New Books in Communications

Randy Laist, professor of English at Goodwin University and the University of Bridgeport, has a new edited volume focusing specifically on popular culture and the 1980s. The essays in The '80s Resurrected: Essays on the Decade in Popular Culture Then and Now (McFarland, 2023) approach this theme from a number of disciplinary perspectives, global positions, as well as a wide variety of pop cultural artifacts. Laist’s effort in bringing together these essays was not just about reflecting on the 1980s, and particularly how the 1980s seems to be quite present in contemporary popular culture, but also because of the way that the 1980s has shaped our current political environment. The ‘80s Resurrected includes chapters on different media engagement and different issues that are fleshed out from different artifacts—including video games, film, television, dolls, and music. The ideas that these chapters dive into include questions of race, gender, class, sexuality, LGBTQ+, neoliberalism, misogyny, representation, and nationalism. There is much in this compilations of chapters that explores the nostalgic impulses that toggle between our contemporary moment and the Decade of Reagan and Thatcher, and how the political and economic impulses of that time have shaped our lives today. Many of the chapters also peel back the gloss of the foregrounded ideas of the 1980s, which highlighted white middle-class perspectives in mass culture. Many of the nostalgic ideas about the 1980s cover up the disturbing other side of the decade, with the war on drugs, the rise of the carceral state, AIDS/HIV, sexism and racism in the workplace all as parts of this same decade that is often seen as an era of shoulder pads, pussy bows, neon colors, body building, and swagger.The ‘80s Resurrected: Essays on the Decade in Popular Culture Then and Now brings the reader along in considering how ideas like “making America great again” are connected to our thinking about the arbitrary construction of the importance of delineating decades and the impact they may have on our concept of ourselves and the nation state. As we discuss in the interview, even defining particular decades against each other is rather arbitrary, and to then weight those individual decades with various kinds of import further contributes to this artificial framing. Even so, it is hard to break out of this construction, and The ‘80s Resurrected examines why this particular bracket of time, which is also marked by the elections of Ronald Reagan in the United States and Margaret Thatcher in the United Kingdom at the beginning of the decade and the fall of communism at the end of the decade, remains important to our understanding of history, politics, culture, ideology, economics, and concepts of self and nation. This is an engaging and fascinating assortment of chapters by a global collection of scholars.Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Reality TV shapes and reflects how we see ourselves, and what we regard as normal. Professor Danielle J. Lindemann watched thousands of hours of reality tv to decode its influence on society. She joins us to discuss her book True Story: What Reality TV Says About Us (FSG, 2022). Danielle J. Lindemann is an Associate Professor of Sociology at Lehigh University interested in gender, sexuality, the family, and culture. She is the author of Commuter Spouses: New Families in a Changing World and Dominatrix: Gender, Eroticism and Control in the Dungeon. Her research has been featured in media outlets such as The New York Times, The Wall Street Journal, The Economist, The Atlantic, The Washington Post, Rolling Stone, Billboard, and The Chronicle of Higher Education. She has spoken about her work on National Public Radio and has written op-eds for CNN, Newsweek, Salon, Fortune, and Quartz.The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Barcodes are about as ordinary as an object can be. Billions of them are scanned each day and they impact everything from how we shop to how we travel to how the global economy is managed. But few people likely give them more than a second thought. In a way, the barcode's ordinariness is the ultimate symbol of its success.However, behind the mundanity of the barcode lies an important history. Barcodes bridged the gap between physical objects and digital databases and paved the way for the contemporary Internet of Things, the idea to connect all devices to the web. They were highly controversial at points, protested by consumer groups and labor unions, and used as a symbol of dystopian capitalism and surveillance in science fiction and art installations.Jordan Frith's book Barcode (Bloomsbury, 2023) tells the story of the barcode's complicated history and examines how an object so crucial to so many parts of our lives became more ignored and more ordinary as it spread throughout the world.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Peter Nelson's book Computer Games As Landscape Art (Palgrave Macmillan, 2023) proposes that computer games are the paradigmatic form of contemporary landscape and offers a synthesis of art history, geography, game studies and play. Like paint on canvas, the game engine is taken as the underlying medium, and using the Valve Source Engine as the primary case study, it analyses landscapes according to the technical, economic and cultural features this medium affords. It presents the single-player first-person shooter (Half-Life 2) as a Promethean safari, examines how the economics of gambling and product placement shaped the eSports landscapes of Counter-Strike and reveals how sandboxes such as Garry’s Mod visualise the radical landscape of Web 2.0. This book explores how our relationship to the environment is changing, how we express this through computer games and how we can move beyond examining artistic influences on games to examining how historical connections flow through games and the history of landscape images.Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, editor of “Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Over the past 40 years, lawmakers in America's two major political parties have taken increasingly extreme positions on ideological issues. Voters from the two parties have become increasingly distinct and hostile to one another along the lines of race, religion, geography, and culture. In Wrong: How Media, Politics, and Identity Drive Our Appetite for Misinformation (Johns Hopkins UP, 2023), Dr. Dannagal Goldthwaite Young illustrates how political leaders and media organizations capitalize on social and cultural identities to separate, enrage, and mobilize people. Because humans are motivated to comprehend, to feel in control, and to be part of a community, they seek information that satisfies these needs – including misinformation that favors their political team. They don’t want to be wrong.Bringing together tools from political science, communications, and social psychology, Dr. Goldthwaite Young creates a model to explain how public officials, journalists, and social media platforms encourage what she calls identity distillation. Dr. Young both describes the dynamics and provides suggestions for how to disrupt “identity-driven wrongness.” These include journalists abandoning conflict framing in the coverage of politics, social media platforms increasing transparency about their algorithmic content rankings and ad targeting, and individuals cultivating intellectual humility and disrupting performances of political identity to increase the demand for democracy-centered political information.Dr. Dannagal Goldthwaite Young is a professor of Communications and Political Science at the University of Delaware. Her areas of expertise include political media effects, media psychology, public opinion, and the psychology of misinformation. I’m delighted to welcome her to the New Books Network.George Lobis served as the editorial assistant for this podcast.Susan Liebell is a Professor of Political Science at Saint Joseph’s University in Philadelphia. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Today’s guest is Maaheen Ahmed, who has edited a new collection of essays, The Cambridge Companion to Comics (Cambridge University Press, 2023). This book offers both a broad diachronic perspective, reaching back to the earliest print artifacts that could be called “comic books,” and a deep synchronic view, touching on mainstream and alternative comics work, from almost every continent. Contributions include Jaqueline Berndt on the aesthetics of “manga eyes,” Daniel Stein on “racialines” in comics, Kim Munson on the vexed relationship of museums and comics, and Shiamin Kwa on life-writing in comics.Maaheen Ahmed is Professor in the Department of Literary Studies at Ghent University. Maaheen is the author of Openness of Comics: Generating Meaning within Flexible Structures (University Press of Mississippi, 2016) and the co-editor of Comics Memory, with Benoît Crucifix (Palgrave, 2018). Maaheen is one of the primary investigators of “Children in Comics: An Intercultural History from 1865 to Today (COMICS),” a collaborative project which brings together childhood studies and comics studies.John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In a world dominated by the notion of autonomy, free choice, and consent, Akiko Takeyama takes us on a thought-provoking journey into the heart of Japan's adult video industry in her groundbreaking book, Involuntary Consent The Illusion of Choice in Japan’s Adult Video Industry. With an ethereal blend of ethnography and critical analysis, Takeyama challenges the pervasive idea that participation in the adult entertainment industry is always a matter of free will. Instead, she introduces us to the complex concept of "involuntary consent," shining a light on a phenomenon that resonates far beyond the boundaries of Japan's AV industry.The Paradox of Involuntary ConsentAt the core of Takeyama's narrative lies the paradox of involuntary consent, a concept that questions the very foundations of modern societies built on principles of autonomy, choice, and equality. In a world where the adult entertainment industry alone generates billions of dollars annually, the narrative of consent has taken center stage. However, Takeyama's meticulous exploration reveals that beneath this facade of consent often lies a murky world of coercion and pressure.Behind-the-Scenes Realities"Involuntary Consent" delves into the behind-the-scenes negotiations and abuses within Japan's adult video industry. While the industry's glossy exterior may suggest willing participation, Takeyama uncovers a troubling reality where sex workers, predominantly women, are frequently pressured to comply with production companies' expectations and demands. This issue extends beyond the borders of Japan, as the US Department of State has recognized forced performance as a human rights violation.Dualistic Contract-MakingOne of the book's central arguments is that the framework of contract-making within the adult entertainment industry is inherently dualistic. It often creates a binary where consent and pleasure are pitted against coercion and pain. Sex workers, employed on a contractual basis, find themselves outside the protective purview of standard labor and employment laws, leaving them vulnerable to exploitation and abuse.Global ImplicationsThe book's significance transcends the borders of Japan. The series of arrests and trials of former talent agency owners and executives within the Japanese AV industry led to a call for systematic investigations. The US Department of State's recognition of forced performance as a human rights violation underscores the global ramifications of the issue. "Involuntary Consent" serves as a poignant reminder that the exploitation and coercion within the adult entertainment industry are not confined to one nation but are indicative of broader systemic issues.Akiko Takeyama is a Professor of Women, Gender, and Sexuality Studies at the University of Kansas. She is also the Director of the Centre for East Asian Studies.  Bing Wang receives her PhD at the University of Leeds. Her research interests include diasporic Chinese cultural identity and critical heritage studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Cancel culture is something all academics are aware of and some are concerned about.  Certainly that’s true of Greg Lukianoff who was the co-author (with Jonathan Haidt) of The Coddling of the American Mind (Penguin, 2018) and who has now co-authored (with Rikki Schlott) of The Canceling of the American Mind (Simon and Schuster, 2023). Listen to him in conversation with Owen Bennett Jones.Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In recent decades, authenticity has become an American obsession. It animates thirty years' worth of reality TV programming and fuels the explosive virality of one hot social media app after another. It characterizes Donald Trump's willful disregard for political correctness (and proofreading) and inspires multinational corporations to stake activist claims in ways that few "woke" brands ever dared before. It buttresses a multibillion-dollar influencer industry of everyday folks shilling their friends with #spon-con and burnishes the street cred of rock stars and rappers alike. But, ironically, authenticity's not actually real: it's as fabricated as it is ubiquitous.In The Authenticity Industries: Keeping It Real in Media, Culture, and Politics (Stanford University Press, 2023) journalist and scholar Michael Serazio combines eye-opening reporting and lively prose to take readers behind the scenes with those who make "reality"—and the ways it tries to influence us. Drawing upon dozens of rare interviews with campaign consultants, advertising executives, tech company leadership, and entertainment industry gatekeepers, the book slyly investigates the professionals and practices that make people, products, and platforms seem "authentic" in today's media, culture, and politics. The result is a spotlight on the power of authenticity in today's media-saturated world and the strategies to satisfy this widespread yearning. In theory, authenticity might represent the central moral framework of our time: allaying anxieties about self and society, culture and commerce, and technology and humanity. It infects and informs our ideals of celebrity, aesthetics, privacy, nostalgia, and populism. And Serazio reveals how these pretenses are crafted, backstage, for audiences, consumers, and voters.Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Addressing the relationship between law and the visual, this book examines the importance of photography in Central, East, and Southeast European show trials.The dispensation of justice during communist rule in Albania, East Germany, and Poland was reliant on legal propaganda, making the visual a fundamental part of the legitimacy of the law. Analysing photographs of trials, Agata Fijalkowski's Law, Visual Culture, and the Show Trial (Routledge, 2023) examines how this message was conveyed to audiences watching and participating in the spectacle of show trials. The book traces how this use of the visual was exported from the Soviet Union and imposed upon its satellite states in the immediate aftermath of the Second World War. It shows how the legal actors and political authorities embraced new photographic technologies to advance their legal propaganda and legal photography. Drawing on contemporary theoretical work in the area, the book then challenges straightforward accounts of the relationship between law and the visual, critically engaging entrenched legal historical narratives, in relation to three different protagonists, to offer the possibility of reclaiming and rewriting past accounts. As its analysis demonstrates, the power of images can also be subversive; and, as such, the cases it addresses contribute to the discourse on visual epistemology and open onto contemporary questions about law and its inherent performativity.Alex Batesmith is a Lecturer in Legal Profession in the School of Law at the University of Leeds, and a former barrister and UN war crimes prosecutor, with teaching and research interests in international criminal law, cause lawyering and the legal profession, and law and emotion. Twitter: @batesmith. LinkedIn. His recent publications include: “‘Poetic Justice Products’: International Justice, Victim Counter-Aesthetics, and the Spectre of the Show Trial” in Christine Schwöbel-Patel and Rob Knox (eds) Aesthetics and Counter-Aesthetics of International Justice (Counterpress, forthcoming 2023, ISBN 978-1-910761-17-5) "Lawyers who want to make the world a better place – Scheingold and Sarat’s Something to Believe In: Politics, Professionalism, and Cause Lawyering" in D. Newman (ed.) Leading Works on the Legal Profession (Routledge, July 2023), ISBN 978-1-032182-80-3) “International Prosecutors as Cause Lawyers" (2021) Journal of International Criminal Justice 19(4) 803-830 (ISSN 1478-1387) Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications