American Writers (One Hundred Pages at a Time)

In this sequel to "If This Goes On" Robert A. Heinlein explores the limits of individualism and the dangers of assuming the most conspicuous alternatives are best. It pairs nicely with FOR US, THE LIVING.

In part two of my review of INNOCENTS ABROAD by Mark Twain we follow our author through Italy and his engagement with the reality and idealization of the Renaissance.

We move onto Mark Twain's first published book INNOCENTS ABROAD. This book recounts his adventures in Europe and Asia during a steamship tour. Through it he reflects a lot on tourism and authenticity.

In this short episode, I finish up my thoughts on IF THIS GOES ON by Robert A. Heinlein, focusing on the strategy for insurgencies and how movement cultures transform ideology.

In this episode of the Robert A. Heinlein Book Club, I examine the first half of "If This Goes On," which images a rebellion against a theocratic American autocracy. It forces us to consider what goes into making movement cultures.

In this episode, I take a quick look at Mark Twain's PUDD'NHEAD WILSON, a great exploration of the absurdity of the color line and slavery in America.

There is not a whole lot to say about Robert A. Heinlein's story "Requiem" but I try anyway to give my thoughts. Maybe we will have more to say when we get to "The Man Who Sold the Moon", his prequel to this story.

This episode is the conclusion to my thoughts on THE ADVENTURES OF HUCKLEBERRY FINN, one of my nation's greatest novels. It ends (in my opinion) with a criticism of liberalism as a path to change and progress.

I agree that the "roads must roll", but to what degree does that mean we should be obliged to one class of people? Perhaps I look into that in this review of "The Roads Must Roll" by Heinlein.

In part 2 of my review of THE ADVENTURES OF HUCKLEBERRY FINN by Mark Twain, I focus on the odious adults that Huck and Jim interact with and how we might interpret the various lines between freedom and slavery, adulthood and childhood, and above all, the color line.