New Books in Science, Technology, and Society

Zograscope. Say it with me: zograscope. ZooooOOOOOoooograscope. There are many optical wonders in Maki Fukuoka’s new book The Premise of Fidelity: Science, Visuality, and Representing the Real in 19th-Century Japan  (Stanford University Press, 2012), the zograscope not least among them. The book opens with Fukuoka’s account of stumbling upon a manuscript of a botanical work called the Honzo shasin (1826) while on a trip to Leiden to see a Japanese zograscope, a device that enhanced the sense of depth when looking through it at otherwise flat pictures. Much of the book centers on the history and work of a small community of nineteenth-century scholars called the Shohyaku-sha, the group that produced the Honzo shashin and were interested in the study of materia medica. This focused case study allows Fukuoka to simultaneously stay anchored while opening up to an expansive history of transformations in modes of understanding visuality and evidence of knowledge of the natural world in Tokugawa Japan. As the book guides readers through the changing meanings of the word shashin, a term used to mean “photography” in contemporary Japanese, it demonstrates how knowledge of the spheres of textual knowledge, visual illustration, and physical plant specimens mutually reinforced one another while practitioners of the visual arts sought to define and secure relationships of “fidelity” among these very different media. This fundamentally trans-disciplinary book offers much of interest to historians of East Asia, of science, and of art: histories of public exhibitions, of natural history, of photography, of anatomical dissection, of translation and typography, and much more can be found within the pages of The Premise of Fidelity. And if I haven’t already mentioned it, there’s also a zograscope. What more reason would you need to read it? Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

It’s getting warmer, there ain’t no doubt about it. What are we going to do? Most folks say we should cut back on bad things like carbon emissions. That would probably be a good idea. The trouble is we would have to cut back on all the good things that carbon emissions produce, like big houses, cool cars, and tasty food imported from far-away places. We don’t want to do that. So what’s a global citizen to do? One idea is to take control of the environment, engineering-wise. Why cut back when we can simply manage the carbon-cycle a bit like we manage the climate in hothouses? In Earthmasters: The Dawn of the Age of Climate Engineering(Yale UP, 2013), Clive Hamilton surveys the proposals big-thinking engineers have dreamed up to control the carbon-cycle on a truly massive scale. Some are wacky, others less so, but all are, well, very bold. Does any of it make sense? Can any of it be done? Hamilton investigates. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

“The humans are dead.” Whether or not you recognize the epigram from Flight of the Conchords (and if not, there are worse ways to spend a few minutes than by looking here, and I recommend sticking around for the “binary solo”), Dominic Pettman‘s Human Error: Species-Being and Media Machines (University of Minnesota Press, 2011) will likely change the way you think about humanity, animals, machines, and the relationships among them. Pettman uses a series of fascinating case studies, from television programs to films to Sufi fables to pop songs, to explore the notion of Agamben’s “anthropological machines” and the human being as a “technospecies without qualities” in a modern mediascape that includes Thomas Edison’s film Electrocuting an Elephant, Werner Herzog’s Grizzly Man, and the interplanetary soundscape created by NASA (among many, many others). We recently gathered over Skype to talk about some of the major thematic and argumentative threads snaking through this book and Pettman’s recent exploration of totems in Look at the Bunny: Totem, Taboo, Technology (Zero Books, 2013). Both books take on the varied ways that love, technology, identity (both human and not), and economies have been transformed in a world that includes pacifist Orcs, voices without bodies, ecologies without nature, reptile-doctors, and pixelated lovers. Enjoy! During our conversation, Pettman mentions a film about the zigzag totem that can be found here. Cabinet Magazine, which also comes up in the course of our conversation, can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

