New Books in Women's History

In their new collection, Monstrous Women in Comics (University Press of Mississippi, 2020), Samantha Langsdale and Elizabeth Rae Coody put together a critical volume on the ways women are made monstrous in popular culture. This edited volume examines the coding of woman as monstrous and how the monster as dangerously evocative of women/femininity/the female is exacerbated by the intersection of gender with sexuality, race, nationality, and disability. The five sections of this book look at the cultural context surrounding varied monstrous voices: embodiment, maternity, childhood, power, and performance. This volume probes into the patriarchal contexts wherein men are assumed to be representative of the normative, universal subject, such that women frequently become monsters.The collection includes contributions by Novia Shih-Shan Chen, Elizabeth Rae Coody, Keri Crist-Wagner, Sara Durazo-DeMoss, Charlotte Johanne Fabricius, Ayanni C. Hanna, Christina M. Knopf, Tomoko Kuribayashi, Samantha Langsdale, Jeannie Ludlow, Marcela Murillo, Sho Ogawa, Pauline J. Reynolds, Stefanie Snider, J. Richard Stevens, Justin Wigard, Daniel F. Yezbick, and Jing Zhang.Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. She has written extensively on popular culture in the classroom, youth’s out of school literacy practices, music-based pedagogy, and punk, including her book "Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics" (Peter Lang, 2018). She's a diehard Cubs fan and will miss The Winchester Brothers when they are gone. Learn more about your ad choices. Visit megaphone.fm/adchoices

Muslim Women’s Rights: Contesting Liberal-Secular Sensibilities in Canada (Routledge 2019) By Tabassum Fahim Ruby follows the legal debates and public discussions that surrounded the proposed shari‘ah tribunals in Canada from 2003 to 2006. In her close readings and discourse analysis of the public and media scrutiny that followed this discussion, Ruby found that these debates existed at the nexus of complex assumptions about human rights discourses, liberal-secular sensibilities, and law, which all hinged on narratives of western modernity and progress and were set against notions of Muslim women’s rights and agency, or lack thereof. By tracing discourses surrounding Islamic family law and practices of faith-based arbitration in Canada, the study problematizes conceptions of multiculturalism, secularism, and human rights discourses, while further contributing to discussion of contemporary Islam and gender by drawing on postcolonial, antiracist, and transnational feminist studies by focusing on Muslim women’s rights. This book will be of interest to scholars who think and write about women and gender in Islam, especially in Canada, the United States and western Europe, along with those who are interested in human rights and Islamic law. It will also be a great text to include in courses on Islam and gender, and contemporary Islam. Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. Her research areas are on contemporary Sufism in North America and South Asia. She is the author of Sacred Spaces and Transnational Networks in American Sufism (Bloomsury Press, 2018) and a co-author of Contemporary Sufism: Piety, Politics, and Popular Culture (Routledge, 2017). More details about her research and scholarship may be found here and here. She may be reached at shobhana.xavier@queensu.ca. You can follow her on Twitter via @shobhanaxavier. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andrea Pető's book The Women of the Arrow Cross Party: Invisible Hungarian Perpetrators in the Second World War (Palgrave Macmillan, 2020) analyses the actions, background, connections and the eventual trials of Hungarian female perpetrators in the Second World War through the concept of invisibility. It examines why and how far-right women in general and among them several Second World War perpetrators were made invisible by their fellow Arrow Cross Party members in the 1930s and during the war (1939-1945), and later by the Hungarian people's tribunals responsible for the purge of those guilty of war crimes (1945-1949). It argues that because of their 'invisibilization' the legacy of these women could remain alive throughout the years of state socialism and that, furthermore, this legacy has actively contributed to the recent insurgence of far-right politics in Hungary. This book therefore analyses how the invisibility of Second World War perpetrators is connected to twenty-first century memory politics and the present-day resurgence of far-right movements. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a bustling city-center of Seoul, women in yellow vests protesting over the “final” resettlement between the Japanese and Korean governments every Wednesday is an iconic sight, testifying to the strength and resilience of the “comfort women” movement. In her award-winning book Embodied Reckonings: “Comfort Women,” Performance, and Transpacific Redress (University of Michigan Press, 2018), Elizabeth Son examines a long neglected aspect of the “comfort women” advocacy movement: embodied practices of the former “comfort women” and activists as they protest against the historical amnesia of sexual slavery. Through a transpacific framework, Son shows how the “comfort women” movement holds Asian American and Asian activists together as they collectively address America’s imperialist past and seek redress against militarized sexual violence. Son’s monograph takes the reader to the materiality, physicality, and aurality of the Wednesday demonstrations as the collective presence of former “comfort women” and activists refuse the label “post” of post-colonial, and counter the forced historical amnesia of “comfort women” history. Son further examines the testimonies of “comfort women” during the Women’s Tribunal, which was organized transnationally to highlight the failure of Tokyo Tribunal and other international organizations in recognizing sexual slavery as a crime. Transpacific redressive theater further critiques cultural amnesia, and transpacific memorials connect “comfort women” from formerly colonized nations as well as Japan to rise in solidarity against the universal atrocity of the war. In examining embodied aspects of transpacific redress of the “comfort women” movement, Son’s work asks important questions surrounding the limits/possibilities of transpacific alliances, historical erasure of sexual slavery and the violent legacy of militarized imperialism.Elizabeth Son is Associate Professor and the Director of the Interdisciplinary PhD in Theatre and Drama (IPTD) Program at Northwestern University. She was an inaugural Mellon/ACLS Scholars & Society fellow, and was a scholar-in-residence at KAN-WIN: Empowering Women in the Asian American Community. She continues to partner with KAN-WIN as a crisis hotline volunteer and co-founding member of their “comfort women” justice advocacy team. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Victoria Phillips adeptly tells the story of Martha Graham's role as diplomat, arts innovator, and dancer. Her book Martha Graham's Cold War: The Dance of American Diplomacy (Oxford UP, 2019) is a look at the years that her company toured the world as an example of American democracy and freedom. Martha Graham's Cold War frames the story of Martha Graham and her particular brand of dance modernism as pro-Western Cold War propaganda used by the United States government to promote American democracy. Representing every seated president from Dwight D. Eisenhower through Ronald Reagan, Graham performed politics in the global field for over thirty years. This fascinating story takes you through the world of Martha Graham and her famous dancer as they circle the globe promoting American values and artistic ingenuity. Learn more about your ad choices. Visit megaphone.fm/adchoices

