the memory palace

Notes Nearly all the research for this one comes straight out of the highly-readable, Cap’n George Fred, G.F. Tilton’s 1925 autobiography. I got my copy at a used bookstore for $11. It’s easy to find on eBay and Amazon and whatnot. Totally money well spent. Music * First up is Lacrymae by Melodium. * Then we mix in Every Mournful Breath by Slow Meadow * Meeting the Neighbors from Marcelo Zarvos’ score to the delightful, Please Give, makes a return appearance. * There’s Steve Reich’s “Music for Pieces of Wood,” as performed by Smoke and Mirrors Percussion Ensemble. * Yes, that’s Immigrant Song, from Zeppelin III. * There’s a bit of Frost Trees from Lalo Schifrin’s extraordinary score to The Fox, from 1967. * End credits, as always, is Wien, by La Bradford. Buy their music, please. Learn about your ad choices: dovetail.prx.org/ad-choices

Music * Julia Rovinsky plays Phillip Glass’ Metamorphosis I, from her album Dusk. * There’s an excerpt from Paul Drescher’s “Casa Vecchia,” from the Mirrors: Other Fire album. * There’s a chunk of Jose Gonzalez’ “Instrumental” from his Stay in the ShadeEP. * “Manny Returns Home” from Bernard Hermann’s score to The Wrong Man. * Branka Parlic plays Philip Glass’ “Mad Rush.” Twice. * “Quiet Fan for SK,” by P.G. Six. * Things get heavy to “Particles of the Universe (Heartbeats)” from Dan Romer and Ben Zeitlin’s score to Beasts of the Southern Wild. Notes There’s a lot written about Robert Smalls, with a lot of contradictory information. I found Edward A. Miller’s Gullah Statesman: Robert Smalls from Slavery to Congress particularly useful to sorting it all out. Some other sources I consulted while researching this piece: * The Negro’s Civil War: How American Blacks Felt and Acted During the War for the Union by the Don, James McPherson * From Slavery to Public Service: Robert Smalls, 1839-1915, by Okon Uya. * And, for what it’s worth, Robert Smalls: The Boat Thief from RFK Jr.’s American Heroes Series is an enjoyable and surprisingly thorough version of the story for young readers, if you’re ever looking for that sort of thing. Learn about your ad choices: dovetail.prx.org/ad-choices

Music * We start off with Wien, by Labradford. * The guys head out to the work site to Piano 3, from Jon Brion's score to Synecdoche, New York. * Then we hear a bit of Metamorphosis by Vladamir Ussachevsky before being bombarded with bits of Fast Pasture by Todd Reynolds. * There's a long stretch of Fog Tropes by Ingram Marshall * Followed by Fragment I by Library Tapes * Before ending on Berceuse, by Alexandra Sileski. Notes * This is a story I've been wanting to do forever. In fact, falling in love with the story of the Brooklyn Bridge was one of the things that sent me on a path to doing The Memory Palace at all. So, most of this stuff I just kind of already knew. But it was a particular pleasure to go back and read David McCullough's masterful, lovely The Great Bridge. And to read a ton of contemporary accounts of its construction, particularly the New York Time's piece where the reporter heads down into the Brooklyn Caisson. Learn about your ad choices: dovetail.prx.org/ad-choices

A special episode of the Memory Palace commissioned by the Metropolitan Museum of Art to coincide with the opening of Rockefeller-Worsham Dressing Room in Gallery 742 of The American Wing and with Artistic Furniture of the Gilded Age, an exhibition open now through May 1st, 2016.   This piece is ideally consumed on site, in Gallery 742 at The Metropolitan Museum of Art. Written and Produced by Nate DiMeo of [The Memory Palace.](thememorypalace.us) Musical score by Jimmy LaValle of The Album Leaf. Executive Producer, Limor Tomer, General Manager of Concerts & Lectures, The Metropolitan Museum of Art Learn about your ad choices: dovetail.prx.org/ad-choices

Music* Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score.* First up is one of my very favorite recordings of all time: Andromeda from Chris McGregor's Brotherhood of Breath. One of the finest bands ever assembled. * The sailors get grumpy to Sito from Pierre Favre and the European Chamber Ensemble. (The end drum loop comes from that piece too). * The guys run off to save the day to Edgar Meyer and Mark O'Connor doing the Green Groves of Erin.* That turns into, In Threes by Loscil. Notes* Some of the details in here originate from a fine piece that appeared in the Saturday Evening Post in May of 1944. You can read it here.* Other solid write ups: From The Book of New York The U.S.C.G. The Fire-fighter's Museum Learn about your ad choices: dovetail.prx.org/ad-choices

Music * Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score. * They first meet to a piece called Brouillard (version 1) from Georges Delaure's extraordinary score to Jules et Jim. (A second version comes in later when J.J. Audubon is living the high life in England). * We also hear Waltz by Mother Falcon. * I go back to the Marcelo Zarvos/Please Give well when the Scotsman arrives at their store. Note: it's the go-to soundtrack for "People Arriving at One's Store With A Life Changing Proposition" here at the Memory Palace. Also: go watch Please Give. * The little piano piece is from Nathan Johnson's score to The Day I Saw Your Heart. * Lucy and John titter like plovers to Andrew Cyrille's dope, skittering drums on Nuba 1. * The especially sad bit, right before the end is Dream 3 (in the Midst of my Life), from Max Richter's giant, From Sleep album. * A couple times, including the ending, we hear "the Lark Ascending" from Ralph Vaughn Willliams. It is beautiful. You should buy it. Notes As per usual, I read a lot about the Audubons and the Bakewells. I relied most upon the charming and smart, On the Road with John James Audubon by Mary Durant, and Carolyn DeLatte's lovely, thoughtful book, Lucy Audubon: a Biography. * Just a quick note: there's a very enjoyable PBS/American Masters/Nature documentary about Audubon. It's a fun and informative watch. But, I'll say, you come out of that thinking that things were fundamentally swell between Lucy and John in a way that I'm not entirely sure is supported by the facts. Or jibes with, you know, human nature. Learn about your ad choices: dovetail.prx.org/ad-choices

It's fundraiser time! Do you enjoy the Memory Palace? Do you want to support independent media? Then support the home of the Memory Palace, Radiotopia. Click here and become a sustaining supporter and help keep us going for a long time to come! Music* Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score.* First bit is called Steep Hills of Vicodin Tears by A Winged Victory for the Sullen from their self-titled album. * A brief bit of Occam II for Violin by Silvia Tarrozi scores the shuttle accident (non-NASA category). * We've got Eloy by Deaf Center. * Finish out with Call from Julianna Barwick's album Pacing. Notes* There's no, proper, grown-up biography of Margaret Knight (as far as I've been able to locate). Though there are a handful of kid's books of varying degrees of charm and accuracy. She does pop up in a fair amount of "Lady Inventors!!!" collections. I read a bunch of these, but I want to single out one for its rigor: Autumn Stanley's Mothers and Daughters of Invention. Learn about your ad choices: dovetail.prx.org/ad-choices

It's fundraiser time! Do you enjoy the Memory Palace? Do you want to support independent media? Then support the home of the Memory Palace, Radiotopia. Click here and become a sustaining supporter and help keep us going for a long time to come! Music* Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score.* First up is "Adultere bourgeoise," a piece from Paul Misraki's score to A Double tour.* Then we've got a piece called "Night Time Talk" by Stephen J. Anderson. * We hit For the Trees by Matmos a couple of times (the bit after: "the facts were these," or whatever I say)* Frank Durr's theme is P from that first LaBradford album, all those years ago. * The score for the House of Butterflies is called Fragment II by Library Tapes. It comes back again toward the end.* We also hear Invidia, by Deadmaus. That's the one we finish on. Notes* Several essays were very helpful in researching this. Among those were: -http://pittmed.health.pitt.edu/jan_2001/butterflies.pdf-http://www.thenation.com/article/secret-history-lead/-http://www.wired.com/2013/01/looney-gas-and-lead-poisoning-a-short-sad-history/* I found William J. Kovarik's Dissertation, The Ethyl Controversy:How the News Media Set the Agenda for a Public Health Controversy over the use of Leaded Gasoline, 1924-1926, completely fascinating. * I relied on a number of papers from the W.H.O. when researching the health effects of lead and ozone depletion.* Here's the New York Times original expose about the House of Butterflies.* Finally, Thomas Midgely, IV's biography of his grandfather, From the Periodic Table to Production: The Life of Thomas Midgely, Jr., inventor of Leaded Gasoline and Freon Refrigerants, is, while unsurprisingly hagiographic, both well-researched and highly readable. Learn about your ad choices: dovetail.prx.org/ad-choices

It's fundraiser time! Do you enjoy the Memory Palace? Do you want to support independent media? Then support the home of the Memory Palace, Radiotopia. Click here and become a sustaining supporter and help keep us going for a long time to come! Music*Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score.*The piece opens with Rainfall, by David Darling and Michael Jones. *Her brief love story is scored by Nathan Johnson's Penelope's Theme from his score to The Brothers Bloom.*When she lands her first gig, we start Garde a Vue, and roll into Le Roi de coeur, from Chantal Martineau.* The vibraphone piece is "Opening" by Nathaniel Bartlett. * The recurring violin piece is called Geometria del Universo by the one-named Colleen. * It ends on Romain's First Love, again by Georges Delarue, from his fantastic score to Promise at Dawn. Notes* I read a lot about Mary, but by far the most useful and most thorough works I came upon were: Sharon M. Harris' Dr. Mary Walker: An American Radical and A Woman of Honor: Dr. Mary E. Walker and the Civil War, in which author Mercedes Graf does a great job walking the reader through Walker's unpublished memoir. Learn about your ad choices: dovetail.prx.org/ad-choices

The finale of the 2015 Summer Season.     Music * Under the credits is Harlaamstrat 74 off of John Dankworth's Modesty Blaise score. * There's Branches, by Keith Kenniff * Then The Big Ocean, from Ben Sollee's score to Maidentrip.  * Then End of the World from Dan Romer's score to Beasts of the Southern Wild.  * There's The Sage, pulling once more from the dope-as-hell self-titled album from the Chico Hamilton Quintet. * There's a loop pulled from Worm is Green's song, Brand New Day * There's The Light, from my pal Jimmy's wonderful project, The Album Leaf. Go buy their albums.  * The piece at the end is the theme to Charlie Countryman from Christophe Beck's score. * Oh: stuff gets heavy to Ghosts I from Nine Inch Nails. * And finally (though out of order), playing over the fall-out from JFK's death is Now by Goldmund.            Notes A selected bibliography.   * We Could Not Fail: The First African Americans in the Space Program, by Richard Paul and Steven Moss * Voices of Contemporary and Historical Black Pioneers, Farmer & Shepard-Wynn, editors * The Right Stuff, by Tom Wolfe * Distinguished African Americans in Aviation and Space Sciences, by Gulbert, Sawyer, a… Learn about your ad choices: dovetail.prx.org/ad-choices