The Screenwriting Life with Meg LeFauve and Lorien McKenna

Mortal Kombat II is out in theaters this weekend! Joe Forte chats with writer Jeremy Slater about taking on the second installment of an iconic video game turned film franchise. With so many characters and plot points to navigate, fight sequences to think about and beyond, how does one put that on the page and keep it fresh and exciting for all involved and all who hope to enjoy it? Jeremy provides a plethora of gems on the business and the craft in this thought provoking, action packed episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we have an old school Meg and Lorien dive deep into the life and world of screenwriting. The day to day life stuff. The bucket of S*it stuff. The things that swirl in your head stuff. And the, "I still have to write" stuff. If you want to feel seen, heard, understood and connected to others and have a good laugh... this is the episode for you! Learn more about your ad choices. Visit megaphone.fm/adchoices

A supercut of answers from top writers about what makes a scene work. Topics include scene purpose, entering late/exiting early, clear wants and obstacles, and showing measurable change. They discuss pacing, authenticity, comic beats, power shifts, and making internal change visible through action.

Danicah Waldo, an award-winning NYC writer-director known for her short Sally Get the Potatoes, discusses reworking her feature Cricket by shifting the protagonist and tightening themes. She describes the pivotal workshop note that moved the story toward the mother’s agency, structural edits, and plans to produce and direct. The conversation also touches on pitching vulnerability and practical drafting strategies.

With the industry in a contraction, writers are trying to figure out how to find steady work. ENTER - VERTICALS! Lorien is joined by writer and creator Shelby Farrell who has developed numerous features and verticals. She offers a premium program, Flipping The Screen, teaching writers to write for the new medium. Shelby walks through the pros and cons of the space as well as the keys to writing a successful version of one. Looking for more support on your writing journey? Join Meg and Lorien inside ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TSL Workshops⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Episode Links: For more information on Flipping The Screen and to sign up for the workshops, email flippingthescreen@gmail.com Check out the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TSL merch shop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TSL on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Screenwriting Life is produced and edited by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alex Alcheh.⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Maggie Gottlieb, a writer who rose from assistant to executive story editor; David F.M. Vaughn, writer and story editor known for long-term collaborations; and Sean Presant, award-winning TV writer and showrunner. They talk about finding real, lasting creative friendships, why trust and backup speed up room work, the sacrifices of tight production schedules, and how to build projects and communities rather than transactional networking.

On this edition of TSL, Meg and Lorien giving a wonderful mix of answers to some phenomenal listener questions, from detailed craft questions, to the business piece and everything in between. What do you do with your script after you've written it? How do you approach producers? Animated vs. Live Action - How to decide? How to get into the business if you don't live in a major market? Mindset of a writer. And so much more! ____________ Looking for more support on your writing journey? Join Meg and Lorien inside ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TSL Workshops⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Episode Links: Check out the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TSL merch shop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TSL on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Screenwriting Life is produced and edited by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Alex Alcheh.⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Aaron Tracy, writer-producer and founder of Parallax Audio who teaches creative writing at Yale. He talks about differences between audio and TV, his process for breaking and scripting seasons, directing and recording actors, the role of sound design, pitching to platforms, and when to self-produce. Clear, practical, and full of industry wisdom.

Jesse Andrews, novelist-turned-screenwriter behind Me and Earl and the Dying Girl and co-writer of Luca, talks about moving from novels into Pixar animation. He discusses Pixar’s structured writing process, shaping character-driven comedy, building Hoppers around grief and nature, and the collaborative, ego-free approach that fuels animated storytelling.

Jess Brownell, a Shondaland showrunner and Bridgerton writer, shares her rise to showrunning and creative leadership. She breaks down season 4’s visual palette, the stairwell sequence, choreography and intimacy staging. They discuss Benedict’s emotional journey and sexuality, Sophie’s agency, costume storytelling, and cinematic homages to classic romances.