmarked and unstudied precisely because they are "normal," illuminating the religious and cultural processes that construct Buddhist masculinities. Engaging with contemporary issues of gender identity, intersectionality, and sexual ethics, Buddhist Masculinities ushers in a new era for the study of Buddhism and gender.MEGAN BRYSON is Associate Professor of Religious Studies and chair of the Asian Studies program at the University of Tennessee, Knoxville. She received her B.A. in Religious Studies and Chinese from University of Oregon, and her Ph.D. in Religious Studies from Stanford University. Her research focuses primarily on themes of gender and ethnicity in Chinese religions, especially in the Dali region of Yunnan Province. The geographical specificity of her work is balanced by its temporal breadth, which ranges from the Nanzhao (649-903) and Dali (937-1253) kingdoms to the present, as reflected in her monograph, Goddess on the Frontier: Religion, Ethnicity, and Gender in Southwest China (Stanford University Press, 2016, an interview with her about this book is also on the New Books Network), which traces the worship of a local deity in Dali from the 12th to 21st centuries.KEVIN BUCKELEW is Assistant Professor of Religious Studies at Northwestern University. He received his B.A. in the liberal arts from Sarah Lawrence College, and his Ph.D. from Columbia University's Department of East Asian Languages and Cultures. His research focuses on Buddhism in premodern China, with special attention to the rise of the Chan (Zen) Buddhist tradition and to interactions between Chinese Buddhists and Daoists. Thematically, his work explores how religious identities take shape and assume social authority; how materiality, embodiment, and gender figure into Buddhist soteriology; and how Buddhists have grappled with the problem of human agency.Jue Liang is an Assistant Professor in the Department of Religious Studies at Case Western Reserve University. She is currently completing her first book, entitled Conceiving the Mother of Tibet: The Early Literary Lives of the Buddhist Saint Yeshé Tsogyel. She is also working on a second project, tentatively titled i. As a scholar of Buddhist literature, history, and culture in South and East Asia, she reflects in her research and teaching continuities as well as innovations in the gender discourses of Buddhist communities. She is also interested in the theory and practice of translation in general, and translating Tibetan literature in particular.