New Books in Science, Technology, and Society

Military Medicine and the Making of Race: Life and Death in the West India Regiments (Cambridge University Press, 2020) by Tim Lockley demonstrates how Britain's black soldiers helped shape attitudes towards race throughout the nineteenth century. The West India Regiments were part of the British military establishment for 132 years, generating vast records with details about every one of their 100,000+ recruits which made them the best-documented group of black men in the Atlantic World. Tim Lockley shows how, in the late eighteenth century, surgeons established in medical literature that white and black bodies were radically different, forging a notion of the 'superhuman' black soldier able to undertake physical challenges far beyond white soldiers. By the late 1830s, however, military statisticians would contest these ideas and highlight the vulnerabilities of black soldiers instead. The popularity and pervasiveness of these publications spread far beyond British military or medical circles and had a significant international impact, particularly in the US, both reflecting and reinforcing changing notions about blackness.R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Blood is messy, dangerous, and charged with meaning. By following it as it circulates through people and institutions, Jenny Bangham explores the intimate connections between the early infrastructures of blood transfusion and the development of human genetics. Focusing on mid-twentieth-century Britain, Blood Relations: Transfusion and the Making of Human Genetics (U Chicago Press, 2020) connects histories of eugenics to the local politics of giving blood, showing how the exchange of blood carved out networks that made human populations into objects of medical surveillance and scientific research. Bangham reveals how biology was transformed by two world wars, how scientists have worked to define racial categories, and how the practices and rhetoric of public health made genetics into a human science. Today, genetics is a powerful authority on human health and identity, and Blood Relations helps us understand how this authority was achieved.Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Linda Colley is a luminary in the fields of British and imperial history, and the Shelby M. C. Davis 1958 Professor of History at Princeton University. Her captivating new book The Gun, the Ship, and the Pen: Warfare, Constitutions, and the Making of the Modern World (Liveright, 2021) narrates a sweeping global history of written constitutions from the 18th to the 21st century. Bold, imaginative, and strikingly original, it challenges established accounts and uncovers the close connection between constitution-making and warfare. Colley brings to the fore historiographically neglected sites and actors, from Catherine the Great to Sierra Leone's James Africanus Beale Horton and Tunisia's soldier-constitutionalist Khayr-al-Din. The monograph focuses on the myriad ways in which constitutions crossed boundaries and intersected with wider political, cultural, and socioeconomic forces in all corners of the globe. By displaying both the emancipatory and the repressive effects of modern constitutions, The Gun, the Ship, and the Pen retells the serpentine story of successful and failed attempts to redefine the functions and limits of state governments.   Vladislav Lilic is a doctoral candidate in Modern European History at Vanderbilt University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In 2013, Egyptian authorities detained a migratory stork for espionage. This incident is the focus of Heba Y. Amin’s The General’s Stork, an ongoing project that investigates the politics of aerial surveillance. It is also the subject of the most recent book in the Research/Practice edited by Anthony Downey.Research/Practice focuses on artistic research and how it contributes to the formation of experimental knowledge systems. Drawing on preliminary material such as diaries, notebooks, audiovisual content, digital and social media, informal communications, and abandoned drafts, the series examines the interdisciplinary research methods that artists employ in their practices. In their often speculative and yet purposeful approach to generating research, what forms of knowledge do artists produce?Anthony Downey, editor of The General's Stork (Sternberg Press, 2020) speaks with Pierre d'Alancaisez about the work of Heba Y. Amin and her exhibition at the Mosaic Rooms, London, which he curated and the epistemic implications of cartographic imaging and computer vision for our understanding and command of territories. Downey also discusses I'm Good at Love, I'm Good at Hate, It's in Between I Freeze, a volume in the series that follows the artist Michael Rakowitz as he attempts to restage a concert by the singer Leonard Cohen that never took place in the occupied Palestinian territory.Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

The American atomic bomb was born in secrecy. From the moment scientists first conceived of its possibility to the bombings of Hiroshima and Nagasaki and beyond, there were efforts to control the spread of nuclear information and the newly discovered scientific facts that made such powerful weapons possible. The totalizing scientific secrecy that the atomic bomb appeared to demand was new, unusual, and very nearly unprecedented. It was foreign to American science and American democracy--and potentially incompatible with both. From the beginning, this secrecy was controversial, and it was always contested. The atomic bomb was not merely the application of science to war, but the result of decades of investment in scientific education, infrastructure, and global collaboration. If secrecy became the norm, how would science survive?Drawing on troves of declassified files, including records released by the government for the first time through the author's efforts, Alex Wellerstein's book Restricted Data: The History of Nuclear Secrecy in the United States (University of Chicago Press, 2021) traces the complex evolution of the US nuclear secrecy regime from the first whisper of the atomic bomb through the mounting tensions of the Cold War and into the early twenty-first century. A compelling history of powerful ideas at war, it tells a story that feels distinctly American: rich, sprawling, and built on the conflict between high-minded idealism and ugly, fearful power. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Earthquakes have taught us much about our planet's hidden structure and the forces that have shaped it. This knowledge rests not only on the recordings of seismographs but also on the observations of eyewitnesses to destruction. During the nineteenth century, a scientific description of an earthquake was built of stories--stories from as many people in as many situations as possible. Sometimes their stories told of fear and devastation, sometimes of wonder and excitement.In The Earthquake Observers: Disaster Science from Lisbon to Richter (U Chicago Press, 2013), Deborah R. Coen acquaints readers not only with the century's most eloquent seismic commentators, including Alexander von Humboldt, Charles Darwin, Mark Twain, Charles Dickens, Karl Kraus, Ernst Mach, John Muir, and William James, but also with countless other citizen-observers, many of whom were women. Coen explains how observing networks transformed an instant of panic and confusion into a field for scientific research, turning earthquakes into natural experiments at the nexus of the physical and human sciences. Seismology abandoned this project of citizen science with the introduction of the Richter Scale in the 1930s, only to revive it in the twenty-first century in the face of new hazards and uncertainties.The Earthquake Observers tells the history of this interrupted dialogue between scientists and citizens about living with environmental risk. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Naturalism as a guiding philosophy for modern science both disavows any appeal to the supernatural or anything else transcendent to nature, and repudiates any philosophical or religious authority over the workings and conclusions of the sciences. A longstanding paradox within naturalism, however, has been the status of scientific knowledge itself, which seems, at first glance, to be something that transcends and is therefore impossible to conceptualize within scientific naturalism itself.In Articulating the World: Conceptual Understanding and the Scientific Image (U Chicago Press, 2015), Joseph Rouse argues that the most pressing challenge for advocates of naturalism today is precisely this: to understand how to make sense of a scientific conception of nature as itself part of nature, scientifically understood. Drawing upon recent developments in evolutionary biology and the philosophy of science, Rouse defends naturalism in response to this challenge by revising both how we understand our scientific conception of the world and how we situate ourselves within it. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In From Music to Sound: The Emergence of Sound in 20th and 21st-century Music (Routledge, 2019), Makis Solomos (Professor of Musicology, University of Vincennes in Saint-Denis “Paris 8”) argues that the 20th century bears witness to a kind of paradigm shift relating to the subject matter of music, a shift “from a musical culture centered on the note to a culture of sound” (5). Crucially, Solomos sets out to track this transformation as a change that is music-internal: that is, one that may be understood with reference to the new aesthetic and cultural forms of particular compositions that put sound at stake. Solomos draws on analysis, listening, and the aesthetic writings of composers themselves to argue for the “emergence” of sound-as-such as a topic of 20th- and 21st-century music, one consequence of the increasing complexity of music since 1900. His first sole-author monograph in English, From Music to Sound is an accessible and engaging entry point into Solomos’s work for an Anglophone audience that draws not only on his long career as a musicologist with extensive experience of contemporary music but also as a specialist in the musical thought of Theodor Adorno and the music of Iannis Xenakis. The book's attention to the contingency of the six themes around which Solomos organises this history—timbre, noise, listening, immersion, the composition of sound as material, and “sound-space”—marks it out not only as a contribution to the history of contemporary music but also to its historiography. Composers and works likely familiar to listeners are marshaled to develop these themes: Russolo, Webern, Schaeffer, Xenakis, Tristan Murail. Its rich selection of music examples provides ample points of departure into the work of composers perhaps less well known to listeners: François-Bernard Mâche, Fausto Romitelli, and Dmitri Kourliandski, among others. Though the principal focus of the book rests squarely on the tradition of Western art music composition, Solomos is careful to acknowledge that this titular transition from “music to sound” is not the exclusive preserve of institutional music culture: examples from recorded rock, jazz, and post-rock help round out the picture by pointing to the role that sound-studio cultures—and, we might say, technique and technics in general—play in the objectification of sound across genre lines.Eamonn Bell (@_eamonnbell) is a postdoctoral Research Fellow at Trinity College Dublin in the Department of Music. His current research project examines the story of the compact disc from a viewpoint between musicology and media studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

What are digital inequalities? In The Digital Disconnect: The Social Causes and Consequences of Digital Inequalities (Sage, 2021), Ellen Helsper, a Professor of Digital Inequalities in the Department of Media and Communications at the London School of Economics, explores the unequal nature of our now digital world. The book introduces the corresponding fields theoretical framework, as a way of blending a huge range of empirical and theoretical material that provides the basis for a global analysis of digital’s relationship to economic, social, and cultural inequalities. Clear, engaging, and easy to follow, the book poses important questions as to who is valued in the digital world, as well as offering lessons for how we might address the causes and consequences of digital inequalities. The book will be essential reading across social science and humanities, and for anyone interested in understanding and changing the digital world.Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

The word ‘data’ has entered everyday conversation, but do we really understand what it means? How can we begin to grasp the scope and scale of our new data-rich world, and can we truly comprehend what is at stake. In Data Lives: How Data Are Made and Shape Our World (Policy Press, 2021), renowned social scientist Rob Kitchin explores the intricacies of data creation and charts how data-driven technologies have become essential to how society, government and the economy work. Creatively blending scholarly analysis, biography and fiction, he demonstrates how data are shaped by social and political forces, and the extent to which they influence our daily lives. He reveals our data world to be one of potential danger, but also of hope.Noopur Raval is a postdoctoral researcher working at the intersection of Information Studies, STS, Media Studies and Anthropology. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society