New Books in Communications

Charles K. (CK) McClatchy was a towering figure in the making of Sacramento and the inland empire he liked to call Superior California. As editor of the Sacramento Bee from 1883 to 1936, McClatchy was both ardent booster and strident critic, a man whose voice helped shape Sacramento’s industrial landscape and to set its moral and political tone. In a new biography, Charles McClatchy and the Golden Era of American Journalism (University of Missouri Press, 2016), Steven M. Avella explores McClatchy’s public role as an iconoclastic editor who sketched local battles in dramatic terms of good and evil. Avella also examines the contradictions within the private man and the dark impulses that drove him to bouts of vindictiveness and rancor. McClatchy promoted his beloved Sacramento with a distinctive blend of Progressive politics, but in his later years he suffered from an anachronistic world view that relegated him to the sidelines of American life. This biography, based on extensive primary sources, is a fully drawn portrait of a flawed hero who loved his home town and helped establish a media dynasty whose influence is still felt today. Steven M. Avella is a Professor of American History at Marquette University in Milwaukee. James Kates is an Associate Professor in the Department of Communication at the University of Wisconsin-Whitewater. He has worked as an editor at The Philadelphia Inquirer, the Milwaukee Journal Sentinel and other publications. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Who’s the black private dick That’s a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who’s the cat that won’t cop out When there’s danger all about? (Shaft) Right on They say this cat Shaft is a bad mother – (Shut your mouth) But I’m talkin’ ’bout Shaft – (Then we can dig it) He’s a complicated man But no one understands him but his woman (John Shaft) –Theme from Shaft by Isaac Hayes Mention Shaft and most people think of Gordon Park’s seminal 1971 film starring Richard Roundtree in a leather coat, walking the streets of Manhattan to Isaac Hayes’ iconic theme music. But the black private dick that inspired the black action cinema/blaxploitation film genre actually made his debut on the printed page as the creation of white novelist Ernest Tidyman, who was a seasoned journalist down on his luck when he decided to try his hand at fiction. Shaft was the result, giving Tidyman the break he was looking for. The World of Shaft: A Complete Guide to the Novels, Comic Strip, Films and Television Series (McFarland, 2015) is based on the extensive research of Ernest Tidyman’s personal papers, and tells the story of John Shaft from the perspective of his creator the original source. The book also provides new insight and analyses of the writing of the Shaft novels, the films, and the television series. The World of Shaft also features first-ever coverage of the forgotten Shaft newspaper comic strip, and includes previously unseen artwork. Also included are Shaft’s recent 21st century reappearances on the printed page, in both comic book and prose form. Steve Aldous is a British banker by day and an enthusiastic writer, film fanatic and avid reader of crime fiction by night. In addition to The World of Shaft, he has written a number of well-received short stories in a wide range of styles and genres, and has been short-listed in the Writers Forum magazine short story competition. His as yet unpublished novel, a crime thriller entitled Poisoned Veins, features a modern-day black Manchester-based private investigator Joe Gibbs, and is inspired in part by Ernest Tidyman’s Shaft. Aldous resides Bury, Lancashire, UK and is a proud father of three and a loving grandfather. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

From the early days of the BBC in 1922, women were everywhere in the broadcasting company’s offices. They were absent, however, argues Dr. Kate Murphy from most of the historiography devoted to this illustrious institution. In this vibrant monograph, Murphy sets out to find these hidden female figures. A former producer of the long-running program Woman’s Hour and currently a Senior Lecturer at Bournemouth University in the UK, Murphy is cognizant both of women’s contribution to the BBC and of the challenges they face working there. In Behind the Wireless: A History of Women at the BBC (Palgrave Macmillan, 2016), Murphy delivers on the titles promises. First, she offers a detailed portrait of the BBC in the interwar period as a unique workplace complete with medical services, a subsidized canteen, and a country-club for its workers. She demonstrates why the fact that the company was created around on a new technology made it especially suitable for women in general, and ambitious ones in particular. Second, she illuminates the daily routines, challenges and opportunities for the scores of female typists, secretaries, clerks and telephone-operators who labored for the company. Murphy supplements this institutional history with four case studies of outstanding women, who rose to the top echelons of the organization. These three components make for a fascinating read. The book will complement the scholarship about the BBC but also add to the current exploration of the participation of women in the workforce in the interwar period. I expect that the book will be of great interest for scholars of media, gender, modern Britain and labor relations. It is a wonderful example of how to bring all these concerns into conversation. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his acclaimed biography Eye on the Struggle: Ethel Payne, the First Lady of the Black Press (Amistad, Reprint Edition, 2017), James McGrath Morris explores the fascinating life of pioneering black female journalist Ethel Payne. Backed by exhaustive archival research, Morris traces Payne’s role in documenting the civil rights struggle during the decades following World War II, before her later impact as the first female African American radio and television commentator on a national network. The New York Times has described Eyes on the Struggle as an “an important and often absorbing new book,” while the Chicago Tribune has contended that Morris’ beautifully written and carefully researched new book “gives Payne’s ground-breaking work the attention it deserves.” Morris’ other books include Pulitzer: A Life in Politics, Print, and Power, which Booklist placed on its 2010 list of the ten best biographies, and The Rose Man of Sing Sing: A True Tale of Life, Murder, and Redemption in the Age of Yellow Journalism, which the Washington Post named as one of its Best Books of the Year. His most recent work is The Ambulance Drivers: Hemingway, Dos Passos, and a Friendship Made and Lost in War which will be published in April 2017 by Da Capo Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

If all you knew about methamphetamines came from popular culture (“Breaking Bad”) or government anti-drug campaigns (“Faces of Meth”), then you’d probably think that the typical meth user was a unemployed, rail thin degenerate with bad acne, no teeth and a penchant for child abuse. In these depictions, all meth users are “tweekers,” that is, very bad people who are addicted to speed (here, meth) and who can’t take care of themselves or others. But it just ain’t so, as Travis Linnemann points out in his thought-provoking book Meth Wars: Police, Media, Power (NYU Press, 2016). The image we get from the media and the law enforcement of meth use is as cooked as Walter White’s meth. In actual fact, very few peoples use meth (even in “Methland,” aka the Midwest) and most of those who do are not dysfunctional “tweekers.” This is not to say that meth isn’t a problem; it is, just like cocaine, heroin, abused prescription medications, and, above all, alcohol. But it isn’t as different from these “normal” drugs as the media and authorities would have us believe. It’s a powerful stimulant. It’s used for a variety of purposes, some of them having nothing to do with getting high (as a stimulant, meth is especially attractive to those who work long, hard hours). Some people can use it without acting like or appearing to be “tweekers.” The typical meth user is employed, acne-free, has a mouth full of teeth and takes care of his or her children. Just like the typical user of Adderall or any number of legal and widely prescribed amphetamines. Yet, according to the media and authorities, there is a “meth epidemic” that we should all fear as if it were something absolutely unprecedented. And, because meth is so particularly dangerous (so the line goes), we should throw all the meth users in jail forthwith. No thought is given to harm-reduction. As Linnemann shows, our twisted, distorted understanding of meth is beyond hypocritical; it’s positively harmful, particularly for the users and their families. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The BBC radio program “Caribbean Voices” aired for fifteen years and introduced writers like George Lamming, Louise Bennett, Sam Selvon and others to listeners on both sides of the Atlantic. Glyne Griffith’s The BBC and the Development of Anglophone Caribbean Literature, 1943-1958 (Palgrave MacMillan, 2016) is one of a few detailed studies of this program and the people and institutions that made it possible. Griffith makes important arguments about the combined force of letters, texts and broadcasts, and the ways they contributed to emerging nationalisms and territorial identities as the British Caribbean considered its postcolonial future. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

American culture is ubiquitous across the globe. It travels to different social contexts and is consumed by international populations. But the relationship between American culture and the meanings attached to the United States change over time. During the 20th century, the American Century, American culture generally aided in the positive global perception of U.S. policies and governance. In After the American Century: The Ends of U.S. Culture in the Middle East (Columbia University Press, 2016), Brian T. Edwards, Crown Professor in Middle East Studies and Professor of English at Northwestern University, demonstrates how this relationship altered in recent decades. Technological innovation and the emergence of the digital age have drastically changed the nature of cultural circulation and production. Edwards explores the innovative play between global culture and local subjects in Egypt, Iran, and Morocco. He explores the exchange and interpretations between multiple publics that engage culture situated within various assumptions and social expectations. What he shows is that local cultural production often creates the ends of circulation, which are not always visible to an American audience. In our conversation we discussed the relationship between culture and politics, Egyptian fiction and graphic novels, Iranian directors Asghar Farhadi and Abbas Kiarostami, Shrek, digital piracy, Moroccan film controversies, the logics of film production, interpreting audiences, American Orientalism in television, literature, and Ben Affleck’s Argo. Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

For the start of 2017, Dave Karpf is back on the podcast with his new book, Analytic Activism: Digital Listening and the New Political Strategy (Oxford University Press, 2016). Karpf is associate professor of media and public affairs at The George Washington University and author of The MoveOn Effect also published by Oxford. Much of the attention paid to digital politics is about speech. What did Donald Trump say on Twitter today? And who responded? Karpf’s book suggest that that attention has overlooked the other side of digital politics: listening. In Analytic Activism, Karpf focuses on how organizations use the digital footprints we all leave online to inform strategy. A/B testing and digital petitions allow political groups to hear what constituents care about and then later to use that information to mobilize and drive action. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In his new book The Age of Sharing (Polity Press, 2016), the sociologist and media scholar Nicholas A. John documents the history and current meanings of the word sharing, which he argues, is a central keyword of contemporary media discourse. John interrogates the rhetorical work that sharing does as a practice, a form of communication and a business model. He argues that in the last decade, sharing has come to dominate the way we think about our online activities, and indeed, the way we live. He demonstrates, how the therapeutic culture that defined the twentieth century, now shapes how we perceive and discuss our personal and economic interactions both online and offline. Moreover, it was the therapeutic discourse that informed and energized the shift from sharing as a distributive practice of material objects to the ethos of sharing as caring. John combines a close analysis of social media sites such as Facebook and businesses such Airbnb with a linguistic analysis of the genealogy of the concept of sharing, the unknown history of Alcoholics Anonymous, and the subculture of hackers to explain the ascent of sharing as a daily practice and coveted social currency. Nicholas A. John is Assistant Professor in the Department of Communication and Journalism at the Hebrew University of Jerusalem. Tal Zalmanovich is a historian of modern Britain and media. She’s currently researching the Anti-Apartheid Movement in Britain, and the impact its activists had on domestic politics in Britain. Prior to being an academic, Tal was a journalist. Podcasting is the fruitful convergence of the two. You can contact Tal at tal.zalmanovich@mail.huji.ac.il. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance (University of Michigan Press, 2015) Brian Eugenio Herrera examines the way in which Latina/o actors have communicated and influenced ideas about race and ethnicity in the U.S. through their performances on the stage and screen. Introducing the concept of the “Latin number,” Dr. Herrera analyzes a series of overlapping historical moments from 1930 to 1990 when media and audiences became fascinated with Latinas/os and their potential impact on U.S. society. As a fleeting phenomenon, in which the U.S. public rediscovers, consumes, and then disregards Latinas/os, “Latin numbers,” Herrera explains, comprise a form of “spectacular entertainment” that perpetuates the myth of Hispanics as perennial novelties. Building on the work of cultural historians, Herrera also employs the concept of “playing Latino” to describe the more enduring effects of Latina/o popular performance on U.S. systems of racial classification and knowledge production. Through detailed case studies, Herrera analyzes the ways in which Latinas/os have been typecast and stereotyped to “closet” or obscure ethnic, cultural, and regional distinctions among Hispanics, while simultaneously racializing them as non-white. Together, Herrera argues that the “Latin number” and “playing Latino” work in tandem to highlight the centrality of popular performance in rehearsing American audiences to think of Mexicans, Puerto Ricans, and Cubans in the more simplistic and monolithic terms of “Latino” and “Hispanic.” David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications