New Books in LGBTQ+ Studies

Twice Blessed (Fordham University Press, 2025) is a memoir that explores the depths of love, resilience, and the true meaning of family. Stefanie Mercado Altman, Claire Altman, and Stan Altman share an inti­mate and inspiring story about the bonds that define us, from adoption to caregiving and beyond. When Stefanie was adopted by Claire and Stan, their family was built on love and trust rather than biology. As they navigated the joys and struggles of parenting, they faced challenges that tested their resilience, including Stefanie’s search for identity and connection with her birth mother, Rosa, a gifted artist whose struggles with AIDS cast a long shadow.From the highs of new beginnings to the heartbreak of loss, Twice Blessed captures the com­plexities of relationships and the sacrifices made in the name of love. The story unfolds with warmth, humor, and honesty, offering a powerful perspective on what it means to belong. Through Stefanie’s journey of self-discovery and the family’s steadfast devotion, the book paints a vivid portrait of compassion and perseverance.To learn more about Twice Blessed visit TwiceBlessed.org.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

From award-winning writer Sarah Schulman, a longtime social activist and outspoken critic of the Israeli war on Gaza, comes The Fantasy and Necessity of Solidarity (Penguin, 2025). This book is a brilliant examination of the inherent psychological and social challenges to solidarity movements, and what that means for the future For those who seek to combat injustice, solidarity with the oppressed is one of the highest ideals, yet it does not come without complication. In this searing yet uplifting book, award-winning writer and cultural critic Sarah Schulman delves into the intricate and often misunderstood concept of solidarity to provide a new vision for what it means to engage in this work—and why it matters. To grapple with solidarity, Schulman writes, we must recognize its inherent fantasies. Those being oppressed dream of relief, that a bystander will intervene though it may not seem to be in their immediate interest to do so, and that the oppressor will be called out and punished. Those standing in solidarity with the oppressed are occluded by a different fantasy: that their intervention is effective, that it will not cost them, and that they will be rewarded with friendship and thanks. Neither is always the case, and yet in order to realize our full potential as human beings in relation with others, we must continue to pursue action towards these shared goals. Within this framework, Schulman examines a range of case studies, from the fight for abortion rights in post-Franco Spain, to NYC’s AIDS activism in the 1990s, to the current wave of campus protest movements against Israel’s war on Gaza, and her own experience growing up as a queer female artist in male dominated culture industries. Drawing parallels between queer, Palestinian, feminist, and artistic struggles for justice, Schulman challenges the traditional notion of solidarity as a simple union of equals, arguing that in today's world of globalized power structures, true solidarity requires the collaboration of bystanders and conflicted perpetrators with the excluded and oppressed. That action comes at a cost, and is not always effective. And yet without it we sentence ourselves to a world without progressive change towards visions of liberation. By turns challenging, inspiring, pragmatic, and poetic, The Fantasy and Necessity of Solidarity provides a much-needed path for how we can work together to create a more just, more equitable present and future. Sarah Schulman is a novelist, playwright, screenwriter, nonfiction writer, and AIDS historian. Her books include The Gentrification of the Mind, Conflict Is Not Abuse, and Let the Record Show: A Political History of ACT UP New York, 1987–1993, and the novels The Cosmopolitans and Maggie Terry. Schulman’s honors include a Fulbright in Judaic Studies, a Guggenheim in Playwriting, and honors from Lambda Literary, the Publishing Triangle, NLGJA: The Association of LGBTQ+ Journalists, the American Library Association, and others. Her writing has appeared in The New Yorker, New York, Harper’s Magazine, The Atlantic, The Nation, The New Republic, The New York Times, and The Guardian. Schulman holds an endowed chair in creative writing at Northwestern University and is on the advisory board of Jewish Voice for Peace. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

The Queerness of Psychoanalysis: From Freud and Lacan to Laplanche and Beyond (Routledge, 2024) is an exploration of psychoanalysis' often complicated and fraught history with thinking about queerness, as well as its multifaceted heritage. Throughout the chapters, the contributors write about psychoanalysis’ relationship with queerness, the ways in which queerness is represented in the psychoanalytic archive, and how that archive endures in the present and creates various disruptive effects both within and beyond the clinic. Each chapter from the global cohort of contributors approaches queerness from a different angle: they consider the literary aspects of queerness’ presence in the analytic world; the clinical complexities of working with queer and trans people; metapsychological inclusion and exclusion of queerness, and many other subjects. Taken together these contributions constitute a decisive intervention into the psychoanalytic canon. They are an unabashed demand for accepting and furthering the representation and inclusion of queer, and in particular trans, people within psychoanalysis. It is a call for action to utilize and deepen psychoanalysis’ enormous explicatory powers and bring together voices that have so far been denied a unity of expression, while critically reevaluating psychoanalysis’ historical relationship to queerness. Each chapter proposes different ways of thinking and writing psychoanalytically, with many of the papers queering the format and forms of expression commonly found in academic writing, through their use of dialogues, conversations, or other experimental forms of writing. Written almost exclusively by analysts, scholars, and activists who identify as trans and/or queer, this important volume puts theory into practice by centering queer and trans voices. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Disco didn't just happen—it emerged from the vibrant gay club scene of 1970s New York City. In this episode, hosts Ryan Purcell and Kristie Soares explore how iconic venues like the Continental Baths, the Mineshaft sex club, and the legendary Paradise Garage became part of a musical revolution that transformed popular culture. Joining them is Lucas Hilderbrand, Professor and Chair of Film and Media Studies at UC Irvine and author of the groundbreaking book The Bars Are Ours: Histories and Cultures of Gay Bars in America, 1960 and After (Duke University Press, 2023). Together, they trace the fascinating connections between New York's underground gay scene and the rise of legendary DJs like Larry Levan and Frankie Knuckles, while uncovering how these same spaces launched the careers of mainstream superstars, including Bette Midler and Barry Manilow. From intimate bathhouses to pulsing dance floors, discover how gay culture didn't just influence disco—it created it. The conversation also touches on Hilderbrand's companion archival project, The Bars Are Archived: Primary Sources for Gay Bars in America, which is available through Alexander Street's Queer Pasts collection. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the fifth episode of Season Two of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with the legendary DJ Nicky Siano. The history of dance music in 1970s New York is synonymous with the life and work of Siano. He was among the early attendees of David Mancuso’s Loft dances, where he learned to organize parties and DJ for an audience. Siano transposed Mancuso’s informal gatherings to a proper discotheque called The Gallery (1972-1977,) which he co-owned and DJed. At The Gallery, Siano pioneered techniques such as beatmatching, EQing, and using three turntables to fashion a proto-disco sound through his preferred selection of funky soul and R&B records, inspiring a host of celebrated figures like Larry Levan and Frankie Knuckles. The Gallery was a seminal 1970s nightclub that laid a blueprint for iconic New York clubs like the Paradise Garage and Studio 54. Siano is perhaps most well-known for DJing and being fired from Studio 54 for his unconventional methods. For Siano, music was more than pleasure. It was a source of empowerment, a refuge, and spiritual salve that has enabled him to persevere and thrive as a DJ in New York during the Seventies and beyond. In this conversation, Siano illustrates the power of music that animated his involvement as an activist in the Stonewall riots. As a DJ, Siano has maintained his belief in the capacity of music to bring people together, despite social differences, and as a healing force during the AIDs era. In this conversation, Siano traces his evolving romance with music, echoing his enduring salvo: Love is the Message. The title of this episode draws from a memoir that Nicky Siano is currently authoring, I, DJ: Stonewall to Studio 54. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

