Unclear and Present Danger

On this week’s episode of Unclear and Present Danger, Jamelle and John watch the 1998 action thriller Mercury Rising, directed by Harold Becker and starring Bruce Willis, Alec Baldwin, and Miko Hughes. The film follows FBI agent Art Jeffries, who goes on the run to protect a nine-year-old autistic boy after the child accidentally cracks a classified NSA encryption cipher — drawing the attention of a rogue intelligence official willing to use lethal force to keep the program secret.In their conversation, Jamelle and John discuss the film’s offensive depiction of autism, its vision of “the deep state,” and the various ways it reflects mounting paranoia around government surveillance. You can find Mercury Rising available on Apple TV and Amazon Prime. Episodes come out roughly every two weeks, and so we will see you then with an episode on a 1998 TV movie about the Oklahoma City bombing. And don’t forget to check out our Patreon, where we cover the films of the Cold War and do a weekly politics show. You can find that at patreon.com/unclearpod

They dissect a convoluted sequel that swaps a tight chase for a byzantine conspiracy involving moles, espionage, and a Taiwan subplot. They debate pacing and casting choices, especially race and romantic dynamics. They trace the real history and duties of U.S. Marshals and connect 1990s federal policing to later reforms and surveillance concerns.

On this week's episode of Unclear and Present Danger, Jamelle and John were joined by Hilary Matfess of the University of Denver to discuss G.I. Jane, the 1997 military drama directed by Ridley Scott and starring Demi Moore and Viggo Mortenson. The discussion for this film revolves around the evolving role of women in the military, post-Cold War anxieties about American military readiness, the gender politics of the film, and what the movie might signify today, in the present.Matfess is the author of a new book, "Putting Women in their Place: Gender Power and World Politics," which is available wherever books are sold.For our next episode we are heading into 1998 with U.S. Marshals, the somewhat forgotten sequel to The Fugitive, starring Wesley Snipes and Tommy Lee Jones. And don't forget our Patreon, where we cover the films of the Cold War and do a regular politics show. You can find that at patreon.com/unclearpod.Our producer is Connor Lynch and our artwork is by Rachel Eck.

A deep dive into the political fallout from a high-profile federal operation in Minnesota. They examine how messaging missteps and leadership gaps inside the White House shape tactics and risks. The conversation covers proposed statutory limits on DHS operations and how states might push back. There is also a brief look at newly surfaced Epstein files and their political implications.

Dive into the chaotic world of a 1997 political thriller that blends murder and presidential intrigue. The hosts explore the fascinating dynamics between the media and American power perception, along with how films shape political imaginations. They dissect Snipes' and Lane's performances, highlighting the film's self-awareness and clever visual gags. Notably, they draw parallels between fictional conspiracies and messy real-world politics, concluding that reality often proves more absurd than Hollywood. Expect entertaining insights alongside a nostalgic look at the film's place in political culture.

On this week’s episode of Unclear and Present Danger, Jamelle and John marked the unfortunate death of Rob Reiner by watching his 1992 military legal thriller A Few Good Men. In their conversation, they discuss Reiner’s career, the underlying liberalism of a film like A Few Good Men, and the continued relevance of Jack Nicholson’s performance as Colonel Nathan Jessup.After this, we’ll be off for a few weeks, but then we’ll see you again in the new year with an episode on Murder at 1600. We’ll then finish out 1997 with an episode on G.I. Jane. It’s been a busy and chaotic 2025 for both Jamelle and John, but they both hope the schedule will return to some regularity for 2026.And do not forget the Patreon, where in addition to a twice-monthly show on the political and military thrillers of the Cold War, we do a weekly politics show. Our next Patreon movie episode will be on the 1984 adaptation of John Le Carre’s The Little Drummer Girl, starring the late, great Diane Keaton.

A scandal-ridden president distracts the public with a fake war in Albania, orchestrated by a Hollywood producer. The hosts critique the film's lazy satire and its commentary on Washington politics, comparing it to real-life scandals like Clinton's. They explore the impracticalities of fabricating a war and the film's moral shortcomings. While praising Hoffman and De Niro's performances, they argue the film lacks the depth of sharper political satires. Ultimately, they suggest viewing it as a quirky 90s relic rather than a compelling critique.

Every week, we do a political discussion show over at the Patreon. We wanted to offer you a preview of that show in the form of a full episode, which happens to be our most recent episode, on the Graham Platner affair in Maine. If you like our discussion, sign up for the Patreon to get an episode very week at patreon.com/unclearpod.

On this week’s episode of Unclear and Present Danger, Jamelle and John watched Tomorrow Never Dies, the 1997 action thriller, the eighteenth film in the James Bond series and the second to star Pierce Brosnan as fictional MI6 agent James Bond. Directed by Roger Spottiswoode, it follows Bond in his effort to stop the media mogul Elliot Carver, played by Jonathan Pryce, from starting World War III in order to expand his reach over the world’s information environment.Is Tomorrow Never Dies the superior film to Goldeneye? Is the power-mad media mogul a more relevant villain in 2025 than it was in 1997? How different is our media landscape, really, from that of an earlier age of American life? How much fun do you think Jonathan Pryce was having on set?Tomorrow Never Dies stars Pierce Brosnan, Jonathan Pryce, Michelle Yeoh, Teri Hatcher, Götz Otto, Ricky Jay, Joe Don Baker, Vincent Schiavelli, Judi Dench and Desmond Llewelyn.The tagline for the film is “The Man. The Number. The License...are all back.”You can find Tomorrow Never Dies to rent or stream on Amazon Prime and Apple TV.Episodes come out roughly every two weeks (we’re working on it) and our next episode will be on Barry Levinson’s Wag the Dog. And over on the Patreon, we’re celebrating spooky season with The Thing From Another World. Come and join the fun at patreon.com/unclearpod.Our producer is Connor Lynch and our artwork is by Rachel Eck.

On this week’s episode of Unclear and Present Danger, Jamelle and John watched the (rightfully) forgotten thriller The Jackal, a loose adaptation of The Day of the Jackal directed by Michael Caton-Jones and starring Bruce Willis, Richard Gere, Sidney Poitier and Diane Venora.In The Jackal, Willis plays the titular assassin, a feared hitman who has been hired by Russian mobsters to assassinate the director of the FBI, in retaliation for American activity in Russia. As the Jackal makes his arrangements, FBI Deputy Director Carter Preston (Poitier) and Russian Police Major Valentina Koslova (Venora) scour their sources for leads in a search that leads to imprisoned IRA sniper Declan Mulqueen (Gere). Mulqueen knows the Jackal and will help the FBI find him — if he gets his freedom in return. What follows is a chase across the world, as Carter, Koslova and Mulqueen race to stop the Jackal, whose ultimate target is the First Lady of the United States.The tagline for The Jackal was “How do you stop an assassin who has no identity?”You can find The Jackal to rent or purchase on Apple TV or Amazon Prime.Episodes come out roughly every two weeks, so we’ll see you then with an episode on Tomorrow Never Dies, the second entry in Pierce Brosnan’s run as James Bond.Over on Patreon, we have an episode on the first Mobile Suit Gundam compliation film. We’re also doing a weekly politics show on the news of the day. Joining us by heading over to patreon.com/unclearpod. Our producer is Connor Lynch and our artwork is by Rachel Eck.