the memory palace

Show Notes Nate DiMeo was the Metropolitan Museum of Art's Artist in Residence for 2016/2017. He produced eight pieces inspired by the collection and by the museum itself. This is the eighth episode of that residency. This residency is made possible by the Metropolitan Museum of Art’s Chester Dale Fund. This episode is written and produced and stuff by Nate DiMeo with engineering assistance from Elizabeth Aubert. Its Executive Producer is Limor Tomer, General Manager Live Arts, The Metropolitan Museum of Art. This episode was produced in collaboration with composer, Mary Lattimore. Artwork Discussed The Henry R. Luce Center for the Study of American Art. Music The music in this piece was composed and performed by Mary Lattimore. Learn about your ad choices: dovetail.prx.org/ad-choices

The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. SPOILERS AHEAD Music We start with Moonlight by Masayoshi Fujita. We hear a couple from Warren Ellis: Piece 3 and Lala's Theme. We hear Paranoid and Credits 2 from the score to Christine. And Junkman's Song by Stark Reality. Notes There's a succinct, well-written telling of the ins and outs of Elmer's life and after-life in Christine Quigley's Modern Mummies: The Preservation of the Human Body in the 20th Century. I also enjoyed The Career of Elmer McGurdy, Deceased, by Basgall and Arthur. Learn about your ad choices: dovetail.prx.org/ad-choices

The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows.  Music Max Och's Ain't Nobody High Raga. Frog's Eyes by Evan Ziporyn Cooped up at Home with a Fever and a Tape Loop, by Lullatone Medieval Waters, from Carter Burwell's score to In Bruges. Frost Trees, from Lalo Schifrin's score to The Fox Notes By far my favorite and the most thorough examination of the Pow Wow I came across was actually Disney Historian Todd James Pierce's three (!) part series about the incident on his podcast Disney History Institute. Learn about your ad choices: dovetail.prx.org/ad-choices

This piece was originally released a few days after the shooting deaths of 49 people at the Pulse Nightclub in Orlando, Florida. It is re-released here on the second anniversary of the event.  If you are so moved, please donate to any of these charities: Equality Florida. Human Rights Campaign. Everytown for Gun Safety.   Trans Lifeline Learn about your ad choices: dovetail.prx.org/ad-choices

The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. This episode was produced as part out or "Doing Time" series, where each show across the network tackles the same theme. Go listen to the other contributions  at Radiotopia.fm. Notes The most comprehensive book about Rose has to be Ann Blackman's Wild Rose: The True Story of a Confederate Spy. I also found an old book, Rebel Rose: Life of Rose O'Neale Greenhow, Confederate Spy, by Ishbel Ross particularly useful (if pretty rah-rah Confederacy, which gets kind of intense). Rose's memoir is very readable, too. Music Marnie, from Bernard Hermann's score Don't Worry, by Zoe Keating Debut, by Christopher Ferreira El cascabel de plata, by Federico Durand Technology, by Gareth Dickson Longest Road, by Gaussian Curve Troubles, by Sylvain Chauvau Compesicion en Rojo, by Bernardo Bonezzi Learn about your ad choices: dovetail.prx.org/ad-choices

Nate DiMeo is the Metropolitan Museum of Art's Artist in Residence for 2016/2017. He is producing ten pieces inspired by the collection and by the museum itself. This is the sixth episode of that residency. This residency is made possible by the Metropolitan Museum of Art’s Chester Dale Fund. This episode is written and produced and stuff by Nate DiMeo with engineering assistance from Elizabeth Aubert. Its Executive Producer is Limor Tomer, General Manager Live Arts, The Metropolitan Museum of Art. Special thanks to Jimmy LaValle and Mark Kozelek. The Art Discussed Gallery 719, the Alexandria Ballroom. Music  The piece features excerpts of two, instrumental outtakes from Ceiling Gazing from Mark Kozelek and Jimmy LaValle's album, Perils from the Sea. California Dawn and Mountain Path from WMD. An instrumental version of Retune by The Range.   Learn about your ad choices: dovetail.prx.org/ad-choices

The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Music We hear a bunch of Ryland, by Julian Lage off his World's Fair LP. We hear the Flamingos do Where or When. We hear Chilly Gonzalez' Salon Salloon And finish out on Small Memory by Jon Hopkins Notes There's a bunch out there about the Camel Corps. You'll have fun Googling around. But some of the best details in here, including the remarkable thing about the Red Ghost, comes from this article from a 1961 issue of American Heritage.  Learn about your ad choices: dovetail.prx.org/ad-choices

Music, Footnotes & Ephemera The Memory Palace is a proud member of Radiotopia, from PRX, a curated network of extraordinary, story-driven shows. Music We start out with some of Pound for Pound from The Bad Plus Go to Waltz by Mother Falcon Into the Light by Marisa Anderson With Everything that Breathes by Greg Haines Day One Four by F.S. Blum and Nils Frahm Andrew Cyrille, Jimmy Lyons, and Jeanne Lee do Nuba And then Davis S. Ware does Mikuro’s Blues, which I’ve loved for a long time. Learn about your ad choices: dovetail.prx.org/ad-choices

This episode was originally released in August of 2015. It was re-released upon hearing that the city of New Orleans has begun the process of removing four monuments to the confederacy and post-civil war era, starting with an obelisk erected in 1891 honoring members of the Crescent City White League who suppressed the African American vote through violence and intimidation and who launched a failed military overthrow of the city’s elected government and integrated police force in 1874. Music * First up (and returning at the end) is Sandra's Theme, from Heather McIntosh's fantastic score to Compliance, a very good, very disturbing movie. * We hit Frank Glazer leading Charles Ives' Largo for Clarinet, Violin and Piano a couple of times, framing... * Runaway from Olafur Arnalds. Notes: *The key to researching this episode turned out to be an article in The Journal of Southern History from 2001 by Court Carnay called, "The Contested Image of Nathan Bedford Forrest.". * Also particularly useful was Nathan Bedford Forrest: a Biography, by Jack Hurst. * As was Lynching in America: A History in Documents, compiled by Christopher Waldrep. * Much of my information about the contents of the ceremony and speeches was gathered from this, the digitized journal and scrapbook of Charles Henry Niehaus, the sculptor of the monument. It's an extraordinary resource. * And let us all read Southern Horrors: Lynch Law in All its Phases, by Ida B. Wells. And let's put her on the $10 while we're at it. Learn about your ad choices: dovetail.prx.org/ad-choices

Nate DiMeo is the Metropolitan Museum of Art's Artist in Residence for 2016/2017. He is producing ten pieces inspired by the collection and by the museum itself. This is the fifth episode of that residency. This residency is made possible by the Metropolitan Museum of Art’s Chester Dale Fund. This episode is written and produced and stuff by Nate DiMeo with engineering assistance from Elyssa Dudley and research Assistance from Andrea Milne. Its Executive Producer is Limor Tomer, General Manager Live Arts, The Metropolitan Museum of Art. The Art Discussed * The Temple of Dendur. Music * As Much as Possible by Bing & Ruth. * Parcel by Melanie Velarde. * Field Hymn by Syrinx. * Wawa by the Ocean by Mary Lattimore. * Turning 16 and Trading Flags by Ben Sollee. Learn about your ad choices: dovetail.prx.org/ad-choices