While Hollywood’s images present a veneer of fantasy for some, the work to create such images is far from escapism. In Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood (Duke University Press, 2020), anthropologist Vanessa Díaz examines the raced and gendered hierarchies and inequalities that are imbricated within the work of producing celebrity in Los Angeles, CA. Díaz’s ethnography follows reporters and paparazzi to examine their everyday practices of work and labor that bring celebrity images and stories into being on the pages of celebrity magazines. Grounded in media workers’ perspectives and everyday life, this book carefully situates Latino paparazzi and women reporters in relationship to the particular vulnerabilities that they face. For example, Díaz traces a shift in the demographic of the paparazzi from white men to Latino men, and with it a significant shift in the tone of insults levied against them. Women reporters remain vulnerable to sexual harassment and other dangers in carrying out their work. Hollywood presents itself to its audience through its carefully crafted films, images, and stories. Díaz’s work troubles this facade by centering the work and challenges of the everyday laborers who produce it.Vanessa Díaz is an Assistant Professor in the Department of Chicana/o and Latina/o Studies at Loyola Marymount University.Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of New Books in History, Jana Byars talks with Sharon Strocchia, Professor of History at Emory University. She is the author of Death and Ritual in Renaissance Florence, (Johns Hopkins University Press, 1992), Nuns and Nunneries in Renaissance Florence (Johns Hopkins University Press, 2009), and the book we are here to talk about today, Forgotten Healers: Women and the Pursuit of Health in Late Renaissance Italy, a 2019 Harvard University Press release. In this book, Professor Strocchia continues the work of her career: recentering the discourse to include the formative contributions of women in the Italian Renaissance. Through a discussion of Medici women, convent pharmacists, and hospital nurses, Strocchia adeptly argues that women played a leading role in the development of Renaissance medicine.Jana Byars is the academic director of SIT Amsterdam’s study abroad program, Gender and Sexuality in an International Perspective. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1890s Australian and New Zealand women became the first in the world to win the vote. Buoyed by their victories, they promised to lead a global struggle for the expansion of women’s electoral rights. Charting the common trajectory of the colonial suffrage campaigns, James Keating's book Distant Sisters: Australasian Women and the International Struggle for the Vote, 1880-1914 (Manchester UP, 2020) uncovers the personal and material networks that transformed feminist organising. Considering intimate and institutional connections, well-connected elites and ordinary women, this book argues developments in Auckland, Sydney, and Adelaide―long considered the peripheries of the feminist world―cannot be separated from its glamourous metropoles. Focusing on Antipodean women, simultaneously insiders and outsiders in the emerging international women’s movement, and documenting the failures of their expansive vision alongside its successes, this book reveals a more contingent history of international organising and challenges celebratory accounts of fin-de-siècle global connection. Learn more about your ad choices. Visit megaphone.fm/adchoices

For many of its participants, the All-American Girls Professional Baseball League (AAGPBL) offered them an opportunity to change their lives, yet few were as transformed as that of Isabel “Lefty” Alvarez. As Kat D. Williams details in Isabel “Lefty” Alvarez: The Improbable Life of a Cuban-American Baseball Star (University of Nebraska Press, 2020), playing in the league gave her the chance for a new start in a different country. Williams highlights the role Lefty’s mother María played in encouraging her to take up sports as a way of escaping their family’s slide into poverty. Lefty’s involvement with baseball coincided with a unique period of opportunities for women in the sport, one that she embraced first by playing for an all-Cuban team then by signing a contract with the AAGPBL. Though a knee injury and the demise of the AAGPBL ended her professional career, Lefty remained in the United States after its demise, finding employment and becoming an active participant in the AAGPBL reunions that began in the 1980s. Learn more about your ad choices. Visit megaphone.fm/adchoices

Terry Baum’s book One Dyke’s Theater: Selected Plays 1975-2014 (Exit Press, 2019) collects plays and solo scripts from throughout the career of a “slightly world-renowned lesbian playwright.” The plays range from outlandish comedies like Bride of Lesbostein to the historical drama Hick: A Love Story. This book will be of interest to anyone interested in the history of queer theatre, solo performance, and feminism.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices