New Books in Science, Technology, and Society

Artwork as opposed to experiment? Engineer versus artist? We often see two different cultural realms separated by impervious walls. But some fifty years ago, the borders between technology and art began to be breached. In Making Art Work: How Cold War Engineers and Artists Forged a New Creative Culture (MIT Press, 2020), W. Patrick McCray shows how in this era, artists eagerly collaborated with engineers and scientists to explore new technologies and create visually and sonically compelling multimedia works. This art emerged from corporate laboratories, artists' studios, publishing houses, art galleries, and university campuses. Many of the biggest stars of the art world—Robert Rauschenberg, Yvonne Rainer, Andy Warhol, Carolee Schneemann, and John Cage—participated, but the technologists who contributed essential expertise and aesthetic input often went unrecognized.Coming from diverse personal backgrounds, this roster of engineers and scientists includes Frank J. Malina, the American rocket-pioneer turned kinetic artist who launched the art-science journal Leonardo, and Swedish-born engineer Billy Klüver, who established the group Experiments in Art and Technology (E.A.T). At schools ranging from MIT to Caltech, engineers engaged with such figures as artist Gyorgy Kepes and celebrity curator Maurice Tuchman.Today, we are in the midst of a new surge of corporate and academic promotion of projects and programs combining art, technology, and science. Making Art Work reveals how artists and technologists have continually constructed new communities in which they exercise imagination, display creative expertise, and pursue commercial innovation.Mathew Jordan is a university instructor, funk musician, and clear writing enthusiast. I study science and its history, in the hope that understanding the past can help us make sense of the present and build a better future. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In recent years Americans have experienced a range of assaults upon the truth. In The Constitution of Knowledge: A Defense of Truth (Brookings Institution Press, 2021), Jonathan Rauch describes the various ways in which our understanding of truth has come under attack, and the mechanisms that exist to fight back. As Rauch explains, the challenge of determining truth is as old as civilization itself, with the system we use today a product of concepts formulated in the 17th and 18th centuries. Today this system faces an unprecedented challenge created by the digital revolution, which has inverted the social incentives on which the reality-based community depends and fractured reality for millions of people. The consequences of this today can be seen today in both the numerous agenda-driven disinformation campaigns and the coercive conformity of “cancel culture” that challenges diversity of thought. Yet for all of the threats posed to the Constitution of Knowledge, Rauch argues that within it are contained the tools with which people can fight back successfully in order to maintain our social system for turning disagreement into truth. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

From yaks and vultures to whales and platypuses, animals have played central roles in the history of British imperial control. The contributors to Animalia: An Anti-Imperial Bestiary for Our Times (Duke UP, 2020) analyze twenty-six animals—domestic, feral, predatory, and mythical—whose relationship to imperial authorities and settler colonists reveals how the presumed racial supremacy of Europeans underwrote the history of Western imperialism. Victorian imperial authorities, adventurers, and colonists used animals as companions, military transportation, agricultural laborers, food sources, and status symbols. They also overhunted and destroyed ecosystems, laying the groundwork for what has come to be known as climate change.At the same time, animals such as lions, tigers, and mosquitoes interfered in the empire's racial, gendered, and political aspirations by challenging the imperial project’s sense of inevitability. Unconventional and innovative in form and approach, Animalia invites new ways to consider the consequences of imperial power by demonstrating how the politics of empire—in its racial, gendered, and sexualized forms—played out in multispecies relations across jurisdictions under British imperial control.Akash is a historical researcher focusing on the interconnected lives of humans and animals. He studied at McGill University (B.A. History) and Queen’s University (M.A. History), where he researched human-animal relations and transatlantic exchanges in eighteenth-century British culture through his thesis, Animal Ascension: Elevation and Debasement Through Human-Animal Associations in English Satire, 1700-1820 (https://qspace.library.queensu.ca/handle/1974/27991). Contact: 17amo2@queensu.ca Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Turns out "objectivity" has a not-so clear-cut definition across time. In this podcast, Lorraine Daston and Peter Galison to discuss their work, Objectivity (Zone Books, 2010). This work traces the historical and cultural developments of the word “objective” as it acquired different meanings and associated practices. Similarly, they consider the changing relationship of objectivity as it relates to the subjectivity of the researcher, as the “scientific self.” This deep philosophical work, diving into the cultural and historical shifts of epistemology within the past few centuries, is told through atlas making and image generation.In this conversation, we discuss the evolving processes of research and atlas making and how they co-evolved with the fears, virtues, and ideals of the time of their emergence. Additionally, we talk about the role of the self and aesthetics in categorizing and publishing the collections of working objects in atlases. We end looking at the current trajectories of image production as they try to pragmatically predict what's to come. Sarah Kearns (@annotated_sci) is an acquisition editor for an open scholarship publishing platform, a freelance science writer, and loves baking bread. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In Animals as Legal Beings: Contesting Anthropocentric Legal Orders (University of Toronto Press, 2021), Maneesha Deckha critically examines how Canadian law and, by extension, other legal orders around the world, participate in the social construction of the human-animal divide and the abject rendering of animals as property. Through a rigorous but cogent analysis, Deckha calls for replacing the exploitative property classification for animals with a new transformative legal status or subjectivity called "beingness."In developing a new legal subjectivity for animals, one oriented toward respecting animals for who they are rather than their proximity to idealized versions of humanness, Animals as Legal Beings seeks to bring critical animal theorizations and animal law closer together. Throughout, Deckha draws upon the feminist animal care tradition, as well as feminist theories of embodiment and relationality, postcolonial theory, and critical animal studies. Her argument is critical of the liberal legal view of animals and directed at a legal subjectivity for animals attentive to their embodied vulnerability, and desirous of an animal-friendly cultural shift in the core foundations of anthropocentric legal systems.Theoretically informed yet accessibly presented, Animals as Legal Beings makes a significant contribution to an array of interdisciplinary debates and is an innovative and astute argument for a meaningful more-than-human turn in law and policy.Akash Ondaatje is a historical researcher focusing on the interconnected lives of humans and animals. He studied at McGill University (B.A. History) and Queen’s University (M.A. History), where he researched human-animal relations and transatlantic exchanges in eighteenth-century British culture through his thesis, Animal Ascension: Elevation and Debasement Through Human-Animal Associations in English Satire, 1700-1820 (https://qspace.library.queensu.ca/handle/1974/27991). Contact: 17amo2@queensu.ca Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Suzanne L. Marchand's new book Porcelain: A History from the Heart of Europe (Princeton University Press, 2020) balances several histories at once through the story of a single commodity. Rather than a history of art or aesthetics per se—though it certainly touches style and artists— Porcelain is at once a business history of mercantile productions, a history of chemistry at the dawn of modern industry, and a history of aristocratic consumption of porcelain as these stories open into an economic history of globalized markets, as well as a social history of sorts of Central Europe’s fledgling bourgeois and lower-class consumer public. Marchand traces these interlocking stories across three centuries, from the first European firing of porcelain in 1708 under the supervision of Johann Friedrich Böttger to the present day, where contemporary tastes threaten to consign the white tableware of Europe’s past to the flea markets of today. Porcelain in Marchand’s hands acts as something like an objet de memoire, to think of Pierre Nora and other scholars’ work on national histories. One of the book’s many virtues is the sense of Professor Marchand reassembling a continental pattern out of several shards.Porcelain, as Professor Marchand writes, “is a rich and complicated adventure, in which we not only visit lavishly decorated palaces but also linger in blisteringly hot craft workshops and spartan working-class homes. Though actual porcelain objects in all their splendor and strangeness play a central role, the focus is really on the people who made, marketed, and purchased them, whether they were princes, or peddlers, or middle-class housewives.” It is also an attempt to write Central European history in a new way, one that the author hopes will be taken up by other scholars of history and material culture.John Raimo is a PhD. Candidate in History at NYU finishing up my dissertation (on postwar publishing houses) this summer in European history. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Today I talked to Carla Diana about her new book My Robot Gets Me: How Social Design Can Make New Products More Human (Harvard Business Review Press, 2021).Carla Diana is a robot designer responsible for the creative aspects of Diligent Robotics’ new hospital service robot named Moxi. She created and leads the 4D Design masters program at the Cranbrook Academy of Art, wrote the world’s first children’s book on 3D printing, LEO the Maker Prince, and she cohosts the Robopsych Podcast.The author is intrigued by where technology is headed—the “electronic guts” of high-tech offerings--at the same time that she never loses focus on what kind of gut reaction a user will have in interacting with a product. This episode therefore ranges from discussing modalities central to Diana’s work (sound, movement, and lighting) to addressing how important it is for designers and engineers alike to engage in “bodystorming” exercises that align everyone around what the user’s experience will be like. Delight and ease of use are both key criteria in achieving success. If there’s a Frankenstein aspect to helping bring robots “alive,” fortunately Diana is somebody concerned with all the ethical challenges that arise.Dan Hill, PhD, is the author of eight books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). To check out his related “Dan Hill’s EQ Spotlight” blog, visit https://emotionswizard.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In this interview, I talked with Professor Sonia Livingstone about her book Parenting for a Digital Future: How Hopes and Fears about Technology Shape Children’s Lives (Oxford UP, 2020). The book is co-authored with Alicia Blum-Ross who is the Public Policy Lead for Kids & Families at Google. Professor Livingstone is a professor in the Department of Media and Communications at the London School of Economics and Political Science. Her research examines how the changing conditions of mediation are reshaping everyday practices and possibilities for action. She has published 20 books on media audiences, specifically focusing on children and young people’s risks and opportunities, media literacy and rights in the digital environment. Professor Livingstone currently directs the Digital Futures Commission with the 5Rights Foundation and the Global Kids Online project with UNICEF along with various other prestigious affiliations.Najarian R. Peters is an Associate Professor of Law at the University of Kansas and a Faculty Associate at the Berkman Center for Internet and Society at Harvard University. Her research interests and teaching areas focus on privacy and emerging technology. Email her at: npeters@law.harvard.edu or Najarian.peters@ku.edu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Defining the Chief Executive via flash powder and selfie sticks. In this episode, Dr. Lee M. Pierce (they & she) interviews Dr. Cara A. Finnegan about Photographic Presidents: Making History from Daguerreotype to Digital (University of Illinois Press, 2021).Lincoln's somber portraits. Lyndon Johnson's swearing in. George W. Bush's reaction to learning about the 9/11 attacks. Photography plays an indelible role in how we remember and define American presidents. Throughout history, presidents have actively participated in all aspects of photography, not only by sitting for photos but by taking and consuming them. Cara A. Finnegan ventures from a newly-discovered daguerreotype of John Quincy Adams to Barack Obama's selfies to tell the stories of how presidents have participated in the medium's transformative moments. As she shows, technological developments not only changed photography, but introduced new visual values that influence how we judge an image. At the same time, presidential photographs--as representations of leaders who symbolized the nation--sparked public debate on these values and their implications. An original journey through political history, Photographic Presidents reveals the intertwined evolution of an American institution and a medium that continues to define it.Have questions or comments? Connect with your host, Dr. Lee M. Pierce, on social media and Gmail @rhetoriclee or with guest author, Dr. Cara Finnegan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

In this compelling history of the co-ordinated, transnational defence of medical experimentation in the nineteenth and early twentieth centuries, Rob Boddice explores the experience of vivisection as humanitarian practice. He captures the rise of the professional and specialist medical scientist, whose métier was animal experimentation, and whose guiding principle was 'humanity' or the reduction of the aggregate of suffering in the world. He also highlights the rhetorical rehearsal of scientific practices as humane and humanitarian, and connects these often defensive professions to meaningful changes in the experience of doing science. Humane Professions: The Defence of Experimental Medicine, 1876-1914 (Cambridge UP, 2021) examines the strategies employed by the medical establishment to try to cement an idea in the public consciousness: that the blood spilt in medical laboratories served a far-reaching human good. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society