There are pigeons, cats, and Martians here. There are CT scanners, dentures, computers large enough to fill rooms, war games, and neural networks. In Biomedical Computing: Digitizing Life in the United States (Johns Hopkins University Press, 2012), Joe November mobilizes this ecology of instruments and objects, people and programs, in a story that maps out the early years of the introduction of computers to biology and medicine from 1955 to 1965. As computing technology was gradually integrated into different spaces of biomedicine that were characterized by agents with very different agendas (a set of processes not without significant contestation), biomedicine and computing transformed one another. Life itself was changed as a result, as the objects of biomedical computing were translated into the kinds of system-entities that computers could describe. The historian of technology who reads November’s book will find fascinating stories of machines like LINC, ENIAC, and UNIVAC. The historian of science will find accounts of the ways that military funding shaped the computerization of biomedicine, windows into the mid-century work supported by the NIH, stories of the transformation of diagnostic medicine in the US, and chapters from the history of crystallography and molecular biology. The historian of networks and computing will find analyses of the importance of operations research, expert systems, and transdisciplinary research practices to the work of some of the central figures in the history of the computational sciences. In addition to all of this, November’s book can also be read as a history of the modern personal computer. (There are also men in RNA-themed neckties sprinkled throughout the early part of the story.) Enjoy the interview, and imagine as you listen that you’re here with me at the National Humanities Center, Skyping with Joe as a thunderstorm booms overhead, rain falls loudly outside the window, and brilliant humanities scholars share excited conversation about their work outside the door. It was a special afternoon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

History is in many respects the story of humanity’s quest for transcendence: to control life and death, time and space, loss and memory. When inventors or companies effectively tap into these needs products emerge that help define their times. The Kodak ‘Brownie’ allowed average consumers – without the knowledge of chemistry or math of a Matthew Brady – to capture powerful images. Ford’s Model T gave the ‘working man’ the ability to travel further and faster than wealthy aristocrats of previous generations. The Timex watch made time accessible to anyone with a few bucks, whether they had interest in philosophical debates about the meaning of time or not. The Glock handgun is on this list of iconic products and while it did not democratize deadly force like the AK-47 it has made its own mark on the American psyche. The Glock has become the standard bearer for American handguns, placing it at the center of some of the most important conflicts of our times from gun control to globalization. It was initially invented for the Austrian army, but its many innovations and the growing belief that American cops were outgunned by criminals made it first popular with law enforcement, and then later with gun enthusiasts of all types. Tupac Shakur praised the Glock and was later murdered with one. Municipalities railed against the Glock then later helped flood the streets with them. Paul Barrett‘s Glock: The Rise of America’s Gun (Broadway, 2013) is the story of a gun, but in a nation of 300 million guns, it tells a much larger story. Paul was kind enough to speak with us. I hope you enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In The Psychophysical Ear: Musical Experiments, Experimental Sounds, 1840-1910 (MIT Press, 2013), Alexandra Hui explores a fascinating chapter of that history in a period when musical aesthetics and natural science came together in the psychophysical study of sound in nineteenth century Germany. Though we tend to consider the performing arts and sciences as occupying different epistemic and disciplinary realms, Hui argues that the scientific study of sound sensation not only was framed in terms of musical aesthetics, but became increasingly so over time. The book traces a series of arguments by practitioners of the study of sound sensation as they sought to uncover universal rules for understanding the sonic world: How much epistemic weight ought to be placed on the experiences of an individual listener? What sorts of expertise were relevant or necessary for a sound scientist’s experimental practice? Did musical training matter? Was there a proper way to listen to music? The Psychophysical Ear follows sound scientists as they grappled with these and other questions, struggling with the consequences of understanding the act of listening as a practice that was fundamentally grounded in particular historical contexts as phonographic technology and the increasing number of performances of non-Western music in Europe were transforming the sonic world of Europe. Hui’s story often involves the reader’s own sensorium in the story, urging us to imagine or play sequences of musical notes that prove crucial to some of the arguments of the actors in the story. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Nicholas Popper‘s new book is a thoughtfully crafted and rich contribution to early modern studies, to the history of history, and to the history of science. Walter Ralegh’s History of the World and the Historical Culture of the Late Renaissance (University of Chicago Press, 2012) takes readers into the texture of Walter Ralegh’s masterwork and the textual and epistemic practices through which he used the past to understand and offer counsel on the events of the present. Ralegh passed seven of his many years of incarceration in the Tower of London excerpting, rearranging, editing, and recopying passages from his 500+ volume library to produce a book that has been read and interpreted in many different (and sometimes conflicting) ways in the hundreds of years since its initial printing. Popper’s book uses a very focused account of the texture of this single book as a basis from which to offer a wonderfully expansive account of the practices of history in the Renaissance, and the ways that Ralegh’s work and associated practices of historical analysis ultimately transformed European politics, religion, and scholarship. Along the way, there are fascinating accounts of the origins of the modern archival mode of historiography, the differences between causal and narrative accounts of the past, and the many ways that early modern historical practices were inextricable from scriptural exegesis. Popper’s study is both inspired by the methods and insights of the historiography of science, and offers a way to think about the practices of knowledge-production that help identify what we’re talking about when we talk about early modern “science.” Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

The story starts on a high-speed train and ends with six men in a crater, with hundreds of years and a number of explosions in between. Sean Cocco‘s rich new book uses Vesuvius as a focal point for exploring the histories of natural history, travel, observation, imaging, astronomy, and many other aspects of the places and identities of early modern history. Watching Vesuvius: A History of Science and Culture in Early Modern Italy (University of Chicago Press, 2013) pays special attention to the many resonances of emplacement and locality, and to the agency of the Vesuvian landscape, as it explores the continuities and transformations in the seventeenth and eighteenth century volcanic landscape. Volcanology emerged along with Neapolitan identity while volcanoes became emblematic of the south in the writings of European travelers: rumbling, unpredictable, given to heated eruptions. Cocco’s account shows us the beauty of these transformations as they were embodied in paintings, poems, letters, and other media. Scholars and enthusiasts of the urban and political history of Europe will find much of interest here, as will readers interested in the history of vernacular understandings of nature. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

What is alchemy? Who were the alchemists, what did they believe and do and dream, and what did they accomplish? Lawrence M. Principe‘s new book explores these questions and some possible answers to them in a wonderfully written and argued introduction to the history of western alchemy. The Secrets of Alchemy (University of Chicago Press, 2012) traces the genealogy of alchemical practices from their early Greco-Egyptian foundations through early modern chymistry, pausing along the way to reflect on the reinterpretation and refashioning of alchemy from the eighteenth century to the present. Principe’s pages reveal histories of alchemy that are wonderfully rich and diverse, and we meet them in laboratories, recipes, images, dramatic plays, and poems. In the course of our conversation, we talked about aspects of the craft of the alchemist as well as that of the historian, including Principe’s fascinating attempts to recreate alchemical recipes and practices in his own laboratory. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In his compelling and fascinating account of how engineers navigated new landscapes of technology and its discontents in 1960s America, Matthew Wisnioski takes us into the personal and professional transformations of a group of thinkers and practitioners who have been both central to the history of science and technology, and conspicuously under-represented in its historiography. Between 1964 and 1974, engineers in America wrestled with the ethical and intellectual implications of an “ideology of technological change.” Engineers for Change: Competing Visions of Technology in 1960s America (MIT Press, 2012) takes us into the debates among engineers over their responsibilities for crafting a future in a world where nuclear weapons and chemical pollutants were now facts of life, as citizens were rising in support of environmental and civil rights, and in protest of war and violence. Wisnioski introduces us to the changing resonances of and debates over key concepts in the print culture of engineers in mid-century America, key experiments in the pedagogy and training of engineers at major US institutions, and key efforts to promote creativity in the profession by collaborating with artists, social activists, and others. The book situates all of this within a wonderful introduction to the classic historiography of social studies of technology and engineering, and is illustrated with striking images from the visual culture of engineering in the 1960s. Readers interested in how these issues extend into the more recent history of technology will also find much of interest in Wisnioski’s accounts of Engineers Without Borders and the Engineering, Social Justice, and Peace (ESJP) Network. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society