Open Country

Earlier this year, Helen Mark visited the Isle of Eels in the heart of the Cambridgeshire Fens for its annual eel day festival. She joins the parade of eels through the streets and takes part in the World Eel Throwing Competition (which thankfully involves no real eels). She also learns about the life cycle of the eel and discovers how this extraordinary fish is intimately bound up with the history and culture of Ely. Producer Sarah Blunt.

The Island of Jura in the Inner Hebrides is one of the most sparsely populated places in Scotland. This dramatic and mountainous landscape is home to around 200 inhabitants but much more than it's fair share of artists, musicians, makers and writers. George Orwell chose the remote location of 'Barnhill' on the island to write his masterpiece '1984' near the end of his life. Although it is hard to detect the famous 'Paps' and seascapes in his dystopian vision it was Jura which allowed him the space to get his ideas on to paper. Today Jura is home to a number of creative people who have found the inspiration and solitude they need to create and these musicians and makers have also found each other, forming a collective called FL:EDGE. Helen Mark meets Giles Perring, Amy Dunnachie, Kirsten Gow and Gini Dickinson to hear more about the history and future of Jura.

Music Journalist Laura Barton visits Rockfield Studios to hear how this farm based facility became the birthplace to some of the greatest albums of all time.Rockfield Studios lies just outside just outside the village of Rockfield, near Monmouth in Wales. It began its commercial recording life in 1961 and in 1965 was acknowledged to be the first residential recording studio in the world. It’s played host to many of the world’s biggest artists including Iggy pop, Coldplay, Oasis and Black Sabbath and in 1975 it was the primary studio used by Queen for recording their legendary track ‘Bohemian Rhapsody’ – but it began life as a family farm and still holds on to these rural routes.Laura spends the day with members of the studio's founding family and hears the stories of how this rural landscape and local community found their way into the ground breaking albums that were produced there.Presented by Laura Barton Produced by Nicola Humphries

Helen Mark visits the Escape Project in Swaffham, Norfolk, to find out why a group of volunteers are helping create a garden full of monsters for the Chelsea Flower Show. These monsters represent the kinds of problems facing every family, and a garden is the perfect place to talk about them together. The Family Monsters Garden, designed by Alistair Bayford, has been inspired by 'Escape', a community allotment which welcomes people to spend time outdoors to benefit their wellbeing and especially their mental health. Escape is funded by the charity Family Action which is celebrating its 150th anniversary this year. The 'family monsters' theme is designed to start a national conversation about some of the family problems we may all face, but rarely talk about. At Escape you can plant seeds, do a bit of weeding, harvest vegetables and fruit, and make friends over Susan's homemade soup or pizza baked in the handmade, dragon-covered clay pizza oven. Although if the mason bees are still nesting in the clay, you'll have to wait another week or so. It's a wildlife haven and a soothingly busy, green place to be. Sometimes a volunteer (like Gavin) gets so hooked on gardening they take up their own allotment. Volunteer Sarah has found she's become a bit of a celebrity because of the Chelsea buzz, and William is hoping the limelight will turn into extra funding to support the project, which has been a lifeline and a source of joy for him. Team leaders Karen and Katy know that long after memories of the Flower Show have faded, they'll still be planting lettuce and purslane, with their green-fingered extended family. Helen visits before and after the show to find out about its longer-term impact.Producer...Mary Ward-Lowery

Ulva is an island just off the coast of Mull in the Inner Hebrides. It was once home to up to 800 people but after the 'clearances' of the 19th Century it gradually declined to just 5 inhabitants today. Helen Mark visits Ulva one year after a community and government buyout was completed to find out about the plans to rebuild the abandoned houses and make this place a thriving community once more.

Mary-Ann Ochota joins Archaeologist of the Year, Richard Osgood and his team of veterans and local archaeologists as they unearth Saxon artefacts and develop life changing skills. An idyllic site in Gloucestershire has yielded some important 6th Century artifacts and is vulnerable both to ploughing and ‘night hawking’. But what’s going on above ground is just as valuable as what lies beneath it. Lead by former Marine Dickie Bennet, ‘Breaking Ground Heritage (BGH)’ uses archaeology and heritage to develop projects that encourage physical and psychological well-being amongst former members of the armed forces. Working alongside trained archaeologists, participants bring their skills of attention to detail and resilience whilst also building their own recovery pathways, empowering them to regain control of their lives.Produced by Nicola Humphries Presented by Mary-Ann Ochota Photography by Harvey MillsMore information on Breaking Ground Heritage can be found at www.breakinggroundheritage.org.uk

Ian Marchant visits the Sussex Weald, once the epicentre of the international arms trade, owing to its ironstone reserves and subsequent iron-making expertise. It's a personal story too: 'Marchant' is one of the Sussex names associated with metal-working migrants from Belgium in the late 15th century. Hammer and furnace ponds and former forges are now dotted about the landscape, rich habitat for wildlife, according to naturalist Richard Jones. A walk on the Weald is a treasure hunt for history-of-iron enthusiasts (of whom there are an unusual number in Sussex). They frequently come across previously undiscovered remains, some dating back to medieval times. Ian takes a walk at Newbridge with Jeremy Hodgkinson and Roger Prus, who can interpret the bumps in the woodland that most people would pass without noticing. They might be old furnace sites or even remains of buildings used by iron workers. He meets Emma O'Connor to explore the Anne of Cleves House collection of iron artefacts in Lewes. These range from items with military uses to all kinds of domestic and industrial products, most of which are beautifully preserved and attest to our ancestors' habits of recycling, repairing and preserving the things they owned. Ian visits Glynde Forge, where blacksmith Ricky Delaney demonstrates the living craft of working with metal in Sussex. Will Ian discover that forging metal is in his blood? Producer...Mary Ward-Lowery

Helen Mark finds out how Stonehenge continues to influence and shape the next generation of makers and trades people in Amesbury and the villages around it. Helen meets a thatcher, the cob wall maker and a frame maker who are all in their own way keeping a traditional craft going. But their skills have also ended up inspiring artist Linda Brothwell who has captured their stories and their lives in her latest work. The makers have no idea what Linda has made and are going to have to wait to see the exhibits when Stonehenge hosts this very first contemporary art exhibition. The producer is Perminder Khatkar.

‘She was a woman ahead of her time, she pushed every boundary.’For this week’s Open County, Helen Mark heads to the Warwickshire landscape of Nuneaton where she walks in the footsteps of one of Britain’s greatest authors and through the locals who are celebrating her legacy today, Helen comes face to face with the woman herself – 200 years after her birth. Mary Anne Evans (22 November 1819 – 22 December 1880) is best known by her pen name George Eliot. An English novelist, poet, journalist, translator, and one of the leading writers of the Victorian era, her novels reflected the landscape and the lives of those she lived amongst. 200 years on from her birth we meet the community that continue to celebrate her life today and the shifting landscape that still holds traces of Mary Anne’s rural beginnings.Presented by Helen Mark Readings by Eleanor Charman from Sudden Impulse Theatre Produced by Nicola Humphries

The Eden Project plans to bring its distinctive building design and appreciation for biodiversity to Morecambe. It's hoped that this Eden Project of the North would not only bring many visitors to the wider Morecambe Bay area but that it would also help us to understand the incredible ecosystem within the bay. Until now the Bay has often been feared after tragedies such as when 23 cockle pickers were drowned in 2004. It is the UK's largest expanse of intertidal mudflats and sands and this ecosystem creates a feeding ground and habitat for many species as well as supporting a unique method of fishing on foot and tractor. Many of those fishermen know how to work and cross the bay safely but Cedric Robinson is the man intrusted as 'The Queen's Guide to the Sands'. In this role he has been helping people cross the bay for 55 years and he has seen the bay changing.Helen Mark meets Cedric and hears how the Eden Project and the Morecambe Bay Partnership hope to transform the bay into a place of fascination for all with landscape art, iconic buildings such as The Midland Hotel and proposed Eden Project and the stories of those who know the bay best.