New Books in Women's History

Monica A. Coleman's great-grandfather asked his two young sons to lift him up and pull out the chair when he hanged himself, and that noose stayed in the family shed for years. The rope was the violent instrument, but it was mental anguish that killed him. Now, in gripping fashion, Coleman examines the ways that the legacies of slavery, war, sharecropping, poverty, and alcoholism mask a family history of mental illness. Those same forces accompanied her into the black religious traditions and Christian ministry. All the while, she wrestled with her own bipolar disorder.Bipolar Faith: A Black Woman’s Journey with Depression and Faith (Fortress Press, 2016) is both a spiritual autobiography and a memoir of mental illness. In this powerful book, Monica Coleman shares her life-long dance with trauma, depression, and the threat of death. Citing serendipitous encounters with black intellectuals like Henry Louis Gates, Jr., Angela Davis, and Renita Weems, Coleman offers a rare account of how the modulated highs of bipolar II can lead to professional success, while hiding a depression that even her doctors rarely believed. Only as she was able to face her illness was she able to live faithfully with bipolar.Monica A. Coleman teaches theology and African American religions at Claremont School of Theology, where she also codirects the Center for Process Studies. Her writings cover womanist theology, sexual abuse, and the African American experience. She is an ordained elder in the African Methodist Episcopal Church a sought-after speaker and preacher.Elizabeth Cronin, Psy.D., is a licensed clinical psychologist and mindfulness meditation teacher with offices in Brookline and Norwood, MA. You can follow her on Instagram or visit her website at https://drelizabethcronin.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this unapologetically African-centered monograph, Nwando Achebe considers the diverse forms and systems of female leadership in both the physical and spiritual worlds, as well as the complexities of female power in a multiplicity of distinct African societies. From Amma to the goddess inkosazana, Sobekneferu to Nzingha, Nehanda to Ahebi Ugbabe, Omu Okwei, and the daughters or umuada of Igboland, Female Monarchs and Merchant Queens in Africa (Ohio University Press, 2020) documents the worlds and life histories of elite African females, female principles, and (wo)men of privilege.Chronologically and by theme, Nwando Achebe pieces together the worlds and experiences of African females from African-derived sources, especially language. Achebe explores the meaning and significance of names, metaphors, symbolism, cosmology, chronicles, songs, folktales, proverbs, oral traditions, traditions of creation, and more. From centralized to small-scale egalitarian societies, patrilineal to matrilineal systems, North Africa to sub-Saharan lands, Female Monarchs and Merchant Queens in Africa offers an unparalleled history of the remarkable African women who occupied positions of power, authority, and influence.Madina Thiam is a PhD candidate in history at UCLA. Learn more about your ad choices. Visit megaphone.fm/adchoices

“The most interesting women in the world!” That’s how Claire Robertson describes African women, and it’s hard to disagree with her after reading Holding the World Together: African Women in Changing Perspective (University of Wisconsin Press, 2019), co-edited with Nwando Achebe. In 16 chapters, 19 contributors explore everything from issues of representation in novels and cinema, to political organizing, religious fundamentalism, slavery, love, and sexuality. Each essay is written by an expert in the field, balancing an overview of the scholarship with key examples that portray the diversity of women’s experiences on the continent. Holding the World Together represents a lively, interdisciplinary effort to invite readers into the fascinating lives of African women, past and present.Elisa Prosperetti is a Visiting Assistant Professor in African history at Mount Holyoke College. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at: www.elisaprosperetti.net. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this revised edition of her classic and groundbreaking work, Believing Women in Islam: Unreading Patriarchal Interpretations of the Qur’an (University of Texas Press, 2019), Asma Barlas demonstrates how a Muslim believer can fully adopt an antipatriarchal reading of the Qur’anic text while maintaining belief in its Divine Providence. The intervention she makes is thus as useful to those studying the Quran (and scriptural interpretation more broadly) in the western academy as it is to Muslims searching for renewed ways to interpret their Divine Scripture in a more egalitarian spirit.Barlas cogently argues that just as patriarchy is read into the text, it can also be unread, and provides a methodology by which this can be done. In the process, she critiques both those within her tradition who hold to fixed patriarchal or authoritarian readings of scripture and those outside of her tradition who believe that her efforts are futile. Barlas’s hermeneutic privileges the text without being strictly textualist. That is to say, she is conscious of—and likewise calls her readers to be attuned to—the role played by power in the construction of interpretive knowledge. For example, she argues that even if the Qur’an is emphatic and explicit in affirming that God is genderless, this has not prevented a masculinization and an anthropomorphization of God through certain (male-dominated) theological and spiritual discourses and language.In our interview, we take a journey through the three parts of her book: (1) Texts, Contexts, and Religious Meaning (2) God, the Prophets, and Fathers and (3) Unreading and Rereading Patriarchy. With deep moral clarity, Asma Barlas aims to recover what Leila Ahmad (1992) has called the ‘stubbornly egalitarian’ voice of Islam by illuminating the polysemic voice of the Qur’an. We additionally discuss the two new chapters in this revised edition of the book: “Abraham’s Sacrifice in the Qur’an: Beyond the Body” which elaborates on the Qur’anic rejection of representations of fathers as surrogates of a divine patriarch; and “Secular/Feminism and the Qur’an” where she engages with—and responds to—her secular and feminist interlocutors/critics on the subject of Qur’anic interpretation. This book is a passionate clarion call to dig deeper into how we receive, understand, and interpret scripture regardless of our faith commitments.Asad Dandia is a graduate student of Islamic Studies at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Aya Gruber, a professor of law at the University of Colorado Law School, has written a history of how the women’s movement in America has shaped the law on domestic violence and sexual assault.In The Feminist War on Crime: The Unexpected Role of Women’s Liberation in Mass Incarceration (University of California Press, 2020), Professor Gruber contends that the legal reform movement on sexual assault began with feminists in the 19th century, who argued in favor of temperance reform, partly in the hope that it would lead to less violence against women. She also argues that the social context in which sexual assault allegations were made in the 19th century, especially regarding African-American males and white women, influenced the outcomes in legal cases and divided the feminists of the 19th century. Professor Gruber also addresses the fissures created in the women’s movement from the 1960s through today regarding how sexual assault should be treated under the law has worked against justice for both victims and their assailants. Professor Gruber argues that sexual assault law is premised upon erroneous beliefs about how men and women interact, the norms of nonverbal conduct, and the efficacy of punitive solutions. In addition to covering the history of sexual assault law she addresses how the criminal law might be reformed to meet the “convergent interests” of men and women.Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. Learn more about your ad choices. Visit megaphone.fm/adchoices

Gertrude Hoffman is one of many entertainers who were big stars in vaudeville before World War I, but whose celebrity faded as the American public was seduced by radio and film after the Great War.Sunny Stalter-Pace recounts Hoffmann’s groundbreaking career and contextualizes her work as a dancer, comedienne, producer, and choreographer in the American cultural landscape in Imitation Artist: Gertrude Hoffman’s Life in Vaudeville and Dance (Northwestern University Press, 2020).Hoffman brought European modern dance to a mass American audience through her imitations, vaudeville revues, and touring show recreating some of the Ballet Russes’s iconic dances. She served as a conduit between the avant-garde and commercial theater through a deft combination of highbrow and lowbrow in each of her projects.More than a simply a stage performer, Hoffman was also the first woman stage manager and choreographer on Broadway, and a prolific producer both during and after her stage career was over. Intersecting with figures such as Florence Ziegfeld, George M. Cohan, and Oscar Hammerstein I, Hoffman was part of the network of impresarios and performers who created popular entertainment in the United States at the beginning of the twentieth century.Sunny Stalter-Pace is the Hargis Associate Professor of American Literature at Auburn University. She is interested in the intersection of modernist performance and literature in urban spaces. A prolific scholar, Imitation Artist is Stalter-Pace’s second book.Kristen Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paulo Drinot’s The Sexual Question: A History of Prostitution in Peru, 1850s-1950s (Cambridge University Press, 2020), studies the interplay of sexuality, society, and the state in Peru in the nineteenth and twentieth centuries. Drinot analyzes the rules and norms that governed prostitution and venereal disease in this period, and tracks how regulation of prostitution was implemented in the early twentieth century, and then seemingly abandoned in the 1950s. Drinot’s story foregrounds the many agents that intervened in this process: prostitutes––or sex workers as we may call them today––but also government officials, physicians, journalists, feminists, among others.Set in a global and comparative framework, this book centers on Peru, a country that came “late” to the regulation of prostitution, and did so under arguments that combined concerns about public health and ideas about proper female and male sexuality. The Sexual Question goes beyond the history of prostitution for it also sheds light on broader processes such as the medicalization of society and the construction of the nation-state in Latin American societies. Race figures prominently in this story: throughout this period, the regulation of prostitution was accompanied by the racialization of disease, and the policing of certain groups deemed especially dangerous or in need of protection (Afro-Peruvians and indigenous groups for example). This is a timely book, not only for those listeners concerned with Latin American history, but also for those who are interested in sexuality, the state, race, and medical history more generally. A must for our listeners!Lisette Varón-Carvajal is a PhD Candidate at Rutgers University-New Brunswick. You can tweet her and suggest books at @LisetteVaron Learn more about your ad choices. Visit megaphone.fm/adchoices

Among the tens of thousands of Americans who volunteered their services during the Civil War was Mary Walker, a daring young woman who was one of the handful of female doctors in the nation at that time. Yet despite the often desperate need for medical professionals she spent much of the war struggling to earn the respect she felt she deserved. In Dr. Mary Walker's Civil War: One Woman's Journey to the Medal of Honor and the Fight for Women's Rights (Lyons Press, 2020), Theresa Kaminski describes this struggle and how it reflected her lifelong struggle to have the world accept her on her own terms. The daughter of free-thinking farmers, the young Mary enjoyed a level of education unusual for her era. Even before the war began she defined her identity with their radical choices in clothing and her decision to divorce her philandering husband. When the war began Dr. Walker sought a commission as a doctor, only to face opposition from every authority figure she met. Over time, however, her persistent efforts gradually won her a degree of acceptance and a role in the war. While her goal to earn a commission remained unfulfilled, at the end of the war her brave sacrifices on behalf of the Union earned for herself a Medal of Honor – one that a century and a half later remains the only Medal of Honor ever awarded to a woman. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before Ronald Reagan appointed Sandra Day O’Connor to the Supreme Court in 1981, nine highly qualified women were on the shortlist. What do the stories of these women tell us about the judiciary? Gender? Feminism? Race?In Shortlisted: Women in the Shadows of the Supreme Court (NYU Press, 2020), Renee Knake Jefferson (professor at the University of Houston Law Center) and Hannah Brenner Johnson (Vice Dean and a law professor at California Western School of Law in San Diego) demonstrate how highly (and often overly) qualified woman are shortlisted by presidents -- from Herbert Hoover to Donald Trump -- to create the appearance of diversity before a (white) man is selected to preserve the status quo. Short-listing isn’t success but symptom of a problem.Jefferson and Johnson’s research in presidential libraries, private papers, oral histories, the Nixon tapes, and biographies reveals that presidents as early as Herbert Hoover began discussing female candidates – though presidents set aside overly qualified women for decades. The first half of this nuanced book explores the first woman considered (Florence Allen), five judges who were on the short lists of JFK, LBJ, Nixon, and Ford, and female judges who were short-listed alongside Sandra Day O’Connor (including the first Black female judge, Amalya Lyle Kearse). The histories of each candidate map onto the waves of feminism, reflect on the role of marriage, motherhood, and sexuality, and allow the authors to identify the harms of short-listing.The details are revealing about both past and present and the second half of the book addresses how to apply the lessons learned from these decades of paying lip-service to diversity. How can candidates transition from shortlisting to selection? Jefferson and Johnson discuss tokenism, the burdens of being a gender spokesperson, racism, ageism, and the binds of femininity and “respectability.” The authors demonstrate how the selection of women for the Supreme Court impacts other aspects of the legal system and beyond. Although the number of men and women entering law school and entry-level legal positions are equal, the rate at which men reach leadership positions is considerably faster than women. This phenomenon can be seen in many fields where there is a pursuit of professional advancement. The authors conclude with strategies such as “collaborating to compete” to reform the American legal system.Daniella Campos assisted with this podcast.Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013) and, most recently, “Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground” in the Journal of Politics (August 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices

In The Movement for Reproductive Justice: Empowering Women of Color through Social Activism (NYU Press, 2020), Pat Zavella shows how reproductive justice organizations' collaborative work across racial lines provides a compelling model for other groups to successfully influence change.In the context of the war on women's reproductive rights and its disproportionate effect on women of color, and increased legal violence toward immigrants, The Movement for Reproductive Justice demonstrates that a truly intersectional movement built on grassroots organizing, culture shift work, and policy advocating can offer visions of strength, resiliency, and dignity for all.Dr. Pat Zavella is Professor Emerita in the Department of Latin American and Latino Studies at the University of California, Santa Cruz. She is also the author of I’m Neither Here nor There: Mexicans’ Quotidian Struggles with Migration and Poverty and coauthor of Telling to Live: Latina Feminist Testimonios.Dr. Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis. Learn more about your ad choices. Visit megaphone.fm/adchoices