New Books in Communications

In Appropriated Tales: Race and the Disney Fairy-Tale Mode (Wayne State UP, 2025), scholar Michelle Anya Anjirbag examines Disney's method of fairy-tale storytelling to determine how the corporation has shaped public understanding of what fairy tales are and who belongs within them. Covering a span of years "from mermaid to mermaid"—from the 1989 animated The Little Mermaid to the 2023 live-action remake starring Halle Bailey—she deconstructs and interrogates Disney's corporate commodification of multiculturalism and diversity, centering its impact on misrepresented people and cultures over the stated intentions of the producers. Further, Anjirbag demonstrates that Disney shapes childhood experiences and imagination in a way that strategically promotes American cultural imperialism. Through close film analysis, applied critical theory, and social analysis of the Disney corporation, Anjirbag unearths a new framework for studies of Disney fairy tales and how they shape popular culture. For a limited time, Wayne State University Press is offering a discount when customers use the code RHOLIDAY. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Mark Deuze, a media studies professor at the University of Amsterdam, explores the paradox of passion in creative careers. He reveals how the very love for their work often leads to burnout and mental health struggles among media professionals. Deuze highlights systemic issues like high workloads and lack of support, alongside the need for reforms in workplace culture. He emphasizes the importance of emotional literacy and open conversations surrounding mental health, presenting practical solutions to cultivate healthier creative environments.

We're pleased to welcome James A. Jacobs and James R. Jacobs, authors of Preserving Government Information: Past, Present, and Future (FreeGovInfo Press, 2025), to the New Books Network. In this book, Jacobs and Jacobs introduce the different US federal institutions tasked with managing and preserving government information in a range of media formats from paper to digital. They examine how preservation practices of the past affect the preservation of digitally published government information today, analyze publishing and preservation data to characterize the current gaps in preservation, and look to the future by charting a path to a distributed Digital  Preservation Infrastructure for government information while explaining key concepts in digital preservation along the way. Your host is Dr. Adam Kriesberg, Associate Professor at the Simmons University School of Library and Information Science. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Tinsel and Rust: How Hollywood Manufactured the Rust Belt (Oxford UP, 2025) tells the story of Hollywood's role in the shaping of the Rust Belt in the United States. During the 1970s and 1980s, filmic representations of shuttered auto plants, furloughed millworkers, and decaying downtowns in the industrial heartland contributed to pervasive narratives of American malaise and decline--informing the wider cultural view of these cities and their people. Author Michael D. Dwyer (Arcadia University) untangles the complicated relationship between Hollywood and the Rust Belt, exploring how the sociocultural image of the region has become a tool to tell stories about America's mythic past, degraded present, and potential futures.Dwyer offers a reading in twofold: through the conventional lens of film and cultural studies, and through an interdisciplinary lens that pulls in elements of cultural geography and urban studies to understand the ways in which Americans learned to interpret the cities and towns of the industrial Midwest. Each chapter spotlights a different Rust Belt city--Johnstown, Chicago, Cleveland, Pittsburgh, and Detroit--and considers how films and filmmaking processes helped shape audiences' cultural understanding of those cities. Over the course of the book, Dwyer also examines several films which offer notable representations of the Rust Belt, including Slap Shot, The Blues Brothers, Major League, The Perks of Being a Wallflower, and It Follows. Finally, the volume highlights how in more recent years, cities like Pittsburgh, Detroit, and Cleveland have all attempted to remake their public image and revitalize their economies through film and media production. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The average reader need not go far in a bookstore before, knowingly or not, they encounter authors who started their careers by self-publishing prior to achieving commercial success. Examples include Margaret Atwood, Andy Weir, Colleen Hoover, Anna Todd, E. L. James, Scarlett St. Clair, and many more. Such stories of self-made writers are compelling and seem more attainable to others with the accessibility of modern publishing platforms such as Amazon, Apple, Google, Kobo, Wattpad, Webtoon, Radish, Inkitt, Qidian, Tapas, and Swoon Reads. However, in Inequalities of Platform Publishing: The Promise and Peril of Self-Publishing in the Digital Book Era (U Massachusetts Press, 2025) Claire Parnell uncovers in her examination of the two most popular—Amazon and Wattpad—these services in fact perpetuate systemic racial, gender, and sexual bias against authors of color and queer authors through their technological, economic, social, and cultural structures. At a time when there is a real reckoning with the discrimination that has resulted in publishing opportunities for only relatively few privileged authors—who are often White, upper class, and male—self-publishing presents itself as an equalizer of sorts. Exploring that idea, Parnell shows that these platforms are not just intermediaries for information; they structure content and users in multiple, often inequitable, ways through their ability to set market conditions and apply algorithmic sorting. Combining original interviews, walkthrough method, metadata analysis, and more, Parnell finds that self-publishing platforms reproduce challenges for authors from marginalized communities. Far from equalizing the market, the new platforms instead frequently perpetuate the stubborn barriers to mainstream success for BIPOC and queer authors. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Gwyneth Mellinger, a scholar of journalism history and author of *Racializing Objectivity*, explores how the white Southern press manipulated journalism standards to uphold Jim Crow. She discusses the reframing of civil rights coverage, seeing it as a debate over objectivity, and highlights the dismissal of the Black press as biased. Mellinger shares surprising archival findings revealing white editors' complicity in systemic racism and offers critical lessons for contemporary journalists to uncover underlying ideological biases.

Margaretha Geertsema-Sligh, a Professor of Journalism at Butler University, dives into her new book, which examines the intersection of journalism and gender across 92 countries. She highlights the systemic barriers women journalists face, including gendered violence and newsroom segregation. The conversation reveals how cultural stigmas around motherhood and caregiving impact women's careers. Geertsema-Sligh advocates for feminist media activism and decolonized journalism education to foster a more inclusive future in the media landscape.

Following the end of the Cold War, the world experienced a remarkable wave of democratization. Over the next two decades, numerous authoritarian regimes transitioned to democracies, and it seemed that authoritarianism as a political model was fading. But as recent events have shown, things have clearly changed.In Dictating the Agenda: The Authoritarian Resurgence in World Politics (Oxford UP, 2025), authors Dr. Alexander Cooley and Dr. Alexander Dukalskis reveal how today's authoritarian states are actively countering liberal ideas and advocacy surrounding human rights and democracy across various global governance domains. The transformed global context has unlocked for authoritarian states the possibility to contend with Western liberal soft power in new, traditionally "non-political" ways, including by plugging or even reversing the very channels of influence that originally spread liberalism. Dr. Cooley and Dr. Dukalskis ultimately advance a theory of authoritarian snapback, the process in which non-democratic states limit the transnational resonance of liberal ideas at home and advance anti-liberal norms and ideas into the global public sphere.Drawing from a range of evidence, including field work interviews and comparative case studies that demonstrate the changing nature of consumer boycotts, a database of authoritarian government administrative actions against foreign journalists, a database of global content-sharing agreement involving Chinese and Russian state media, and a database of transnational higher education partnerships involving authoritarian and democratic countries, this book doesn't just reveal the limits of the liberal influence taken for granted across the world. It offers a novel theory of how authoritarian governments figured out how to exploit and repurpose the same actors, tools, and norms that once exclusively promoted and sustained US-backed liberalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Stefania Marghitu's Teen TV (Routledge, 2021)explores the history of television's relationship to teens as a desired, but elusive audience, and the ways in which television has embraced youth subcultures, tracing the shifts in American and global televisual and youth cultures. Organized chronologically, Teen TV starts with Baby Boomers and moves to Gen X, Millennials, and Gen Z as a way to contextualize and discuss cultural and historical contexts of teen television and television audiences. The book examines a wide range of historical and contemporary programming: from the broadcast bottleneck, multi-channel era that included youth targeted spaces like MTV, the WB, and the CW, to the rise of streaming platforms and global crossovers. It covers the thematic concerns and narrative structure of the coming-of-age story, and the prevalent genres of teen TV, and milestones faced by teen characters. The book also includes interviews with creators and showrunners of hit network television teen series, including Degrassi's Linda Schulyer, and the costume designer that established a heightened turn in the significance of teen fashion on the small screen in Gossip Girl, Eric Daman. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Sabrina Mittermeier, a cultural historian and editor of Fan Phenomena: Disney, dives into the complexities of Disney fandom. She reveals how fan studies challenge the notion of passive audiences and highlights issues of race, queerness, and corporate inclusion. Mittermeier also discusses the rise of 'Disney adults' and the impact of the pandemic on fan culture. With insights into fan labor, online engagement, and the evolving relationships between fans and the company, her findings pave the way for future research in Disney studies and representation.