TransGenre (Cambridge UP, 2025) is a reconsideration of genre theory in long-form fiction through transgender minor literature in the US and Canada. Using four genre sites (the road novel, the mourning novel, the chosen family novel, and the archival novel), this Element considers how the minoritized becomes the minoritarian through deterritorializing generic conventions in fiction to its own ends. In so doing, TransGenre proposes narrative reading practices as strategies of the minor to subvert, transgress, and reappropriate the novel's genealogy and radical future prospects. A range of fiction published in the last decade is deployed as largely self-theorizing, generating its own epistemological, thematic, and formal innovations and possibilities, revealing cisheteronormative underpinnings of generic categories and turning them in on themselves. Aaron Hammes holds a PhD in English from the CUNY Graduate Center, and was most recently the Virginia and Walter Nord Postdoctoral Fellow in the Humanities at Case Western Reserve University. Dr. Hammes has published on sex work, transgender literature, and prison abolition in South Atlantic Review, Women’s Studies Quarterly, the Routledge Handbook of Transgender Literature, Journal of Feminist Scholarship, and GLQ. Their first monograph, TransGenre, (Cambridge, 2025) is an exploration of genre theory and contemporary transgender minor literature. Atalia Israeli-Nevo is an anthropology PhD student at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

How and why did public opinions about gay marriage shift? In his new book, The Gay Marriage Generation: How the LGBTQ Movement Transformed American Culture (New York University Press, 2018), Peter Hart-Brinson explores this question and more through public opinion data and interviews with two generations of Americans. By using these mixed methods of analysis, Hart-Brinson dissects generational change of attitudes toward gay marriage through interpretive, historical, and demographic analyses. This book contributes to the literature by building upon previous work and moving the discussion of generational change and attitudes forward. Concepts that are important for the book include differences between orientation and attraction, a difference in how the two generations Hart-Brinson interviewed speak about gay marriage. This book is accessible to a wide audience and will be of interest to family and public opinion scholars, as well as anyone interested in public attitudes or gay marriage specifically. This book would be a great addition to any graduate level course on families, as it gives a solid background of the history of the LGBTQ movement as well as attitudes shifts toward gay marriage.Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility. Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley’s The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy. Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022) Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Socialist Subjectivities: Queering East Germany under Honecker (University of Michigan Press, 2025) works within the logics of queer time to reanimate East German subjectivities in the 1970s and 1980s beyond the narrative of the German Democratic Republic’s long march towards demise. While East Germany certainly ended in dissolution, not all East Germans experienced late socialism in a singular manner. Rather, even after a generation of building socialism, East Germans under Honecker continued to pursue a range of socialist presents and a multiplicity of socialist futures up to and beyond 1989. This edited volume utilizes queer temporalities to interrogate how individuals lived non-normative possibilities in a highly normative world. Whether one was an apparatchik, artist, or alcoholic, the everyday interactions, experiences, and rituals of late socialism proved crucial to establishing the conditions around which subjecthood was constructed. Despite stereotypes of apathy and inertia, East Germans lent a considerable dynamism to their society, and by generating a cacophony of opinions and a heterogeneity of ideas, they constantly transformed state socialism. By foregrounding socialist subjects and the iterative nature of socialism during these decades, this volume paints a richer portrait of East Germany—one that illuminates how East Germans imagined their futures in a society whose collapse they could not foresee. Scott Harrison (he/him) is a historian of modern European and global histories with a focus on LGBTQ+ histories. Scott is an award-winning educator of student-centered teaching in both secondary education and higher education. He currently works as a social studies teacher in the greater Boston area. Katharine White (she/her) is a historian of modern German history. Her research interests include German history in transnational perspective; international youth culture in the long-1960s; and the antecedents to and long-term impacts of Nazism globally. Katharine currently works in the museum-world of Washington DC while maintaining an active research agenda. Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies