New Books in Ancient History

Christians in the United States and around the world have varying images of Jesus, from one who turns the other cheek to one who brings the sword. Reza Aslan, in his highly popular and beautifully written new book Zealot: The Life and Times of Jesus of Nazareth (Random House, 2013), approaches Jesus by first taking the context in which he lived – first-century Palestine – quite seriously. Aslan argues that Jesus’ time was one awash in a fervent nationalism that is important for understanding the man as well as his message. It is not a book about the Jesus of the Gospels. Indeed it is not even a book about Christianity. Rather, Aslan’s book attempts to grapple with how Jesus understood himself and his role during a volatile period in history. Zealot has shot to the best seller lists in recent weeks, partly due to a controversial interview Reza Aslan gave to Fox News during which he was questioned about why a Muslim would be interested in writing a book about the founder of Christianity. We also talk to Reza about his earlier books, No god but God and How to Win a Cosmic War, as well as his two edited collections, Tablet & Pen and Muslims and Jews in America. We talk to him about growing up Iranian, while pretending to be Mexican, in the United States during the 1980s, about graduate school, about Fox News and Islamophobia, and about writing for a popular audience, being a public intellectual, and the challenges involved with such endeavors. Learn more about your ad choices. Visit megaphone.fm/adchoices

Early Korea is a resource like no other: in an ongoing series of volumes produced by the Early Korea Project at the Korea Institute of Harvard University, the series provides surveys of Korean scholarship on fundamental issues in the study of early Korean history, archaeology, and art history. The volumes, produced... Learn more about your ad choices. Visit megaphone.fm/adchoices

Contemporary philosophers still wrestle mightily with Plato’s Republic. A common reading has it that in the Republic, Plato’s character Socrates defends a conception of justice according to which reason should rule the soul and philosophers should rule the city. On all accounts, the Republic is centrally concerned with the question of what philosophers are and how they come to be. A standard reading contends that the multiple discussions in the Republic of the nature of the philosopher all aim to depict the very same kind of creature.In her new book, Philosophers in the Republic: Plato’s Two Paradigms (Cornell University Press, 2012), Roslyn Weiss challenges this view. She argues that the Republic depicts at least two distinct kinds of philosopher. She then employs this analysis in discussing several puzzles that emerge from the text concerning, for example, the absence of the virtue of piety in the Republic, and the curious similarities between Socrates’s conception of justice and moderation. The result is a fascinating examination of the Republic that has much to offer both to Plato scholars and more casual readers. Learn more about your ad choices. Visit megaphone.fm/adchoices

What makes something a poem? What defines “poetry,” and how has that changed over space and time? Critics and Commentators: The ‘Book of Poems’ as Classic and Literature (Harvard University Press, 2012) considers such questions as they chart a path through literary studies in Chinese history. From the comparative poetics... Learn more about your ad choices. Visit megaphone.fm/adchoices

It’s traditional in Plato scholarship to divide his dialogues in various ways. One common division is a temporal one that distinguishes among early, middle and late dialogues. Another is by content: there are the so-called erotic dialogues, which include Symposium, Phaedrus and Alcibiades I, where themes of love and friendship are explicitly treated, and then the rest, which deal with such non-erotic themes as language and knowledge and ontology. Jill Gordon, Charles A. Dana Professor of Philosophy at Colby College, argues that this second division deeply misinterprets the role of eros in the Platonic corpus. In her new book, Plato’s Erotic World: From Cosmic Origins to Human Death (Cambridge University Press, 2012), she argues that paradigmatically non-erotic dialogues, such as Theaetetus, Parmenides and Phaedo, are in fact deeply erotic, and that the theme of eros unifies the corpus rather than divides it. For example, the Socratic dialectic, or elenchus, is a give-and-take that is erotic in nature, and doing philosophy itself is an erotic endeavor akin to naked exercise in the gymnasium. Her argument begins with a close reading of Timaeus, Plato’s creation myth, and the role of eros in the immortal human soul, and comes full circle with a reading of Phaedo in which Socrates’ growing rigidity as the hemlock takes hold is an erotic pun. Learn more about your ad choices. Visit megaphone.fm/adchoices

If New Books in East Asian Studies were an All-Powerful Force of Good In The Universe and if one of the perks that came along with being an All-Powerful Force of Good In The Universe were to ensure that certain books got major awards, then we would exercise that perk... Learn more about your ad choices. Visit megaphone.fm/adchoices

Many of us try to be thoughtful about the ways that we incorporate (or try, at least, to incorporate) different modes of evidence into our attempts to understand the past: objects, creatures, words, ideas. Rowan Flad's Salt Production and Social Hierarchy in Ancient China: An Archaeological Investigation of Specialization in China's Three Gorges (Cambridge UP, 2011) stands as a beautiful case study of what it can look like to do so. Flad juxtaposes texts, bamboo slips, ceramic sherds, animal remains, and other lines of evidence to offer an exceptionally rich account of the technology of salt production in early China, offering glimpses at comparative archeological practices, ideas of spatiality, and the diversity of uses of animals in early China along the way. Reading the book inspired, for me, new ways of thinking about the conceptual role of fragments in the work of the historian, and our conversation was similarly inspiring. Learn more about your ad choices. Visit megaphone.fm/adchoices

Aside from being aesthetically equated to Elizabeth Taylor, Cleopatra has not fared well in history. In her riveting biography Cleopatra: A Life (Back Bay Books, 2011), which is now out in paperback, Stacy Schiff establishes that this was primarily because Cleopatra’s story was penned by a crowd of Roman historians for whom “citing her sexual prowess was evidently less discomfiting than acknowledging her intellectual gifts.”Schiff exhibits no such discomfort and, in brilliant contrast, seems to revel in her subject’s lively intelligence. She establishes from the out-set that, above all, Cleopatra was a consummate politician–a visionary who shaped her own persona and her people’s perception through both exceptional leadership and canny political stagecraft.One of the most significant contributions of Cleopatra: A Life is that it provides us with the least tainted view of the Egyptian queen to date. Schiff assiduously teases out the motivations of Cleopatra’s chroniclers, and the result is a compelling rendering wherein the myths surrounding the last Egyptian queen are not only deconstructed but their origins are also explained. With the veils of myth removed, the Cleopatra that emerges in Schiff’s sensitive and probing portrait is a smarter, wiser woman, and one of the strongest, most influential rulers of the ancient world.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The Victor’s Crown brings to vivid life the signal role of sport in the classical world. Ranging over a dozen centuries–from Archaic Greece through to the late Roman and early Byzantine empires–David Potter’s lively narrative shows how sport, to the ancients, was not just a dim reflection of religion and... Learn more about your ad choices. Visit megaphone.fm/adchoices

In this installment of Faculty Insight, produced in partnership with Harvard University Extension School, ThoughtCast speaks with the esteemed Harvard classicist Gregory Nagy about one of the earliest and greatest legends of all time: Homer’s epic story of the siege of Troy, called “The Iliad.” It’s a story of god-like heroes and blood-soaked battles; honor, pride, shame and defeat. In this interview, we dissect a key scene in “The Iliad,” where Hector and Achilles are about to meet in battle. Athena is also on hand, and she plays a crucial if underhanded role, with the grudging approval of her father, Zeus.And Nagy is the perfect guide to this classic tale. He’s the director of Harvard’s Center for Hellenic Studies in Washington DC, as well as the Francis Jones Professor of Classical Greek Literature and Professor of Comparative Literature at Harvard. We spoke in his office at Widener Library. Learn more about your ad choices. Visit megaphone.fm/adchoices